BSS BLU10 Programmable Touchscreen Controller

Discontinued

1,283.40 incl. GR VAT

Out of stock

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The original Soundweb 9010 Programmable Controller set new standards in control interfacing to DSP systems, and has yet to be bettered as a simple yet powerful interface. The Soundweb London equivalent, the BLU-10, builds on that power and reputation by adding touch-screen control to make a more attractive and potentially cost-saving control solution. It is […]

 

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The original Soundweb 9010 Programmable Controller set new standards in control interfacing to DSP systems, and has yet to be bettered as a simple yet powerful interface.

The Soundweb London equivalent, the BLU-10, builds on that power and reputation by adding touch-screen control to make a more attractive and potentially cost-saving control solution. It is possible that a BLU-10 could replace a more expensive proprietary touch screen solution where simpler control interfacing is required.

As with the Soundweb 9010, up to 100 control ʽpagesʼ of virtually any Soundweb London DSP parameter can be constructed, with the ability to create ʽfoldersʼ for nested pages. Access to specific pages or folders can be restricted with the used of password protection, so that only engineers or key employees can adjust critical system parameters.

Each page can hold up to eight different functions and with navigation being carried out entirely by a page list, all of these functions can be assigned to real parameters rather than functioning as page transitions.

Programming the BLU-10

Soundweb users will be familiar with the simple drag-and-drop programming interface, and the BLU-10 interface is very similar. Once the menu pages have been created, operation of the pages can be tested using the special simulation mode, which emulates how the controller will work when in use. This allows menu structures to be checked before the system goes live.

The BLU-10 connects into a Soundweb London network via its Ethernet port, either directly into the rear of a rackmount device such as the BLU-16 with a Cat 5 crossover cable or with a standard Cat 5 cable into an Ethernet switch. The unit is powered either using the terminals on the rear, accepting a range of 12V – 48V DC or with IEEE802.3af Power Over Ethernet (POE).

Mechanical Installation

The BLU-10 mounts in a standard US 3-gang wallbox (available from BSS Audio) using the screws provided with the unit.

Weight 0.50 kg

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BSS BLU10 Programmable Touchscreen Controller removeWORK WDT 24 Wireless digital audio transmitter removeBEHRINGER P16-I INPUT MODULE WITH ANALOG AND ADAT OPTICAL INPUTS removeAPOGEE BIG BEN Digital signal generator removeDBX 520 DE-ESSER MODULE PROCESSOR removeAPOGEE SIOC Electronics Symphony I/O Chassis remove
NameBSS BLU10 Programmable Touchscreen Controller removeWORK WDT 24 Wireless digital audio transmitter removeBEHRINGER P16-I INPUT MODULE WITH ANALOG AND ADAT OPTICAL INPUTS removeAPOGEE BIG BEN Digital signal generator removeDBX 520 DE-ESSER MODULE PROCESSOR removeAPOGEE SIOC Electronics Symphony I/O Chassis remove
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SKUBLU10WDT 24E005330BIG BENDBX 520SIOC
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Description
Content

The original Soundweb 9010 Programmable Controller set new standards in control interfacing to DSP systems, and has yet to be bettered as a simple yet powerful interface.

The Soundweb London equivalent, the BLU-10, builds on that power and reputation by adding touch-screen control to make a more attractive and potentially cost-saving control solution. It is possible that a BLU-10 could replace a more expensive proprietary touch screen solution where simpler control interfacing is required.

As with the Soundweb 9010, up to 100 control ʽpagesʼ of virtually any Soundweb London DSP parameter can be constructed, with the ability to create ʽfoldersʼ for nested pages. Access to specific pages or folders can be restricted with the used of password protection, so that only engineers or key employees can adjust critical system parameters.

Each page can hold up to eight different functions and with navigation being carried out entirely by a page list, all of these functions can be assigned to real parameters rather than functioning as page transitions.

Programming the BLU-10

Soundweb users will be familiar with the simple drag-and-drop programming interface, and the BLU-10 interface is very similar. Once the menu pages have been created, operation of the pages can be tested using the special simulation mode, which emulates how the controller will work when in use. This allows menu structures to be checked before the system goes live.

