EDEN WP100 ΛΑΜΠΑΤΟΣ PRE AMP NAVIGATOR WORLD TOUR EXPRESS

No longer available!

815.50 incl. GR VAT

Out of stock

CompareAdd to wishlist Submit Better Price
Availability: No longer available! No longer available! SKU: WP100 Category:
The Eden WP100 preamp features a tube input stage, dbx type compression with variable threshold and rate controls, tube character control, enhance control, the famous Eden semi-parametric eq, front panel D.I. output control, mono pre-eq loop, stereo post-eq loop, side-chain loop with front panel blend pot, variable crossover, stereo led output meters, tuner out, a […]

 

Read more

The Eden WP100 preamp features a tube input stage, dbx type compression with variable threshold and rate controls, tube character control, enhance control, the famous Eden semi-parametric eq, front panel D.I. output control, mono pre-eq loop, stereo post-eq loop, side-chain loop with front panel blend pot, variable crossover, stereo led output meters, tuner out, a set of stereo and mono XLR outputs, and a defeatable limiter. The front panel switches that defeat the compressor, enhance, mute, and turbo boost are duplicated on a lighted footswitch (included) that connects via a standard, easily replaceable midi cable.

Weight 5.00 kg

Reviews

There are no reviews yet.

Be the first to review “EDEN WP100 ΛΑΜΠΑΤΟΣ PRE AMP NAVIGATOR WORLD TOUR EXPRESS”

Your email address will not be published. Required fields are marked *

Quick Comparison

EDEN WP100 ΛΑΜΠΑΤΟΣ PRE AMP NAVIGATOR WORLD TOUR EXPRESS removeEWI PDI-100 Para Acoustic DI Box PREAMP TONE CONTROL removeOMNITRONIC LH-045 1-channel microphone preamplifier removeGOLDEN AGE PRE573 Microphone preamp removeSOUND DEVICES MM-1 Portable Mic Preamp with Headphone Monitor removeAUDAC AUCPR12 Two-zone 10-channel stereo Preamplifier remove
NameEDEN WP100 ΛΑΜΠΑΤΟΣ PRE AMP NAVIGATOR WORLD TOUR EXPRESS removeEWI PDI-100 Para Acoustic DI Box PREAMP TONE CONTROL removeOMNITRONIC LH-045 1-channel microphone preamplifier removeGOLDEN AGE PRE573 Microphone preamp removeSOUND DEVICES MM-1 Portable Mic Preamp with Headphone Monitor removeAUDAC AUCPR12 Two-zone 10-channel stereo Preamplifier remove
Image
SKUWP100PDI-100LH-045PRE-573MM-1 SDAUCPR12
Rating
Price 815.50 incl. GR VAT 130.19 incl. GR VAT 98.15 incl. GR VAT297.39 incl. GR VAT 695.00 incl. GR VAT 487.31 incl. GR VAT
Stock

Out of stock

Only 4 left in stock

Available on backorder

Available on backorder

Available on backorder

In stock

AvailabilityOut of stockOnly 4 left in stockAvailable on backorderAvailable on backorderAvailable on backorderIn stock
Add to cart

Read more

Add to cart

Add to cart

Add to cart

Add to cart

Add to cart

Description
Content

The Eden WP100 preamp features a tube input stage, dbx type compression with variable threshold and rate controls, tube character control, enhance control, the famous Eden semi-parametric eq, front panel D.I. output control, mono pre-eq loop, stereo post-eq loop, side-chain loop with front panel blend pot, variable crossover, stereo led output meters, tuner out, a set of stereo and mono XLR outputs, and a defeatable limiter. The front panel switches that defeat the compressor, enhance, mute, and turbo boost are duplicated on a lighted footswitch (included) that connects via a standard, easily replaceable midi cable.

