KORG TP2-TWO CHANNEL TUBE MIC-LINE PREAMP.

Discontinued

440.00 incl. GR VAT

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In this era of digital audio, more and more musicians, engineers and producers are longing for the warm, full-bodied sound produced by vacuum tubes. Say hello to the all-new TP-2. In one rugged and compact unit, the TP-2 combines a dual channel tube preamp, optical compression and digital outputs ? a total solution for your […]

 

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In this era of digital audio, more and more musicians, engineers and producers are longing for
the warm, full-bodied sound produced by vacuum tubes. Say hello to the all-new TP-2. In one
rugged and compact unit, the TP-2 combines a dual channel tube preamp, optical compression
and digital outputs ? a total solution for your demanding audio applications.
Two for one!
The TP-2 offers two completely independent preamps, with individual realtime controls. Each channel
is driven by its own 12AX7 tube. A ?Stereo? switch on the front panel allows both preamps to work in
tandem when processing a stereo source.
Full-featured mic preamps
Using a specially tuned version of the Valve Force technology so widely acclaimed in the Electribe X
series and the TRITON Extreme, the new TP-2 tube-driven preamp imparts a robust warmth and a rich
musical character that is ideal for your critical and challenging acoustic sources. Each preamp channel
accepts either XLR or 1/4″ TRS inputs, and switchable phantom power is provided. Equipped with a Hi-Z
switch, 26dB pad button and a variable trim knob, the TP-2 assures the optimal gain setting for any source,
from a premium microphone to a direct bass or guitar signal. A pair of faders controls the output level,
and a low-cut switch and a phase reverse button offer even more flexibility.
Transparent optical compression
By using state-of-the-art optical compression, the TP-2 is able to respond quickly, breathing life and luster
into your sound. In addition to enhanced response times, optical compression provides a wide range of
dynamic control ? without coloring the source material in adverse ways. Compression sensitivity knobs on
the front panel are teamed with Fast/Slow release time buttons and audiophile analog VU meters for intuitive
realtime control.
Best of both worlds
While the TP-2 works hard in the analog domain to achieve warm, smooth and musical results, its digital
characteristics are no less stellar. Analog-to-digital conversion is 24-bit, using 64-times oversampling for
error-free reproduction. Sampling rates of 44.1, 48 and 96 kHz are offered, and the digital output is provided
in both S/P DIF optical and coaxial formats. Analog outputs are also provided.
Use it anywhere
While the TP-2 is obviously well suited to enrich your hardware or software based digital recordings, it is
perfect for a variety of applications. Live, the TP-2 can be used to add warmth to any vocal mic or acoustic
instrument. As a mastering tool, the TP-2 provides superior dynamic control. You can even use it as a preamp
when preparing audio samples for your keyboard or computer.
XD series plug-in version
For those of you who are already using Korg?s D32XD or D16XD Digital Recording Studios, the full functionality
and feature set of the TP-2 is available as an optional enhancement for these Xtended Definition recorders in the
TPB-2. The TPB-2 mounts directly into the option bay on the D16XD or D32XD front panel.

SPECIFICATIONS:

Input connector:
XLR-3-31 type (+48 V phantom power, switchable),
1/4 TRS phone jack (balanced, unbalanced when Hi-Z is On)
Input impedance:
4k Ohms (XLR-3-31), 10k Ohms (TRS phone Jack),
1M Ohms (TRS phone Jack Hi-Z)
Input level:
-60dBu ~ -12dBu @ TRIM = max. ~ min., PAD OFF
-34dBu ~ +14dBu @ TRIM = max. ~ min., PAD ON
Max. level:
-48dBu ~ 0dBu @ TRIM = max. ~ min., PAD OFF
-22dBu ~ +12dBu @ TRIM = max. ~ min., PAD ON
in Hi-Z
-48dBu ~ 0dBu @ TRIM = max. ~ min., PAD OFF
-22dBu ~ +12dBu @ TRIM = max. ~ min., PAD ON
Source impedance: 600 ohm
Tube: 12AX7
Method of compression:
Vacuum tube gain reduction using a photocoupler
Frequency response:
10Hz ~ 20kHz ± 1dB @fs44.1kHz, +4dBu, 10k ohm
10Hz ~ 22kHz ± 1dB @fs48kHz, +4dBu, 10k ohm
10Hz ~ 44kHz ± 1dB @fs96kHz, +4dBu, 10k ohm
S/N: TBD
Dynamic range: TBD
A/D conversion: 24 bit, 64 times oversampling
Sampling frequency: 44.1kHz, 48kHz, 96kHz
Analog outputs:
Connector: XLR-3-32 type, 1/4″ TRS phone jack (balanced)
Output impedance: 150 ohm
Standard output level: +4dBu
Max. output level: +16dBu
Impedance: over 10k ohm
Digital outputs:
Connector: Optical, Coaxial
Format: 24bit S/P DIF (IEC60958, EIAJ CP-1201)
General:
Dimensions:
8.82″ (W) x 6.97″ (D) x 3.46″ (H)
224 (W) x 177 (D) x 88 (H)mm
Weight: 2.93 lbs. / 1.3 kg
Accessories: AC power supply, Owners? manual

