SENNHEISER EW-135P-G4-B Vocal Set

A broadcast quality sound solution. Providing the highest flexibility for your video sound and field recording applications. A robust wireless microphone system that offers excellent sound quality, simple mounting and ease of use. The easiest wireless solution for moderators or reporters. The rugged e 835 microphone resists any bad weather or field condition, while the versatile receiver is easily mounted to any camera. Features

• Rugged all-in-one wireless system with high flexibility for broadcast quality sound
• Excellent sound and construction quality
• Easy to use and fast setup time
• Powerful and reliable wireless transmission
• Range: up to 100 meters / 330 feet
• Up to 8 hours of operation time

• Dimensions Approx. 82 x 64 x 24 mm 
• Compander Sennheiser HDX 
• THD, total harmonic distortion ≤ 0.9 % 
• Weight (incl. batteries) approx. 160 g 
• Audio output 3.5 mm jack socket: +12 dBu (mono, unbalanced) 
• Signal-to-noise ratio ≥ 110 dBA 
• Switching bandwidth up to 42 MHz 
• Peak deviation ±48 kHz 
• Nominal deviation ±24 kHz 
• Operating time Typically 8 h 
• Modulation Wideband FM 
• Power supply 2 AA batteries, 1.5 V or BA 2015 accupack 
• Current consumption at nominal voltage: typ. 180 mA 
• with receiver switched off: ≤ 25 µA 
• Adjacent channel rejection ≥ 65 dB 
• Intermodulation attenuation ≥ 65 dB 
• Powering 3 V battery / 2.4 V rechargeable battery 
• Receiving frequency Max. 1680 receiving frequencies, adjustable in 25 kHz steps 20 frequency banks, each with up to 12 factory-preset channels, no intermodulation 1 frequency bank with up to 12 programmable channels 
• RF sensitivity < 1.6 μV for 52 dBA eff S/N 
• Squelch low: 5 dBµV, middle: 15 dBµV, high: 25 dBμV 
• Temperature Range -10 °C to +55 °C 
• Receiver Principle Adaptive diversity 
• Blocking ≥ 70 dB 

• Dimensions Approx. Ø 50 x 265 mm 
• Compander Sennheiser HDX 
• THD, total harmonic distortion ≤ 0.9 % 
• Weight (incl. batteries) approx. 450 g 
• Signal-to-noise ratio ≥ 110 dBA 
• RF output power Max. 30 mW 
• Switching bandwidth up to 42 MHz 
• Peak deviation ±48 kHz 
• Nominal deviation ±24 kHz 
• Operating time Typically 8 h 
• Modulation Wideband FM 
• Power supply 2 AA batteries, 1.5 V or BA 2015 accupack 
• Current consumption at nominal voltage: typ. 180 mA 
• with transmitter switched off: ≤ 25 µA 
• Input impedance 40 kΩ 
• Max. Input voltage 3 Veff 
• Powering 3 V battery / 2.4 V rechargeable battery 
• Transmission frequency Max. 1680 transmitting frequencies, adjustable in 25 kHz steps 20 frequency banks, each with up to 12 factory-preset channels, no intermodulation 1 frequency bank with up to 12 programmable channels 
• AF frequency response 80 – 18,000 Hz 
• Temperature Range -10 °C to +55 °C 
• Frequency stability ≤ ±15 ppm 

• EK 100 G4 camera receiver
• SKM 100 G4 handheld transmitter
• MMD 835-1 microphone head
• MZQ 1 microphone clamp
• 4 AA batteries
• CA 2 camera adapter
• CL 1 3.5 mm jack cable
• CL 100 XLR to 3.5 mm jack adapter cable

The MD 42 is a high-quality reporter's microphone with omni-directional pick-up pattern. It has been specially optimised for rough use in live reporting and broadcasting environments. The MD 42 is a very 'good-natured' microphone whose design avoids wind and handling noise problems. Colour: black, sound inlet basket: refined steel, black.
Features

    Two-ply sound inlet basket provides increased protection from wind and pop noise
    Rugged metal housing
    Rubber mounted capsule (or Elastically mounted capsule) ensures low sensitivity to handling noise
    Omni-directional pick-up pattern ensures excellent speech intelligibility without having to point the microphone directly at your interview partner

Pick Up Pattern omni-directional

Frequency response 40 - 18 000 Hz

Sensitivity 2,0 mV/Pa

Ιmpedance 1000 Ohm

Dimensions Ø 49 x 250 mm

Weight 360 gr

This product, like the VideoMic (VM), now the worldʼs biggest selling on camera shotgun microphone, is also destined to become an Industry standard and not only offers the same sound quality & performance as itʼs predecessor, but also meets the industry demand for stereo recording.

Now videographers may use true ʽstudioʼ stereo recording techniques in the field with ease. The X/Y configuration enables the SVM to capture the true ambience of the recording space, while still offering a high level of rear rejection and low noise.

Fitted with a shoe mount, the SVM has the same low noise circuit design as the VM. The SVM offers 9V battery operation, an LED battery status indicator, a high pass filter switch, and a -10dB pad switch which allows for the mic to be used on most cameras with perfect level control.

