Invotone GM 300 Electrect Condenser

Element: Back Electret Condenser
Polar Pattern: Uni-directional
Frequency Response: 50Hz-16kHz
Sensitivity: -38dB±3dB (0dB=1V/Pa at 1kHz)
Output Impedance: 250Ω±30%
Phantom Power Requirement: 9v-25V Phantom Power

The evolution e 908 instrument microphone is available in four variants:
as e 908 D for drums and percussion
as e 908 B for wind instruments, congas, and drums with free-floating suspension system
as e 908 B ew for the wireless miking of saxophones using an evolution wireless instrument transmitter
as e 908 T ew for the wireless miking of trumpets using an evolution wireless instrument transmitter

• Pick-up pattern : cardioid
• Frequency response : 40 ... 20 000 Hz
• Sensitivity in free field, no load : (1kHz) 4 mV/Pa, 0,56mV/Pa (e 908T-ew)
• Equivalent noise level : e908B-ew = 30 dB(A); e908B & e908D = 35 dB(A), e908T-ew = 39 dB (A)
• Max. Sound pressure level (aktiv) : 147 dB
• Nominal impedance : 100 Ohm (e908B & e908D)
• Min. terminating impedance : 2000 Ohm (e908B & e908D)
• Phantom powering : 12 - 48 V / 3 mA (e908B & e908D)
• Weight : ca. 140 g
• Dimensions : Ø 47 x 193 mm

Features:

• Miniature cardioid condenser clamp-on microphone with shock mounted capsule
• Ideal for miking drums and percussions
• Including wireless direct adapter for easy use with AKG pocket transmitters
• Detachable microphone cable
• Integrated gooseneck
• Continuously adjustable vise type clamp

Recommended For:

• Drums
• Brass
• Recording
• Percussions

Standard Accessories:

• A400 adapter
• H518 Drum bracket
• Microphone bag
• W44 Windscreen

Specs:

• Polar pattern cardioid
• Frequency range 60 Hz to 20 kHz
• Sensitivity 5 mV/Pa (-46 dBV)
• Max. SPL 130/132 dB SPL (for 1%/3% THD)
• Equivalent noise level 31 dB(A)
• Signal/noise ratio (A-weighted) 63 dB
• Impedance = 2000 ohms
• Current consumption

The 98H/C is wireless version of Shure\'s Beta 98 clip-on instrument mic, and is designed to work with the Shure beltpack transmitters. With the ability to handle high SPL, the Beta 98H/C is ready for the demands of brass, woodwind, and percussion, and features a flexible integrated gooseneck with clip-on clamp for secure fit and precise positioning. No external mounting hardware required.

    

• Compatibility: All Shure w/TA4F (Tiny QG)
• Microphone Type: Condenser
• Polar Pattern: Cardioid
• Frequency Response: 20Hz-20kHz
• Max SPL: 143.5dB SPL
• Signal to Noise Ratio: 63dB
• Self Noise: 31dB (A weighted)
• Connector: TA4F (For Shure)
• Color: Black
• Cable Length: 10 ft.
• Weight: .1 lb.
• Manufacturer Part Number: WB98H/C

The CMX200 is a 360° revolving gooseneck microphone, designed to be used for conferences, sound reinforcements, translations and studio applications. It has a high sensitive condenser element with a unidirectional cardioid polar pattern which ensures an excellent sound quality and reduces the feedback to a strict minimum, even when exposed to vigorous, hard sound.

Thanks to its flat frequency characteristic, the CMX200 ensures a permanent high-fidelity sound, true to the userʼs voice and intonation. The dark grey color and slimline design permit a discreet blending with every possible interior or background.

• Model Name / Type: CMX20055 / Gooseneck Microphone
• Polar Pattern: Cardioid
• Impedance: 250 ohms
• Frequency Response: 50 Hz - 16 kHz
• Sensitivity: - 45 +/- 3 dB
• Dynamic Range: 113 dB
• Phantom Power 15 - 52 V DC
• Diameter: 19 mm
• Length: 600 mm

• Cardioid polar pattern
• 10 m (33 ft.) cable
• 125° pickup angle
• Especially suited for choir recordings
• Integrated spring steel clamp for optimum alignment

The new CHM 99 Condenser Hanging Microphone provides both ease of use and a high level of functionality. There is hardly any more affordable and simpler solution for recording choirs at worship centers. Suspended from the ceiling or a beam, the hanging microphone is aligned and then fixed in the correct position. Now use the spring steel clamp to adjust the correct angle, and off you go!
The CHM 99 is available in white or black.

XY stereo recording

Using two CHM 99 hanging microphones in an XY configuration (coincident pair) is a good way to make stereo recordings, particularly of choirs. However, sound source locations are defined only by intensity differences. Adjusting the angle between the microphones determines the width and depth of the stereo image.

ORTF stereo recording

Developed by the French Broadcasting Authority, this technique differs from the XY technique by recording not only intensity differences, but also delay differences. The capsules are aligned at an angle of precisely 110° and 170 mm / 6.7 in. apart.