Weight 2.00 kg

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Quick Comparison

KORG TP2-TWO CHANNEL TUBE MIC-LINE PREAMP. removeBEHRINGER MIC2200 2-Channel Tube Microphone Preamplifier-Line Driver-DI Box removeGOLDEN AGE PRE73 MK2 + FC3 Microphone preamp and condenser microphone bundle removeBEHRINGER ADA8200 Microphone preamplifier removeSOUND DEVICES MM-1 Portable Mic Preamp with Headphone Monitor removePRESONUS Blue Tube DP V2 Microphone Preamplifier remove
NameKORG TP2-TWO CHANNEL TUBE MIC-LINE PREAMP. removeBEHRINGER MIC2200 2-Channel Tube Microphone Preamplifier-Line Driver-DI Box removeGOLDEN AGE PRE73 MK2 + FC3 Microphone preamp and condenser microphone bundle removeBEHRINGER ADA8200 Microphone preamplifier removeSOUND DEVICES MM-1 Portable Mic Preamp with Headphone Monitor removePRESONUS Blue Tube DP V2 Microphone Preamplifier remove
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SKUTP2E005316PRE-73 MK2 FC-3E005873MM-1 SDBLUETUBE DP V2 EU
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Price 440.00 incl. GR VAT 166.00 incl. GR VAT554.47 incl. GR VAT 248.00 incl. GR VAT 695.00 incl. GR VAT 287.68 incl. GR VAT
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Description
ContentIn this era of digital audio, more and more musicians, engineers and producers are longing for the warm, full-bodied sound produced by vacuum tubes. Say hello to the all-new TP-2. In one rugged and compact unit, the TP-2 combines a dual channel tube preamp, optical compression and digital outputs ? a total solution for your demanding audio applications. Two for one! The TP-2 offers two completely independent preamps, with individual realtime controls. Each channel is driven by its own 12AX7 tube. A ?Stereo? switch on the front panel allows both preamps to work in tandem when processing a stereo source. Full-featured mic preamps Using a specially tuned version of the Valve Force technology so widely acclaimed in the Electribe X series and the TRITON Extreme, the new TP-2 tube-driven preamp imparts a robust warmth and a rich musical character that is ideal for your critical and challenging acoustic sources. Each preamp channel accepts either XLR or 1/4" TRS inputs, and switchable phantom power is provided. Equipped with a Hi-Z switch, 26dB pad button and a variable trim knob, the TP-2 assures the optimal gain setting for any source, from a premium microphone to a direct bass or guitar signal. A pair of faders controls the output level, and a low-cut switch and a phase reverse button offer even more flexibility. Transparent optical compression By using state-of-the-art optical compression, the TP-2 is able to respond quickly, breathing life and luster into your sound. In addition to enhanced response times, optical