With the blazing speed of PCI Express, the HDX-SDI video interface turns your Mac or PC desktop or laptop computer into a powerful HD/SD video production workstation equipped with all the I/O you need. Connect any source, from SD camcorders to todayʼs latest professional HD cameras, then log and capture HD or SD clips directly […]
With the blazing speed of PCI Express, the HDX-SDI video interface turns your Mac or PC desktop or laptop computer into a powerful HD/SD video production workstation equipped with all the I/O you need. Connect any source, from SD camcorders to todayʼs latest professional HD cameras, then log and capture HD or SD clips directly into your video editing software. By using a codec directly supported by your editing software, you eliminate unnecessary extra stages of compression and decompression for maximum CPU efficiency and smooth editing.
For the best-possible image quality, capture uncompressed video via HD-SDI or HDMI with 4:2:2 10-bit color depth and full-raster 1920×1080 HD resolution. Many cameras feed their uncompressed SDI, HDMI or component output directly from the cameraʼs optics and imager, before compression, for absolutely pristine picture quality during capture with the HDX-SDI. As you edit, monitor your timeline with pixel-for-pixel accuracy on a large plasma screen via digital HDMI output, with color-corrected balance on an LCD reference monitor via HD-SDI output, or with the real-world look of a consumer display via analog HD or SD component, composite or S-Video output.
If you prefer to edit more conveniently at a lower data rate, use Apple ProRes, ProRes HQ, Avid DHxHD, or the codec of your choice in Avid Media Composer 6.5, Apple Final Cut Pro, or Adobe Premiere Pro. Because the HDX-SDI delivers 10-bit uncompressed video to the computer, you are not limited to a particular codec and are instead free to go with the host-based workflow of your choice, including many popular file-based formats now supported by todayʼs video editing software.
Capture and monitor up to 16 channels of audio (analog, AES/EBU or embedded) at sample rates up to 96 kHz. Employ Sony 9-pin machine control for advanced Batch Capture and Edit to Tape operations. Keep everything frame-accurate using time code and video reference. For high-performance desktop operation, the HDX-SDI provides PCI Express card connectivity for todayʼs ultra-fast, multi-core Mac and PC towers. Need to go mobile? The HDX-SDI is also available with an ExpressCard adapter for any current-generation Mac or Windows laptop equipped with an ExpressCard slot. From initial capture to final finishing, the HDX-SDI delivers exceptional video I/O performance and quality.
Χαρακτηριστικά:
Cross-platform operation (Mac OS X, Windows 8/7/Vista)
Supports Avid Media Composer 6.5 on Mac OS X and Windows 8/7/Vista
Supports Final Cut Pro 6.0.5 or 7.x on Mac OS X*
Supports Adobe Premiere Pro CS5 and CS5.5 on Windows 8/7/Vista*
Supports Core Audio, Wave, and ASIO drivers
Chassis dimensions, excluding rack ears and front and back panel knobs and connectors: 19 × 7 × 1.75 inches (48.26 × 17.78 × 4.45 cm). Knobs and connectors extend up to 0.5 inch (1.27 cm) from front and back panels, adding 1 inch (2.54 cm) to depth. With rack ears attached, fits standard 19 inch (48.26 cm) rack at 1U high.
Weight
5.00 kg
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With the blazing speed of PCI Express, the HDX-SDI video interface turns your Mac or PC desktop or laptop computer into a powerful HD/SD video production workstation equipped with all the I/O you need. Connect any source, from SD camcorders to todayʼs latest professional HD cameras, then log and capture HD or SD clips directly into your video editing software. By using a codec directly supported by your editing software, you eliminate unnecessary extra stages of compression and decompression for maximum CPU efficiency and smooth editing.
For the best-possible image quality, capture uncompressed video via HD-SDI or HDMI with 4:2:2 10-bit color depth and full-raster 1920x1080 HD resolution. Many cameras feed their uncompressed SDI, HDMI or component output directly from the cameraʼs optics and imager, before compression, for absolutely pristine picture quality during capture with the HDX-SDI. As you edit, monitor your timeline with pixel-for-pixel accuracy on a large plasma screen via digital HDMI output, with color-corrected balance on an LCD reference monitor via HD-SDI output, or with the real-world look of a consumer display via analog HD or SD component, composite or S-Video output.
If you prefer to edit more conveniently at a lower data rate, use Apple ProRes, ProRes HQ, Avid DHxHD, or the codec of your choice in Avid Media Composer 6.5, Apple Final Cut Pro, or Adobe Premiere Pro. Because the HDX-SDI delivers 10-bit uncompressed video to the computer, you are not limited to a particular codec and are instead free to go with the host-based workflow of your choice, including many popular file-based formats now supported by todayʼs video editing software.
