| Content |
- 44.1kHz/48kHz, 16/24-bit linear PCM mono/poly recording
- Support WAV format (compatible with BWF format)
- Media: microSD/SDHC cards (supports 32GBcapacities)
- Lavalier microphone with microphone clip and windscreen included (cable length: 160cm)
- Sliding record switch and hold function to prevent misoperation during recording
- Dual recording function
- automatic file closing function to prevent the loss of already recorded data
- Low/Mid Low/Mid/High/High plus recording level settings
- Low-cut filter
- Limiter
- Automatic level function
- With a built-in clock function, supports BWF files that can have time information added - convenient for editing and searching
- Time track incrementing function can create new files at regular intervals (about every 15 minutes) during recording
- Playback function allows recorded data to be checked immediately
- Headphone output
- Easy-to-read organic EL display
- micro USB B port enables easy data exchange with computers
- Records at least 10 hours on a single AAA battery
* using alkaline batteries (EVOLTA)
- Unit settings can be created as a computer text file
- Firmware can be updated using a microSD card
- Belt clip included
- Custom case for storing the unit and accessories included
- RoHS-compliant product
V2.00
- Support for MP3 recording at both 128kbps and 192kbps
- Level meters are now active during both recording and playback
- Independent level settings are now supported within the dual recording function
- POLY file dual recording is now possible
- Overall performance enhanced
With the black TASCAM DR-10L Micro Portable Audio Recorder with Lavalier Microphone, you can record full-resolution dialog and speech while skipping the trouble of long cable runs and avoiding the confusion of configuring a wireless microphone system. Whether you use the included omnidirectional lavalier mic or connect your preferred lav to the Sennheiser-compatible mic input, the entire setup can be discreetly affixed to your sound source. Just over 2 x 2 inches (and only 1-inch deep), the DR-10L is ideal for videography, interviews, weddings, vlogs, and lectures where the audio equipment needs to stay out of sight.
Run-and-gun filmmakers will appreciate its ultra-compact form factor and power-up-and-record workflow for time-sensitive shoots. There's no need to select inputs, arm tracks, or choose channel modes. Clip the DR-10L to a belt, or stash it in a pocket, start recording, and let it roll for the rest of the day. A single AAA battery will keep it running for up to 10 hours, so all-day gigs won't be a problem. Power the DR-10L via USB if you need indefinite operating time for sessions that continue on into the night. Worried about clipping? Don't be. The DR-10L's limiter and auto-level functions work to prevent overloading, while the dual-recording feature makes a safety track at a lower level, just in case.
Building on the success of the DR-10X and the DR-10SG, the DR-10L marries the industry-standard TASCAM portable mini-recorder with a high-performance lavalier microphone. Easy to use and easy to wear, the DR-10L can become your secret agent for better audio capture.
The included lavalier microphone features a mic clip for stable attachment to your sound source. Its omnidirectional polar pattern ensures that audio will be picked up from all directions, reducing inconsistencies caused by head movements and changes in mic position.
The locking 3.5mm mic input jack not only works with the included lav mic, but also provides a secure connection point for most Sennheiser lavalier mics and mics wired to the Sennheiser standard. A 2V mic bias can be activated via the DR-10L's menu system for mics that require plug-in power.
Connect headphones to the 3.5mm mini-jack output for simple monitoring of file playback or input while recording. The volume is adjustable via side-panel buttons.
Knowing that filmmakers and videographers often experience sudden audio volume jumps during filming, the DR-10L has several features to prevent distorted audio, and the most secure is dual recording. This feature captures a copy of your signal at a lower level (-6 dB or -12 dB), as a safety track in case of distortion.
You can always monitor the battery level on the easy-to-read OLED display. If the battery runs out in the middle of a recording, the unit will automatically save the file before turning off so your take isn't lost. The case is designed so that the batteries can be changed quickly without removing the recorder from its belt clip.
If the input sound level is too low or too high, an automatic gain control function can increase or decrease the recording volume to an appropriate level. Additionally, the limiter prevents distortion caused by sudden input overloads. These functions save you from worrying about input levels in situations when there is no second chance.
