RME RME Octamic XTC Sound Card / Premamplifier

RME proudly presents a new generation of top-class microphone, line and instrument preamp, hi-end A/D converter, digital patch bay and format converter, monitoring device, and last but not leastt he flexible front end for Apple's iPad® - the OctaMic XTC! With the OctaMic XTC eight microphone and line inputs, four switchable to Hi-Z mode, meet an unrivaled variety of digital connection protocols - from common ADAT and AES/EBU to sophisticated 64-channel MADI optical. Analog signals are converted with RME's newest converter technology. Maintaining the excellent sound and frequency response that RME converters are known for, this preamp excels in an extraordinary gain range, extremely low latencies and stunning EIN and signal to noise ratios.

With the help of the full color TFT display, the quickly accessible setup options reveal another truely unique feature: all analog and digital inputs, including up to 64 MADI channels and 8 AES/EBU audio channels, can be freely patched to any output - including the 24 channels of its Class Compliant USB 2.0 audio interface format. When attached by MIDI (DIN, MIDI over MADI, or USB) to an RME audio interface running TotalMix FX, the OctaMic XTC can be remote controlled directly within the input channel strips of TotalMix. An example is the combination of the renowned Fireface UFX with an XTC on top, connected via ADAT, adding 8 analog inputs and 4 analog outputs to RMEʼs flagship interface.

Full remote control support allows the unit to be as close to the analog signal source as possible while important settings and configurations can be modified, as well as stored and recalled, not only on the unit itself, but also from a larger distance. With 24 channels I/O in Class Compliant mode the XTC is also the most flexible and advanced interface ever built to work with the iPad (needs Apple Camera Connection Kit).

The all new 896mk3 FireWire audio interface delivers high-end performance, superb sound, innovative new features and enhanced standard features that remain unique.

The 896mk3 provides eight channels of pristine 24-bit 192 kHz analog recording and playback, combined with sixteen channels of optical digital I/O, stereo AES/EBU, S/PDIF and separate analog main outs. Expand your system by connecting the 8pre mic input expander or other MOTU audio interfaces.

The 896mk3 is equally well-suited for studio and stage, with or without a computer. As an interface or standalone mixer, the 896mk3 provides 28 separate inputs and 32 separate outputs, including dedicated main outs on XLRs and two front panel headphone outs.

Connect all of your studio gear, including microphones, guitars, synths, keyboards, drum machines and even effects processors. Record, monitor, route and process all of these live inputs using the professional on-board CueMix FX digital mixer – with no latency and no processor strain on your computer. Apply hardware DSP-driven effects processing to inputs, outputs, and busses independent of your host computer. Add Classic Reverb™ with lengths up to 60 seconds. Further sculpt your sound with 7-band parametric EQ featuring filter types carefully modeled after British analog console EQs. Choose between two forms of compression: a conventional compressor and the Leveler™, an accurate model of the legendary LA-2A™ optical compressor that provides vintage, musical automatic gain control.

MOTU FireWire audio interfaces are fully compatible with FireWire 800-equipped Macs. All you need is a standard FireWire 400-to-800 cable. Just plug in and go. The FireWire bus operates at 400 Mb/sec, providing the same high speed, low latency and rock solid reliability that MOTU FireWire interfaces are known for.

When recording from the mic/guitar inputs, the 896mk3ʼs signal overload protection gives you an extra 12 dB of headroom above zero with no clipping or harsh artifacts.

After programming the on-board mixing in the studio, unplug the 896mk3 from the computer and take it on the road for operation as a stand-alone mixer with effects. All mixing and effects parameters are adjustable using the front panel backlit LCD.

The 896mk3 provides cross-platform compatibility with Mac and Windows and all of your favorite audio software and host-based effects via WDM/ASIO/Core Audio drivers. Or you can use the included AudioDesk workstation software for Mac, with 24-bit recording/editing and 32-bit mixing/processing/mastering.

System Requirements
Mac           PC

    * Mac OS X 10.5.8 (Leopard) or 10.6.1-10.6.4 (Snow Leopard)
    * 1 GB RAM (2 GB recommended)
    * 6 GB free disk space
    * Intel® processor (no PowerPC® support)
    * One FireWire port

         

    * Windows® XP 32-bit SP3, Windows Vista® 32-bit SP2, Windows 7 32-bit, or Windows 7 64-bit
    * 1 GB RAM (2 GB recommended)
    * 5 GB free disk space
    * One FireWire port

Compatibility

ASIO, Core Audio, WDM, MME, and multi-client drivers

Mbox Pro Hardware
Pro Tools Mbox Pro

Mbox® Pro is the ultimate high-definition recording interface, packing a wide range of analog and digital I/O connections into a desktop audio workstation.

