Native Instruments Komplete Audio 2 Audio Interface

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Komplete Audio 2 Slightly more exciting is the bonus featured Komplete Audio 2. This has twin XLR combi inputs so you could record two mics, or stereo line sources, or two instruments or a mix of those possibilities. The outputs have been upgraded to proper jacks but everything else is the same. It’s even the […]

 

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Komplete Audio 2

Slightly more exciting is the bonus featured Komplete Audio 2. This has twin XLR combi inputs so you could record two mics, or stereo line sources, or two instruments or a mix of those possibilities. The outputs have been upgraded to proper jacks but everything else is the same. It’s even the same size and weight.

NAMM 2019: Komplete Audio 1 and 2 affordable USB audio interfaces

Approximate reading time: 2 Minutes

Native Instruments Komplete Audio 2  ·  Source: Native Instruments

Native Instruments Audio 2  ·  Source: Native Instruments

Native Instruments Audio 1  ·  Source: Native Instruments

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The Komplete Audio 6 is one of the best performing USB audio interfaces and has been a decent purchase ever since it was released in 2011. 8 years later Native Instruments finally get around to building a couple more interfaces along similar lines. The Komplete Audio 1 and Komplete Audio 2 are designed to be simple, entry-level interfaces and they look quite tidy.

Komplete Audio 1

First up is the imaginatively named Komplete Audio 1. It has 1 XLR microphone input and 1 regular jack input for instrument or line level. Outputs are on RCA phono for connecting to your hi-fi speakers and a headphone output with its own level control. It’s got some sweet VU LED meters on the top and a lovely big volume knob like the Audio 6 before it. It has direct monitoring and an input/host mix knob so you can hear playback while recording. Simple, elegant, USB powered, good quality recording and playback for your computer or laptop.

Native Instruments Audio 1

Komplete Audio 2

Slightly more exciting is the bonus featured Komplete Audio 2. This has twin XLR combi inputs so you could record two mics, or stereo line sources, or two instruments or a mix of those possibilities. The outputs have been upgraded to proper jacks but everything else is the same. It’s even the same size and weight.

Native Instruments Audio 2

Software

With either interface you get a good bundle of software including full Maschine software and Ableton Live 10 Lite.

  • Replika
  • Solid Bus Comp
  • Phasis
  • Monark
  • Maschine Essentials (full Maschine software with a limited Factory Library)
  • Ableton Live 10 Lite
Weight 0.60 kg

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Quick Comparison

Native Instruments Komplete Audio 2 Audio Interface removeMOTU Traveler-mk3 - Portable bus-powered audio interface with on-board effects and mixing removeEDIROL UA-20 USB AUDIO AND MIDI removeMOTU 896mk3 - 8 mic/guitar inputs with on-board effects and mixing removeDIGIDESIGN Pro Tools Mbox USB AUDIO INTERFACE 4X4 removeEDIROL REAC-S8PREAC-U audio/midi sequencer SONAR 8 Producer with REAC Driver Kit remove
NameNative Instruments Komplete Audio 2 Audio Interface removeMOTU Traveler-mk3 - Portable bus-powered audio interface with on-board effects and mixing removeEDIROL UA-20 USB AUDIO AND MIDI removeMOTU 896mk3 - 8 mic/guitar inputs with on-board effects and mixing removeDIGIDESIGN Pro Tools Mbox USB AUDIO INTERFACE 4X4 removeEDIROL REAC-S8PREAC-U audio/midi sequencer SONAR 8 Producer with REAC Driver Kit remove
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SKUNI/EM/000100Traveler-mk3UA-20896mk3ProTools MboxREAC-S8PREAC-U
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Description
ContentKomplete Audio 2 Slightly more exciting is the bonus featured Komplete Audio 2. This has twin XLR combi inputs so you could record two mics, or stereo line sources, or two instruments or a mix of those possibilities. The outputs have been upgraded to proper jacks but everything else is the same. It’s even the same size and weight. NAMM 2019: Komplete Audio 1 and 2 affordable USB audio interfaces Approximate reading time: 2 Minutes Native Instruments Komplete Audio 2  ·  Source: Native Instruments Native Instruments Audio 2  ·  Source: Native Instruments Native Instruments Audio 1  ·  Source: Native Instruments Previous Next The Komplete Audio 6 is one of the best performing USB audio interfaces and has been a decent purchase ever since it was released in 2011. 8 years later Native Instruments finally get around to building a couple more interfaces along similar lines. The Komplete Audio 1 and Komplete Audio 2 are designed to be simple, entry-level interfaces and they look quite tidy. Komplete Audio 1 First up is the imaginatively named Komplete Audio 1. It has 1 XLR microphone input and 1 regular jack input for instrument or line level. Outputs are on RCA phono for connecting to your hi-fi speakers and a headphone output with its own level control. It’s got some sweet VU LED meters on the top and a lovely big volume knob like the Audio 6 before it. It has direct monitoring and an input/host mix knob so you can hear playback while recording. Simple, elegant, USB powered, good quality recording and playback for your computer or laptop. Native Instruments Audio 1 Komplete Audio 2 Slightly more exciting is the bonus featured Komplete Audio 2. This has twin XLR combi inputs so you could record two mics, or stereo line sources, or two instruments or a mix of those possibilities. The outputs have been upgraded to proper jacks but everything else is the same. It’s even the same size and weight. Native Instruments Audio 2 Software With either interface you get a good bundle of software including full Maschine software and Ableton Live 10 Lite.
  • Replika
  • Solid Bus Comp
  • Phasis
  • Monark
  • Maschine Essentials (full Maschine software with a limited Factory Library)
  • Ableton Live 10 Lite