The BLU-10 connects into a Soundweb London network via its Ethernet port, either directly into the rear of a rackmount device such as the BLU-16 with a Cat 5 crossover cable or with a standard Cat 5 cable into an Ethernet switch. The unit is powered either using the terminals on the rear, accepting a range of 12V - 48V DC or with IEEE802.3af Power Over Ethernet (POE).

Mechanical Installation

The BLU-10 mounts in a standard US 3-gang wallbox (available from BSS Audio) using the screws provided with the unit.

WDT 24 is a wireless transmitter in the operating free band ISM 2.4 GHz, which has been designed to work with the wireless receiver WDR 24, creating a digital audio wireless system.

The transmitter WDT 24 can work with one receiver, or with up to 10 receivers WDR 24, covering a distance of more than 30 metres in open places.

  • Wireless Digital Audio Transmitter System
  • Operating Band ISM 2.4GHz (free band).
  • One transmitter WDT 24 paired with one receiver WDR 24, or one transmitter WDT 24 paired with up to ten receivers WDR 24.
  • GFSK digital modulation/demodulation.
  • External antenna can help to increase the transmission distance.
  • Intelligent Frequency Hoping can help to avoid interference effectively and to ensure the channel quality.
  • Automatic mute in bad channel quality conditions or high error code rate.
  • Transmission distance higher than 30 meters in open places.
  • Up to three transmitters WDT 24 in a zone
  • Balanced XLR and ¼\'\' jack inputs.
  • Working mode: stereo or mono
Power Supply AC 9V-500 mA 50/60 Hz
Frequency 2404-2476MHz
Channel 25
Modulation/Demodulation GFSK
Receive Sensitivity (WDR 24) -84dBm (min.)
Transmitted Power (WDT 24) 6 dBm
Output Level (WDR 24) +13dBu (BAL max.)
Input Level (WDT 24) +5dBu (max.)
Bandwidth >=1.8 MHz
Frequency Response 20Hz - 20kHz, +3dB / -3dB
S/N >80 dB
Dynamic Range @ 1 kHz >90 dB
Crosstalk @ 1kHz >90 dB
THD

Product Features:

    16-channel digital stereo mixer to create your personal monitor mix
    Ultra-intuitive \"analog\" operation with total recall and 16 presets for custom mixes
    State-of-the-art 24-bit D/A converters for premium audio quality
    16 Channel Select buttons with dual LEDs for perfect overview
    Level and Pan/Spread control per channel with LED meter
    3-band EQ per channel with mid-band frequency control
    Solo and Mute functions per channel
    Global Level and EQ controls plus Panic Mute function
    High power and \"drummer proof\" headphones output
    Fully adjustable limiter protects your ears and headphones
    Additional mono/stereo line output to connect your powered monitor
    MIDI IN port for real-time remote control of all channels by external MIDI device such as BEHRINGER BCF2000, BCR2000, etc.
    Standard CAT5e connection delivers power and 16 signals to each Personal Mixers
    ULTRANET connector to daisy-chain up to forty-eight P16-M mixers for large systems (in conjunction with P16-D)
    Ultra-low system latency of less than 1 millisecond
    Powered via external power supply (included) or P16-I / P16-D
    Mounts easily on a mic stand with the P16-MB mic stand mount (not included)
    Extremely rugged construction ensures long life even under the most demanding conditions
    Conceived and designed by BEHRINGER Germany

 User\'s Manual

                    AES, S/PDIF, Optical I/O - Word Clock/Video In - 6 Word Clock Outs
                    Optional X-Video expansion card to provide master video sync generator
                    Realtime format conversion between all digital formats
                    Direct Digital Synthesis (DDS) using Apogee´s C777 Clock Technology up to 192kHz
                    Adaptive Loop Filtering (ALF) to optimize clock performance and minimize jitter
                    Three stage Termination Sensing for each word clock output

                
                INPUTS
                    2 x AES-EBU on XLR 44.1k-192k single-wide and 88.2 k–192k double-wide.
                    S/PDIF optical on TOS-LINK 44.1-48k
                    S/PDIF coaxial on RCA 44.1-192k
                    ADAT 44.1-48k
                    ADAT/SMUX II for 88.2-96k
                    ADAT/SMUX IV for 176.4-192k
                    Word Clock BNC 44.1 –192k
                    Video
                    Optional video sync (X-Video card)
                
