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Zoom iQ6 Overview
The iQ6 Stereo X/Y Microphone from Zoom turns your iOS device with Lightning connector into a field recorder for capturing the sounds of concerts, interviews, meetings, lectures and more, at up to 16-bit/48kHz resolution. The microphone uses the same two, high-quality, unidirectional condenser mics found in the popular H4n recorder, allowing your recordings to cover a wide area, while still capturing sound sources in the center with clarity and definition.
The X/Y microphones can be set at two different angles, 90 degrees for a tightly focused image, or 120 degrees for a more immersive wide-angle stereo. The input gain can be adjusted using the large, mic gain wheel on the front of the unit, while you monitor your levels using the 3-segment LED. The iQ6 also features a dedicated 3.5mm headphone jack, enabling direct monitoring during both recording and playback. The headphone output can also be used as a line out for making a backup recording if desired.
The iQ6 comes with a removable spacer that allows it to be used with most iPhone, iPad, and iPod cases. The mic is compatible with Zoom\'s free Handy Recorder app, which gives you the option to record as PCM or AAC files, and offers effects such as compression, EQ, and reverb. Additionally, it will work with Apple\'s Voice Memo app and GarageBand, as well as most apps that support input from an external microphone.
Zoom Handy Recorder App
Zoom\'s Handy Recorder app, available for free from the iTunes App Store, provides an assortment of tools for your iQ6 and iOS device. In addition to offering onscreen level metering, it enables you to set the iQ6 headphone volume, as well as adding an automatic recording function-handy for capturing the sound of meetings, speeches, and other situations. Choose linear PCM format for the highest quality sound or AAC format to conserve storage space, then apply compression, EQ and reverb effects to your recordings. Handy Recorder even allows you to email your files to friends and to upload them to SoundCloud for sharing with the world.
Microphone
SPECIFICATIONS
| Stereo/Surround Configuration |
X/Y (Adjustable Stereo Width) |
| Capsule |
Condenser |
| Polar Pattern |
Unidirectional |
| Gain Adjustment |
+11 to +51 dB |
Performance
Connectivity
| Output Connectors (Analog) |
1 x |
| Output Connectors (Digital) |
1 x Lightning |
| Headphone Connector |
1 x 1/8" / 3.5 mm |
Digital Audio
| A/D Conversion |
16-Bit |
| Sample Rate |
44.1 / 48 kHz |
| Operating System Support |
iOS |
| Mobile Device Compatibility |
iPhone 5, 5c, 5s
iPod Touch 5th Gen.
iPad 4th Gen.
iPad Air
iPad Mini
iPad Mini with Retina |
Power
Physical
| Dimensions |
H: 2.4 x W: 1.2 x L: 2.1" / H: 61.1 x W: 30.6 x L: 53.1 mm |
| Weight |
1.07 lb / 30.5 g |
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Stereo Rack Memory Recorder
The UR-2 is a 1 U rack size stereo audio recorder using SD card and USB storage device that is flexibly adapting to the wide variety of playback requirements.
The UR-2 is a new generation stereo memory recorder from Fostex that uses 2 SD cards (SDHC compatible) and USB storage device as the recording media. The recording/ playback file format is BWF (WAV). Its ample playback functions will adapt to the wide variety of playback requirements. It offers high quality recording of up to 24bit/96kHz (in BWF format). Employing FAT 32 disc format, it is easy to process the file transfer to a PC based DAW.
The analog input and output are balanced XLR/+4dBu and un-balanced RCA/-10dBV, the digital input and output complies to AES/EBU and S/P DIF digital signal. It is flexible to be used in the available audio system. The playback function includes Chain Play and Timer Play, it is suitable for live stage performance and sound installation. In addition to the external control via parallel remote with D-Sub 25pin and RS-232C serial remote, a USB keyboard and 10-key keyboard can trigger the instant playback start, which is very useful at a live event, theater and broadcast environments.
The Mic input located on the front panel offers 48V phantom power, it can be used not only for recording but also for speech to be mixed with playback source. Last but not least, its newly employed organic EL display gives an extremely clear visibility. This combined with DC power operation, it serves for outdoor use very well.
MAIN FEATURES
• 2 sets SD card slots and a USB host connector for alternate recording/playback among the different media.
• Stereo or Mono WAV (BWF) recording to SD card (also SDHC) and USB storage device
• Fs: 44.1/48/88.2/96kHz, Quantization: 16/24bit
• High speed file transfer with PC via USB 2.0 (bi-directional)
• Employing FAT32 format, it allows to directly mount the recorded files to PC.
