The Dirty Robot is a unique synthesizer emulation pedal for guitar and bass. Two different synth voices are at your disposal for creating wild sound textures using a standard guitar or bass without the need for any special pickup. V1 gives you warm analog synthesis with subtle to extreme envelope sweeps just like classic synths […]
The Dirty Robot is a unique synthesizer emulation pedal for guitar and bass. Two different synth voices are at your disposal for creating wild sound textures using a standard guitar or bass without the need for any special pickup. V1 gives you warm analog synthesis with subtle to extreme envelope sweeps just like classic synths from the undefined’s and 80s. V2 provides a vocal formant synthesis effect that can be used for vocoder emulation or talk box style effects. Using the Dirty Robot’s exclusive 360 degrees Drift knob, you can blend Square Wave with Octave, and Sub synthesis soundscapes. The built-in chorus and vibrato effects give Dirty Robot unparalleled versatility and make having one the next best thing to putting an actual guitar synth on your pedalboard.
The Dirty Robot’s effects are complimented by stereo ?? inputs and outputs for routing flexibility, constant high voltage rails, a bi-color status LED indicator and true bypass circuitry. With its compact size, vacuum-style footswitch and striking graphics the Dirty Robot furthers DigiTech’s evolution in pedal design.
The Dirty Robot uses a 9VDC power supply to easily integrate into your existing pedalboard.
Weight
0.50 kg
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The Dirty Robot is a unique synthesizer emulation pedal for guitar and bass. Two different synth voices are at your disposal for creating wild sound textures using a standard guitar or bass without the need for any special pickup. V1 gives you warm analog synthesis with subtle to extreme envelope sweeps just like classic synths from the undefined’s and 80s. V2 provides a vocal formant synthesis effect that can be used for vocoder emulation or talk box style effects. Using the Dirty Robot’s exclusive 360 degrees Drift knob, you can blend Square Wave with Octave, and Sub synthesis soundscapes. The built-in chorus and vibrato effects give Dirty Robot unparalleled versatility and make having one the next best thing to putting an actual guitar synth on your pedalboard.
The Dirty Robot’s effects are complimented by stereo ?? inputs and outputs for routing flexibility, constant high voltage rails, a bi-color status LED indicator and true bypass circuitry. With its compact size, vacuum-style footswitch and striking graphics the Dirty Robot furthers DigiTech’s evolution in pedal design.
The Dirty Robot uses a 9VDC power supply to easily integrate into your existing pedalboard.
Following up on the success and rave reviews of our newly released Vocalist® products, we decided to make a pedal with the same cool features but specifically designed for the guitarist. With our exclusive musIQ™ technology we were able to combine the lightning-fast natural sounding harmony generation made famous by the Vocalist pedals, and fuse it with the demands of professional guitarists everywhere.
HarmonyMan™ is the world's first guitar pedal that generates harmonies based on your chord progression. It features four different types of pitch shifting depending on which of the 42 different voices are selected. Combine up to two distinct voices in any combination to accompany the input signal: a 3rd or 5th above or below, an octave up, two octaves below, 24 semitones and 4 detune variations. Simply play the songs you know and love, and when the spotlight cues your solo, hit the harmony footswitch to get amazing multi-part guitar harmonies!
Features
Cutting–edge pitch detection engine designed specifically for guitar delivers fast accurate shifting!
3–part guitar harmony; Forget about music theory and programming. Just play–itʼs that simple!
Intelligent harmony voicings, fixed chromatic voicings, and detune voice settings.
Edit, store and recall 4 memory presets.
Sidechain connection lets you solo while your rhythm guitarist provides the recognition source.
Built-in guitar tuner
Pre-harmony Distortion loop
Features
Shifting Modes
Configurations
Specifications
Features
Cutting–edge pitch detection engine designed specifically for guitar delivers fast accurate shifting!
3–part guitar harmony; Forget about music theory and programming. Just play–itʼs that simple!