EWI PDI-100 PARA ACOUSTIC DI Box   This is a medium grade professional application Para Acoustic Active DI, which will work well on instruments with passive pickups or active pickups.  The construction is reasonably rugged and the components are well suited for the application yielding results that are typically acceptable for all but the most discerning artists.    The on-board tone and volume controls give the operator a lot of choices in shaping their sound prior to sending the signal to the mix console.  This allows an artist to use this device in-place of or in addition to a traditional stage amp for their instrument.  This is an excellent choice for IEM bands, or bands that like to keep their stage volume low.   This item is typically used to split the instrument signal going to a stage amp so a feed can be sent also to the mix board, or be used as a stand-alone instrument pre-amp.  It is equipped with a ¼” jack for input, a 1/4" jack for output to a stage amp, one XLR jack for the send to the board and a TRS jack for inserting an FX device.Since this is an active D.I. box, it needs to be powered which can be done either with Phantom Power from the mix board, or with the supplied internal 9v battery.  The battery is fairly easy to change by removing one screw in the bottom of the case.

  • 1 microphone, XLR (bal.) or 6.3 mm jack (unbal.)
  • Gain control, 10 steps (6-50 dB)
  • Phantom power can be switched on
  • Clip LED
  • 1 line output, XLR (bal.) or 6.3 mm (unbal.)
  • Operation via supplied power unit
Power supply:12 V DC, 150 mA
Input impedance:10 kohms bal./unbal.
Max. input level:+4 dB bal./+10 dB unbal.
Gain:50 dB XLR/44 dB jack
T.H.D.:0.01 %
Frequency range:25 Hz - 16 kHz
S/N ratio:>75 dB
Dimensions:143 x 93 x 45 mm
Weight:350 g

Having had great success with the PRE-73 preamp, we have received many requests for a version for the 500 eries rack format. We are therefore happy to present the PRE-573, expected to start shipping in late September.
 
The PRE-573 is a one width module that has the sound and the features that made the PRE-73 so successful and a few additional ones.
The circuit still uses the preamp and output section from the classic 1073-module, adapted to work in the api rack format. It has a total  gain range from -15 to +80 dB. The 10 - 70 dB range is handled by a turn switch  and there is a separate toggle switch to select an additional 5 or 10 dB gain. The input can be configured to accept line level signals by another switch, the gain is then lowered by about 25 dB and the input impedance increased to about 15 kohm.
 
The input impedance of the mic input mode can be switched between 1200 and 300 ohm. Phantom power and phase reverse is also selectable by front panel switches.
 
An added feature, using the same circuit as in the PRE-73 DLX, is the active DI-input with a high input impedance of about 1,5 Mohm. The output signal from the active DI circuit passes through the input transformer for some extra character.
The DI-input is very flexible since it can be changed to a purely passive one by a front panel switch. The DI input is then exactly the same as in the PRE-73 Mk2 where the signal is feed directly into the second gain stage, bypassing the transformer and with an input impedance of about 100 kohm.

These two DI-options makes it possible to get different tones from electric instruments and the passive DI input mode is more suited for injecting active units like sound modules. 
 
A new feature is the switchable AIR mode that  adds a small boost above 10 kHz that peaks at 2 dB at about 35 kHz.


A simple but effective signal and overload indicator is offered by a single LED that starts glowing red at about +4 dBu and then increases its intensity up to the maximum output level.
 
The PRE-573 has a dedicated insert connector at the back allowing it to interface with other GAP 500 modules. The insert can be activated by removing a jumper connector at the back of the module.
The second Golden Age Project module for the api 500 rack will be the EQ-573, expected to ship in November 2012. The EQ-573 consists of the inductor based high pass filter section  and the 3-band eq section from the classic 1073 module with some added frequencies. These two modules together will offer a fully fledged 1073-module in a compact format at a very low cost.
 
There is a second jumper at the back of the module that selects 600 ohm termination on the output. The standard mode is termination on, since it gives the flattest response when the PRE-573 is used with modern line inputs that typically has an input impedance of 10 kohm or more. The user can chose to remove the jumper and deactivate the termination resistor, this will increase the level above 10 kHz and create a peak in the response for an even more pronounced  "Air" effect.
The output is transformer balanced and fully floating and can drive a 600 ohm load up to level of about 28 dBu.