The DR-10L is compatible with microSD cards (up to 2GB capacity) and microSDHC cards (up to 32GB capacity). Record in WAV format for uncompressed audio quality, or use MP3 format for extended recording time on your media card. A 2GB card will yield over four hours of mono recording time at 24-bit / 48 kHz resolution.
A single alkaline AAA battery (available separately) will provide up to 10 hours of recording time at 24-bit / 28 kHz resolution. The DR-10L can be operated on disposable lithium or rechargeable NiMH batteries, or via USB bus power.
The DR-10L has been designed to be small, light, and easy to conceal. Perfect for on-camera talent, documentary subjects, or entire wedding parties, the DR-10L can easily be hidden away so that nothing comes between you and the perfect shot. Weighing just 2.2 ounces with a battery (available separately), your subject will forget it's even there.
The recording switch uses a sliding mechanism to prevent accidental use. In addition, the hold function can prevent recording from being stopped by unintentional contact with a button.
The DR-10L has a built-in clock and supports recording to BWF format, which has time information for improved searching, editing, and software compatibility. In addition to WAV and BWF format, recording and playback of MP3 files is supported.
| Form Factor |
Handheld Recorder |
| Primary Use Applications |
Audio-for-Video |
| Number of Tracks |
1 |
| Number of Input Channels |
1 |
| Maximum Sampling Rate |
48 kHz / 24-Bit |
| Microphone |
Interchangeable Omnidirectional Condenser Lavalier |
| Number of Microphone Inputs |
1 |
| Built-In Speaker |
No |
| Display |
OLED |
| Memory Card Support |
microSD (64 MB to 2 GB)
microSDHC (4 to 32 GB) |
| Internal Storage |
No |
| Special Features |
No |
Recording
| Audio File Formats |
BWF, MP3, WAV |
| Sample Rates |
WAV:
44.1 / 48 kHz |
| Bit Depth |
16 / 24-Bit |
| Bit Rates |
128 to 192 kb/s (Record)
32 to 320 kb/s (Playback) |
| Signal Processing & FX |
Auto Gain, Limiter, Low-Cut Filter |
| Timecode Support |
No |
| Recording Time |
WAV 48 kHz/24-Bit:
2 Hrs 4 Mins per GB (Mono) |
| Included Software |
Yes |
Connectivity
| Analog I/O |
1x 1/8" / 3.5 mm TRS Female Unbalanced Mic Input (Lockable)
1x 1/8" / 3.5 mm TRS Female Unbalanced Headphone Output |
| Digital I/O |
No |
| Phantom Power |
No |
| Plug-In Power |
Yes, 2 V |
| System Connection |
1x Micro-USB (2.0) |
| Audio Interface Capability |
None |
| Wireless |
No |
| Mobile App Compatible |
No |
Performance
| Frequency Response |
20 Hz to 22 kHz +1/-2 dB |
| Gain/Trim Range |
Mic Inputs:
+14 to +38 dB |
| Max Input Level |
Inputs:
-15 dBu (Low Gain)
-55 dBu (High Gain) |
| Impedance |
Mic Inputs:
33 Kilohms (Plug-In Power Off)
2 Kilohms (Plug-In Power On) |
| SNR |
Headphone Outputs:
≥88 dB |
| Microphone Sensitivity |
-42 dBV/Pa |
| Microphone Max SPL |
115 dB SPL |
Power
| Power Options |
Battery or USB Bus Power |
| Battery Type |
1x AAA (Not Included) |
| Approximate Battery Life |
WAV 48 kHz/24-Bit:
10 Hours (Alkaline, Mono, without Headphones)
9.5 Hours (Alkaline, Mono, Plug-In Power On, without Headphones)
8 Hours (NiMH, Mono, without Headphones)
7.5 Hours (NiMH, Mono, Plug-In Power On, without Headphones)
15.5 Hours (Lithium, Mono, without Headphones)
14.5 Hours (Lithium, Mono, Plug-In Power On, without Headphones) |
Physical
| Included Accessories |
Case |
| Operating Temperature |
32 to 104°F / 0 to 40°C |
| Dimensions |
2 x 2.2 x 1" / 52 x 55.6 x 24.4 mm |
| Weight |
2.2 oz / 63 g (with Batteries)
1.8 oz / 51 g (without Batteries) |
| Add 8 more ADAT optical inputs and outputs to your DM-3200 or DM-4800. Also works with older TASCAM gear such as the DM-24, DS-M71 and SX-1.The DP-32 is a home recording Portastudio with 32 tracks based on solid-state technology. The unit is equipped with colour LCD and channel strip controls to make recording simple so the user can stay creative. Up to eight tracks can be recorded at a time on a standard SD/SDHC memory card through its XLR and 6.3-mm combo jacks. Input processing like compression and limiting, an internal send effect with reverb, delay and chorus, guitar amp simulation and multi-effects for use with the instrument-level input as well as an external effects send are available during recording.
