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Project Lone Pine
Kali\'s debut LP-8 studio monitors are designed to give you world-class power and accuracy without breaking the bank.
Performance
Transparency. Clarity. Accuracy.
Kali Audio\'s Lone Pine Series studio monitors are designed to allow you to hear every detail that\'s happening in your mix.
This starts with an exceptionally accurate frequency response. Whatever is present on your mix is what you\'ll hear in these monitors. Nothing is boosted or suppressed to cover flaws or try to sound more pleasing.
With the LP-6, you can mix with more confidence, and you can also be assured that your mix will translate as best as possible to whatever systems your audience is using.
100W Class D Power
37 Hz Lower Frequency Response
< 2.5% System THD 94 dB @ 1M
114 dB Max SPL
3-D Imaging Waveguide
Hear three dimensional sound from a stereo pair of speakers.
Dual-Layer Voice Coil
Large diameter voice coil allows for low distortion and high dynamic range.
Low Noise Port Tube
Precisely engineered using airflow simulations for powerful bass without port noise.
The single most important aspect of a studio monitor is its accuracy. A good studio monitor should present the material it’s playing faithfully, allowing you to make critical decisions that you know will translate to all the systems that your work will ultimately be played on.
Rather than make our own claims about the accuracy of our speakers, we had them independently tested by Pro Sound Testing in Greenville, Indiana. You can download their full test data from the links below, and explore the frequency response, dispersion, and distortion characteristics of both the LP-6 and LP-8. Please note that this data requires the "Common Loudspeaker Format Viewer" application to view.
Kali Audio defines a listening distance as the maximum distance at which the speakers can play continuously at 85 dB while maintaining 20 dB dynamic headroom.
This means that anywhere within that listening distance, you can listen for long periods of time at reference volume, and momentary peaks such as bass drops or explosion effects will come through clearly and with minimal distortion. The LP-6 has enough output for most 1-2 person setups, and the LP-8 can handle larger setups easily.
Bass on the LP-Series monitors is delivered by larger magnets and larger voice coils than any comparable speakers on the market. This gives you more accurate bass response that extends lower, so you can dial in exactly the low end sound you need. Bass response is not boosted or overhyped, but you can be sure that you’re hearing the bass that you have on the track.
The integrated Class D Power amp delivers clean, reliable power that’s optimized to this speaker.
Both models use 40W for the 1” soft dome tweeter. The LP-6 uses 40W for the 6.5-Inch woofer, and the LP-8 uses 60W for the 8-Inch woofer.
Boundary EQ Control
A speaker’s given position in a space can drastically change it’s frequency response. A speaker placed against a wall or on a desk will sound very different than a speaker placed on a stand, even in a well-treated space. Hard surfaces like walls, desk tops, and recording consoles can change the low end frequency response of the monitor, and degrade the overall clarity of the sound.
Happily, most of the common positions are fairly predictable and easily corrected.
Kali’s team did our Boundary EQ tuning at The Village Studios in Los Angeles, and came up with boundary compensation EQ settings to help you get the optimum sound for where you need to put your speakers.
Combined with the LF and HF trims, this will ensure that the speakers sound their best no matter what room you’re mixing in, or where the speakers are placed.
Easy Connections
The LP-8 features balanced XLR and TRS inputs, and an unbalanced RCA input.
The RCA input can be set to -10 dBu sensitivity when you’re using consumer devices like a laptop or smartphone’s headphone jack.
3-D Imaging Waveguide
The waveguide on the Lone Pine Series studio monitors ensures that the directivity of the loudspeaker is smooth throughout its frequency response. What’s more: it’s calibrated so that the sound power of the loudspeaker helps you to perceive sound accurately.
In practical terms, what this means is that you’re hearing spatial details in the recording that allow your brain to place elements of the recording in the space around you. This gives the speakers a more natural, lifelike feel that exposes more of the detail of the material that you’re working on. This level of detail makes it easier to make critical decisions, as well as making these monitors pleasurable to mix on and listen to in general.
Low Noise Port Tube
We wanted to put a port on the front of the LP-Series studio monitors so that they could be used in small spaces where they’d be placed against walls. At the same time, we didn’t want noise from the front port to distract from the accuracy of the speaker, so we developed a special front port that doesn’t make noise.
On most port tubes, air leaves at different speeds from different points of the opening, creating noisy turbulence. This turbulence can be heard as "chuffing,” or an audible air sound coming from the monitor. This sound will add to the noise floor and obscure the details of the low end.
The port tube on LP-6 was designed to ensure that all of the air leaves the port tube at the same velocity. This helps add to the low end response of the speaker, while keeping the bass clean, tight, and devoid of extra noise.