• It adapts to a wide variety of use environment by offering Chain Play and Memory Play.
• Timer Play and Power ON Play enable automatic playback start for such as chime and repetitive announcement, which are convenient in the installation audio industry.
• The play mode list employs CSV file format so that it is easy to edit by a text editor or spread sheet program software on PC.
• 99 Cue points with locate function. Waveform display under Scrub mode offers easy and visual Cue point setting
• Microphone input with P48V available on the front panel. Not only for recording but for speech to be mixed with playback source.
• Analog I/O with balanced XLR and un-balanced RCA pin jacks, Digital I/O with XLR connectors
• An organic EL display offers high visibility.
• Remote transport control via Foot SW, Parallel remote pot (Dsub 25pin) and RS-232C (D-sub 9pin)
• External USB keyboard can be used not only for file name editing but for transport control such as REC and PLAY.
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The Apogee X-VID-SYC-GEN Video Expansion Card is designed to fit in the X-Series card slot located in the rear panel of the Apogee Big Ben Master Digital Clock (sold separately). Allows all functions to be controlled from the Big Ben user interface and generates video and provides genlocking function. In genlocking mode the source video-signal will be re-clocked and regenerated, maintaining the same
field and colorburst phase information, but stripped of its line information and replaced by video-black. In slave mode the board will auto-detect the incoming video-standard and configure itself accordingly. The video input is of very high tolerance and will even lock to unstable sources like VCR's.
The Apogee X-VID-SYC-GEN Video Expansion Board has three modes of operation.
•Master mode: The user selects the video format on the frontpanel of the Big Ben. The Big Ben will slave to the generated video signal
•Attended Slave mode: The video board will be configured to autodetect and genlock to the incoming video. The Big Ben will slave to the incoming video signal
•Unattended Slave mode: The video board will be configured to autodetect and genlock to the incoming video. The Big Ben is not clocking to the Video board and therefore both will function independently
Features - Support for PAL, NTSC and 60 Hz B&W standards
- One composite video input and three composite video outputs
- Can operate as a master black-burst generator
- Can operate as genlocking slave device
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Specifications | General | | Recording media | | CompactFlash (CF) card | | File system | | FAT32 | | Recording format | | BWF (Monophonic, Polyphonic) | | Number of channels | | 8 channels (44.1/48/88.2/96 kHz)
8 channels + stereo mix (44.1/48 kHz)
4 channels (176.4/192 kHz) | | Quantization bit rate | | 16/24 bit | | Sampling frequency | | 44.1/47.952/48/48.048/88.2/96/176.4/192 kHz (47.952/48.048: 48 kHz ± 0.1% pull-down/pull-up) | | Reference clock | | Internal, Word In, Video In, Digital In (AES 1-8 IN, AES A-BIN, ADAT 1-8 IN) | | Type of timecode frame | | 23.976, 24, 25, 29.97DF, 29.97NDF, 30DF, 30NDF | | Limiter | | Attack time: 3 ms
Release time: 300 ms
Threshold: –5 dBFS
Ratio: 32:1 | | Analogue audio inputs and outputs | | The error for nominal and maximum levels is ±1dB for all input and output jacks except the PHONES jack. | | ANALOG INPUT (1-8) | | D-sub 25-pin | | Input impedance | | 10 kOhm | | Nominal input level | | When reference level is –9 dB:
+6 dBu (1.55 Vrms)
When reference level is not –9 dB:
+4 dBu (1.23 Vrms) | | Maximum input level (selectable) | | +15 dBu (4.36 Vrms), +18 dBu (6.16 Vrms), +20 dBu (7.75 Vrms), + 22 dBu (9.76 Vrms), +24 dBu (12.28 Vrms) | | ANALOG INPUT (L/A, R/B) | | XLR-3-31 (1: GND, 2: HOT, 3: COLD) | | Input impedance | | 10 kOhm | | Nominal input level | | When reference level is –9 dB:
