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The UH-7000 is a pro-level microphone preamp and audio interface, designed with a strong focus on low noise and high audio quality. Not only can this unit be used as a 4-in/4-out audio interface in a DAW production environment, but as a standalone microphone preamp and AD/DA converter. The built-in HDIA (High Definition Instrumentation Architecture) microphone preamps are newly designed with low noise and high audio quality. These impressive mic pres perform at -128dBu EIN, a 117dB signal-to-noise ratio and distortion ratio of 0.0009% or less.
The grand nature of the UH-7000's sound is partially due to the careful attention spent on selecting parts. In addition to the Burr-Brown PCM4220 ADC, PCM1795 DAC converters and thin film metal resistors, installed is a powerful TCXO clock generator with +/-1ppm precision.
The units half-rack size makes it easy to install at a studio console or work desk. The thick aluminum panels on the front and sides of the full-metal body increase stability. Highly important but easily forgotten are the smooth-tension aluminum input level knobs for precise level adjustments.
The UH-7000 microphone preamp and audio interface enables composers, musicians and recording engineers to produce music in their private quarters at a level only reached in professional studios.
UH-7000 SPECIFICATIONS | Sampling frequency | 44.1kHz, 48kHz, 88.2kHz, 96kHz, 176.4kHz, 192kHz | | Quantization bit rate | 24bit | | Analog audio inputs | | | ANALOG LINE IN 1/2 | | | Connecter | 6.3mm(1/4“) TRS-jack(T:HOT, R:COLD, S:GND), BALANCED | | Input impedance | 15kohms | | Maximum input level | +26.5dBu | | Minimum input level | -38dBu | | ANALOG MIC IN 1/2 | | | Connecter | XLR-3-31(1:GND, 2:HOT, 3:COLD), BALANCED | | Input impedance | 2.2kohms | | Maximum input level | +2dBu | | Minimum input level | -60dBu | | Analog audio outputs | | | ANALOG LINE OUT 1/2 | | | Connecter | XLR-3-32(1:GND, 2:HOT, 3:COLD), BALANCED | | Output impedance | 100ohms | | Maximum output level | +24dBu | | Digital audio inputs | | | AES/EBU | | | Connecter | XLR-3-31(1:GND, 2:HOT, 3:COLD) | | Formats | IEC60958-3 (S/PDIF), IEC60958-4 (AES/EBU) | | Sampling frequencies | 44.1kHz, 48kHz, 88.2kHz, 96kHz, 176.4kHz, 192kHz | | Digital audio outputs | | | AES/EBU | | | Connecter | XLR-3-32(1:GND, 2:HOT, 3:COLD) | | Formats | IEC60958-3 (S/PDIF), IEC60958-4 (AES/EBU) | | Sampling frequencies | 44.1kHz, 48kHz, 88.2kHz, 96kHz, 176.4kHz, 192kHz | | PHONES | | | Connecter | 6.3mm(1/4“) stereo phone jack | | Maximum output | 45mW+45mW or more(THD+N 1% or less, 32ohms loaded) | | USB | | | Connecter | USB B type 4-pin | | Format | USB 2.0 High Speed (480 Mbps), Full Speed (12 Mbps) | | Power | AC100-240V, 50/60Hz | | Power consumption | 15W | | Dimensions | 214(W)×81.2(H)×233(D)mm
8.4(W)×3.2(H)×9.2(D)inch | | Weight | 2.2 kg, 4.85 lb | | Operating temperature | 5˚C to 35˚C |
| Audio performance | | ADC chip set dynamic range | 123dB (A-weighted) | | DAC chip set dynamic range | 123dB (A-weighted) | | Frequency response | 20Hz to 80kHz +0.005dB/-0.16dB (mic preamp for all sampling frequencies) | | THD | 0.0009% or less(MIC to AD)
| | S/N ratio | 117dB (MIC to AD)
| | EIN | -128dBu |
| Computer system requirements | | Windows | | Compatible OS | Windows XP : 32-bit SP3 or later
Windows 7 : 32/64-bit SP1 or more
Windows 8 : 32/64-bit
Windows 8.1 : 32/6-4bit
*Windows Vista and Windows XP 64-bit are not supported. | | Compatible computers | Windows-compatible computer with a USB 2.0 port | | CPU type/speed | Dual core/2 GHz or faster (x86) | | Memory | 2 GB or more | | Supported audio drivers | ASIO2.0, WDM(MME) | | Macintosh | | Compatible OS | Mac OS X Snow Leopard(10.6)
OS X Lion(10.7)
OS X Mountain Lion(10.8)
OS X Mavericks(10.9) | | Compatible computers | Apple Macintosh computer with a USB 2.0 port | | CPU type/speed | Dual core/2 GHz or faster | | Memory | 2 GB or more | | Supported audio drivers | Core Audio |
| Portable 10-in/10-out compact, mobile FireWire audio at home or on the road
The FA-101 has the highest specs available to support your most demanding applications. You get 24-bit, 192kHz simultaneous recording and playback in a compact 1U half-rack unit, with all the headroom you need.