Capture and monitor up to 16 channels of audio (analog, AES/EBU or embedded) at sample rates up to 96 kHz. Employ Sony 9-pin machine control for advanced Batch Capture and Edit to Tape operations. Keep everything frame-accurate using time code and video reference. For high-performance desktop operation, the HDX-SDI provides PCI Express card connectivity for todayʼs ultra-fast, multi-core Mac and PC towers. Need to go mobile? The HDX-SDI is also available with an ExpressCard adapter for any current-generation Mac or Windows laptop equipped with an ExpressCard slot. From initial capture to final finishing, the HDX-SDI delivers exceptional video I/O performance and quality.
Χαρακτηριστικά:
Cross-platform operation (Mac OS X, Windows 8/7/Vista)
Supports Avid Media Composer 6.5 on Mac OS X and Windows 8/7/Vista
Supports Final Cut Pro 6.0.5 or 7.x on Mac OS X*
Supports Adobe Premiere Pro CS5 and CS5.5 on Windows 8/7/Vista*
Supports Core Audio, Wave, and ASIO drivers
Chassis dimensions, excluding rack ears and front and back panel knobs and connectors: 19 × 7 × 1.75 inches (48.26 × 17.78 × 4.45 cm). Knobs and connectors extend up to 0.5 inch (1.27 cm) from front and back panels, adding 1 inch (2.54 cm) to depth. With rack ears attached, fits standard 19 inch (48.26 cm) rack at 1U high.
he U46XL is a powerful multi-purpose 4-in 6-out multi-channel audio interface designed for various recording applications at home or on the road. The U46XL is the successor of to ESI Audio's famous U46DJ interface.
As its predecessor, it provides 2 stereo line inputs, a microphone input with +48V phantom power and a headphone output. A main difference is the improved analog circuitry improving the audio quality as well as the professional microphone preamplifier with XLR input. This makes the U46XL the perfect solution to record signals from dynamic or condenser microphones on the road or in your studio.
The unit also features an instrument input (Hi-Z), typically to connect a guitar directly to it. Two totally separate stereo line input on the backside provide 4 simultaneously usable input channels at one time. There are also 6 independent individual outputs on the backside, perfect for multi-channel playback applications like to provide individual outputs for software synthesizers, to provide independent playback channels for DJ software or to provide surround playback capability via a 5.1 setup. A separate mix output with professional TRS outputs could be used to connect U46XL to professional stereo studio monitors.
A cool feature is the DirectWIRE support in the driver, allowing you to record signals from one application to another internally. U46XL works with this driver based on our EWDM technology under Windows XP and Windows Vista/7, however U46XL is also Mac OS X compatible.
U46XL ships with Cubase LE 4 from Steinberg for Mac and PC to start recording on a professional level right out of the box.
MOTU FireWire audio interfaces are fully compatible with FireWire 800-equipped Macs. All you need is a standard FireWire 400-to-800 cable. Just plug in and go. The FireWire bus operates at 400 Mb/sec, providing the same high speed, low latency and rock solid reliability that MOTU FireWire interfaces are known for.
Connect all of your audio instruments and gear, including mics, guitars, synths, keyboards, drum machines and even effects processors. Record, monitor, route and process all of these live inputs using the professional on-board CueMix FX digital mixer with no latency and no processor strain on your computer. Apply hardware DSP-driven effects processing to inputs, outputs, and busses independent of your host computer.
Add Classic Reverb™ with lengths up to 60 seconds. Further sculpt your sound with 7-band parametric EQ featuring filter types carefully modeled after British analog console EQs. Choose between two forms of compression: a conventional compressor and the Leveler™, an accurate model of the legendary LA-2A™ optical compressor that provides vintage, musical automatic gain control. When recording from the four mic/guitar inputs, the Traveler-mk3ʼs signal overload protection gives you an extra 12 dB of headroom above zero with no clipping or harsh artifacts.
After programming the on-board mixing in the studio, unplug the Traveler-mk3, remove the rack brackets, and take it on the road for operation as a portable, bus-powered audio interface for a laptop or battery-operated stand-alone mixer with effects. The Traveler slides easily into your backpack and fits neatly beneath your laptop. All mixing and effects parameters are adjustable using the front panel backlit LCD. Record extended sessions even in the most remote locations with the complete freedom of field battery power.
The Traveler-mk3 provides cross-platform compatibility with Mac and Windows and all of your favorite audio software and host-based effects via WDM/ASIO/Core Audio drivers. Or you can use the included AudioDesk workstation software for Mac, with 24-bit recording/editing and 32-bit mixing/processing/mastering.
