Shure’s DFR11EQ is a computer-controlled digital equalizer with a multitude of audio processing capabilities offered in a compact, half-rack unit. The innovative DFR software interface runs on Windows® and makes even the most complex processing functions easy to use. The DFR11EQ Solves a Variety of Problems: Non-ideal acoustics Insufficient gain before feedback […]
Shure’s DFR11EQ is a computer-controlled digital equalizer with a multitude of audio processing capabilities offered in a compact, half-rack unit. The innovative DFR software interface runs on Windows® and makes even the most complex processing functions easy to use.
The DFR11EQ Solves a Variety of Problems:
Non-ideal acoustics
Insufficient gain before feedback
Irregular sound system frequency response
Harmful signal peaks that can damage amplifiers and loudspeakers
Features:
EQ – Selectable 10 bands of Parametric EQ or 1/3 Octave Graphic EQ
Feedback Reduction – 10 precision notch filters that automatically seek out and reduce feedback
Scene Presets -10 onboard scene presets, 3 accessible from the front panel. All onboard presets can also be accessed with the DRS-10 Digital Remote Switch accessory.
Limiter and Delay
Remote Modem Access, SIA-Smaart® Pro Interface, and Alternatives to Direct PC Control
Weight
3.00 kg
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Shure's DFR11EQ is a computer-controlled digital equalizer with a multitude of audio processing capabilities offered in a compact, half-rack unit. The innovative DFR software interface runs on Windows® and makes even the most complex processing functions easy to use.
The DFR11EQ Solves a Variety of Problems:
Non-ideal acoustics
Insufficient gain before feedback
Irregular sound system frequency response
Harmful signal peaks that can damage amplifiers and loudspeakers
Features:
EQ - Selectable 10 bands of Parametric EQ or 1/3 Octave Graphic EQ
Feedback Reduction - 10 precision notch filters that automatically seek out and reduce feedback
Scene Presets -10 onboard scene presets, 3 accessible from the front panel. All onboard presets can also be accessed with the DRS-10 Digital Remote Switch accessory.
Limiter and Delay
Remote Modem Access, SIA-Smaart® Pro Interface, and Alternatives to Direct PC Control
mic/line for the BLU-80, BLU-32, BLU-16.
The Symphony I/O Chassis from Apogee provides two I/O Module slots for a variety of digital audio conversion options that form the interface side of the Symphony I/O. Elegant and easy to use, the front panel of Symphony I/O Chassis presents the visual feedback needed to monitor levels, sample rate and clock status, along with the controls required to adjust gain, output levels ,and select the Audio Interface Mode (AIM).
The rear panel provides access to the two I/O Module slots that are capable of a combined thirty-two channels of input and output. PCI, USB and Ethernet connectivity ensures complete compatibility with popular workstations, while the panel also includes Wordclock I/O connectors and termination, LoopSynch I/O connectors, and a quiet digitally-controlled fan to keep everything running cool.
The Audio Interface Mode (AIM) allows the system to be optimized for the most popular audio workstation environments, including Symphony PCI, Pro Tools HD PCI, USB audio, or to function as a standalone converter. With a two-step adjustment using a single front panel encoder knob, the interface can be easily switched back and forth between the preferred modes.
The optional five I/O Modules allow the user to choose from standard configurations, or customize the following - channel count, analog to digital input, digital to analog output, microphone preamps (requires an analog card) and digital I/O.
Two input/output module slots Ethernet connector USB 2.0 connector Two Symphony PC-32 ports for direct connection to Symphony 64 PCI card and Pro Tools core card Wordclock I/O and LoopSync I/O Wordclock termination switch Sixteen, 10-segment meters Two multi-function encoder knobs OLED GUI provides function selection and function adjustment and Audio Interface Mode (AIM) selection Two 1/4" headphone outputs 7-segment sample rate display Clock source display Meter source display High-performance, temperature controlled fan Connectors 2 x 1/4" TRS phone Headphone
2 x Symphony I/O PC-32 Ports
1 x Ethernet
1 x USB
2 x BNC Wordclock I/O
2 x BNC LoopSync I/O
Headphones THD+N: -105dB @ 19dBu
Dynamic Range: 119dB, A-weighted
Output Impedance: 30Ω
Power Requirements 90~240VAC, 50/60Hz, 150W
System Requirements Mac OS X 10.5.8 and above
Dimensions (WxDxH) 19 x 11.5 x 3.5" (483 x 292 x 89mm)
The MULTIGATE PRO XR4400 provides four frequency-selective expanders/noise gates in a single rack space. Each section comprises an ultra-fast gate, a program dependent expander, a filter section and precision meters indicating both threshold point and gain reduction.