 

The Traveler-mk3 is MOTU's most advanced FireWire audio interface. Once again it raises the bar with innovative new features, enhanced standard features that remain unique, superb sound and reliable performance.

Engineered for high-end mobile recording applications, the Traveler-mk3 delivers four very high quality mic inputs, bus power, optional battery power and DSP-driven mixing and effects processing.

The Traveler-mk3 provides eight channels of pristine 192 kHz analog recording and playback, combined with twenty channels of digital I/O in ADAT optical, AES/EBU and S/PDIF formats. Expand your system by connecting additional MOTU FireWire audio interfaces or the 8pre mic input expander.

The Traveler-mk3 is equally well-suited for studio, stage and remote locations, with or without a computer. As an interface or stand-alone mixer, the Traveler-mk3 provides 28 separate inputs and 30 separate outputs, including four XLR/quarter-inch "combo” mic/instrument analog inputs equipped with pre-amps, individual 48V phantom power switches and Digital Precision Trim™ controls conveniently adjusted from the front panel or CueMix FX™ software.

MOTU FireWire audio interfaces are fully compatible with FireWire 800-equipped Macs. All you need is a standard FireWire 400-to-800 cable. Just plug in and go. The FireWire bus operates at 400 Mb/sec, providing the same high speed, low latency and rock solid reliability that MOTU FireWire interfaces are known for.

Connect all of your audio instruments and gear, including mics, guitars, synths, keyboards, drum machines and even effects processors. Record, monitor, route and process all of these live inputs using the professional on-board CueMix FX digital mixer with no latency and no processor strain on your computer. Apply hardware DSP-driven effects processing to inputs, outputs, and busses independent of your host computer.

Add Classic Reverb™ with lengths up to 60 seconds. Further sculpt your sound with 7-band parametric EQ featuring filter types carefully modeled after British analog console EQs. Choose between two forms of compression: a conventional compressor and the Leveler™, an accurate model of the legendary LA-2A™ optical compressor that provides vintage, musical automatic gain control. When recording from the four mic/guitar inputs, the Traveler-mk3ʼs signal overload protection gives you an extra 12 dB of headroom above zero with no clipping or harsh artifacts.

After programming the on-board mixing in the studio, unplug the Traveler-mk3, remove the rack brackets, and take it on the road for operation as a portable, bus-powered audio interface for a laptop or battery-operated stand-alone mixer with effects. The Traveler slides easily into your backpack and fits neatly beneath your laptop. All mixing and effects parameters are adjustable using the front panel backlit LCD. Record extended sessions even in the most remote locations with the complete freedom of field battery power.

The Traveler-mk3 provides cross-platform compatibility with Mac and Windows and all of your favorite audio software and host-based effects via WDM/ASIO/Core Audio drivers. Or you can use the included AudioDesk workstation software for Mac, with 24-bit recording/editing and 32-bit mixing/processing/mastering.

UA-20: Audio Capture USB Audio/MIDI Interface Features

The UA-20 is the standard model to Edirol's rapidly expanding UA series of USB Audio Capture devices. The unit can accept input from Mic, Line and even guitar level signals. The audio is converted at 24-bit quality and is transferred to your computer via industry standard low latency WDM, ASIO, MME drivers for compatibility with all major sequencing platforms, the input signal may be also monitored directly in hardware. Outputs include analogue, digital and headphone. The built-in MIDI in and out utilize Edirol's Fast Processing Technology for super accurate MIDI timing with any sequencing software on Mac or PC platforms and can be used with both OMS or FreeMIDI drivers on the Apple Macintosh. The UA-20 requires no external power supply and is ideal for use by mobile laptop or Powerbook users. The unit ships with drivers for Windows XP, 2000, Me, 98, MacOS X, and Mac OS 9.x, 8.5 and may also be used with the native USB audio drivers that are included with both Mac & PC.