                OUTPUTS
                    2 x AES-EBU on XLR single or double wide 44.1-192k
                    S/PDIF coaxial 44.1-192k
                    S/PDIF optical on TOS-LINK 44.1-48k
                    6 x BNC Word Clock 44.1-192k (of which 2 can output 256fs at low sample rates)
                    ADAT
                    SMUX II
                    SMUX IV
                    Optional video sync (X-Video card)
                
                SPECS
                    Sample rates: 44.1/48-88.2-96-176-192 . All +/- 10%
                    Video: PAL/NTSC/60Hz
                    "SuperClock" (256fs)
                    Pull up/down 0.1% and 4% from any sample rate
                    Apogee´s new Ultra Low Jitter C777 clock
                    Three stage termination indicator (under/correct/over) on each
                    Word Clock output:
                    "SureLock" technology for drop out prevention
                    4 digit numeric true sample rate indication
                    Universal power: 15 W 90-250 VAC 50-60 HZ

 

 

Connection:

Any interface with these digital I/O connections:
Word clock, ADAT/SMUX, S/PDIF, AES
         
Operating System:

Mac and Windows    

The dbx 520 will help you expertly tame the excessive sibilance often found in vocals and other high frequency dense material. Based upon the legendary dbx 902, the dbx 520’s unique features make it possible to achieve an exact amount of de-essing regardless of variations in signal levels. The 520 allows you to create brilliant, crisp vocals without sibilance! With its modular 500 Series based design, the dbx 520 examines the differences in dB between the high frequency and full-bandwidth portions of a signal, allowing de-essing of signals which change in level by as much as 60dB. It features a Frequency Control with range from 800Hz to 8kHz, Gain Reduction Metering and a De-essing Amount Range from 0dB to 20dB. Control vocals, drums, percussive instruments and problematic material/reverb combinations with the dbx 520!

The Symphony I/O Chassis from Apogee provides two I/O Module slots for a variety of digital audio conversion options that form the interface side of the Symphony I/O. Elegant and easy to use, the front panel of Symphony I/O Chassis presents the visual feedback needed to monitor levels, sample rate and clock status, along with the controls required to adjust gain, output levels ,and select the Audio Interface Mode (AIM).

The rear panel provides access to the two I/O Module slots that are capable of a combined thirty-two channels of input and output. PCI, USB and Ethernet connectivity ensures complete compatibility with popular workstations, while the panel also includes Wordclock I/O connectors and termination, LoopSynch I/O connectors, and a quiet digitally-controlled fan to keep everything running cool.

The Audio Interface Mode (AIM) allows the system to be optimized for the most popular audio workstation environments, including Symphony PCI, Pro Tools HD PCI, USB audio, or to function as a standalone converter. With a two-step adjustment using a single front panel encoder knob, the interface can be easily switched back and forth between the preferred modes.

The optional five I/O Modules allow the user to choose from standard configurations, or customize the following - channel count, analog to digital input, digital to analog output, microphone preamps (requires an analog card) and digital I/O.

Two input/output module slots Ethernet connector USB 2.0 connector Two Symphony PC-32 ports for direct connection to Symphony 64 PCI card and Pro Tools core card Wordclock I/O and LoopSync I/O Wordclock termination switch Sixteen, 10-segment meters Two multi-function encoder knobs OLED GUI provides function selection and function adjustment and Audio Interface Mode (AIM) selection Two 1/4" headphone outputs 7-segment sample rate display Clock source display Meter source display High-performance, temperature controlled fan  Connectors     2 x 1/4" TRS phone Headphone
2 x Symphony I/O PC-32 Ports
1 x Ethernet
1 x USB
2 x BNC Wordclock I/O
2 x BNC LoopSync I/O
Headphones     THD+N: -105dB @ 19dBu
Dynamic Range: 119dB, A-weighted
Output Impedance: 30Ω
Power Requirements     90~240VAC, 50/60Hz, 150W
System Requirements     Mac OS X 10.5.8 and above
Dimensions (WxDxH)     19 x 11.5 x 3.5" (483 x 292 x 89mm) 
Weight0.50 kg0.50 kg2.10 kg4.00 kg1.00 kg2.50 kg
DimensionsN/AN/AN/AN/AN/AN/A
Additional information
Weight 0.50 kg
Weight 0.50 kg
Weight 2.10 kg
Weight 4.00 kg
Weight 1.00 kg
Weight 2.50 kg

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