Highly versatile and portable, Sound Devices' MM-1 is a single-channel, portable microphone preamplifier with a powerful headphone monitoring function. Proven in mission-critical applications, the high-performance microphone preamplifier uses a transformer-balanced input and output with a bipolar ±15 volt power supply to produce low-noise, low-distortion gain at all switch positions. It features an "unclippable" dual-stage limiter and two-position high-pass filter. Flexible microphone powering provides phantom power at 48 volts or 12 volts and 12-volt T-power. It is powered from two-AA batteries or external 5-18 VDC. The MM-1 is at home in high-definition television production, corporate/industrial environments, radio/television announce booths, and music production. Its headphone monitor is an advantage in applications where communications channels or mix-minus feeds need to be monitored in headphones. The user can monitor both microphone audio and external audio sources in headphones with level control. The MM-1 is designed to be durable. Its aluminum chassis, oversized end panels, machined knobs, and panel mounted connectors assure reliable mechanical operation.
  • Maximum of 66 dB of gain, in eleven discrete steps
  • Dynamic range exceeding 120 dB
  • 10 Hz to 50 kHz audio bandwidth
  • High immunity to RF interference
  • High current line output driver
  • Transformer-balanced input and output
  • Extended range peak limiter via dual opto-isolators makes preamplifier virtually "unclippable“
  • Selectable 48-volt / 12-volt phantom power or 12-volt "T" power
  • High-pass filter @ 80 or 160 Hz, 6 dB per octave
  • Headphone monitoring of microphone audio, monitor audio, or a mix of both
  • Monitor input accepts mono, balanced or unbalanced line-level inputs on 1/4-inch tip-ring-sleeve connector
  • Separate level control of Monitor gain and overall headphone gain
  • Split ear function via DIP switches
  • Internal battery power (two-AA)
  • Excellent battery life with alkaline and NiMH rechargeable batteries
  • External 5-17 VDC powering (plug included)
  • High-strength aluminum chassis with durable belt clip

The CPR12 is an easy to use, flexible and multifunctional 10 channel pre-amplifier. Six of these input channels are selectable between Mic / Line level and equipped with a 3 band tone control. The first two can be switched to priority and phantom power. The other four channels are direct line inputs.

Every input channel has its own gain and fader volume control with PFL button which makes it possible to pre-listen each input or output channel with the built-in pre-listening speaker, and can be routed to one or both output channels. This makes the CPR12 a full two-zone system.

Other present features are a priority input, a recording output, separate sub-out channels and the 24 V DC emergency power connection. This last feature makes it possible to power the CPR12 with emergency power when the main power is shut down. In this case, the priority input will automatically mute all input signals, and a evacuation message will be announced. The steel 19" housing has a height of 2 HE.


  • 10 audio input sources
  • 6 Mic / Line inputs with 3 band EQ
  • 4 Direct Line Inputs
  • Fader volume control
  • Two output zones
  • Built-in pre-listening speaker
  • Priority input for emergency situations
  • + 15 V DC Phantom power
  • Works on 24 V DC emergency power
Specifications
  • Model Name / Type: CPR12 / 10 channel 2 zone pre-amplifier
  • THD+N:
  • Signal/Noise: > 90 dB
  • Frequency Response: 20 Hz - 20 kHz
  • Phantom Power: + 15 V DC
  • Emergency Power: + 24 V DC
  • Power Supply: 100 - 240 V AC / 50 - 60 Hz
  • Dimensions (W x H x D): 420 x 88 x 320 mm
Weight5.00 kg0.50 kg0.35 kg3.60 kg3.00 kg6.80 kg
DimensionsN/AN/AN/AN/AN/AN/A
Additional information
Weight 5.00 kg
Weight 0.50 kg
Weight 0.35 kg
Weight 3.60 kg
Weight 3.00 kg
Weight 6.80 kg