Content | Active Near-Field Studio Monitor KRK RP-5-G4-WN, in White color
Key Features:
- A unique "White” finish stylishly compliments any creative environment
- Professional grade 5" (Bi-amp) studio monitor designed and engineered in the USA
- 5” Matching Woofer and 1” Tweeter made with Kevlar®
- Built-in efficient Class D power amp
- Proprietary speaker drivers built in-house from the ground up
- Onboard LCD visual DSP-driven EQ
- 25 visual Graphic EQ settings for different environments
- Standalone KRK Audio Tools App (Free Download for Android/iOS)
- Scientifically designed high-quality/low resonance speaker enclosure
- High density acoustic Iso-foam pads for improved clarity
- Newly designed Brickwall Limiter automatically engages at maximum amp level
- Wide, deep and dynamic listening "sweet-spot” with incredible imaging
- 3D soundstage creates incredible realism and depth in your mix (width, depth and height)
- Optimized high frequency wave guide
- Optional replacement faceplates with protective metal grilles
- Incredibly versatile speaker system—great for creating music in different environments
- Great for all functions of music creation from production to mixing to mastering
- Front-firing port with optimized low frequency tuning alignment for the best possible transient response and extension
- Designed and built by a "monitor" company with over 30 years of proven success
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DM-2100: 2.1-ch Speaker System
Features The DM-2100 2.1-ch Speaker System is an affordable way to add accurate reference monitoring with a subwoofer for enhanced bass response. The left and right speakers each offer 15 watts of power, while the 50-watt subwoofer provides a powerful low-end boost. And with 24-bit/96kHz digital inputs, the DM-2100 is perfect for use with Roland/BOSS digital studios and instruments, or with computer systems and more.
- Affordable 2.1-channel monitoring system with 24-bit/96kHz digital inputs
- Powered bass reflex speakers with 15 watts per side and flat frequency response
- Active subwoofer with 50-watt amplifier for increased low end
- Front-mounted controls convenient located on right speaker
- Coaxial and optical digital inputs, plus analog inputs (RCA and 1/4-inch type)
- Sleek black wooden cabinets with magnetic shielding
Rated Output Power50W + 15W + 15WSpeakerSubwoofer: 16cm, Satellite Units: 9.2cmNominal Input LevelLine 1: -10dBu, Line 2: -10dBuInput Impedance18k ohmControlsR Channel: Bass Control Knob, Treble Control Knob, Volume 1 (Digital In/ RCA pin), Volume 2 (1/4” phone), Power Switch, Digital Input Select Switch, Phase SwitchConnectorsR Channel: Line 1 Jack (L, R; RCA pin), Line 2 Jack (L (MONO), R; 1/4” phone), Optical Input Connector, Coaxial Input Connector, Dedicated connector for power control and audio signal, Channel Input Jack (R; RCA pin),
L Channel: Channel Input Jack (L; RCA pin),
Sub Woofer: Dedicated connector for power control and audio signal, Channel Output Jacks (L, R; RCA pin), AC In JackDigital InputSampling Rate 32/44.1/48/96 kHz, D/A Convertor 24 bitsPower SupplyAC117, 230 or 240VAccessoriesSpeaker Cables (RCA pin type), Dedicated Cable for power control and audio signal, Power CableSize and Weight ( Satellite Units )Width130 mm5-1/8 inchesDepth160 mm6-5/16 inchesHeight200 mm7-7/8 inchesWeight
Size and Weight ( SubWoofer )Width240 mm9-1/2 inchesDepth300 mm11-13/16 inchesHeight330 mm13 inches
| M-Audio BX8 D3 Features:
- 150W active studio monitor with 8" military-grade Kevlar low-frequency driver and 1.25" silk dome tweeter
- Bi-amplified design delivers a sound that's both powerful and precise
- Custom waveguide ensures accurate dispersion for an incredibly tight soundstage
- Optimized rear-mounted port produces defined low-end response with bass extension down to 37Hz
- Acoustic Space Control tailors your monitor to your mix space
- Volume control for dialing in the perfect playback level
- Balanced combo input allows for flexible installation
- Front-panel LED shines brightly when the speaker is positioned at an ideal angle
M Audio BX8 D3 8 Inch Powered Studio Monitor Specifications
- Frequency Range: 37Hz – 22kHz
- Crossover: 2.0kHz
- Maximum Peak Input Level: -2dBU
- Input Types: Balanced 20kO XLR, and TRS
- Unbalanced: 10kO TS
- Input Sensitivity: -12dBU
- HF Driver Size: 31.8 mm (1.25“)
- LF Driver Size: 203 mm (8“)
- Amplifier Power: 150W Class A/B
- HF Driver Power Amp: 70W
- LF Driver Power Amp: 80W
- Port: Rear internally flared
- Controls: Yes
- Magnetic Shielding: Yes
- AC Input Voltage: 100–120V, 50/60 Hz 220–240V, 50/60 Hz
- Enclosure Construction: MDF
- Enclosure Finish: Black PVC
- Baffle Construction: Injection-molded ABS
- Baffle Finish: Matte black with Soft-touch
- Dimensions (HxWxD): 384 mm x 250mm x 302mm (15.1” x 9.8” x 11.9”)
- Weight: 10.5 kgs (23.1 lbs)
- Display Carton (HxWxD): 398mm x 345mm x 482mm (15.6” x 13.5” x 18.9”)
- Shipping Carton (HxWxD): 412mm x 359mm x 502mm (16.2” x 14” x 19.68”)
- Shipping Weight: 12.8kgs (28.22lbs)
- Configuration: 2-Way bi-amp
- System Type: Active Monitor
- Fuse Rating: 220–240V~ T1AL, 250V 100–120V~ T2AL, 250V
- Power Consumption: 150W
- Shape: Bass-reflex
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PRICE PER UNIT
S2X
The S2X brings together the virtues of the ʽclassicalʼ 7” woofer and tweeter combination by using ADAM innovative technologies and top-class materials.
