Classic dual overdrive. The original 1969 plug-in Muff Fuzz had just a touch of overdrive and sounded like a vintage amp with a slightly torn speaker. We paired two of these together in one box to create the Double Muff. Use just one Muff for a hint of milky distortion, or cascade the second Muff […]
Classic dual overdrive. The original 1969 plug-in Muff Fuzz had just a touch of overdrive and sounded like a vintage amp with a slightly torn speaker. We paired two of these together in one box to create the Double Muff. Use just one Muff for a hint of milky distortion, or cascade the second Muff for over-the-top overdrive that turns the milk into cream. Two distortions in one!Now in a compact, rugged Nano-sized package.
Weight
1.00 kg
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Classic dual overdrive. The original 1969 plug-in Muff Fuzz had just a touch of overdrive and sounded like a vintage amp with a slightly torn speaker. We paired two of these together in one box to create the Double Muff. Use just one Muff for a hint of milky distortion, or cascade the second Muff for over-the-top overdrive that turns the milk into cream. Two distortions in one!Now in a compact, rugged Nano-sized package.
The V845 Wah-Wah pedal is a new version of the most famous guitar effects pedal of all time. Based on the specifications of the original pedal developed by VOX in the '60s, the V845 Wah-Wah offers guitarists the same legendary Wah-Wah tone in a new sturdy but very affordable design. An AC power connector is fitted to save on batteries and the outer case is coated with tough all-black finish making it the perfect choice for your pedal board.
About the VOX Wah-Wah
VOX developed the worldʼs first Wah-Wah effect during the '60s in an effort to allow guitarists to emulate the sound of a trumpet being muted — an important musical ingredient of the day. VOXʼs original Wah-Wah pedal quickly gained widespread popularity and its unique sonic characteristics have encouraged further experimentation by guitarists ever since. Having made spotlight appearances on some of the most famous recordings of all time, the Wah-Wah is still considered "must-have equipment” for guitar players of all levels and abilities today.
VOX V845 Wah-Wah Specifications
Input/Output jacks: INST jack, AMP jack, DC i/p jack.
Power supply: One 9V DC battery 6F22(S-006P)
Power consumption: 540uA @ 9VDC
Battery life for continuous use: approximately >100 hours with manganese battery (will vary depending on conditions)
Dimensions: 102(W) x 252(D) x 75(H) (including rubber feet, pedal in lowest position)
Weight: 942g (including battery)
The FZ-5 is a modern pedal built for the modern guitarist, but the sounds you can get from the FZ-5 are pure retro. Looking back at the glorious rock sounds of the ʼ60s and ʼ70s, the FZ-5 recreates its vintage fuzz through BOSS state-of-the-art COSM technology. Recall the fuzz-filled flavors of classic pedals such as the Maestro FZ-1A, Fuzz Face, and Octavia pedals, and kick ʼem into overdrive with the FZ-5ʼs Boost knob. BOSS' proprietary COSM technology allows guitar players to recreate classic fuzz BOOST control for more aggressive tone. The FZ-5 is the perfect weapon for players wanting to beef up their rigs with classic retro fuzz artillery.
Vintage sounds inspired by famous fuzz pedals of the ʼ60s and ʼ70s
Uses advanced COSM technology to recreate classic fuzz
BOOST control for more aggressive tone
Road-tough BOSS metal construction
Nominal Input Level
-20 dBu
Input Impedance
1 M ohm
Nominal Output Level
-20 dBu
Output Impedance
1 k ohm
Recommended Load Impedance
10 k ohms or greater
Controls
Pedal switch, LEVEL knob, FUZZ knob, MODE knob
Indicator
CHECK indicator (Serves also as battery check indicator)
Connectors
INPUT jack, OUTPUT jack, AC adaptor jack (DC 9 V)
Power Supply
DC 9 V, Dry battery 6F22 (9 V) type (carbon), Dry battery 6LR61 (9 V) type (alkaline), AC Adaptor (PSA series: optional)
Current Draw
36 mA (DC 9 V)
Expected battery life under continuous use
Carbon: 3 hours, Alkaline: 10 hours * These figures will vary depending on the actual conditions of use.