    * Compatible with most major audio software (Pro Tools LE®, Logic, Live, Cubase, and more)
    * FireWire connection
    * Professional-grade circuitry and converters deliver exceptional audio performance
    * Up to 24-bit, 192 kHz sample rates*
    * Soft-clip limiter lets you track hot signals without clipping—providing a classic overdriven tape saturation sound
    * Built-in guitar tuner
    * Onboard DSP offers flexible cue mixing and reverb effects
    * Assignable Pro Tools multi-function button on interface gives you fast access to software functions
    * Connect up to three pairs of monitors or do 5.1 surround mixing**
    * Hardware configuration:
          o 8 x 8 simultaneous channels of I/O
          o 4 mic inputs with 48 V phantom power and high pass filter (2 XLR/DI combo, 2 XLR)
          o 4 1/4" TRS line inputs
          o 2 unbalanced Alt line inputs (2 RCA, 1 mini 1/8”)
          o 6 1/4" TRS balanced line outputs
          o 2 discrete 1/4” stereo headphone outputs with separate volume controls
          o Stereo S/PDIF digital I/O
          o 1 MIDI input, 1 MIDI output
          o Word clock I/O
          o Monitor control section with Mono, Mute, Dim, Alt Source, and Speaker A/B/C switching controls
          o Dedicated monitor volume knob

* Up to 96 kHz sample rates supported with Pro Tools LE software.

** Mixing 5.1 surround sound in Pro Tools LE requires Complete Production Toolkit
Pro Tools LE Software
Pro Tools 8 Software

The Pro Tools software platform is used in professional studios around the world, and includes all the tools you need to easily compose, record, edit, mix, and master your projects with pro results—every time.

Key Features

    * Award-winning Pro Tools recording, editing, and mixing
    * 48 simultaneous stereo audio tracks (expandable with Toolkit options)
    * Includes over 70 professional effects and virtual instruments
    * Professional MIDI sequencing with dedicated MIDI Editor window
    * Integrated Score Editor based on award-winning Sibelius notation software
    * Full Elastic Time and Elastic Pitch to easily adjust timing and pitch on your tracks
    * Unique Beat Detective LE automatic groove analysis and correction tool
    * ReWire support for streaming your favorite applications right into Pro Tools
    * Huge selection of compatible third-party plug-ins and software options
    * Works on Windows and Mac computers

he U46XL is a powerful multi-purpose 4-in 6-out multi-channel audio interface designed for various recording applications at home or on the road. The U46XL is the successor of to ESI Audio's famous U46DJ interface.

As its predecessor, it provides 2 stereo line inputs, a microphone input with +48V phantom power and a headphone output. A main difference is the improved analog circuitry improving the audio quality as well as the professional microphone preamplifier with XLR input. This makes the U46XL the perfect solution to record signals from dynamic or condenser microphones on the road or in your studio.

The unit also features an instrument input (Hi-Z), typically to connect a guitar directly to it. Two totally separate stereo line input on the backside provide 4 simultaneously usable input channels at one time. There are also 6 independent individual outputs on the backside, perfect for multi-channel playback applications like to provide individual outputs for software synthesizers, to provide independent playback channels for DJ software or to provide surround playback capability via a 5.1 setup. A separate mix output with professional TRS outputs could be used to connect U46XL to professional stereo studio monitors.

A cool feature is the DirectWIRE support in the driver, allowing you to record signals from one application to another internally. U46XL works with this driver based on our EWDM technology under Windows XP and Windows Vista/7, however U46XL is also Mac OS X compatible.

U46XL ships with Cubase LE 4 from Steinberg for Mac and PC to start recording on a professional level right out of the box.

Digital Audio:

• 44.1/48kHz sample rate
• 24-bit resolution

• Data ports: 1 x USB 1.1

• MIDI i/o

• Operating system: Mac OSX 10.3.9 or greater (Leopard also supported) or Windows XP with Service Pack 2 or greater (Vista 32/64 also supported)
• Minimum Computer spec: Mac - G3/600MHz or G4/667MHz, both with 256MB RAM or PC - Pentium 3/500MHz/256MB RAM (machines running Vista will require a higher spec)
  
  Interfacing: USB 1.1 compatible USB connector (also compatible with USB 2.0), 28/24 awg USB cable recommended

• 633g
• 45.4mm (H) x 144mm (W) x 149mm (D)