For mixdown, the DP-32 offers 20 channel faders and 12 rotary controls for EQ, Pan and effects including reverb and chorus. During the mastering process, the material can be further optimized with EQ, compression and normalization. Once finished, songs can be written to CD with the built-in CD-RW drive or transferred to computer over USB to publish the songs on the Internet, for example.
Main Features
32-track digital Portastudio
8 mono tracks, 12 stereo tracks (can also be used as mono tracks)
Record up to 8 tracks at once with 44.1/48 kHz and 16/24-bit audio resolution
Simultaneous playback of all 32 tracks
Virtual tracks for alternate takes and undo
Dedicated stereo master track
Colour LC display and 12-encoder channel strip for simple operation
Built-in 40-channel mixer
Mix down your 32 playback tracks with eight input signals to the dedicated stereo master track
Use the Bounce function to set tracks free by mixing multiple tracks to a single mono or stereo track
Dedicated controls for EQ, pan and effect sends
Solid-state recording to SD Card media for better shock resistance and reliability compared to hard drive recording
8 balanced microphone inputs on balanced combo XLR/jack connectors
Switchable phantom power for 4 channels each
One input switchable to instrument level for direct recording of a guitar or bass
Unbalanced stereo output (RCA jacks)
Balanced stereo monitor output (6.3-mm TRS jacks)
Two unbalanced effect sends (6.3-mm TS jacks)
Stereo headphones output (6.3-mm TRS jack)
MIDI input and output for MMC, Control Change and MTC output
Footswitch input (2.5-mm mini jack) for Tascam RC-3F (optional accessory)
Input effects (Limiter, Compressor, Noise suppressor, Exciter)
Guitar effects (Amp simulator, Reverb, Compressor, Chorus, Flanger, Phase shifter)
Mixdown effects (Reverb, Delay, Stereo chorus)
Mastering effect (Single/Multi-band stereo compressor, EQ, Noise shaping)
Mark function (up to 99 location marks)
Built-in chromatic tuner and metronome
CD-RW drive for audio CD creation as well as file import and export
USB 2.0 port for data backup/restore and file transfer with a computer
Specifications
Recording media and file systems
Recording media SD card (512 MB to 2 GB)
SDHC card (4–32 GB)
File system SD card (512 MB to 2 GB): FAT16
SDHC card (4–32 GB): FAT32
Analogue audio inputs and outputs
MIC/LINE INPUTS A–H, XLR (balanced)
Connector XLR-3-31 (1: GND, 2: HOT, 3: COLD)
Input impedance 2.4 kOhm
Nominal input level –14 dBu
Maximum input level +2 dBu
MIC/LINE INPUTS A–H, phone jack (balanced)
Connector 6.3-mm TRS phone jack
Input impedance >22 kOhm or 1 MOhm (INPUT H, when LINE-GUITAR switch is set to GUITAR)
Nominal input level +4 dBu
Maximum input level +20 dBu
STEREO OUT L/R connectors RCA pin jack
Nominal output level –10 dBV
Maximum output level +6 dBV
Output impedance 200 Ohm
EFFECT SENDS 1/2 connectors 6.3-mm TS phone jack
Nominal output level –10 dBV
Maximum output level +6 dBV
Output impedance 200 Ohm
MONITOR OUT L/R connectors 6.3-mm TRS phone jack
Nominal output level –2 dBu
Maximum output level +14 dBu
Output impedance 200 Ohm
PHONES connector 6.3-mm TRS phone jack
Maximum output power 70 mW + 70 mW or more (THD + N 0.1% or less, 32 Ohm load)