Accessories
Owner's Manual, Leaflet (USING THE UNIT SAFELY, IMPORTANT NOTES, and Information), MODE sticker, Dry Battery 006P/9V (6LR61)
Options
AC Adaptor (PSA series)
Size and Weight
Width
73 mm
2-7/8 inches
Depth
129 mm
5-1/8 inches
Height
59 mm
2-3/8 inches
Weight
440 g
1 lbs.
Product Features:
Shape your sound and eliminate feedback with 7 bands of equalization
This BEHRINGER product has been designed to compete head to head with leading products on the market
Wide frequency range from 50 Hz to 10 kHz with a powerful 15 dB boost/cut per band
Status LED for effect on/off and battery check
Runs on 9 V battery or the BEHRINGER PSU-SB DC power supply (not included)
First-class electronic On/Off switch for noise-free operation
High-quality components and exceptionally rugged construction ensure long life
Conceived and designed by BEHRINGER Germany
How the specific frequency bands of the BEQ700 can shape your sound
50 Hz (sub-bass)
Boost: To thicken up sub-bass content, which is mostly felt rather than heard
Cut: To eliminate stage "rumble” and sub-bass content that can rob sound system power
120 Hz (soft bass)
Boost: To enhance the lower end of the bass spectrum
Cut: To reduce the tendency of low frequency content to overwhelm a small room
400 Hz (hard bass)
Boost: To enhance the "hard” bass punch of fundamental tones
Cut: To reduce punch for better linkage with the kick drum
500 Hz
Boost: or Cut: To control bass clarity and warmth
800 Hz
Boost: To add an aggressive edge to the overall bass sound
Cut: For reducing somewhat nasal or horn-like content
4.5 kHz
Boost: To make the bass cut through the mix. Creates a more distinctive plucked tone
Cut: To eliminate harshness
10 kHz
Boost: To bring out the upper harmonics and add edge to the overall bass tonality
Cut: Apply a cut to reduce harsh high-frequency content or hiss
User's Manual
Studio Quality Effects at Your Feet
Top recording studios worldwide use Eventide effects on hit after hit. TimeFactor includes Eventide's best delay effects from the past 36 years without compromising quality OR flexibility.
Flexibility Built-In
Plug-and-play expression pedal control of wet/dry mix or any combination of parameters. Control program changes and vary parameters continuously via MIDI. Supports instrument or line level inputs and outputs. Plays well with others; adapts seamlessly with a wide variety of amps and other foot pedals.
Obsolescence is so 20th Century
Easy to upgrade; download new software from the Internet and install via USB.
Features
10 Stereo or Mono Delay effects
Digital Delay
Vintage Delay
Tape Echo
Mod Delay
Ducked Delay
Band Delay
Filter Pong
MultiTap
Reverse
Looper
Studio Quality Sound
Instant Program Change
Real-time control with 10 knobs, MIDI or expression pedal
Tap Tempo and MIDI Clock Sync
40 User Presets, unlimited through MIDI
True Analog Bypass
Rugged cast metal construction
Metal footswitches for instant Preset access
Mono or Stereo operation
Guitar or Line Level Inputs and Outputs
SPECIFICATIONS:
Analog Input/Output
Input impedance
500K ohms
Output Impedance
470 ohms
Recommended Load Impedance
10K ohms or greater
Connectors
Input 1 (mono)
¼ inch mono phone jack
Input 2
¼ inch mono phone jack
Output 1 (mono)
¼ inch mono phone jack
Output 2
¼ inch mono phone jack
Expression Pedal
¼ inch mono phone jack
Aux Switch
¼ inch stereo phone jack
USB
Type B Socket. Use 2.0 cables only.
MIDI In
Five pin DIN (Female)
MIDI Out/Thru
Five pin DIN (Female)
AC Adapter Jack
Power Supply included (see below)
Physical
Power
9 VDC, 1200 mA, Tip hot (+)
Dimensions
English: 4.8" (H) x 7.5" (W) x 2.12" (D)
Metric: 122 (H) x 190 (W) x 54 (D) mm
Weight
2.15 lbs, 1kG
Features The BD-2 Blues Driver delivers the creamy, yet crunchy sound associated with great blues guitar. This popular pedal provides instant access to the kind of warm overdrive and emotive distortion usually reserved for 30-year-old tube amps.
Classic "blues" guitar tones with tube amp simulation
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User's Manual
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