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The Soundweb London BLU-BOB1 or "break-out box” offers 8 channels of analog audio output expansion via the Soundweb London high bandwidth, fault tolerant digital audio bus.
This expander features a low latency, fault tolerant digital audio bus of 256 channels which uses standard Category 5e cabling giving a distance of 100m between compatible devices. The BSS Audio MC-1 fiber optic media converter can be used to increase the distance between devices to over 10km (6.2 miles) using single mode fiber.
The BLU-BOB1 output channels are easily configured by six DIP switches located on the rear of the device, which select consecutive channels in groups of eight. This simple configuration allows selection of any 8-channel range from the 256 channels available on the digital audio bus. Output channel assignments are configured by DIP switch selection only. The BLU-BOB1 is not configured by HiQnet™ London Architect.
The 8 analog line level outputs utilize the same terminal block connectors as the other members of the Soundweb London family.
Signal present and power status are clearly displayed by front panel LED indicators.
Two chassis styles are available, the first (BLU-BOB1) is a half rack width, desk or wall mounted version and the second (BLU-BOB2) is a 19” single rack space version with mounting ears for equipment racks. Front panel indication and rear panel connections are identical on both versions.
The BLU-BOB1 break-out box output expanders are powered by a 12V DC adapter which is included with the devices.
The BLU-BOB1 and the other members of the Soundweb London family provide the building blocks of the perfectly tailored system solution.
KEY FEATURES:
- 8 Analog Audio Outputs
- Standard Terminal Block Connectors for Analog
Audio Connections
- DIP Switches for Channel Range Selection
- 256 Channel, Low Latency, Fault Tolerant Digital
Audio Bus
- Clear Front Panel LED Indication
- 12VDC External Power included
- Terminal Block Connectors for Power Connection
- Half Rack Width, Desk Mount or Wall Mount Chassis (BLU-BOB1)
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Κάρτα τεσσάρων εξόδων line για τα BLU-80, BLU-32, BLU-16.
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The dbx 530 Parametric EQ offers a unique degree of equalization flexibility in the popular 500 Series format. Based upon the classic dbx 905, the dbx 530 is an uncompromising equalizer offering true, fully parametric operation of all three filter bands! dbx has a much-heralded history with modular processors dating back to our 900 Series, and the dbx 530 continues that tradition.
The dbx 530\'s overlapping bands each offer control of frequency bandwidth (Q) and up to 15dB of reciprocal cut or boost to provide exact, complimentary filter action for the most demanding of equalization needs. For problem situations requiring the removal of spurious signals, each of the bands can be independently switched into ?infinite notch? mode without affecting the operation of others. In situations where a shelving equalizer will produce better results than a peaking one, the 530’s high and low bands can be independently switched from peaking to shelving operation. You can also make instant affected/bypassed comparisons using the 530\'s ?On? switch.
Load up your 500 Series rack with dbx 530 Parametric EQs and cut your way through mixes like an audio surgeon! |
An elegant slim-line device contains all the functions required by a system for distributing different musical programmes in homes for multi-room sound systems and commercial premises.
Three different musical programmes and one for paging can be transmitted in five mono zones, or alternatively four zones, one of which is in stereo. It is also possible to extend the number of zones to ten using a simple connector to interlink two systems. The system has five amplified 20 W / 4 ohm outputs. For each of the five zones, a direct auxiliary input is available for connecting sources such as CD players or mixers to be used exclusively for one zone/room.
The back-lit display and function keys make it possible to access all the menus for configuring and adjusting the system: Volume, Tone, Loudness, Output settings, VOX.