The HexaCone 7” woofer is driven by a sophisticated magnet system with a 2” voice coil creating a greater linear excursion. This produces more dynamics than one would assume in a monitor of such small proportions. As a result, in addition to the unsurpassed audio quality of the X-ART and A/B amplifier combination, this monitor surprises the listener with a very powerful, deep, but always tight and precise low end.
Review at a glance: "Sonic sensation“
“The ADAM Audio S2X can convince in all areas, concerning the sound as well as the workmanship, and are worth every Euro. […] a no-compromise tool for all who mean serious business, whether in music or postproductions.” (www.96kHz.de, 03/2010)
“We started off with a classical string quartet recording and let´s just say right away that the S2Xs floored us. Several adjectives spring to mind [...] - wide open, transparent, effortless, breathtaking realistic, loud, dynamic, involving... [...] If you close your eyes and continue listening, the S2Xs seem to ‚disappearʽ almost entirely. [...] you gradually become less aware that you´re listening to speakers because they´re like an open window on the music itself. [...] Result: These monitors are up there with the best we´ve tried so far.” (MusicTech, 01/2010)
Woofer |
| Number | 1 | Basket Ø | 7.5" (186 mm) | Voice coil Ø | 2" (50 mm) | Cone material | HexaCone | Tweeter |
| Number | 1 | Type | X-ART | Diaphragm area | 4 inch² (2420 mm²) | Equiv. Diaphragm Ø | 2" (56 mm) | Velocity transform ratio | 4:1 | Diaphragm weight | 0.17 g | Built-in Amplifiers |
| Woofer | 1 | Type | PWM | Amp. power RMS / music | 250 W / 350 W | Tweeter | 1 | Type | A/B | Amp. power RMS / music | 50 W / 100 W | Control panel |
| Input Sensitivity (coarse) | -20 to +8 dB (4 dB steps) | Input Sensitivity (fine) | -1.5 to +2 dB (0.5 dB steps) | EQ 80 Hz | 0 to +6 dB (1 dB steps) | High Shelf EQ > 6 kHz | ±4 dB (1 dB steps) | Low Shelf EQ | ±4 dB (1 dB steps) | Tweeter gain | ±2 dB (0.5 dB steps) | Input connectors |
| Analog | XLR | Digital (optional) | AES/EBU / SPDIF / word clock | General data |
| Panel | Front | Frequency response | 35 Hz - 50 kHz | THD > 80 Hz | ≤0.8 % | Long term output | ≥110 dB | Max. peak | ≥120 dB | Crossover frequencies | 2200 Hz | Input impedance | 10 KOhm | Weight | 23.8 lb (10,8 kg) | Magnetically shielded | Optional | Height x Width x Depth | 14.5" (370 mm) x 8.5" (220 mm) x 12.5" (320 mm) | Warranty | 5 Years | Delivery contents |
Power cord, Manual
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PRICE PER UNIT A revolutionary formula: 2 x 7 = 77 In some set-ups it can be advisable to use a horizontally designed speaker rather than a vertical one. Until now, such monitors were only available within the SX top line. The brand new A77X, due to its outstanding features, might become a true game changer: Equipped with the same advanced technologies as the A7X, it therefore is very similar to the two-way speaker. The A77X, however, distinguishes itself by much higher, compression-free maximum sound pressure levels and dynamics. Due to its power and radiation characteristics, it also is perfectly suited for both near- and midfield monitoring. Driver technology Like all models of the AX series, the A77X features the ADAM proprietary X-ART tweeter. The ʽXʼ stands for ʽeXtended frequency responseʼ and thus for one of the features of the Accelerating Ribbon Technology that has been drastically improved: the frequency response. It now extends all the way up to 50kHz. In addition, the X-ART tweeter has higher efficiency and higher maximum sound pressure levels. The two 7” woofers are identical with that of the A7X. With their large voice coils (1.5”) and powerful amplifiers, they are capable of both very high maximum sound pressure levels as well as very deep registers. The woofers do not cover the same frequency bands: while both of them are responsible for the (sub-) bass frequencies up to about 400Hz, only one of them reproduces the midrange. This prevents interferences between the two drivers. For stereo setups the A77X is available in A and B versions in order to guarantee a precise stereo image. Amplifiers / controls Each driver has its own dedicated amplifier. A 50W A/B amp is responsible for the X-ART tweeter, while the bass-/midwoofers are driven by a 100W PWM amp each. The front panel includes a power switch and a control for the volume that retains the volume setting independently from the on/off switch. The rear panel features several additional controls: a gain for the high frequencies (± 4dB) and two shelf filters for high and low frequencies. To ensure greater compatibility, there are both XLR (balanced) and RCA (unbalanced) connectors. Review samples: “… a refreshing change“ "… if you liked the A7X youʼll like the A77X even more, and if the companyʼs smaller near-fields werenʼt your cup of tea, the A77X are definitely worth another listen. They are not much bigger than a two-driver cabinet design, so should slip into any installation where a near-field speaker will fit, but the extra low/ mid frequency drivers mean that the bass is more naturally extended and the mid-range clearer and more detailed. I like the A77X a lot and they make a refreshing change from the usual mid-priced near-field speakers." AUDIO MEDIA magazine / February 2012 “… wide and spacious soundstage with solid left/right imaging“ "… they are fun and easy to work with, covering all the essential functions required of high-end monitors with aplomb." MusicTech magazine / April 2012 Subwoofer | | Number | 1 / 1 | Basket Ø | 7" (175 mm) / 7" (175 mm) | Voice coil Ø | 1.5" (38 mm) / 1.5" (38 mm) | Cone material | Carbon / rohacell / glass / Carbon / rohacell / glass | Tweeter | | Number | 1 | Type | X-ART | Diaphragm area | 4 inch² (2420 mm²) | Equiv. Diaphragm Ø | 2" (56 mm) | Velocity transform ratio | 4:1 | Diaphragm weight | 0.17 g | Built-in Amplifiers | | Subwoofer | 1 | Type | PWM | Amp. power RMS / music | 100 W / 150 W | Subwoofer | 1 | Type | PWM | Amp. power RMS / music | 100 W / 150 W | Tweeter | 1 | Type | A/B | Amp. power RMS / music | 50 W / 75 W | Control panel | | Input Sensitivity | -∞ to +14 dB | High Shelf EQ > 5 kHz | ±6 dB | Low Shelf EQ | ±6 dB | Tweeter gain | ±4 dB | Input connectors | | Analog | XLR / RCA | Location | Rear | General data | | Panel | Front | Frequency response | 38 Hz - 50 kHz | THD 90dB/1m > 100 Hz | ≤0.5 % | Long term output | ≥114 dB | Max. peak | ≥122 dB | Crossover frequencies | 400 / 3000 Hz | Input impedance | 30 KOhm | Weight | 28.2 lb (12,8 kg) | Magnetically shielded | Optional | Height x Width x Depth | 9.5" (235 mm) x 21" (530 mm) x 11" (280 mm) | Warranty | 5 Years |
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The Twin6 Be is the best seller of the Focal Professional range and the most versatile work tool of the SM6 line. It represents the only necessary solution for recording, mixing and mastering. The image precision, treble definition as well as midrange neutrality are at the heart of its reputation.
The excellent articulation of the bass and midbass registers, even at very high sound levels, makes it an unavoidable reference for engineers who require absolute transparency. Furthermore, the design of the Twin6 Be permits a high SPL while at the same time offering a stable tonal balance. One of the two 6.5" woofers works in large band (midrange – bass) whereas the other reproduces from 40 to 150Hz. This creates a bass that preserves all the signal dynamics, without any masking effect in the midrange, thereby keeping all its neutrality and transparency. Additional control of the bass register is accomplished by fine-tuning on the control plate on the back of the Twin6 Be in order to obtain a perfect mirror configuration with its mate. The Twin6 Be can be installed vertically or horizontally to respond to the space requirements of each studio.
Specifications Frequency response : | 40Hz - 40kHz | Maximum SPL : | 115dB SPL (peak @ 1m) |
Input :
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Type/Impedance: symmetrical/10 kOhms
Connector: XLR
Sensitivity: Adjustable, +4dBu or -10dBV
| Bass/mid-range : | 2x150W rms, BASH® technology | Treble : | 100W rms, AB class |
Electric supply :
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Local supply power: 230V (2A fuse)
115V (4A fuse)
Connection: Removable IEC supply wire
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Visualization and control :
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Input sensitivity selector
Mid-range speaker selector (right/left)
Adjustable tweeter and woofer levels by potentiometer
Power on/off
Voltage selector
| warning light : | Power on LED |
Electric supply :
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Local supply power: 230V (2A fuse)
115V (4A fuse)
Connection: Removable IEC supply wire
| Woofer : | 2x6W4370B Focal "W" composite sandwich cone 6-1/2" (16.5cm) speaker | Tweeter : | TB871, Focal inverted dome tweeter in Beryllium | transducer shielding : | Integral through cancellation magnets or by magnet design | Box : | 7-1/2" (19mm) MDF panels |
Finish :
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Dark red natural veneering side panels, black body
| Dimensions (HxWxD) : | 9-13/16 x 19-11/16 x 13-3/8 " (250x500x340mm) | Weight : | 30.8lb (14kg) |
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