KALI AUDIO IN-8 Active coaxial studio monitor 8″ (Piece)

Project Independence

Kali’s IN-8 is one of the most innovative studio monitors ever made. Combining the natural advantages of a 3-way design with hyper-realistic imaging of a co-axial mid-range and tweeter, it offers more transparency, lower distortion, and a soundstage that must be heard to be believed.

Power. Detail. Soundstage.

The IN-8 Studio Monitor is a speaker like no other. Using the same woofer and tweeter from Kali’s celebrated LP-8, the IN-8 adds a midrange driver that surrounds the tweeter, and acts as its waveguide.

In doing so, both the tweeter and the woofer are unburdened; with a smaller workload, they are able to play more clearly and with less distortion.

The coaxial nature of the midrange and tweeter make the IN-8 an acoustic point source. Off-axis lobing is thereby eliminated, resulting in a stereo soundstage that presents the listener with a hyper-realistic level of detail.

All of this means that the IN-8 is extremely accurate and easy to mix on, and that mixes made on the IN-8 will transfer wonderfully to other systems.

140W Class D Power

37 Hz Lower Frequency Response

< 1.4% System THD 94 dB @ 1M

114 dB Max SPL

A three-way with impeccable imaging.

Powerful, clean bass. Crossed over at 330 Hz to make the IN-8 an acoustic point source.

Precisely engineered using airflow simulations for powerful bass without port noise.

We know. We keep harping on about the "hyper-realistic” imaging of the IN-8. What does that mean?

When you listen to a stereo set of speakers, you’re hearing information about where instruments and players were placed when the material was recorded. Even with purely digital material, producers can manipulate physical locations of elements in the mix, and you will hear these on a stereo recording. 

Not only does this allow producers to create interesting spatial effects, but it means that you can work faster and with more confidence. An accurate soundstage lets you "see” each element of the mix in front of you, so you can hear exactly what happens when you make changes.

2-way systems with good waveguides, like Kali’s LP-6 and LP-8, do a good job at conveying this spatial information. However, because the tweeter and woofer on those speakers (and most studio monitors!) are separate, this information gets lost in the space immediately above and below the speaker. This means that at the listening position, you’re not hearing the full stereo picture.

The IN-8 solves this problem. The tweeter and midrange share an acoustic center, and the woofer is crossed over at 330 Hz, so the distance between the woofer and midrange is well under a quarter wavelength at the crossover point. This means that the IN-8 is acoustically a point source. As such, it has the same excellent directivity that the LP-6 and LP-8 have at their sides in a full 360 degrees around the speaker. You’re hearing all of the spatial information at the listening position, so the soundstage that you hear will have every detail that’s present in the mix.

The IN-8’s total harmonic distortion is less than 1.4%, which is exceptional. This is the result of unburdening both the woofer and the tweeter, so that both are doing less work. The woofer is crossed over at 330 Hz, a full 2.5 octaves lower than on the LP-8.

The tweeter is crossed over at 3000 Hz, nearly an octave higher than on the LP-8. Taking up the space in between in the hero of the IN-8 system: the 4-Inch, profile-optimized midrange driver. This driver has a lot of work to do. In addition to reproducing midrange frequencies, it also acts as the waveguide for the tweeter. This means that the shape needed to be precisely engineered to provide an ideal dispersion characteristic for the tweeter. 

It also means that the midrange needs to stay still. In many other co-axial or concentric systems, high excursion from the larger driver causes intermodulation distortion, and degrades the accuracy of the system. The midrange on the IN-8 is limited to less than 1 millimeter peak excursion, making it acoustically stationary while still providing midrange to keep up with the powerful woofer and tweeter.

Boundary EQ Control

A speaker’s given position in a space can drastically change it’s frequency response. A speaker placed against a wall or on a desk will sound very different than a speaker placed on a stand, even in a well-treated space. Hard surfaces like walls, desk tops, and recording consoles can change the low end frequency response of the monitor, and degrade the overall clarity of the sound.

Happily, most of the common positions are fairly predictable and easily corrected.

Kali’s team did our Boundary EQ tuning at The Village Studios in Los Angeles, and came up with boundary compensation EQ settings to help you get the optimum sound for where you need to put your speakers.

Combined with the LF and HF trims, this will ensure that the speakers sound their best no matter what room you’re mixing in, or where the speakers are placed.

Easy Connections

The LP-6 and LP-8 both feature balanced XLR and TRS inputs, and an unbalanced RCA input.

The RCA input can be set to -10 dBu sensitivity when you’re using consumer devices like a laptop or smartphone’s headphone jack.

PRICE PER UNIT

The smallest big sound ever...

With the A3X, ADAM Audio present their smallest monitor to date, making it perfectly suited for all environments where space is limited but sound shouldnʼt be constricted. The A3X combines a tiny footprint with the much acclaimed ADAM sound quality by using the X-ART tweeter for the higher frequencies, a guarantee for crystal clear music reproduction.

A 4.5” (basket) driver handles the lower registers. The diaphragm is made from carbon fiber, a material that is very light but very stiff and therefore capable of delivering colouring-free sound. Two built-in 25 Watt amplifiers powers each of the drivers directly.

Stereolink

A very handy and exclusive technology found in the two smaller AX monitors is the Stereolink. This is accomplished by a pair of additional RCA connections that allow for a bypass of the second stereo channel to the other speaker.

This new technology connects two A3X speakers in such a manner as to allow the user the option to control the overall stereo volume of the system from either speakerʼs gain control. This makes the A3X a natural for "mixer-less” desktop applications where overall system volume needs to be adjusted easily.