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| Powered: |
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Yes |
| Amp Class: |
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D |
| Power Config: |
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Bi-Amped |
| LF Power: |
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60 W |
| HF Power: |
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40 W |
| Total Power: |
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100 W |
| LF Driver: |
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8" Woofer |
| HF Driver: |
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1" Soft Dome Tweeter |
| Freq. Response (-10 dB): |
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37 Hz - 25 kHz |
| Frequency Range (±3 dB): |
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45 Hz - 21 kHz |
| Crossover: |
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1.8 kHz |
| Listening Distance: |
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2.8 Meters |
| Max SPL: |
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114 dB |
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The Solo6 Be monitor will surprise you in the very first minutes you spend with it, partly due to its size/extended bass response (40Hz at -3dB). The 6.5" "W” composite sandwich mid-woofer combines neutrality in the midrange, fullness in the midbass register and bass control. Its compactness and the choice of a large front laminar port guarantee easy integration in studios that need a near field monitor without any acoustic compromise. The user settings on the back of the Solo6 Be, combined with its compactness, make it easy to carry and to adjust according to the acoustics of each studio.
Specifications | Frequency response : | 40Hz - 40kHz | | Maximum SPL : | 113dB SPL (peak @ 1m) | |
Input :
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Type/Impedance: symmetrical/10 kOhms
Connector: XLR
Sensitivity: Adjustable, +4dBu or -10dBV
| | Bass/mid-range : | 150W rms, BASH® technology | | Treble : | 100W rms, AB class | |
Electric supply :
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Local supply power: 230V (1.6A fuse)
115V (3.5A fuse)
Connection: removable IEC supply wire
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Visualization and control :
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Input sensitivity selector
Adjustable tweeter and woofer levels with potentiometers
Power On/off switch
Voltage selector
| | warning light : | Power on LED | |
Electric supply :
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Local supply power: 230V (1.6A fuse)
115V (3.5A fuse)
Connection: removable IEC supply wire
| | Woofer : | 6W4370B, 6-1/2" (16.5cm) Focal "W" composite sandwich cone speaker | | Tweeter : | Focal TB871 Beryllium inverted dome tweeter | | transducer shielding : | Integral through cancellation magnets or by magnet design | | Box : | 7-1/2" (19mm) MDF panels | |
Finish :
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Dark red natural veneering side panels, black body
| | Dimensions (HxWxD) : | 13 x 9-7/16 x 11-7/16 " (330x240x290mm) | | Weight : | 24.2lb (11kg) |
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PRICE PER UNIT
S1X The S1X nearfield monitor delivers high quality sound in a very small cabinet. The S1X has all the critical features of the new SX-Series: the X-ART tweeter in combination with the ADAM designed class A/B amplifier and the HexaCone woofer with optimized magnet/voice-coil systems, driven by premium PWM amplifiers. The smallest reference speaker The combined features of crystal clear resolution, tight and precise low-frequency reproduction and the effortless musical reproduction sets this speaker apart from all conventional designs. The S1X is the first choice in all environments that require high quality within a small space, whether it is a smaller studio, an OB vehicle, or a 5.1 installation. | Woofer |
| | Number | 1 | | Basket Ø | 6" (156 mm) | | Voice coil Ø | 1.5" (37 mm) | | Cone material | HexaCone | | Tweeter |
| | Number | 1 | | Type | X-ART | | Diaphragm area | 4 inch² (2420 mm²) | | Equiv. Diaphragm Ø | 2" (56 mm) | | Velocity transform ratio | 4:1 | | Diaphragm weight | 0.17 g | | Built-in Amplifiers |
| | Woofer | 1 | | Type | PWM | | Amp. power RMS / music | 200 W / 280 W | | Tweeter | 1 | | Type | A/B | | Amp. power RMS / music | 50 W / 100 W | | Control panel |
| | Input Sensitivity (coarse) | ±10 dB | | High Shelf EQ > 6 kHz | ±6 dB | | Low Shelf EQ | ±6 dB | | Tweeter gain | ±4 dB | | Input connectors |
| | Analog | XLR | | General data |
| | Panel | Rear | | Frequency response | 40 Hz - 50 kHz | | THD > 80 Hz | ≤1.5 % | | Long term output | ≥103 dB | | Max. peak | ≥113 dB | | Crossover frequencies | 2200 Hz | | Input impedance | 10 KOhm | | Weight | 13.2 lb (6 kg) | | Magnetically shielded | Optional | | Height x Width x Depth | 11.5" (295 mm) x 7" (175 mm) x 10" (260 mm) | | Warranty | 5 Years |
| Delivery contents | | Power cord, Manual |
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The compact LSR6325P-1 provides exceptional performance for use in applications
where accuracy is a must, but space is limited. With a 5.25 in. high-excursion woofer,
a damped titanium composite tweeter, and 150 Watts of amplification, it outperforms
many larger systems. When used with the LSR6312SP Subwoofer, the LSR6325P-1
is the heart of an exceptionally accurate yet space efficient full-range system.
Features:
High-performance bi-amplified design with patented JBL transducer technology.
Front panel volume and power controls.
Integrated mounting points for horizontal and vertical suspension.
Titanium composite high frequency device with elliptical oblate spheroidal waveguide.
Shielded for use next to video monitors.
Built in high-pass filtering for use with optional subwoofer.
