ORTOFON OM Nightclub MKII CARTRIDGE

Following in the footsteps of the legendary Night Club series, the re-engineered Night Club MKII boasts numerous sonic improvements in both club and studio settings.  With a new cartridge body, the Night Club MKII offers increased output voltage for powerful, energetic sound and enhanced performance from integrated phono preamps such as the ones found in DJ mixers).  The redesigned elliptical stylus provides well-balanced high frequency response and ample low end reproduction.  The Night Club MKII marks a new generation of club cartridges, designed to surpass the gold standard set by the original Night Club cartridge.

• Combining the Shure unique wide-diameter Type S cantilever with a tracking force of 1.5 to 3.0 grams, the M44-7's rugged construction is highly durable, but will not unduly wear your vinyl.
• With a 9.5 mV output, the M44-7 produces powerful, resonant sound.

• Skip Resistance: ultra high
• Output: ultra high
• Record Wear: ultra low
• Sound Emphasis: big bass

Professional plug-in catrridge designed for use Serato Scrach Live and other digital interface formats using time coded vinyl. Set includes two cartridges with two styli, cleaning brush and carry case.

ORTOFON CONCORDE DIGITRACK KIT WITH 2 STYLI

Ortofon\'s Red Digitrack Cartridge is designed specifically for coded vinyl. The Digitrack is the perfect marriage of ease and function. With the advent of new computer technology, a DJ can now manipulate MP3s with the style and feel of a turntablist and the tradition of a turntable. Introducing the world\'s first needle designed specifically for coded vinyl with low wear, high output and the best mix and scratch ability.

With the introduction of the DigiTrack cartridge, Ortofon continues to break new ground. Finally, technology has become an art. The Digitrack is the perfect marriage of ease and function. With the advent of new computer technology, a DJ can now manipulate MP3\'s with the style and feel of a turntablist and the tradition of a turntable. Introducing the world\'s first needle designed specifically for code vinyl. Low wear, high output and no more lugging around crates of records.

Our engineers spent hundreds of hours studying the characteristic of time coded vinyl from such products as Serato Scratch, FinalScratch, Virtual DJ, PCDJ Scratch and many others. They\'ve designed a product that will pick up all the coded information while leaving minimal wear on your record. Combine superior output and tracking ability and you\'ve got a cartridge that will perform flawlessly every time. Ideal for both mixing and scratching. The DigiTrack will keep you in the groove all night long.

TECHNICAL DATA CONCORDE DIGITRACK

Output voltage at 1000 Hz,
5cm/sec.
8 mV
Channel balance at 1 kHz
1,5 dB
Channel separation at 1 kHz
22 dB
Channel separation at 15 kHz
15 dB
Frequency range
20-20.000 Hz
Frequency response
20-18.000 Hz -3 /- 2dB
FIM distortion at recommended tracking force,
DIN 45.542
< 1%
Tracking ability at 315Hz at
recommended tracking force
80 m
Compliance, dynamic, lateral
12 m/mN
Stylus type
Spherical
Stylus tip radius
R18
Equivalent stylus tip mass
0,6 mg
Tracking force range
2-4 g (20-40 mN)
Tracking force, recommended
3,0 g (30 mN)
Tracking angle
20
Internal impedance, DC resistance
1325 Ohm
Internal inductance
765 mH
Recommended load resistance
47 kOhm
Recommended load capacitance
200-600 pF
Cartridge colour, body/stylus
Red/Red
Cartridge weight
18,5 g
Replacement stylus unit
Digitrack

Ortofon D 25 M Mono Cartridge Spherical Diamond

OM D 25 M Technical Data:

Co-developed by one of the most legendary DJs of all time, the Ortofon Q.Bert provides unsurpassed handling, high output voltage, and low wear characteristics that literally put it in a class of its own. Turntablists and mix DJs alike will appreciate the strong output of this cartridge, coupled with unrivaled tracking ability and sonic characteristics.  The Q.Bert features a more subdued high end, which helps to minimize surface noise from worn vinyl, and an accentuated mid-range to help bring scratching to the front of the sound stage.