Controls and Connectors

The front of the A3X sports dual ports for surprisingly low frequency response down to 60Hz. The front panel also has power and gain controls. The rear panel includes a tweeter gain control as well as balanced (XLR) jacks and unbalanced (RCA) jacks, allowing for greater connection flexibility. There are also two M6 (6 mm) metric screw threads for stand/wall mounting.

Review: "Highly recommended“

"Iʼve used various monitors for my computer work before, but never of the caliber of the A3X series. Before these, I would have to redo my mixes significantly when transitioning from the small cheapies to the big 'real ones'. The ADAM Audio A3Xʼs save me a step by providing both great sound in a compact format and by changing mundane audio task-work into a quality listening experience. If you use good monitors from the outset, youʼll learn your music that much faster so that when it comes time for mixdown and mastering on your big boxes, youʼll already be acclimated to your songʼs subtler sonic aspects—aspects revealed only by the A3Xʼs with their sweet, smooth top end, and impressive handling of bass frequencies. Highly recommended.“
(Jon Chappell, Harmony Central, 03/10)

Review: "...one of the best compact monitors“

"ADAM´s A3X as the smallest monitor with a X-ART tweeter to date has convinced us in every respect. It´s one of the best compact monitors we have ever reviewed and with its almost shameless low price it´s worth every penny. (Professional Audio, 05/10)

The Genelec 8130A Digital Monitoring System has a 192 kHz/24 bit digital audio interface.
Due to its compact size, integrated construction, excellent dispersion and precise stereo
imaging, the 8130A is ideal for near field monitoring, mobile vans, digital audio workstations,
broadcast and TV control rooms, surround sound systems, home studios, multimedia
applications and also for use with computer soundcards. The Directivity Control Waveguide?
(DCW?) technology provides excellent frequency balance even in difficult acoustic
environments.
The integrated design allows the amplifiers and the drivers to be calibrated as a single unit,
eliminating the effects of component tolerances and ensuring consistent quality.
The all-aluminium Minimum Diffraction Enclosure? (MDE?) and advanced Directivity Control
Waveguide? (DCW?) technologies are carefully matched with advanced amplifier and electronics
circuitry. The low frequency response extends down to 55 Hz (-3 dB) while distortion is extremely
low due to a uniquely new rear reflex port design.
The 8130A has been specially designed to have a sufficient LF extension for most situations.
However if greater SPL's and a lower cutoff frequency are required, it can be complemented
with Genelec 7050B subwoofer.
The 8130A is very easy to set up and use, the only connections required are the mains supply
and the input signal. The female XLR input connector can be fed with either AES/EBU formatted
digital signal or analog line level audio signal. The Genelec 8130A automatically detects analog or
digital signals and directs them to the correct signal paths.

Technical Specifications
Input word length 16 - 24 bits
Input format AES/EBU
Digital input XLR female
Connector type 
Input Sampling rate
No de-emphasis  29 - 200 kHz
Input Sampling rate
Using de-emphasis 
Peak per pair with music material 108 dB SPL @ 1m
Drivers
Bass 5" magnetically shielded
Midrange -
Treble 3/4" metal dome, magnetically shielded
Crossover frequencies 3 kHz
Free field frequency
response 58 Hz - 20 kHz (± 2 dB)
Amplifier power /ch
Bass 40 W
Midrange -
Treble 40 W
Speaker dimensions (H x W x D)
mm 285 x 189 x 178 mm (Height with Iso-Pod? 299 mm)
inches 11 1/4 x 7 7/16 x 7 1/16" (Height with Iso-Pod? 11 13/16“)
Amplifier dimensions* (H x W x D)
mm Integrated in the speaker cabinet
inches 
Speaker weight 5.6 kg (12.3 lb)

PRICE PER UNIT

S1X

The S1X nearfield monitor delivers high quality sound in a very small cabinet. The S1X has all the critical features of the new SX-Series: the X-ART tweeter in combination with the ADAM designed class A/B amplifier and the HexaCone woofer with optimized magnet/voice-coil systems, driven by premium PWM amplifiers.

The smallest reference speaker

The combined features of crystal clear resolution, tight and precise low-frequency reproduction and the effortless musical reproduction sets this speaker apart from all conventional designs.

The S1X is the first choice in all environments that require high quality within a small space, whether it is a smaller studio, an OB vehicle, or a 5.1 installation.

MYTHO 8 is a two-way reference studio monitor equipped with two separate AB amplifiers - 200 W for the low frequencies and 100 W for the high - unparalleled for low distortion and natural sound. It features a high quality large metal dome tweeter for the best vocal reproduction and a 8” neodymium vented woofer with a large sized 51 mm voice coil that guarantees very high energy for tight and controlled bass reproduction and perfect thermal stability with minimum power compression.

The magnetic circuit features a special air ventilation to reduce air compression, air noises and minimize distortion in large excursion situations. Thanks to the deeper low frequencies reproduced by its 8” woofer, the MYTHO 8 is perfect for medium to large control rooms.
A dedicated high quality DSP is provided on board. The cabinet is made in aluminium, internally braced and reinforced to improve low frequencies behaviour and reduce resonances.
 

The Solo6 Be monitor will surprise you in the very first minutes you spend with it, partly due to its size/extended bass response (40Hz at -3dB). The 6.5" "W” composite sandwich mid-woofer combines neutrality in the midrange, fullness in the midbass register and bass control. Its compactness and the choice of a large front laminar port guarantee easy integration in studios that need a near field monitor without any acoustic compromise. The user settings on the back of the Solo6 Be, combined with its compactness, make it easy to carry and to adjust according to the acoustics of each studio.