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The Radial Dragster is a super-compact load correction device that lets you adjust the load on your electric guitar pickup to replicate the sound as if connected directly to a tube guitar amp.
The Radial Dragster is a super-compact load correction device that lets you adjust the load on your electric guitar pickup to replicate the sound as if connected directly to a tube guitar amp.
When a guitar is connected to a guitar amplifier, the pickup and the amp join together to form a circuit. But as soon as you introduce a buffer in between the pickup and the amplifier, the natural relationship is lost. The pickup only 'sees' the buffer and the tone changes. This is the fundamental reason why guitarists hate the sound of wireless systems and non-true-bypass pedals. The Dragster solves the problem by restoring the full rich tone you lose when you plug your guitar into a wireless transmitter or other types of buffered inputs such as effects pedals, mixing consoles, sound cards or all-in-one recording systems.
The Dragster is plug & play easy to use. You simply connect your guitar or bass to the Dragster using one of the ¼" inputs and then exit the Dragster using the other. Set the thumb wheel to the sound you like and you are set to go! The compact design makes it easy to fit on any pedalboard while the built-in mounting flanges make it a breeze to attach to a guitar strap. And its unobtrusive size and light weight won't slow you down. Few guitar accessories offer the tremendous 'bang-for-the buck' of a Dragster.
The Dragster – a load correction device that sounds so good, you will use it on everything.
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Active DI-Box SM-60
The electronic Direct-Injection Box SM-60 allows direct connection of electronic
music instruments such as keyboards, synthesizers, electric and electronic pianos,
etc. with mixing consoles in PA-systems and in recording studios.
The SM-6 is designed for applications, where a passive DI-Box does not perfom
satisfactorily, i.e., where the output level of a passive DI-Box is too low for the microphone
input section of the mixing desk.
Because the input impedance of the SM-6 is above 5 MOhm, instrument outputs are
not loaded or in any other way adversely affected. The voltage ratio from input to output
is 1: 1 and is always sufficient for connection with any microphone input. Input connectors
are 1/4" phone jacks, output connector is a Switchcraft D3M; output is 600 Ohms,
transformer balanced. The output level may in certain cases overload microphone inputs -
the line input section of the mixing console must then be used for connecting the SM-6.
The unit operates with a 9 V battery or phantom powering from 24 to 48 volts.
Technical Data
input impedance > 5 MOhm
max. input impedance + 6 dBu, 1,55V
ouptut impedance 600 Ohm
frequency response 20 ... 20000 Hz, ± 0,2 dB
gain 1 : 1
THD < 1 % at 30 Hz
< 0,7 % bei 40 Hz
powering 9-V battery (IEC 6LF22) or
phantom power 24 ... 48 V.
inputs two 1/4" phone jacks , unbalanced
(one being used as output to instruments amp)
outputs XLR, balanced
pin 1 = ground, pin 2 = hot, pin 3 = cold
case aluminium die-cast
weight 240 g
dimensions 113 x 71 x 37 mm | Behringer DI-400P High-Performance Passive Direct Injection Box
Introducing the Ultra-Compact DI-Boxes from BEHRINGER
There are times when you will want to connect certain sound sources straight to other audio gear, be it for a live performance or a studio session. A direct connection between audio equipment can be a challenge though: technical problems crop up that?ll corrupt the signal.
The DI400P lets you connect instruments or amplifier outputs. It converts any unbalanced signal to a balanced signal and eliminates unwanted noise. With its high-performance transformer, it also allows you to use very long cables without the loss of high frequencies.