Intelligent harmony voicings, fixed chromatic voicings, and detune voice settings.
Edit, store and recall 4 memory presets.
Sidechain connection lets you solo while your rhythm guitarist provides the recognition source.
Built-in guitar tuner
Pre-harmony Distortion loop
Shifting Modes Triad Center Shifting Mode
Create musically correct harmonies based around your favorite chordal structure whether soloing a riff in a specific key or using the sidechain input for chord recognition.
Scalic Shifting Mode
Creates musically correct harmonies with various shifting depending on the harmony key.
Fixed (chromatic) Shifting Mode
Applies fixed harmony intervals to all notes with the fixed number of semitones selected.
Detune Shifting Mode
Get a thick overall sound applying a small fixed amount of pitch shifting to the lead guitar voice ranging from 5 cents to 30 cents in both up and down directions simultaneously.
Configuration Electric Guitar With Pre-Harmony Distortion and Stereo Amplifiers Add distortion to your lead and harmonies.
The Side-Chain Using Two Guitars with Pre-Harmony Distortion This configuration is used when the 2nd guitar is the source signal.
Specifications
Unit Dimensions: 9.75" x 7.9" x 3.4“ Unit Weight: 4 lbs./1.82 kg. Power Supply: 9VAC 1300mA PS0913B-120 Included Inputs: 1/4" Unbalanced Outputs: 1/4" Unbalanced Sidechain: Ground Lift Switch
Building on the 20-year legacy of the famous BOSS BF-2, the new BF-3 flanger pedal gives guitarists and bassists an updated version of the classic BOSS flanger with the thickest stereo flanging sounds ever. Two new modes (Ultra and Gate/Pan) create stereo flanging with incredible depth--even Slicer-type effects and sounds that seem to "swirl" around the listener. An instant classic.
BOSS' best flanging effects in a compact pedal
New Ultra and Gate/Pan modes for ultra-fat flanging and futuristic slicer-type sounds, respectively
Momentary mode turns flanging on instantly
Tap tempo adjustable via pedal
Independent Guitar and Bass inputs and stereo outputs
BOSS 5-year warranty
Product Features:
Shape your sound and eliminate feedback with 7 bands of equalization
This BEHRINGER product has been designed to compete head to head with leading products on the market
Wide frequency range from 50 Hz to 10 kHz with a powerful 15 dB boost/cut per band
Status LED for effect on/off and battery check
Runs on 9 V battery or the BEHRINGER PSU-SB DC power supply (not included)
First-class electronic On/Off switch for noise-free operation
High-quality components and exceptionally rugged construction ensure long life
Conceived and designed by BEHRINGER Germany
How the specific frequency bands of the BEQ700 can shape your sound
50 Hz (sub-bass)
Boost: To thicken up sub-bass content, which is mostly felt rather than heard
Cut: To eliminate stage "rumble” and sub-bass content that can rob sound system power
120 Hz (soft bass)
Boost: To enhance the lower end of the bass spectrum
Cut: To reduce the tendency of low frequency content to overwhelm a small room
400 Hz (hard bass)
Boost: To enhance the "hard” bass punch of fundamental tones
Cut: To reduce punch for better linkage with the kick drum
500 Hz
Boost: or Cut: To control bass clarity and warmth
800 Hz
Boost: To add an aggressive edge to the overall bass sound
Cut: For reducing somewhat nasal or horn-like content
4.5 kHz
Boost: To make the bass cut through the mix. Creates a more distinctive plucked tone
Cut: To eliminate harshness
10 kHz
Boost: To bring out the upper harmonics and add edge to the overall bass tonality
Cut: Apply a cut to reduce harsh high-frequency content or hiss
User's Manual
Studio Quality Effects at Your Feet
Top recording studios worldwide use Eventide effects on hit after hit. TimeFactor includes Eventide's best delay effects from the past 36 years without compromising quality OR flexibility.