8 channels of premium 24-bit 192K AD/DA conversion
4 digitally controlled 75db microphone preamps
2 fully balanced inserts on mic pre channels
4 Hi-Z instrument inputs capable of handling high level instruments
2 individual, controllable and assignable high level headphone outputs
2, 6 or 8 channel monitor outputs
8 channels of ADAT I/O
FireWire 400 I/O, compatible with OS X Core Audio (no driver required)
2 channels of SPDIF I/O
“Soft Limit” for maximum digital input level without overs
“UV22HR” for superior dither of 24 bit resolution down to 16-bit
Advanced, dual-stage "Intelliclock”
Complete integration and control with Appleʼs Logic Pro Software
Compatibility with any CoreAudio software applications
Apogeeʼs Maestro Software for advanced control and routing outside of Logic Pro
System Requirements
Mac PC
* Mac OS X 10.5.8 (Leopard) or 10.6.1-10.6.4 (Snow Leopard)
* 1 GB RAM (2 GB recommended)
* 6 GB free disk space
* Intel® processor (no PowerPC® support)
* One FireWire port
* Windows® XP 32-bit SP3, Windows Vista® 32-bit SP2, Windows 7 32-bit, or Windows 7 64-bit
* 1 GB RAM (2 GB recommended)
* 5 GB free disk space
* One FireWire port
Compatibility
ASIO, Core Audio, WDM, MME, and multi-client drivers
Mbox Pro Hardware
Pro Tools Mbox Pro
Mbox® Pro is the ultimate high-definition recording interface, packing a wide range of analog and digital I/O connections into a desktop audio workstation.
* Compatible with most major audio software (Pro Tools LE®, Logic, Live, Cubase, and more)
* FireWire connection
* Professional-grade circuitry and converters deliver exceptional audio performance
* Up to 24-bit, 192 kHz sample rates*
* Soft-clip limiter lets you track hot signals without clipping—providing a classic overdriven tape saturation sound
* Built-in guitar tuner
* Onboard DSP offers flexible cue mixing and reverb effects
* Assignable Pro Tools multi-function button on interface gives you fast access to software functions
* Connect up to three pairs of monitors or do 5.1 surround mixing**
* Hardware configuration:
o 8 x 8 simultaneous channels of I/O
o 4 mic inputs with 48 V phantom power and high pass filter (2 XLR/DI combo, 2 XLR)
o 4 1/4" TRS line inputs
o 2 unbalanced Alt line inputs (2 RCA, 1 mini 1/8”)
o 6 1/4" TRS balanced line outputs
o 2 discrete 1/4” stereo headphone outputs with separate volume controls
o Stereo S/PDIF digital I/O
o 1 MIDI input, 1 MIDI output
o Word clock I/O
o Monitor control section with Mono, Mute, Dim, Alt Source, and Speaker A/B/C switching controls
o Dedicated monitor volume knob
* Up to 96 kHz sample rates supported with Pro Tools LE software.
** Mixing 5.1 surround sound in Pro Tools LE requires Complete Production Toolkit
Pro Tools LE Software
Pro Tools 8 Software
The Pro Tools software platform is used in professional studios around the world, and includes all the tools you need to easily compose, record, edit, mix, and master your projects with pro results—every time.
Key Features
* Award-winning Pro Tools recording, editing, and mixing
* 48 simultaneous stereo audio tracks (expandable with Toolkit options)
* Includes over 70 professional effects and virtual instruments
* Professional MIDI sequencing with dedicated MIDI Editor window
* Integrated Score Editor based on award-winning Sibelius notation software
* Full Elastic Time and Elastic Pitch to easily adjust timing and pitch on your tracks
* Unique Beat Detective LE automatic groove analysis and correction tool
* ReWire support for streaming your favorite applications right into Pro Tools
* Huge selection of compatible third-party plug-ins and software options
* Works on Windows and Mac computers
Yamaha AUDIOGRAM3 Computer Recording System Specifications:
Mic/Hi-Z input: 1
Audio Format: USB AUDIO 1.1, 16bit/44.1kHz
Combo Connectors: 1
Stereo In connectors: Phone connector x 2 (L/MONO x 2, R x 2)
USB Connector: To Host x 1
Headphone connector: Stereo Phone connector x 1
Stereo Out connector: Phone connector x 2 (L, R)
Power Supply: USB powered
Dimensions (W x H x D): 180 mm x 61 mm x 112 mm (7-1/8" x 2-3/8" x 4-3/8“)
Accessories: CUBASE AI DVD, Owner's Manual, USB Cable
System Requirements
Windows Vista
Windows-based computer with built-in USB interface
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