  • Audio and MIDI in a compact unit.
  • Fully equipped with I/O jacks.
  • Great tool for creating music.
  • Edirol's FPT Technology.

Record1 pair of stereoPlayback1 pair of stereoSignal ProcessingPC interface24 bitSampling RateDigital output44.1 kHzNominal Input Level-45 – -10 dBuInput ImpedanceLINE22 k ohmsGUITAR470 k ohmsMIC22 k ohmsNominal Output Level-10 dBuOutput Impedance1 k ohmsResidual Noise LevelMaster Out-105 dBu or less
(input terminated with 1 k ohm, Master Volume = max.,
Input Monitor = off, IHF-A, typ.)InterfaceUSB
Digital output (Optical Type , conforms to S/P DIF)ConnectorsInput Jack (1/4 inch phone type) x 2
Digital Out Connector (Optical type)
Headphones Jack (Stereo miniature phone type)
Master Out Jack (RCA phono type)
MIDI ConnectorsOthersPower SupplySupplied from the computerCurrent Draw170 mAAccessoriesOwnerʼs Manual
USB cable
CD-ROMSize and WeightWidth149 mm5-7/8 inchesDepth111 mm4-3/8 inchesHeight43 mm1-11/16 inchesWeight0.2 kg0 lbs. 8 oz.

The all new 896mk3 FireWire audio interface delivers high-end performance, superb sound, innovative new features and enhanced standard features that remain unique.

The 896mk3 provides eight channels of pristine 24-bit 192 kHz analog recording and playback, combined with sixteen channels of optical digital I/O, stereo AES/EBU, S/PDIF and separate analog main outs. Expand your system by connecting the 8pre mic input expander or other MOTU audio interfaces.

The 896mk3 is equally well-suited for studio and stage, with or without a computer. As an interface or standalone mixer, the 896mk3 provides 28 separate inputs and 32 separate outputs, including dedicated main outs on XLRs and two front panel headphone outs.

Connect all of your studio gear, including microphones, guitars, synths, keyboards, drum machines and even effects processors. Record, monitor, route and process all of these live inputs using the professional on-board CueMix FX digital mixer – with no latency and no processor strain on your computer. Apply hardware DSP-driven effects processing to inputs, outputs, and busses independent of your host computer. Add Classic Reverb™ with lengths up to 60 seconds. Further sculpt your sound with 7-band parametric EQ featuring filter types carefully modeled after British analog console EQs. Choose between two forms of compression: a conventional compressor and the Leveler™, an accurate model of the legendary LA-2A™ optical compressor that provides vintage, musical automatic gain control.

MOTU FireWire audio interfaces are fully compatible with FireWire 800-equipped Macs. All you need is a standard FireWire 400-to-800 cable. Just plug in and go. The FireWire bus operates at 400 Mb/sec, providing the same high speed, low latency and rock solid reliability that MOTU FireWire interfaces are known for.

When recording from the mic/guitar inputs, the 896mk3ʼs signal overload protection gives you an extra 12 dB of headroom above zero with no clipping or harsh artifacts.

After programming the on-board mixing in the studio, unplug the 896mk3 from the computer and take it on the road for operation as a stand-alone mixer with effects. All mixing and effects parameters are adjustable using the front panel backlit LCD.

The 896mk3 provides cross-platform compatibility with Mac and Windows and all of your favorite audio software and host-based effects via WDM/ASIO/Core Audio drivers. Or you can use the included AudioDesk workstation software for Mac, with 24-bit recording/editing and 32-bit mixing/processing/mastering.

Mbox® is a premium audio interface, packing a wide range of analog and digital I/O connections into a mobile form factor.

* Compatible with most major audio software (Pro Tools LE®, Logic, Live, Cubase, and more)
* Bus-powered USB 2.0 connection for maximum mobility
* Professional-grade circuitry and converters deliver exceptional audio performance
* Up to 24-bit, 96 kHz sample rates
* Soft-clip limiter lets you track hot signals without clipping—providing a classic overdriven tape saturation sound
* Built-in guitar tuner
* Onboard DSP offers flexible cue mixing and reverb effects
* Assignable Pro Tools multi-function button on interface gives you fast access to software functions
* Hardware configuration:
o 4 x 4 simultaneous channels of I/O
o 2 XLR mic/line combo inputs with 48 V phantom power
o 2 1/4” DI inputs on front panel for easy access
o 2 balanced 1/4” monitor outputs
o 1 1/4” stereo headphone output with volume control
o Stereo S/PDIF digital I/O
o 1 MIDI input, 1 MIDI output
o Monitor control section with Mono and Dim controls
o Dedicated monitor volume knob

Pro Tools LE Software
Pro Tools 8 Software

The Pro Tools® software platform is used in professional studios around the world, and includes all the tools you need to easily compose, record, edit, mix, and master your projects with pro results—every time.