+6 dBu (1.55 Vrms)
When reference level is not –9 dB:
+4 dBu (1.23 Vrms) | | Maximum input level (selectable) | | +15 dBu (4.36 Vrms), +18 dBu (6.16 Vrms), +20 dBu (7.75 Vrms), + 22 dBu (9.76 Vrms), +24 dBu (12.28 Vrms) | | ANALOG OUTPUT (1-8) | | D-sub, 25-pin | | Output impedance | | 100 Ohm | | Nominal output level | | When reference level is –9 dB:
+6 dBu (1.55 Vrms)
When reference level is not –9 dB:
+4 dBu (1.23 Vrms) | | Maximum output level (selectable) | | +15 dBu (4.36 Vrms), +18 dBu (6.16 Vrms), +20 dBu (7.75 Vrms), + 22 dBu (9.76 Vrms), +24 dBu (12.28 Vrms) | | ANALOG OUTPUT (A/B) | | XLR-3-32 (1: GND, 2: HOT, 3: COLD) | | Output impedance | | 100 Ohm | | Nominal output level | | When reference level is –9 dB:
+6 dBu (1.55 Vrms)
When reference level is not –9 dB:
+4 dBu (1.23 Vrms) | | Maximum output level (selectable) | | +15 dBu (4.36 Vrms), +18 dBu (6.16 Vrms), +20 dBu (7.75 Vrms), + 22 dBu (9.76 Vrms), +24 dBu (12.28 Vrms) | | PHONES connector | | 6.3-mm standard stereo jack | | Maximum output power | | 45 mW + 45 mW or more (THD+N 0.1 % or less, into 32 Ohm) | | Digital audio inputs and outputs | | DIGITAL IN/OUT (AES/EBU) | | D-sub, 25-pin | | Minimum input voltage | | 2 Vpp | | Maximum input voltage | | 7 Vpp | | Output voltage | | 2–5 Vpp | | Format | | AES3-2003/IEC 60958-4 (AES/EBU) | | DIGITAL I/O (ADAT) | | ADAT optical | | Format | | ADAT | | DIGITAL INPUT A-B | | XLR-3-31 | | Input voltage | | 2–7 Vpp at 110 Ohm | | Format | | AES3-2003 (AES/EBU) | | DIGITAL OUTPUT L-R | | XLR-3-32 | | Output voltage | | 2–5 Vpp at 110 Ohm | | Format | | AES3-2003 (AES/EBU) | | Other inputs and outputs | | RS-422 | | D-sub, 9-pin | | RS-232C | | D-sub, 9-pin | | PARALLEL | | D-sub, 25-pin | | CASCADE IN | | BNC | | Input voltage | | TTL equivalent (5 V) | | Input impedance | | 75 Ohm ±10 %
Allowable frequency deviation of external synchronization: ± 100 ppm | | CASCADE OUT | | BNC | | Output voltage | | TTL equivalent (5 V) | | Output impedance | | 75 Ohm ±10 % | | Sampling frequency | | 44.1/47.952/48/48.048/88.2/96/176.4/192 kHz (47.952/48.048: 48 kHz ± 0.1% pull-down/pull-up) | | TIME CODE IN | | BNC | | Input voltage | | 0.5–5 Vpp | | Input impedance | | 20 kOhm | | TIME CODE OUT | | BNC | | Output voltage | | 2–5 Vpp | | Output impedance | | 600 Ohm ±10 | | WORD/VIDEO IN | | BNC | | Input voltage | | TTL equivalent (5 V) | | Input impedance | | 75 Ohm ±10 %
Allowable frequency deviation of external synchronization: ± 100 ppm | | WORD/VIDEO THRU/OUT | | BNC
OUT/THRU switch included (OUT is for WORD OUT only) | | Output voltage | | TTL equivalent (5 V) | | Output impedance | | 75 Ohm ±10 % | | Sampling frequency (when using WORD) | | 44.1/47.952/48/48.048/88.2/96/176.4/192 kHz (47.952/48.048: 48 kHz ± 0.1% pull-down/pull-up) | | ETHERNET | | RJ45 | | Keyboard | | Mini-DIN (PS/2) | | USB | | USB A-type, 4-pin | | Protocol | | USB2.0 HIGH SPEED (480 Mbit/s) | | Audio performance (analogue input to analogue outp | | Frequency response | | | | 20 Hz - 20 kHz | | ±0,5 dB (all sampling rates) | | at 40 kHz | | +0,5 dB/–2 dB (Fs = 88.2/96 kHz) | | at 80 kHz | | +0,5 dB/–5 dB (Fs = 176.4/192 kHz) | | Distortion | | ≤0.005% (Reference level: –20 dB, input level: +23 dBu, 1 kHz, AES-17LPF) | | S/N ratio | | ≥100 dB(A) (22 kHz LPF) | | Power requirements and other specifications | | Power requirements | | 100–240 V AC, 50–60 Hz | | Power consumption | | 26 W | | Dimensions (W x H x D) | | 483 mm x 88 mm x 288 mm | | Weight | | 4.8 kg | | Operating temperature range | | 5–35 °C |
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The HD-R1 Solid State Recorder is a two-channel, single rack-mount recording and playback device created with the sound contractor in mind.
