DBX 530 PARAMENTRIC EQ MODULE

The dbx 530 Parametric EQ offers a unique degree of equalization flexibility in the popular 500 Series format. Based upon the classic dbx 905, the dbx 530 is an uncompromising equalizer offering true, fully parametric operation of all three filter bands! dbx has a much-heralded history with modular processors dating back to our 900 Series, and the dbx 530 continues that tradition.

The dbx 530\'s overlapping bands each offer control of frequency bandwidth (Q) and up to 15dB of reciprocal cut or boost to provide exact, complimentary filter action for the most demanding of equalization needs. For problem situations requiring the removal of spurious signals, each of the bands can be independently switched into ?infinite notch? mode without affecting the operation of others. In situations where a shelving equalizer will produce better results than a peaking one, the 530’s high and low bands can be independently switched from peaking to shelving operation. You can also make instant affected/bypassed comparisons using the 530\'s ?On? switch.

Load up your 500 Series rack with dbx 530 Parametric EQs­­ and cut your way through mixes like an audio surgeon!

The Symphony I/O Chassis from Apogee provides two I/O Module slots for a variety of digital audio conversion options that form the interface side of the Symphony I/O. Elegant and easy to use, the front panel of Symphony I/O Chassis presents the visual feedback needed to monitor levels, sample rate and clock status, along with the controls required to adjust gain, output levels ,and select the Audio Interface Mode (AIM).

The rear panel provides access to the two I/O Module slots that are capable of a combined thirty-two channels of input and output. PCI, USB and Ethernet connectivity ensures complete compatibility with popular workstations, while the panel also includes Wordclock I/O connectors and termination, LoopSynch I/O connectors, and a quiet digitally-controlled fan to keep everything running cool.

The Audio Interface Mode (AIM) allows the system to be optimized for the most popular audio workstation environments, including Symphony PCI, Pro Tools HD PCI, USB audio, or to function as a standalone converter. With a two-step adjustment using a single front panel encoder knob, the interface can be easily switched back and forth between the preferred modes.

The optional five I/O Modules allow the user to choose from standard configurations, or customize the following - channel count, analog to digital input, digital to analog output, microphone preamps (requires an analog card) and digital I/O.

                    AES, S/PDIF, Optical I/O - Word Clock/Video In - 6 Word Clock Outs
                    Optional X-Video expansion card to provide master video sync generator
                    Realtime format conversion between all digital formats
                    Direct Digital Synthesis (DDS) using Apogee´s C777 Clock Technology up to 192kHz
                    Adaptive Loop Filtering (ALF) to optimize clock performance and minimize jitter
                    Three stage Termination Sensing for each word clock output

                
                INPUTS
                    2 x AES-EBU on XLR 44.1k-192k single-wide and 88.2 k–192k double-wide.
                    S/PDIF optical on TOS-LINK 44.1-48k
                    S/PDIF coaxial on RCA 44.1-192k
                    ADAT 44.1-48k
                    ADAT/SMUX II for 88.2-96k
                    ADAT/SMUX IV for 176.4-192k
                    Word Clock BNC 44.1 –192k
                    Video
                    Optional video sync (X-Video card)
                
                OUTPUTS
                    2 x AES-EBU on XLR single or double wide 44.1-192k
                    S/PDIF coaxial 44.1-192k
                    S/PDIF optical on TOS-LINK 44.1-48k
                    6 x BNC Word Clock 44.1-192k (of which 2 can output 256fs at low sample rates)
                    ADAT
                    SMUX II
                    SMUX IV
                    Optional video sync (X-Video card)
                
                SPECS
                    Sample rates: 44.1/48-88.2-96-176-192 . All +/- 10%
                    Video: PAL/NTSC/60Hz
                    "SuperClock" (256fs)
                    Pull up/down 0.1% and 4% from any sample rate
                    Apogee´s new Ultra Low Jitter C777 clock
                    Three stage termination indicator (under/correct/over) on each
                    Word Clock output:
                    "SureLock" technology for drop out prevention
                    4 digit numeric true sample rate indication
                    Universal power: 15 W 90-250 VAC 50-60 HZ

Connection:

Any interface with these digital I/O connections:
Word clock, ADAT/SMUX, S/PDIF, AES
         
Operating System:

Mac and Windows    

Product Features:

16 MIDAS-designed, fully programmable mic preamps for audiophile sound quality
8 analog, servo-balanced XLR outputs
AES50 network ports featuring KLARK TEKNIKʼs SuperMAC networking capability for ultra-low jitter and latency
Up to 100 m networking capability via CAT-5e cable (not included)
Dual AES50 ports for cascading S16 units—no merger or router required
Precise LED metering plus 7-segment displays for signal control on stage
Phones output assignable to any of the inputs/outputs for on-stage monitoring
Connectivity for BEHRINGER's P-16 Personal Monitoring System for In-Ear applications (not included)
Dual ADAT outputs for use in splitter mode and stand-alone digital multicore applications
MIDI In/Out for bi-directional communication between FOH console and on-stage MIDI devices
USB connector for system updates via PC
"Planet Earth" switching power supply for maximum flexibility (100 - 240 V~), noise-free audio, superior transient response plus low power consumption for energy saving
"Built like a tank" yet compact, all-steel 2U rack-mount chassis
High-quality components and exceptionally rugged construction ensure long life
Conceived and designed by BEHRINGER Germany

KLARK TEKNIK AES50

KLARK TEKNIK SuperMAC (AES50-Compliant) technology gives the S16 its high-capacity digital interconnectivity with ultra-low latency operation, as well as superbly simple deployment and ease of use. KLARK TEKNIK engineers worked hand-in-hand with BEHRINGER product developers to ensure the S16 meets, or exceeds, the requirements of live performance entertainers and their professional audio engineers. Some of the outstanding features are:
48 bidirectional audio channels over CAT5 cable (48 kHz)
24 bidirectional audio channels over CAT5 cable (96 kHz)
Single cable duplex interconnection for audio and sample clocks
Ethernet physical layer audio data transmission
High channel count and ultra-low deterministic latency
Accurate phase-aligned clock distribution.
Comprehensive error detection
and management
Provision for redundant networking
Minimal configuration ñ total ease of deployment and use
Ethernet TCP/IP protocol-compatible auxiliary data channel
Royalty-free implementations available as Xilinx FPGA cores
OEM modules available from developer partners

User's Manual

An elegant slim-line device contains all the functions required by a system for distributing different musical programmes in homes for multi-room sound systems and commercial premises.

Three different musical programmes and one for paging can be transmitted in five mono zones, or alternatively four zones, one of which is in stereo. It is also possible to extend the number of zones to ten using a simple connector to interlink two systems. The system has five amplified 20 W / 4 ohm outputs. For each of the five zones, a direct auxiliary input is available for connecting sources such as CD players or mixers to be used exclusively for one zone/room.
The back-lit display and function keys make it possible to access all the menus for configuring and adjusting the system: Volume, Tone, Loudness, Output settings, VOX.