| Features |
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| 3 Music Source Inputs individually selectable to each output | | One Input Source with Override facility (Jukebox or Auto Announcer) | | 5 zoned outputs (Mono) or 1 Stereo and 3 Mono Output Zones | | Can be expanded interlink of two or more MS520 units | | Inbuilt 20W into 4 Ohms 5 channel Amplifiers (1 Stereo – 3 Mono Option) | | Direct Inputs and Outputs on each zone | | Paging or Alarm Input Override System | | Full Digital Matrix control of functions to all 5 zones | | Up to 10 remote control panels RC 62 can be connected to each MS 520 |
| AMPLIFIER SPECIFICATIONS |
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| Power output: | 5 x 20 | Watt rms | | Frequency Response (Music): | 30 ÷ 45 | Hz ÷ kHz | | Frequency Response (Direct): | 30 ÷ 45 | Hz ÷ kHz | | Frequency Response (Paging): | 200 ÷ 18 | Hz ÷ kHz | | Distortion: | 0.5 | % | | Signal / noise ratio (Music): | -78 | dB | | Signal / noise ratio (Direct): | -78 | dB | | Signal / noise ratio (Paging): | -60 | dB |
| INPUT SECTION |
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| Input sensitivity (Music): | -16 | dBu | | Input sensitivity (Direct): | -16 | dBu | | Input sensitivity (Paging - Line): | - 43 ÷ -27 | dBu | | Input sensitivity (Paging - Mic): | - 58 ÷ -41 | dBu | | Bass Tone: | (100 kHz) ± 8 | dB | | Treble Tone: | (12.5 kHz) ± 8 | dB |
| OUTPUT SECTION |
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| Out level: | -6 / -10 | dB | | Protections: | Short ciurcuit, thermal, AC / DC fuses | | | Power supply: | 16 | V dc |
| POWER REQUIREMENT |
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| Operating voltage: | 220÷240 / 110÷120 V ~ 50 / 60 Hz | V ~ Hz | | Power (consumption): | 370 | W | | Max. Available power: | 100 | W |
| PHISICAL SPECIFICATION |
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| Width: | 438 / 17.24 | mm/inch | | Height: | 44 / 1.73 | mm/inch | | Depth: | 253 / 9.96 | mm/inch | | Net Weight: | 3.66 / 8.06 | Kg/Lbs |
| SHIPPING INFORMATION |
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| Package height: | 75 / 2.95 | mm/inch | | Package width: | 520 / 20.47 | mm/inch | | Package depth: | 280 / 11.02 | mm/inch | | Shipping Weight: | 4.18 / 9.21 | Kg/Lbs |
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The dbx 580 Microphone Preamp is the perfect partner to your microphones, providing sonically-transparent gain that will reveal the detail and audio signature of even the most esoteric microphones. It will transform their low level output signal to a high level, high current output for direct connection to the line level inputs of your mixer, sampler or any other recording medium that accepts line level, analog input. | WDR 24 is a wireless receiver in the operating free band ISM 2.4 GHz, which has been designed to work with the transmitter WDT 24, creating a digital audio wireless system.
The transmitter WDT 24 can work with one receiver, or with up to 10 receivers WDR 24, covering a distance of more than 30 metres in open places.
- Wireless Digital Audio Receiver System
- Operating Band ISM 2.4GHz (free band).
- One transmitter WDT 24 paired with one receiver WDR 24, or one transmitter WDT 24 paired with up to ten receivers WDR 24.
- GFSK digital modulation/demodulation.
- External antenna can help to increase the transmission distance.
- Intelligent Frequency Hoping can help to avoid interference effectively and to ensure the channel quality.
- Automatic mute in bad channel quality conditions or high error code rate.
- Transmission distance higher than 30 meters in open places.
- Up to three transmitters WDT 24 in a zone
- Balanced XLR and unbalanced ¼\'\' jack outputs
- Working mode: stereo or mono
| Power Supply |
AC 9V-500 mA 50/60 Hz |
| Frequency |
2404-2476MHz |
| Channel |
25 |
| Modulation/Demodulation |
GFSK |
| Receive Sensitivity (WDR 24) |
-84dBm (min.) |
| Transmitted Power (WDT 24) |
6 dBm |
| Output Level (WDR 24) |
+13dBu (BAL max.) |
| Input Level (WDT 24) |
+5dBu (max.) |
| Bandwidth |
>=1.8 MHz |
| Frequency Response |
20Hz - 20kHz, +3dB / -3dB |
| S/N |
>80 dB |
| Dynamic Range @ 1 kHz |
>90 dB |
| Crosstalk @ 1kHz |
>90 dB |
| THD |
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