The included side chain parametric filters allow the user to fine-tune control signals so that the gate reacts only when required. The Interactive Attack Control (IAC) circuit analyzes the program material to calculate the attack time of the gate. Separate hold and release controls offer additional flexibility. The XR4400 has a switchable operating mode for the gate and expander. With the MODE function off, the unit works in gate mode using an extremely fast attack time, thus preserving the transient details of the program material. In expander mode, the device analyzes the shape and dynamic contents of the input signal to calculate the control time parameters. The result is that vocals, instruments and complex mix signals can be cleaned up without audible clicks or other detrimental effects.
A couple function on the XR4400 provides a great deal of flexibility to link the expander/gate sections in a master/slave configuration.
Quadruple expander/gateHigh-precision parametric filter for frequency selective operationFully adjustable Ratio control in Expander modeFully adjustable Attenuation control in Gate modeIndependent Hold/Release controls for any envelope shapingFlexLink system for flexible Master/Slave configurationsExtremely low-noise operational amplifiers and high-grade VCA\'sFilter Monitor facility for monitoring the filter sectionHigh-quality detent potentiometers and backlit switchesServo-balanced gold-plated XLR and 1/4" TRS inputs and outputs8-digit LED meters for input level, output level and gain reduction monitoring
Function
Four channel expander/gate
Number of Channels
4
Inputs
4 x XLR, 4 x TRS 1/4" phone
Output
4 x XLR, 4 x TRS 1/4" phone
Maximum Input Level
+21dBu
Compression Threshold
Not applicable
Compression Ratio
Not applicable
Attack Time
Not applicable
Release Time
Not applicable
Gate Threshold
0 to -80dB
Gate Rate
Attack: Program dependant Hold: 0 to 4 sec, variable Release: 50ms to 4 sec, variable
Maximum Output Level
+21dBu
Make-up Gain
Not specified by manufacturer
Frequency Response
18HZ to 30kHz
Dynamic Range
Not specified by manufacturer
Noise
>95dBu, unweighted, 22Hz to 22kHz
Dimensions
1U rack mount, 8 1/2" deep
Specialties
Unit will operate at either +4dB or -10 dB
For decades, dbx’s patented Subharmonic Synthesis has rattled foundations enhancing the bass in a variety of professional applications including nightclub and DJ mixing, theatre and film sound, music recording, live music performance and broadcasting. dbx’s Subharmonic Synthesis process actually produces a new, Waveform Modeled bass note, exactly an octave below the bass in the original audio.
The dbx 510 answers the call of audio professionals everywhere delivering Subharmonic Synthesis in the convenient design of a 500 Series module. The 510’s two separate bands of subharmonic synthesis provide the best combination of smoothness and control, while the independent Low Frequency Boost circuit is designed to get the most out of high-performance, low frequency speaker systems. Unlike other attempts at bass synthesis, the dbx process produces musical low frequencies that don’t interfere with mid and high-band information, even when the maximum synthesis and boost are applied. The result is a low-end punch that people really feel!
Put some boom in your room with the dbx 510!
WDT 24 is a wireless transmitter in the operating free band ISM 2.4 GHz, which has been designed to work with the wireless receiver WDR 24, creating a digital audio wireless system.
The transmitter WDT 24 can work with one receiver, or with up to 10 receivers WDR 24, covering a distance of more than 30 metres in open places.
Wireless Digital Audio Transmitter System
Operating Band ISM 2.4GHz (free band).
One transmitter WDT 24 paired with one receiver WDR 24, or one transmitter WDT 24 paired with up to ten receivers WDR 24.
GFSK digital modulation/demodulation.
External antenna can help to increase the transmission distance.
Intelligent Frequency Hoping can help to avoid interference effectively and to ensure the channel quality.
Automatic mute in bad channel quality conditions or high error code rate.
Transmission distance higher than 30 meters in open places.
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