This is the sort of medicine that?ll cure headaches in your studio or on stage. |
2-channel DI box/splitter, passive Converts 2 separate unbalanced line inputs (e.g. instruments) into 2 balanced XLR outputs for connecting a mixer Switchable to split mode (input 1 routes the signal to both outputs) Switchable input attenuation: 0 dB, -20 dB, -40 dB Ground-lift switch eliminates ground loop problems 2 signal inputs via XLR/jack combo connectors 2 low-impedance XLR outputs Modern convex housing design Full rubber housing corners for safe operation Cables can be routed under the housing |
Phantom or battery powered in a rugged steel chassis, with separate Speaker Level input connector
The ARX DI-PLUS represents another major step forward in active direct boxes. Packaged in
a single channel stand-alone format, the DI-PLUS represents a fresh look at active D.I. concepts.
Precision engineered
Ultra quiet, ultra clean circuitry delivers maximum headroom whatever the signal. Premium grade
components, plus an all-steel chassis gives excellent hum and noise specifications and superb
audio quality in a tough, roadworthy package.
Level control
The DI-PLUS features a Normal gain high impedance unbalanced input on the front panel, running to
a balanced XLR output on the rear. There is also a separate -40dB Speaker Level input for signal coming
from the External (auxiliary) speaker output of an amplifier. A a global Pad switch drops both the normal
input and the speaker input by a further 20dB, making it suitable for all applications, from the softest
keyboard to the hottest broadcast levels.
Battery compartment
The revolutionary simple 'clamshell' action of the DI-PLUS battery compartment makes battery changing
extremely easy, even on the darkest stages.
A 9v alkaline battery snaps into a PCB mounted battery holder for fast, secure location. No fragile battery
clip leads to break, no tools required, no screws to lose. Production crew heaven!
Automatic Phantom switching
The DI-PLUS will automatically switch itself to the console's own Phantom Power, if available, and an LED
will indicate this mode. Turn the Phantom Power off and it will instantly revert back to battery mode.
Rugged all-steel case
A lot of direct boxes are fitted into brittle cast alloy cases. Not this one! The tough all-steel inner and outer
chassis of the DI-PLUS provide excellent RF/EMF shielding while making it a sturdy, heavy duty unit that is
hard to dislodge, and hard to leave behind.
Rear panel showing XLR connector, ground lift switch, and captive screw for opening up the unit
for battery changing
Whether you're a Studio or Live Sound engineer, installation contractor, or broadcast engineer, you want all
the dynamics and clarity of the original sound source transferred to the mixing console. The ARX DI-PLUS
provides a rugged, no-compromise solution to all direct injection and signal balancing requirements.
T E C H N I C A L S P E C I F I C A T I O N S:
Max Input Level
+13 dB Phantom powered
+6 dB Battery powered
Input Impedance 1 Meg Ohm
Max Output Level
+17 dB 10K Ohm load Phantom powered
+12 dB 10K Ohm load Battery powered
+11 dB 600 Ohm load Phantom powered
+12 dB 600 Ohm load Battery powered
Output Impedance 680 Ohms Balanced
Output Signal to Noise
-100 dB unweighted
-104 dB A weighted
Dynamic Range
117 dB 10K Ohm load Phantom powered
112 dB 10K Ohm load Battery powered
111 dB 600 Ohm load Phantom powered
107.5 dB 600 Ohm load Battery powered
Distortion
100 Hz .0027%, 1KHz .0028%, 10KHz .0037%
Frequency Response 20Hz to 20KHz, ± 0.2 dB
Gain through Unit: 6dB (Normal input, Pad switch out)
Pad Switch: -20 dB attenuation
Speaker Input
-40 dB attenuation, equivalent to 100:1 decrease in input level
-60 dB attenuation available with Pad switch
Input Connectors
Insulated jacks (!!!Note that the Input connector switches the unit on
when a plug is inserted. Remove plug when storing to avoid battery drain!!!)
Output Connector
3 pin XLR. Wired Pin 1 Ground, Pin 2 + Hot, Pin 3 - Cold.
With Audio Ground (Pin 1) lift switch
Construction
All-steel chassis, fibreglass PCB
Battery Access
Twist connector opens chassis, snap-in battery holder inside.
No tools required
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