Key Features

* Award-winning Pro Tools recording, editing, and mixing
* 48 simultaneous stereo audio tracks (expandable with Toolkit options)
* Includes over 70 professional effects and virtual instruments
* Professional MIDI sequencing with dedicated MIDI Editor window
* Integrated Score Editor based on award-winning Sibelius notation software
* Full Elastic Time and Elastic Pitch to easily adjust timing and pitch on your tracks
* Unique Beat Detective LE automatic groove analysis and correction tool
* ReWire support for streaming your favorite applications right into Pro Tools
* Huge selection of compatible third-party plug-ins and software options
* Works on Windows and Mac computers

System Requirements
Mac PC

* Mac OS X 10.5.8 (Leopard) or 10.6.1-10.6.4 (Snow Leopard)
* 1 GB RAM (2 GB recommended)
* 6 GB free disk space
* Intel® processor (no PowerPC® support)
* One USB port



* Windows® XP 32-bit SP3, Windows Vista® 32-bit SP2, Windows 7 32-bit, or Windows 7 64-bit
* 1 GB RAM (2 GB recommended)
* 5 GB free disk space
* One USB port

Compatibility
ASIO, Core Audio, WDM, MME, and multi-client drivers


The SONAR REAC Recording System when used in conjunction with the RSS V-Mixing System or RSS Digital Snakes provides the most comprehensive live recording, mixing, mastering and delivery product available. This is the next phase in product development of the REAC driver, which Cakewalk engineered for Roland as a way for users to record from their Digital Snake/V-Mixer System directly into SONAR. The SONAR REAC Recording System includes:

* SONAR 8 Producer
* REAC Driver Kit
* Cakewalk Approved Hardware Monitoring Device
* SONAR Templates
* Users Guides

The REAC protocol provides up to 40 channels of audio to be sent via a single CAT5e Ethernet or fiber optic cable. The REAC driver, developed by Cakewalk, allows the REAC output from the RSS V-Mixer or RSS Digital Snake to connect directly into a PC using a single Ethernet cable.

SONAR 8 Producer gives you what you need for recording, composing, editing, mixing, and mastering. Get innovations that matter, from exclusive features to ignite creativity and perfect your tracks, to groundbreaking technologies that always keep you in control, all backed by the industry's leading 64-bit audio quality. And SONAR 8 Producer delivers the go-to production tools you want with the best collection of virtual instruments, mixing, and mastering effects found in any DAW.

With unlimited tracks, amazing creative tools, inspiring virtual instruments, the freedom to work with any audio interface or control surface, and the most complete delivery capability for collaboration with users of other DAWS, award-winning SONAR Producer is your best choice in a digital audio workstation.

SONAR 8 is the only DAW that offers one-of-a-kind music creation tools that actually help in the songwriting process. Whether you are searching for new ideas or looking to add musical parts to existing songs, SONAR 8 can help you break through those creative blocks.

SONAR 8 provides the most comprehensive recording features of any DAW on the market today. It's designed to meet the needs of even the most demanding professional—whether recording a solo performance, a band, or even an orchestra.

Recommended System Requirements:

* Operating System: Windows XP (32 bit), Windows Vista (32 bit or 64 bit)
* Processor Speed: Intel Core 2 Duo 2GHz or higher
* RAM: 3 GB for 40 Channel Recording
* Ethernet Port Speed: Gigabit Ethernet/CAT5e Only
* Graphics: 1280 x 960, 24-bit color or higher
* Audio Hard Drive Size: 30 GB
* Audio Hard Disk Type: RAID 0 with (2) SATA drives
* Audio Interface: SPS/FA-66 FireWire Audio Interface or Cakewalk VS-700 R
* Media Drive: DVD-ROM, DVD+/-R or DVD+/-RW
* Other Hardware: RSS Digital Snake or V-Mixing System, Roland CAT5e Cables (supplied with Digital Snakes), Gigabit Ethernet Switch (optional)
* Other Software: Adobe Acrobat


Weight0.60 kg4.00 kg0.60 kg4.00 kg2.00 kg1.00 kg
DimensionsN/AN/AN/AN/AN/AN/A
Additional information
Weight 0.60 kg
Weight 4.00 kg
Weight 0.60 kg
Weight 4.00 kg
Weight 2.00 kg
Weight 1.00 kg