Flexibility Built-In
Plug-and-play expression pedal control of wet/dry mix or any combination of parameters. Control program changes and vary parameters continuously via MIDI. Supports instrument or line level inputs and outputs. Plays well with others; adapts seamlessly with a wide variety of amps and other foot pedals.
Obsolescence is so 20th Century
Easy to upgrade; download new software from the Internet and install via USB.
Features
10 Stereo or Mono Delay effects
Digital Delay
Vintage Delay
Tape Echo
Mod Delay
Ducked Delay
Band Delay
Filter Pong
MultiTap
Reverse
Looper
Studio Quality Sound
Instant Program Change
Real-time control with 10 knobs, MIDI or expression pedal
Tap Tempo and MIDI Clock Sync
40 User Presets, unlimited through MIDI
True Analog Bypass
Rugged cast metal construction
Metal footswitches for instant Preset access
Mono or Stereo operation
Guitar or Line Level Inputs and Outputs
SPECIFICATIONS:
Analog Input/Output
Input impedance
500K ohms
Output Impedance
470 ohms
Recommended Load Impedance
10K ohms or greater
Connectors
Input 1 (mono)
¼ inch mono phone jack
Input 2
¼ inch mono phone jack
Output 1 (mono)
¼ inch mono phone jack
Output 2
¼ inch mono phone jack
Expression Pedal
¼ inch mono phone jack
Aux Switch
¼ inch stereo phone jack
USB
Type B Socket. Use 2.0 cables only.
MIDI In
Five pin DIN (Female)
MIDI Out/Thru
Five pin DIN (Female)
AC Adapter Jack
Power Supply included (see below)
Physical
Power
9 VDC, 1200 mA, Tip hot (+)
Dimensions
English: 4.8" (H) x 7.5" (W) x 2.12" (D)
Metric: 122 (H) x 190 (W) x 54 (D) mm
Weight
2.15 lbs, 1kG
The FZ-5 is a modern pedal built for the modern guitarist, but the sounds you can get from the FZ-5 are pure retro. Looking back at the glorious rock sounds of the ʼ60s and ʼ70s, the FZ-5 recreates its vintage fuzz through BOSS state-of-the-art COSM technology. Recall the fuzz-filled flavors of classic pedals such as the Maestro FZ-1A, Fuzz Face, and Octavia pedals, and kick ʼem into overdrive with the FZ-5ʼs Boost knob. BOSS' proprietary COSM technology allows guitar players to recreate classic fuzz BOOST control for more aggressive tone. The FZ-5 is the perfect weapon for players wanting to beef up their rigs with classic retro fuzz artillery.
Vintage sounds inspired by famous fuzz pedals of the ʼ60s and ʼ70s
Uses advanced COSM technology to recreate classic fuzz
BOOST control for more aggressive tone
Road-tough BOSS metal construction
Nominal Input Level
-20 dBu
Input Impedance
1 M ohm
Nominal Output Level
-20 dBu
Output Impedance
1 k ohm
Recommended Load Impedance
10 k ohms or greater
Controls
Pedal switch, LEVEL knob, FUZZ knob, MODE knob
Indicator
CHECK indicator (Serves also as battery check indicator)
Connectors
INPUT jack, OUTPUT jack, AC adaptor jack (DC 9 V)
Power Supply
DC 9 V, Dry battery 6F22 (9 V) type (carbon), Dry battery 6LR61 (9 V) type (alkaline), AC Adaptor (PSA series: optional)
Current Draw
36 mA (DC 9 V)
Expected battery life under continuous use
Carbon: 3 hours, Alkaline: 10 hours * These figures will vary depending on the actual conditions of use.
Accessories
Owner's Manual, Leaflet (USING THE UNIT SAFELY, IMPORTANT NOTES, and Information), MODE sticker, Dry Battery 006P/9V (6LR61)
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User's Manual
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