The 2-channel passive DJdi is designed to be used as a standard tool for many audio applications. Offering two channels, the DJdi easily solves the problem of converting unbalanced signals into balanced output suitable for use with mixers, PAs, recording consoles and more. The continuously variable input signal attenuator can accommodate a wide range of […]
The 2-channel passive DJdi is designed to be used as a standard tool for many audio applications. Offering two channels, the DJdi easily solves the problem of converting unbalanced signals into balanced output suitable for use with mixers, PAs, recording consoles and more. The continuously variable input signal attenuator can accommodate a wide range of signal levels and its passive design means clean, quiet and uncolored operation with no power required.
The 2-channel passive DJdi is designed to be used as a standard tool for many audio applications. Offering two channels, the DJdi easily solves the problem of converting unbalanced signals into balanced output suitable for use with mixers, PAs, recording consoles and more. The continuously variable input signal attenuator can accommodate a wide range of signal levels and its passive design means clean, quiet and uncolored operation with no power required.
Features
The electronic Direct-Injection Box SM-60 allows direct connection of electronic music instruments such as keyboards, synthesizers, electric and electronic pianos, etc. with mixing consoles in PA-systems and in recording studios. The SM-6 is designed for applications, where a passive DI-Box does not perfom satisfactorily, i.e., where the output level of a passive DI-Box is too low for the microphone input section of the mixing desk. Because the input impedance of the SM-6 is above 5 MOhm, instrument outputs are not loaded or in any other way adversely affected. The voltage ratio from input to output is 1: 1 and is always sufficient for connection with any microphone input. Input connectors are 1/4" phone jacks, output connector is a Switchcraft D3M; output is 600 Ohms, transformer balanced. The output level may in certain cases overload microphone inputs - the line input section of the mixing console must then be used for connecting the SM-6. The unit operates with a 9 V battery or phantom powering from 24 to 48 volts.
Technical Data
input impedance > 5 MOhm max. input impedance + 6 dBu, 1,55V ouptut impedance 600 Ohm frequency response 20 ... 20000 Hz, ± 0,2 dB gain 1 : 1 THD < 1 % at 30 Hz < 0,7 % bei 40 Hz powering 9-V battery (IEC 6LF22) or phantom power 24 ... 48 V. inputs two 1/4" phone jacks , unbalanced (one being used as output to instruments amp) outputs XLR, balanced pin 1 = ground, pin 2 = hot, pin 3 = cold case aluminium die-cast weight 240 g dimensions 113 x 71 x 37 mm
Passive DI box. Jack input with paralell "THRU" output, transformer balanced XLR output. Attenuable input sensitivity, can handle both line level and speaker level signals.
Product type
DI Boxes
Type
passive
Channels
1
Inputs
1
Input connectors
6.3 mm Jack
Max. input level
+ 54 dBu
Input impedance
(@ 60 Hz) 60k Ohm(s)
Input pad
0 / -30 dB
Outputs
1
THRU outputs/channel
1
Output connectors
6.3 mm Jack , XLR
Max. output level
+ 4 dBu
Output impedance
600 Ohm(s)
Frequency response
20 - 20000 Hz
Transformer balanced
yes
Ratio
10 : 1
Controls
attenuator , ground lift
Cabinet material
sheet steel
Cabinet surface
powder coated
Width
110 mm
Depth
73 mm
Height
42 mm
Weight
0,34 kg
The alphaton Direct Injection-Box SM-50 allows direct connection of electric guitars,
electric bass, and electronic music instruments with mixing desks of PA systems
and of recording studios.
The SM-50 reduces the amount of microphones used on stage, thus improving gain
before feedback.
Coloration of sound is avoided. Clean signal without interference from other instruments
eases the job of the recording engineer. The use of a strong aluminium die-cast box allows
trouble-free function for a number of years even under adverse conditions. Double grounding
(hum) can be eliminated by activating the built-in ground-lift switch. Isolation voltage between
input and output is 2500 volts, against ground 1500 volts (with ground-lift switch activated).
The box thus complies with toughest safety standards.
Technical Data
input impedance 20 kOhm
input impedance, instrument
input impedance, line-In
input impedance, speaker
output impedance 200 Ohm
frequency response 30 ... 20000 Hz, ± 1 dB
THD
isolation voltage tranformer pri/sec 2500 V
outpur to ground 1500 V
inputs 1/4" phone jacks, unbalanced
outputs XLR, balanced, microphone level.
pin 1 = ground, pin 2 = hot, pin 3 = cold
case aluminium die-cast
weight 230 g
dimensions113 x 71 x 37 mm
Passive DI box especially designed for guitars.
The PDI09 can be connected between an effect device or amplifier and the mixing console. The PDI09 is not suitable for direct connection to a guitar. Integrated filter circuits simulate the authentic "speaker" sound. Tone can be varied between "Mellow“, "Normal“, or "Bright“.
Technical specifications:
Input: 6.3 mm jack with parallel "THRU" socket
Output: male XLR transformer balanced
Attenuator: (Level switch) 0 dB for line signals, -15 dB for small amps up to 10 w, 30 dB for large amps up to 200 w
No battery necessary
At dbx, when we do something, we do it right. So when we decided to create our new direct injection boxes, we didnʼt settle for the same old tired approach to direct box design. With our dbx name on the line, how could we? One look at our new dB10 Passive and dB12 Active direct boxes will tell you that these are clearly different. With their bullet-proof construction, and extraordinary audio performance to rival their looks, finally thereʼs a direct box worthy of the dbx name.
Utilizing custom dbx mu-metal-shielded audio transformers, high-quality Neutrik® connectors, and low-noise circuitry preserves the sonic integrity and true characteristics of the signal source. Both boxes include a pad switch that accomodates instrument, line and even speaker level signals. Take even more control of your sound by utilizing the polarity invert switch to set the phase relationship between the direct and mic'd sound.
As a professional, you donʼt have time for interference, so weʼve included a ground lift switch to solve potential hum and buzz problems due to ground loops. And between the combined shielding of the cast metal chassis and the custom-wound transformer, you can be doubly assured of a clean signal free from interference. All of this sits atop a solid, stable footprint, that will keep the box from being dragged around the stage, and the unique contoured underside allows secure stacking of multiple units.
So whether you need to control the level, placement in the mix, or overall characteristics of 4 independent signals or control the gain leveling on a couple of stereo pairs, the dbx dB12 is for you.
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