Utilizing the highly reliable Compact Flash Card the HD-R1 records 44.1 to 96kHz, 16/24 bit PCM or MP3 files. The ability to control the HD-R1 remotely is provided via RS-232, Parallel, and RJ45 100Mbit Ethernet. File transfer can be accomplished via Ethernet and/or USB (type "A" connector).
To further enhance the HD-R1's feature set, Mic preamps (w/20dB pad) and Phantom Power (rear-panel selectable) have been included. The HD-R1 offers a variety of contractor-friendly I/O options; such as, Unbalanced (RCA), Balanced (XLR and Euroblock), and S/PDIF Digital (Coaxial and Optical).
And of course... the traditional source device features are Power-on-Play, Front Panel Rotary Input Level Controls, Headphone Jack with level control, and a variety of Playback Modes.
* 1U Rack-mount Solid-State Recorder
* Compact Flash Card
* USB host interface for USB Flash Cards
* Audio data formats: PCM (16/24 bit), MP3
* Sampling rates supported: 44.1, 48, 88.2, 96kHz
* Mic/Line XLR (with 20dB pad) balanced I/O
* Phantom Power (rear panel switch and front LED indicator)
* Euroblock terminal (Input and Output)
* Unbalanced RCA (Input and Output)
* Front panel rotary input level controls
* RS-232 interface for control
* RJ45 100Mbit/s Ethernet interface for file transfer and control
* 25-pin parallel remote control interface
* 16 Direct Play via D=SUb25 pin parallel interface
* Power on play (front panel selectable)
* S/PDIF Digital In/Out (Coaxial and Optical)
* Headphone Jack w/level control
* Input through and Auto Fade function
* Input monitoring / mixing of live stereo input along with playback
* Program Play, Folder Play, Shuffle Play, Interval Play modes, etc...
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UR-80: 24 Bit/96 kHz USB Recording System
Features
- Over forty assignable controls
- Up to 24-bit/96KHz recording
- 2x XLR/TRS combo jack with qualified microphone preamp & phantom power
- Included HQ-GM2, HyperCanvas software synthesizer
- ASIO2.0/WDM, MacOS X compatible drivers, low-latency support.
- UR-80 Editor Software Included
- V-Link support
Knob8Fader9Rotary Encoder1Button25LED10Number of Memory SetsPreset1User7Number of Audio Record/Playback Channels (Full duplex (except for 96 kHz setting))Record2 channels (stereo)Playback2 channels (stereo)Signal ProcessingAD/DA Conversion24 bits (linear)PC interface24 bitsSampling Frequency24 bitsDigital output44.1/48/96 kHzDigital input32/44.1/48/96 kHz* Built-in realtime sample rate converterAD/DA Conversion44.1/48/96 kHzFrequency Response96.0 kHz20 Hz to 40 kHz (+0 dB/-2 dB)48.0 kHz20 Hz to 22 kHz (+0 dB/-2 dB)44.1 kHz20 Hz to 20 kHz (+0 dB/-2 dB)Nominal Input Level (variable)Input Jack 1, 2 (XLR type)-50 to -10 dBuInput Jack 1, 2 (1/4 inch TRS phone type)-35 to +4 dBuInput ImpedanceInput Jack 1, 2 (XLR type)5 k ohmsInput Jack 1, 2 (1/4 inch TRS phone type, Lo-Z)32 k ohmsInput Jack 2 (Hi-Z)1 M ohmsNominal Output LevelOutput Jack0 dBuOutput ImpedanceOutput Jack1 k ohmsHeadphones160 ohmsResidual Noise LevelOutput Jack-90 dBu or less
(input terminated with 1 k ohms, OUTPUT VOLUME: max., INPUT SENS = min., INPUT MONITOR = min., IHF-A, typ.)InterfaceUSB
Digital input/output Coaxial type
Optical type(conforms to S/P DIF)ConnectorsInput Jack 1, 2 (XLR type (phantom power)
1/4 inch TRS phone type)
Digital In Connectors (Coaxial type, Optical type)
Digital Out Connectors (Coaxial type, Optical type)
Headphones Jack (Stereo 1/4 inch phone type)
Output Jack L/R (RCA phone type)OthersPower SupplyAC adaptorCurrent Draw1000 mAAccessoriesInstallation Guide
Owner's Manual
USB cable
AC adaptor
CD-ROM
Overlay Sheets with Application LabelsSize and WeightWidth379 mm14-15/16 inchesDepth239 mm9-7/16 inchesHeight84 mm3-5/16 inchesWeight1.7 kg3 lbs. 11 oz.
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