Supports up to 24 bit, 192 kHz
Compatible with Mac OS X standard driver
Two independent, on board mic pre-amps
Capable of full duplex recording and playback on 10 independent channels
Bus powered and durable metal construction for mobile applications
Lots of ins and outs to support a wide range of recording and gigging applications
The FA-101 is a feature-packed 10x10 audio interface that can handle a full 10 channels of input/output at 24-bit/96kHz. Record and monitor all 10 channels simultaneously in full duplex. Phenomenal audio power for the studio musician! In addition, the FA-101 offers 6-channel recording and playback at 24-bit/192kHz for performance at DVD-A quality.
* 10x10 24-bit/96kHz audio performance
* 6x6 24-bit/192kHz audio performance
* Firewire bus-powered
* Direct monitoring
* Low-latency driver support
* Native Support in Mac OS X (10.3.4 or later)
* 2x phantom-powered mic preamps
* 8x8 balanced analog I/O
* S/PDIF optical I/O
* MIDI I/O |
UA-20: Audio Capture USB Audio/MIDI Interface
Features
The UA-20 is the standard model to Edirol's rapidly expanding UA series of USB Audio Capture devices. The unit can accept input from Mic, Line and even guitar level signals. The audio is converted at 24-bit quality and is transferred to your computer via industry standard low latency WDM, ASIO, MME drivers for compatibility with all major sequencing platforms, the input signal may be also monitored directly in hardware. Outputs include analogue, digital and headphone. The built-in MIDI in and out utilize Edirol's Fast Processing Technology for super accurate MIDI timing with any sequencing software on Mac or PC platforms and can be used with both OMS or FreeMIDI drivers on the Apple Macintosh. The UA-20 requires no external power supply and is ideal for use by mobile laptop or Powerbook users. The unit ships with drivers for Windows XP, 2000, Me, 98, MacOS X, and Mac OS 9.x, 8.5 and may also be used with the native USB audio drivers that are included with both Mac & PC.
- Audio and MIDI in a compact unit.
- Fully equipped with I/O jacks.
- Great tool for creating music.
- Edirol's FPT Technology.
Record1 pair of stereoPlayback1 pair of stereoSignal ProcessingPC interface24 bitSampling RateDigital output44.1 kHzNominal Input Level-45 – -10 dBuInput ImpedanceLINE22 k ohmsGUITAR470 k ohmsMIC22 k ohmsNominal Output Level-10 dBuOutput Impedance1 k ohmsResidual Noise LevelMaster Out-105 dBu or less
(input terminated with 1 k ohm, Master Volume = max.,
Input Monitor = off, IHF-A, typ.)InterfaceUSB
Digital output (Optical Type , conforms to S/P DIF)ConnectorsInput Jack (1/4 inch phone type) x 2
Digital Out Connector (Optical type)
Headphones Jack (Stereo miniature phone type)
Master Out Jack (RCA phono type)
MIDI ConnectorsOthersPower SupplySupplied from the computerCurrent Draw170 mAAccessoriesOwnerʼs Manual
USB cable
CD-ROMSize and WeightWidth149 mm5-7/8 inchesDepth111 mm4-3/8 inchesHeight43 mm1-11/16 inchesWeight0.2 kg0 lbs. 8 oz.
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The all new 896mk3 FireWire audio interface delivers high-end performance, superb sound, innovative new features and enhanced standard features that remain unique.
The 896mk3 provides eight channels of pristine 24-bit 192 kHz analog recording and playback, combined with sixteen channels of optical digital I/O, stereo AES/EBU, S/PDIF and separate analog main outs. Expand your system by connecting the 8pre mic input expander or other MOTU audio interfaces.
The 896mk3 is equally well-suited for studio and stage, with or without a computer. As an interface or standalone mixer, the 896mk3 provides 28 separate inputs and 32 separate outputs, including dedicated main outs on XLRs and two front panel headphone outs.
Connect all of your studio gear, including microphones, guitars, synths, keyboards, drum machines and even effects processors. Record, monitor, route and process all of these live inputs using the professional on-board CueMix FX digital mixer – with no latency and no processor strain on your computer. Apply hardware DSP-driven effects processing to inputs, outputs, and busses independent of your host computer. Add Classic Reverb™ with lengths up to 60 seconds. Further sculpt your sound with 7-band parametric EQ featuring filter types carefully modeled after British analog console EQs. Choose between two forms of compression: a conventional compressor and the Leveler™, an accurate model of the legendary LA-2A™ optical compressor that provides vintage, musical automatic gain control.