You can also use the SVM as a remote mic on a stand, or a RØDE boom pole (Optional Accessory), which truly makes this versatile product well suited for all video applications including Electronic News Gathering (ENG), Weddings, Sports Events & Interviews. Rode Stereo Video Mic Features

• Stereo X/Y condenser microphone
• Broadcast sound quality
• Two stp high-pass filter - flat or 80 Hz
• Rugged cast aluminum body
• 9V battery operation
• Custom designed integral windshield
• Low noise circuitry
• Low handling noise
• Integral camera-shoe mount
• Includes Dead Kitten windscreen

• Acoustic Principle: Pressure Gradient
• Directional Pattern: Super Cardioid
• Frequency range: 40 Hz - 20 kHz
• Output Impedance: 200 Ohms
• Signal/Noise Ratio: 74 dB SPL (A - weighted per IEC651)
• Equivalent Noise: 20 dB SPL (A - weighted per IEC651)
• Maximum SPL: 134 dB (@ 1kHz, 1% THD into 1 Ohm load)
• Sensitivity: -38 dB re 1Volt/Pascal (15 mV @ 94 dB SPL) +/- 2 dB @ 1kHz
• Power (Supply voltage): 7 mA, 9 V DC Alkaline Battery, (NSI: 1604A or IEC:6LR61)
• Battery Life: 60+ hours
• Output Connection: Stereo mini jack plug - ø3.5mm (Right Channel - Ring, Left Channel - Tip)
• Dimensions (WxHxD): 6.75 x 3.9 x 2.5 Inches (172 x 100 x 64 mm)
• Weight: .72 lbs (330 grams)

The new RODE NTG-1 is a lightweight condenser shotgun microphone, specifically
designed for professional applications within the film, video, television, voice-over and
ENG industries.
The NTG-1 provides an electronically balanced output stage and operates on 48 V to
the P48 standard. The NTG-1 offers wide bandwidth and a controlled polar response
coupled with low noise SMT electronics. The NTG-1 is extremely lightweight making it
ideal for mounting directly to video cameras (with optional accessories) or a Boom pole.
The NTG-1 comes complete with mount and windshield. The supplied windscreen effectively
suppresses wind noise when recording outdoors in moderate conditions. Optional accessories
are available for more demanding applications.

SPECIFICATIONS:
Features:
Broadcast sound quality. Low noise circuitry. Condenser transducer. Rugged metal construction.
Low weight: 105 grams approx. . Low handling noise. Supplied with stand mount, zip pouch and
windshield. Designed & manufactured in Australia. Full 2 year guarantee.
Operation power:
The NTG-1 is designed to operate from standard P48 phantom power. The NTG-1 will
operate between 44 V to 52 V applied with positive polarity to pin 2 and pin 3 via the
output XLR connector.
Operation output impedance:
The NTG-1 will operate satisfactorily into a load impedance as low as 1 k§?. If a load below
this is used, the output signal level will be reduced. The NTG-1??s output is balanced between
pin 2 (hot), pin 3 (cold) and pin 1 is ground.
Acoustic principle: Line plus Gradient.
Directional pattern: Super-Cardioid.
Frequency range:
20 Hz ~ 20 kHz selectable HPF @ 80 Hz/12 dB octave
Output impedance:  50 ?
Signal noise ratio din iec 651:
76 dB (1 kHz rel. 1 Pa; per IEC651, IEC268-15)
Equvalent noise: 18 dB SPL (per IEC651, IEC268-15)
Maximum spl: 139 dB (@ 1% THD into 1 k?)
Sensitivity:
-36 dB re 1 Volt/Pascal (15 mV @ 94 dB SPL) +/- 2 dB (at 1 kHz in free field into open circuit)
Dynamic range din iec 651: 121 dB (per IEC651, IEC268-15)
Power supply voltage:  P48 Phantom, 44 V to 52 V
Current consumption:  3.5 mA
Output connection:
3 pin XLR, balanced output between pin 2 (+), pin 3 (-) and pin 1 (ground)
Weight with battery:  105 g approx. 
Dimensions width:  217mm
Dimensions depth:  22mm
Dimensions height: 22mm

Audio-Technica's AT875R is designed for video production and broadcast (ENG/EFP) audio acquisition. Audio-Technica's shortest shotgun microphone, it mounts conveniently on a DV camcorder without adding noticeable heft, and is ideal for use with compact digital cameras. This high-performance microphone offers a narrow acceptance angle of line + gradient design. It also features smooth, natural-sounding on-axis audio quality and excellent off-axis rejection of sound arriving from the sides and rear of mic.

Designed for video production and broadcast (ENG/EFP) audio acquisition
Extremely short length (under 7“) ideal for use with compact digital cameras
Provides the narrow acceptance angle desirable for long-distance sound pickup
Excellent sound rejection from the sides and rear of mic
Tailored response minimizes camera and handling noise
Operates on phantom power only
RoHS compliant free from all substances specified in the EU directive on hazardous substances

Element: Fixed-charge back plate, permanently polarized condenser
Polar Pattern: Line + gradient
Frequency Response: 90-20,000 Hz
Open Circuit Sensitivity: 30 dB (31.6 mV) re 1V at 1 Pa
Impedance: 100 ohms
Maximum Input Sound Level: 127 dB SPL, 1 kHz at 1% T.H.D.
Dynamic Range: 107 dB, 1 kHz at Max SPL
Signal to Noise Ratio: 74 dB, 1 kHz at 1 Pa
Phantom Power Requiremens: 11-52V DC, 2 mA typical
Weight: 80 g (2.8 oz)
Dimensions: 175.0 mm (6.89“) long, 21.0 mm (0.83“) diameter
Output Connector: Integral 3-pin XLRM-type
Accessories: AT8405a stand clamp for 5/8“-27 threaded stands; 5/8“-27 to 3/8“-16 threaded adapter; windscreen; soft protective pouch