compression provides a wide range of dynamic control ? without coloring the source material in adverse ways. Compression sensitivity knobs on the front panel are teamed with Fast/Slow release time buttons and audiophile analog VU meters for intuitive realtime control. Best of both worlds While the TP-2 works hard in the analog domain to achieve warm, smooth and musical results, its digital characteristics are no less stellar. Analog-to-digital conversion is 24-bit, using 64-times oversampling for error-free reproduction. Sampling rates of 44.1, 48 and 96 kHz are offered, and the digital output is provided in both S/P DIF optical and coaxial formats. Analog outputs are also provided. Use it anywhere While the TP-2 is obviously well suited to enrich your hardware or software based digital recordings, it is perfect for a variety of applications. Live, the TP-2 can be used to add warmth to any vocal mic or acoustic instrument. As a mastering tool, the TP-2 provides superior dynamic control. You can even use it as a preamp when preparing audio samples for your keyboard or computer. XD series plug-in version For those of you who are already using Korg?s D32XD or D16XD Digital Recording Studios, the full functionality and feature set of the TP-2 is available as an optional enhancement for these Xtended Definition recorders in the TPB-2. The TPB-2 mounts directly into the option bay on the D16XD or D32XD front panel. SPECIFICATIONS: Input connector: XLR-3-31 type (+48 V phantom power, switchable), 1/4 TRS phone jack (balanced, unbalanced when Hi-Z is On) Input impedance: 4k Ohms (XLR-3-31), 10k Ohms (TRS phone Jack), 1M Ohms (TRS phone Jack Hi-Z) Input level: -60dBu ~ -12dBu @ TRIM = max. ~ min., PAD OFF -34dBu ~ +14dBu @ TRIM = max. ~ min., PAD ON Max. level: -48dBu ~ 0dBu @ TRIM = max. ~ min., PAD OFF -22dBu ~ +12dBu @ TRIM = max. ~ min., PAD ON in Hi-Z -48dBu ~ 0dBu @ TRIM = max. ~ min., PAD OFF -22dBu ~ +12dBu @ TRIM = max. ~ min., PAD ON Source impedance: 600 ohm Tube: 12AX7 Method of compression: Vacuum tube gain reduction using a photocoupler Frequency response: 10Hz ~ 20kHz ± 1dB @fs44.1kHz, +4dBu, 10k ohm 10Hz ~ 22kHz ± 1dB @fs48kHz, +4dBu, 10k ohm 10Hz ~ 44kHz ± 1dB @fs96kHz, +4dBu, 10k ohm S/N: TBD Dynamic range: TBD A/D conversion: 24 bit, 64 times oversampling Sampling frequency: 44.1kHz, 48kHz, 96kHz Analog outputs: Connector: XLR-3-32 type, 1/4" TRS phone jack (balanced) Output impedance: 150 ohm Standard output level: +4dBu Max. output level: +16dBu Impedance: over 10k ohm Digital outputs: Connector: Optical, Coaxial Format: 24bit S/P DIF (IEC60958, EIAJ CP-1201) General: Dimensions: 8.82" (W) x 6.97" (D) x 3.46" (H) 224 (W) x 177 (D) x 88 (H)mm Weight: 2.93 lbs. / 1.3 kg Accessories: AC power supply, Owners? manual