MOTU FireWire audio interfaces are fully compatible with FireWire 800-equipped Macs. All you need is a standard FireWire 400-to-800 cable. Just plug in and go. The FireWire bus operates at 400 Mb/sec, providing the same high speed, low latency and rock solid reliability that MOTU FireWire interfaces are known for.
When recording from the mic/guitar inputs, the 896mk3ʼs signal overload protection gives you an extra 12 dB of headroom above zero with no clipping or harsh artifacts.
After programming the on-board mixing in the studio, unplug the 896mk3 from the computer and take it on the road for operation as a stand-alone mixer with effects. All mixing and effects parameters are adjustable using the front panel backlit LCD.
The 896mk3 provides cross-platform compatibility with Mac and Windows and all of your favorite audio software and host-based effects via WDM/ASIO/Core Audio drivers. Or you can use the included AudioDesk workstation software for Mac, with 24-bit recording/editing and 32-bit mixing/processing/mastering.
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The FA-66 is a 6-channel portable FireWire audio interface designed with the mobile recording and performance professional in mind. The FA-66 offers incredible audio fidelity, stability, and a practical set of input and output options. It also offers two XLR/TRS combo inputs with phantom power, plus two RCA inputs, four balanced +4dBu outputs, optical S/PDIF I/O, a built-in analog limiter, zero-latency direct monitoring, solid metal construction, and FireWire bus power, all in a durable compact case.
* 6-in/6-out 24-bit/96kHz simultaneous performance
* 4-in/4-out 24-bit/192kHz simultaneous performance
* 2 XLR/TRS combo jacks w/premium phantom-powered mic preamps
* +4 dB balanced input and output
* S/PDIF optical input & output ports with Sync LED indicator
* MIDI in/out ports
* Built-in analog limiter and indicator
* FireWire bus powered
* AC adaptor included
* Mac OS X CoreAudio and Windows XP WDM and ASIO 2.0 support
* Zero-latency Direct Monitoring
* 6-pin and 4-pin IEEE1394 ports
* Compact, solid-metal construction | GUITAR LINK UCG102 The Ultimate Guitar-to-USB Interface to Jam and Record with Killer Modeling Amps and Effects
- Plug in your favorite guitar and turn your PC or Mac computer into a guitar amp and recording system without the need for any other hardware
- Enjoy immediate access to Guitar Combos from Native Instruments—the leading authentic guitar amp and stomp box modeling software—now including VST, AU and RTAS plugin versions
- Create Music Now! Incredibly powerful energyXT2 Compact music production software and Audacity editing software—both with full portability on all PC, Mac or Linux computers
- Directly works with your PC or Mac computer—ultra-low latency ASIO driver for PC audio optimization included
- Stereo Headphone output lets you jam with your computer and can also be used for monitoring with active monitor speakers
- Guitar Combos with variable-speed file playback function for MP3, WAV, AIFF audio files—perfect for easy learning and practicing—tuner and metronome function
- Powered via USB—no additional power supply required
- High-quality components and exceptionally rugged construction ensure long life
- Conceived and designed by BEHRINGER Germany
The UCG102 is a USB interface that, like a guitar amp, receives signal from your guitar via a 1/4" input jack. A built-in USB cable then sends signal directly to your computer, where the amazing included software package simulates guitar amps and stomp boxes, in addition to tracking your latest masterpiece. It has a 1/4" headphone jack and PHONES volume dial so you can monitor your performance as you record, a CLIP LED to tell you when your signal is too hot, and a HI/LO level selector.
Super Software
The UCG102 comes packaged with Native Instruments' "Guitar Combos" software that models guitar amps and stomp boxes. Take your pick of the "PLEXI COMBO“, "TWANG COMBO” or "AC BOX COMBO” for stunningly real amplifier tones. Sample them all, then activate the full version of the classic rockin' "AC BOX COMBO" rig. Native Instruments extends special offers to all registered Guitar Combos users, making it more affordable than ever to take advantage of their award-winning GUITAR RIG software packages. Visit http://co.native-instruments.com/index.php?id=4101&prid=247&redirected=1 for the latest special pricing on this incredible software.
You also get energyXT2.5 BEHRINGER Edition, a multi-track recording program.
This amazing DAW (digital audio workstation) makes it easy to manipulate your audio and MIDI files, turning song ideas into stunning CD or web-ready recordings. energyXT includes its own multi-FX processor, built-in synthesizers and a drum machine, both of which can be accessed directly via an external controller (such as our UMA25S or UMX25) or programmed in step-write mode. To learn more about energyXT Compact BEHRINGER Edition, visit http://www.behringer.com/EN/Support/energyXT.aspx. |
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