| Content | User´s Manual
LD Systems FX 300
2-Channel Pedal with 16 Digital Effects
- Microphone input for dynamic and condenser microphones
- 16 digital effect presets in 16-bit quality
- Low-noise instrument input with high input impedance for acoustic guitars, bass guitars or other instruments
- Separate FX sends for both channels, additional FX loop for the instrument input
- HPF and +48 V phantom power for microphone input
- Signal/peak LEDs for both channels and clip LED for the effects
- FX MUTE pedal for muting effects
- MUTE ALL pedal for muting outputs
- Balanced and unbalanced output
- Operated on 9 V battery or optional power supply (LDFX300PS)
For a singer-songwriter performing on stage or giving a concert in a living room, sound is everything.
LD Systems FX 300 will blow you away right from the moment you start your show, even if you\'ve had little to no time to carry out a soundcheck. This small yet handy device not only serves as an effect pedal for altering the sound of your voice and instrument but is also an easy-to-use two-channel mixer. Its best feature by far are the pedals that let you control the mute functions with your feet or hand. And if you\'ve got something to say, you can simply mute all effects with the FX MUTE pedal so your voice can be heard loud and clear without any reverb or delay and everyone in the room can understand your message. To prevent the signal of your microphone or instrument from reaching the outputs, all you need to do is tap the MUTE ALL pedal - a lifesaver during breaks or when wrapping up your set.
The FX 300 is outfitted with 16 digital effects presets in 16-bit quality, two inputs with a separate gain setting and a balanced and unbalanced output. The +48 V phantom power provided at the microphone input allows condenser microphones to be used in addition to dynamic microphones. The high-impedance, low-noise instrument input is not only great for acoustic or bass guitars but also for all other instruments. Plenty of headroom ensures you no longer have to worry about distorted signals. And with a 9 V battery that lasts up to five hours, LD Systems FX 300 has got you covered even if there\'s no outlet in sight.
Product type
Artist Pedal
Type
Home-Recording , Live
Channels
2
Microphone channels
Microphone channels
1
Mic inputs
XLR/6.3 mm jack
Frequency Response Microphone Channel
50 - 20000 Hz
Amplification range Microphone channel XLR input
42 dB
Mono Mic Input Input THD-N | VoiceTone E1 offers singers the signature echo and slapback effects that evoke classic songs while putting effects control at their feet. Now, high quality, immersive echo effects for the stage are no longer just for guitarists.
Adds a wide range of echo effects for more depth in your vocals
Footswitch tapping can set echo times to song tempo
High quality signal path and tough enclosure
Can be chained to additional VoiceTone Singles
Mic-Control offers remote on/off via TC-Helicon MP-75 microphone
12 Flavors of Echo & Delay types:
Slap echo 1 & 2
Tap – 1/4, 1/8, Triplet 1/8th, Dotted 1/8th, Triplet 1/4, Dotted 1/4 notes
Echo FX 1 & 2
Filter control (smart EQ band limiting)
Powerfully easy
From Rockabilly-style "tape slap” echo to trance-inducing long echo trails timed to your songʼs tempo, VoiceTone E1 can excite your vocals and your audience more than ever before. And itʼs so easy to use; leave it on one setting throughout your performance or change it up for different songs. When itʼs time to talk to your audience, clear, dry banter is just a footswitch tap away.
As simple as plugging in your mic
Gaining access to the studio quality sounds and intelligent processing of VoiceTone singles is as simple as plugging in your mic and turning the effect on. Of course, you can always change the style or the amount of effect, but you shouldnʼt need to unfold the manual unless youʼre making a fire.
Strong family genes
Each VoiceTone single shares the same genes: a clean, quiet mic preamp that rivals high-end touring mixers, a die-cast metal case, rubberized no-slip base, studio quality analog to digital conversion, and the same quality processing youʼd expect from our flagship vocal processors like VoiceLive 2.
- See more at: http://www.nakas.gr/ecomnakas/nakas2006/default.asp?static=421&product=133028#sthash.cRLFG5bn.dpuf | Studio effects processors sound really good, but they can be bulky, complicated and expensive. Now you can have all the power and great sound of studio-grade, stereo effects processing, thanks to the ultra-affordable and easy-to-use Digital Stereo Multi-FX FX600. This amazing little stompbox features a 24-bit, high-resolution stereo FX engine – and your choice of Flanger, Chorus, Phaser, Delay, Tremolo and Pitch Shifter effects.
Stellar Sound
Much like having a, studio full of state-of-the-art Flanger, Chorus, Phaser, Delay, Tremolo and Pitch Shifter FX processors at your disposal, the Digital Stereo Multi-FX FX600's mind-blowing 24-bit/40 kHz resolution turns your everyday riffs into 3-D epics that bring your performance alive. The possibilities are endless!
Delightfully Simple Operation
Just select one of the 6 effects via the dedicated FX knob, and then use the two Parameter dials to fine-tune the effect. The Level control determines how much of the effect is mixed with the original signal. The LED tells you when the FX600 is activated, and the top-quality on/off switch maintains incredible signal integrity in bypass mode. You can power your FX600 with the PSU-HSB-ALL DC power supply (not included).
Sound Value
It has never been so affordable to put a studio-full of awesome-sounding, stereo effects at your feet than with the Digital Stereo Multi-FX FX600. This one incredible pedal gives you a Flanger, Chorus, Phaser, Delay, Tremolo and Pitch Shifter – all in one! Check one out today at your local Behringer dealer, or get yours online.