Behringer MIC-2200 2-Channel Tube Microphone Preamplifier-Line Driver-DI Box

The MIC2200 is the ideal extension to your console, MIDI setup or hard disk recording system. Its integrated parametric EQ?s give you extra sound-shaping power, while its built-in tube adds warmth and transparency to your signal. In addition, the ULTRAGAIN PRO features direct injection and level conversion functionality.

The PRE-73 Mk2 pre-amp and the FC3 condenser microphone in one bundle. The bundle also includes Golden Age P1 Pop Filter, Proel RSM180 mic stand and Proel CHL250 5m cable.

    • Ultra-high quality 8-channel A/D and D/A interface for virtually any digital recording/mixing environment
    • 8 state-of-the-art MIDAS designed Mic Preamplifiers
    • Phantom power on all microphone inputs
    • Reference-class Cirrus Logic 24-bit converters for ultimate signal integrity
    • Processes 48 and 44.1 kHz sample rates
    • External sample rate synchronization via word clock or ADAT input
 
  • Optical ADAT in/out interface for ultimate compatibility
  • All mic/line inputs routed to the ADAT output
  • ADAT input routed to all Line outputs
  • “Planet Earth" switching power supply for maximum flexibility (100 - 240 V~), noise-free audio, superior transient response plus low power consumption for energy saving
  • High-quality components and exceptionally rugged construction ensure long life
  • Conceived and designed by BEHRINGER Germany
Highly versatile and portable, Sound Devices' MM-1 is a single-channel, portable microphone preamplifier with a powerful headphone monitoring function. Proven in mission-critical applications, the high-performance microphone preamplifier uses a transformer-balanced input and output with a bipolar ±15 volt power supply to produce low-noise, low-distortion gain at all switch positions. It features an "unclippable" dual-stage limiter and two-position high-pass filter. Flexible microphone powering provides phantom power at 48 volts or 12 volts and 12-volt T-power. It is powered from two-AA batteries or external 5-18 VDC. The MM-1 is at home in high-definition television production, corporate/industrial environments, radio/television announce booths, and music production. Its headphone monitor is an advantage in applications where communications channels or mix-minus feeds need to be monitored in headphones. The user can monitor both microphone audio and external audio sources in headphones with level control. The MM-1 is designed to be durable. Its aluminum chassis, oversized end panels, machined knobs, and panel mounted connectors assure reliable mechanical operation.
  • Maximum of 66 dB of gain, in eleven discrete steps
  • Dynamic range exceeding 120 dB
  • 10 Hz to 50 kHz audio bandwidth
  • High immunity to RF interference
  • High current line output driver
  • Transformer-balanced input and output
  • Extended range peak limiter via dual opto-isolators makes preamplifier virtually "unclippable“
  • Selectable 48-volt / 12-volt phantom power or 12-volt "T" power
  • High-pass filter @ 80 or 160 Hz, 6 dB per octave
  • Headphone monitoring of microphone audio, monitor audio, or a mix of both
  • Monitor input accepts mono, balanced or unbalanced line-level inputs on 1/4-inch tip-ring-sleeve connector
  • Separate level control of Monitor gain and overall headphone gain
  • Split ear function via DIP switches
  • Internal battery power (two-AA)
  • Excellent battery life with alkaline and NiMH rechargeable batteries
  • External 5-17 VDC powering (plug included)
  • High-strength aluminum chassis with durable belt clip

PreSonusʼ popular Class A XMAX preamps are widely lauded for their clarity and transparency. Our tube preamps are beloved for their warm, smooth sound. With the Blue Tube DP V2 dual-path mic/instrument preamp, you get both types of high-quality sound in one unit.

Now weʼve improved on the classic unit with the BlueTube DP V2. The solid-state path now feeds PreSonusʼ top-of-the-line Class A XMAX™ mic preamplifier with 80 dB of variable gain—an upgrade from the original BlueTube DPʼs solid-state stage.

You still get all the secondary features you expect in a professional-grade preamp: 48V phantom power, an 80 Hz high-pass filter, -20 dB pad to control hot input signals, and a polarity-reverse switch. Each channel has an illuminated VU meter so you can visually monitor your input levels.

A Tube Drive control provides a wide range of sounds: when itʼs clicked off, youʼre using the solid-state preamp for quiet, transparent amplification; when itʼs engaged, your signals flow through the tube preamp, and you can achieve anything from gentle warmth to edgy distortion.

    2 input channels, each with:
        High-headroom Class A XMAX™ mic preamplifier with 80 dB gain range
        12AX7 vacuum tube gain stage
        Tube Drive tube-saturation control
        48V phantom power
        80 Hz high-pass filter
        -20 dB pad to reduce hot input levels
        Polarity-reverse switch
        Illuminated analog VU input-level meter

    Input/Output
        2 balanced combo mic/unbalanced instrument inputs
        2 balanced XLR main (L/R) line outputs
        2 unbalanced ¼” main (L/R) line outputs

    Physical
        Compact 1/2U chassis
        External 12 VDC, 1A power supply

Weight2.00 kg4.20 kg7.00 kg3.00 kg3.00 kg2.00 kg
DimensionsN/AN/AN/AN/AN/AN/A
Additional information
Weight 2.00 kg
Weight 4.20 kg
Weight 7.00 kg
Weight 3.00 kg
Weight 3.00 kg
Weight 2.00 kg