Eyemaster Metal Distortion brings back the original metal credo of “loud and brutal” with its “simpler-than thou” 2-knob operation. Just set the volume (all the way up, right?) and adjust the gain (anything less than all-the-gain is sacrilege) and start riffing. Eyemaster was specifically designed to channel the Swedish death metal tone, endearingly nicknamed the […]
Eyemaster Metal Distortion brings back the original metal credo of “loud and brutal” with its “simpler-than thou” 2-knob operation. Just set the volume (all the way up, right?) and adjust the gain (anything less than all-the-gain is sacrilege) and start riffing. Eyemaster was specifically designed to channel the Swedish death metal tone, endearingly nicknamed the “Swedish buzzsaw.” As that term implies, Eyemaster is not a subtle overdrive. It is not transparent and it does not “sit well in a mix”. Rather, it burns an unholy path straight through the mix.
FEATURES
Bone-crushing metal distortion pedal
Highly responsive 2-knob interface
Roll in huge amounts of gain to take your tone over the top
True bypass for ultimate signal integrity
“Built-like-a-tank” metal chassis
Weight
0.20 kg
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Eyemaster Metal Distortion brings back the original metal credo of "loud and brutal” with its "simpler-than thou” 2-knob operation. Just set the volume (all the way up, right?) and adjust the gain (anything less than all-the-gain is sacrilege) and start riffing. Eyemaster was specifically designed to channel the Swedish death metal tone, endearingly nicknamed the "Swedish buzzsaw." As that term implies, Eyemaster is not a subtle overdrive. It is not transparent and it does not "sit well in a mix”. Rather, it burns an unholy path straight through the mix.
FEATURES
Bone-crushing metal distortion pedal
Highly responsive 2-knob interface
Roll in huge amounts of gain to take your tone over the top
True bypass for ultimate signal integrity
“Built-like-a-tank” metal chassis
The Marshall EH-1 ECHOHEAD Guitar Effect Pedal, Echo/Delay. Add dense rhythmic textures to your sound.
The Marshall EH-1 ECHOHEAD recreates six different delay effects for you to explore, from crystal-clear echoes to hypnotic reverse delays via the vintage whir of a retro tape machine. Create pulsing tones from your guitar rig and add dense rhythmic textures to your sound. The EH-1 Echohead features a maximum delay time of 2000ms, stereo outputs and a tap tempo delay imput. The EH1 Echohead dual outputs offer the choice of using a passive bypass for the main signal path to ensure complete tonal integrity or to allow your pedal to spill over, permitting your echo to naturally die away.
The main features of the Marshall EH-1 ECHOHEAD include:
6 different, high quality delay effects for you to explore
Multi-mode selector switch
Delay time control
Feedback control
Level control
Solid metal casing
Passive bypass
Tap tempo pedal input
Power: 9V DC Centre Negative Regulated PSU or PP3 battery
The OS-2 gives players a choice of overdrive or distortion or lets them combine both--all in a single compact pedal. Its distortion maintains the subtle nuances of single-coil guitar pickups.
Flexible distortion pedal capable of producing blended overdrive/distortion sounds
Provides both "over-the-top" distortion sounds and less extreme overdrive tones for rhythm playing
Includes Level, Tone, Drive and Color controls for precise tonal shaping
BOSS 5-year warranty
The Digitech XHP HYPER PHASE Guitar Effect Stomp Box Pedal. Dial in the exact phaser or flanger sound you want from a selection of awesome voicing sounds.
The Digitech XHP Hyper Phase delivers 7 operational modes, instead of the typical one mode only that you find in some other pedals. These operational modes are easily selectable using the mode control allowing you to choose from a selection of awesome voicing sounds, triggering feature, and useful step functions. Now you are no longer limited to a one-trick pedal. You can dial in the exact phaser or flanger sound you want! The Hyper Phase has Speed, Depth, Regen, and Mode controls. Outputs for both pedals include Out 1 (Mono) and Out 2 for stereo operation.
The main features of the Digitech XHP HYPER PHASE include:
Dial in the exact phaser or flanger sound you want from a selection of awesome voicing sounds
7 Different phase types
Speed, Depth, Regen, and Mode controls
Triggering and step capability
Stereo outputs with switchable CIT Cabinet Modeling
Vintage BOSS phasing effects including 4-, 8-, 10-, and 12-stage phasers, plus new "Rise" and "Fall" effects for unidirectional phasing. Tap tempo sync or realtime control of rate via an Expression/Pedal input.
Nominal Input Level
-20 dBu
Input Impedance
1 M ohms
Nominal Output Level
-20 dBu
Output Impedance
1 k ohms
Recommended Load Impedance
10 k ohms or greater
Residual Noise Level
-92 dBu (IHF-A, Typ.)
Connectors
INPUT Jack, OUTPUT Jack, EXP/CTL Jack, AC Adaptor Jack (DC 9 V)
Power Supply
DC 9 V: Dry Battery 9 V type (6F22/9 V), AC Adaptor
Current Draw
50 mA (DC 9 V)
Accessories
Dry Battery 9 V type (6F22/9 V)
Options
AC Adaptor (PSA-Series), Expression Pedal (Roland EV-5), Footswitch (FS-5U)
Size and Weight ( incl. battery )
Width
73 mm
2-7/8 inches
Depth
129 mm
5-1/8 inches
Height
59 mm
2-3/8 inches
Weight
420 g
0 lbs. 15 oz.
Product Features:
Shape your sound and eliminate feedback with 7 bands of equalization
This BEHRINGER product has been designed to compete head to head with leading products on the market
Wide frequency range from 50 Hz to 10 kHz with a powerful 15 dB boost/cut per band
Status LED for effect on/off and battery check
Runs on 9 V battery or the BEHRINGER PSU-SB DC power supply (not included)
First-class electronic On/Off switch for noise-free operation
High-quality components and exceptionally rugged construction ensure long life
Conceived and designed by BEHRINGER Germany
How the specific frequency bands of the BEQ700 can shape your sound
50 Hz (sub-bass)
Boost: To thicken up sub-bass content, which is mostly felt rather than heard
Cut: To eliminate stage "rumble” and sub-bass content that can rob sound system power
120 Hz (soft bass)
Boost: To enhance the lower end of the bass spectrum
Cut: To reduce the tendency of low frequency content to overwhelm a small room
400 Hz (hard bass)
Boost: To enhance the "hard” bass punch of fundamental tones
Cut: To reduce punch for better linkage with the kick drum
500 Hz
Boost: or Cut: To control bass clarity and warmth
800 Hz
Boost: To add an aggressive edge to the overall bass sound
Cut: For reducing somewhat nasal or horn-like content
4.5 kHz
Boost: To make the bass cut through the mix. Creates a more distinctive plucked tone
Cut: To eliminate harshness
10 kHz
Boost: To bring out the upper harmonics and add edge to the overall bass tonality
Cut: Apply a cut to reduce harsh high-frequency content or hiss
User's Manual
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