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Space features 12 of Eventide's signature reverb combination effects culled from the H8000FW and Eclipse V4 along with some startling new magic. Space includes 100 presets, including presets crafted by Flood and Alan Moulder (The Killers, Nine Inch Nails, Smashing Pumpkins, My Bloody Valentine, 30 Seconds to Mars, PJ Harvey and Them Crooked Vultures), Justin Meldal-Johnsen (Beck, Nine Inch Nails), Richard Devine (sound designer, synthesist, performer, remixer), Vernon Reid (Living Colour), Amedeo Pace (Blonde Redhead), Alex Somers and Jonsi Birgisson (Jonsi and Alex, Sigur Ros), Amadeo Pace (Blonde Redhead) and John Agnello (Patti Smith, Sonic Youth, Dinosaur Jr., and Kurt Vile). These unique effects, previously available only in Eventide rack processors, are now available in a compact, roadworthy package. Never before has there been a more dazzling collection of reverb algorithms combined with delays, pitch shifting, tremolo, modulation, and spatial effects in such a compact and affordable package. Eventide stompboxes are available at your favorite authorized Eventide dealer.
Features - 12 of Eventide's Signature Reverb Combo Algorithms
- Room
- Plate
- Spring
- Hall
- Reverse
- Shimmer
- ModEchoVerb
- DualVerb
- BlackholeTM
- MangledVerbTM
- TremoloVerb
- DynaVerb
- Wide variety of spatial effects including basic reverbs, delays and unique combination effects
- Studio quality sound
- Compatible with any source material - solo instruments, drums, vocals, or complete mixes
- Software upgradeable via USB 2.0
- MIDI control via USB or MIDI in, out/thru
- Instant program change
- Real-time control with 10 knobs, MIDI, or Expression Pedal
- Tap tempo and MIDI clock sync
- 100 factory presets, unlimited through MIDI
- True analog bypass
- Rugged cast metal construction
- Reliable metal footswitches for instant preset access
- Mono or stereo operation
- Guitar or line level inputs and outputs
- Programmable HotSwitch
| Analog Input/Output |
|---|
| Input impedance | 500K ohms | | Output Impedance | 470 ohms | | Recommended Load Impedance | 10K ohms or greater |
| Connectors | | Input 1 (mono) | ¼ inch mono phone jack | | Input 2 | ¼ inch mono phone jack | | Output 1 (mono) | ¼ inch mono phone jack | | Output 2 | ¼ inch mono phone jack | | Expression Pedal | ¼ inch mono phone jack | | Aux Switch | ¼ inch stereo phone jack | | USB | Type B Socket. Use 2.0 cables only. | | MIDI In | Five pin DIN (Female) | | MIDI Out/Thru | Five pin DIN (Female) | | AC Adapter Jack | Power Supply included (see below) |
| Physical | | Power | 9 VDC, 1200 mA, Tip hot (+) | | Dimensions | English: 4.8" (H) x 7.5" (W) x 2.12" (D)
Metric: 122 (H) x 190 (W) x 54 (D) mm | | Weight | 2.15 lbs, 1kG |
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The award winning HOG (Harmonic Octave Generator) earned kudos from players and reviewers alike for its ability to exponentially expand a musician's sound palette. Now EHX take the HOG to an even greater level of performance and functionality with the HOG2. It delivers complete control of ten totally polyphonic and glitch free voices ranging from two octaves below to four above the instrument's pitchâ?”all without the need for a special pickup or instrument mods of any kind.
| Easily adds studio reverb polish to live vocals by offering pro acoustic spaces from lush halls to tight ambience.
Get more control over studio quality reverb with the easy-to-use VoiceTone Single R1 Vocal Tund Reverb pedal.
Big League Reverb
With reverb algorithms ported from TC-Helicon\'s flagship VoicePro processor, VoiceTone R1 is capable of surrounding your voice in a warm ambience. Initial reflections, decay time and tail tone have been optimally balanced in the eight pre-set reverb styles so you can find the perfect sonic pillow for each song.
As simple as plugging in your mic
Gaining access to the studio quality sounds and intelligent processing of the VoiceTone R1 is as simple as plugging in your mic and turning the effect on. Of course, you can always change the style or the amount of effect.
Strong family genes
The TC-Helicon VoiceTone Singles series includes four vocal processing pedals, each with a single mission - to allow any vocalist to deliver jaw-dropping performances. VoiceTone Singles are the ultimate combination of tone and simplicity. Each of the four effects has inherited algorithms from the award-winning VoiceLive 2, so although VoiceTone Singles come in small packages they deliver a big sound.
FEATURES
- Brings studio reverberation to live performance
- Connects between your mic and mixer
- High quality signal path and tough enclosure
- Can be chained to additional VoiceTone Singles
- Mic-Control offers remote on/off via TC-Helicon MP-75 microphone
- Studio quality mic-pre with phantom power
- Balanced XLR output
- Recessed gain knob that prevents accidental bumps on stage
- USB for connecting to VoiceSupport for added tips, tricks, support and updates
- Die-cast steel design
- Rubberized base
- Audio performance to rival high-end front-of-house mixers
Reverb Styles:
- Hall
- Plate
- Theater
- Club
- Room
- Studio
- Ambience
- Arena
Included with VoiceTone R1
- Power supply
- USB cable
- User guide
- 1 year warranty parts and labor
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