User selectable workstation boundary compensation.
Powered monitors with 5.25" woofers and 1" titanium composite dome tweeters
100 watts power for low frequencies, 50 watts for highs
Cast aluminum enclosure for structural rigidity and light weight
Magnetically shielded for interference-free use near CRTs and other electronic gear
Linear Spatial Reference technology ensures even frequency response at the mix position
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The Twin6 Be is the best seller of the Focal Professional range and the most versatile work tool of the SM6 line. It represents the only necessary solution for recording, mixing and mastering. The image precision, treble definition as well as midrange neutrality are at the heart of its reputation.
The excellent articulation of the bass and midbass registers, even at very high sound levels, makes it an unavoidable reference for engineers who require absolute transparency. Furthermore, the design of the Twin6 Be permits a high SPL while at the same time offering a stable tonal balance. One of the two 6.5" woofers works in large band (midrange – bass) whereas the other reproduces from 40 to 150Hz. This creates a bass that preserves all the signal dynamics, without any masking effect in the midrange, thereby keeping all its neutrality and transparency. Additional control of the bass register is accomplished by fine-tuning on the control plate on the back of the Twin6 Be in order to obtain a perfect mirror configuration with its mate. The Twin6 Be can be installed vertically or horizontally to respond to the space requirements of each studio.
Specifications | Frequency response : | 40Hz - 40kHz | | Maximum SPL : | 115dB SPL (peak @ 1m) | |
Input :
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Type/Impedance: symmetrical/10 kOhms
Connector: XLR
Sensitivity: Adjustable, +4dBu or -10dBV
| | Bass/mid-range : | 2x150W rms, BASH® technology | | Treble : | 100W rms, AB class | |
Electric supply :
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Local supply power: 230V (2A fuse)
115V (4A fuse)
Connection: Removable IEC supply wire
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Visualization and control :
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Input sensitivity selector
Mid-range speaker selector (right/left)
Adjustable tweeter and woofer levels by potentiometer
Power on/off
Voltage selector
| | warning light : | Power on LED | |
Electric supply :
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Local supply power: 230V (2A fuse)
115V (4A fuse)
Connection: Removable IEC supply wire
| | Woofer : | 2x6W4370B Focal "W" composite sandwich cone 6-1/2" (16.5cm) speaker | | Tweeter : | TB871, Focal inverted dome tweeter in Beryllium | | transducer shielding : | Integral through cancellation magnets or by magnet design | | Box : | 7-1/2" (19mm) MDF panels | |
Finish :
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Dark red natural veneering side panels, black body
| | Dimensions (HxWxD) : | 9-13/16 x 19-11/16 x 13-3/8 " (250x500x340mm) | | Weight : | 30.8lb (14kg) |
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DM-2100: 2.1-ch Speaker System
Features The DM-2100 2.1-ch Speaker System is an affordable way to add accurate reference monitoring with a subwoofer for enhanced bass response. The left and right speakers each offer 15 watts of power, while the 50-watt subwoofer provides a powerful low-end boost. And with 24-bit/96kHz digital inputs, the DM-2100 is perfect for use with Roland/BOSS digital studios and instruments, or with computer systems and more.
- Affordable 2.1-channel monitoring system with 24-bit/96kHz digital inputs
- Powered bass reflex speakers with 15 watts per side and flat frequency response
- Active subwoofer with 50-watt amplifier for increased low end
- Front-mounted controls convenient located on right speaker
- Coaxial and optical digital inputs, plus analog inputs (RCA and 1/4-inch type)
- Sleek black wooden cabinets with magnetic shielding
Rated Output Power50W + 15W + 15WSpeakerSubwoofer: 16cm, Satellite Units: 9.2cmNominal Input LevelLine 1: -10dBu, Line 2: -10dBuInput Impedance18k ohmControlsR Channel: Bass Control Knob, Treble Control Knob, Volume 1 (Digital In/ RCA pin), Volume 2 (1/4” phone), Power Switch, Digital Input Select Switch, Phase SwitchConnectorsR Channel: Line 1 Jack (L, R; RCA pin), Line 2 Jack (L (MONO), R; 1/4” phone), Optical Input Connector, Coaxial Input Connector, Dedicated connector for power control and audio signal, Channel Input Jack (R; RCA pin),
L Channel: Channel Input Jack (L; RCA pin),
Sub Woofer: Dedicated connector for power control and audio signal, Channel Output Jacks (L, R; RCA pin), AC In JackDigital InputSampling Rate 32/44.1/48/96 kHz, D/A Convertor 24 bitsPower SupplyAC117, 230 or 240VAccessoriesSpeaker Cables (RCA pin type), Dedicated Cable for power control and audio signal, Power CableSize and Weight ( Satellite Units )Width130 mm5-1/8 inchesDepth160 mm6-5/16 inchesHeight200 mm7-7/8 inchesWeight
Size and Weight ( SubWoofer )Width240 mm9-1/2 inchesDepth300 mm11-13/16 inchesHeight330 mm13 inches
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