Other inputs and outputs
MIDI input (MIDI IN) DIN 5 pin
Format Standard MIDI format
MIDI output (MIDI OUT) DIN 5 pin
Format Standard MIDI format
USB connector USB 4-pin mini-B type
Format Mass Storage Class USB 2.0 High Speed
REMOTE connector 2.5-mm TRS jack
Audio performance
Frequency response 20 Hz to 20 kHz, +1/–1 dB (MIC/LINE INPUT to STEREO OUT/EFFECT SENDS/MONITOR OUT)
Distortion ≤0.01 % (MIC/LINE INPUT to STEREO OUT/EFFECT SENDS/MONITOR OUT)
S/N ratio ≥90 dB (MIC/LINE INPUT to STEREO OUT/EFFECT SENDS/MONITOR OUT)
Audio performance
Frequency response 20 Hz to 20 kHz, +1/–1 dB (MIC/LINE INPUT to STEREO OUT/EFFECT SENDS/MONITOR OUT)
Distortion ≤0.01 % (MIC/LINE INPUT to STEREO OUT/EFFECT SENDS/MONITOR OUT)
S/N ratio ≥90 dB (MIC/LINE INPUT to STEREO OUT/EFFECT SENDS/MONITOR OUT)
Operating system requirements
Windows Pentium 300 MHz or faster
128 MB or more memory
Macintosh Power PC, iMac, G3, G4 266 MHz or faster
64 MB or more memory
Recommended USB port USB 2.0
Recommended USB host controller Intel chipset
Supported operating systems Windows XP, Windows Vista, Windows 7
Mac OS X 10.2 or later
Power requirements and other specifications
Power supply AC adaptor (TASCAM PS-1225L)
Power consumption 12 W (Phantom power on)
Dimensions (Width x Height x Depth, excluding projections) 514 mm x 104 mm x 340 mm
Weight 6.2 kg
Operating temperature 5–35 °C
Design and specifications subject to change without notice. |
For users of just about any TASCAM multitrack, the RC-30P is a wonderful timesaver. Punching in on recordings by hand means you're not ready to play right away. The RC-30P lets you play straight through. While automated punch-ins available on some recorders are also helpful, most punches can be done with the simple and efficient precision of the RC-30P, saving you time.
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Apogee makes the direct connection to Pro Tools | HD systems a reality. The Apogee X-HD option card allows for direct connectivity between Pro Tools HD™ systems and Apogee's X-Series or Rosetta 200 converters. The result is an incredibly powerful combination of Digidesign's™Ê¼ Pro Tools software and Apogee's superior conversion and clocking hardware. Features: - Primary HD port for connecting directly to HD Core or Accel cards.
- Expansion port for daisy-chaining multiple Apogee devices (AD-16X, DA-16X, Rosetta 800 & Rosetta 200)
- Compatible with the latest versions of ProTools
- May be used along side similar interfaces (such as Digidesign 96 I/O, 192 I/O, Prism Dream ADA-8)
- Please note: Not compatible with Pro Tools|HD Native
|
Main Features
* Colour TFT touch screen interface
* 20 illuminated flash start keys
* Up to 100 tracks available for flash start through touch screen
* Transport and Online buttons recessed to prevent accidental operation
* 100-mm fader with fader start capability and 0-dB lock
* Monitor speaker and headphones output for monitoring
* CAT6 connection to HS-2 and HS-8
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The HD-R1 Solid State Recorder is a two-channel, single rack-mount recording and playback device created with the sound contractor in mind.
Utilizing the highly reliable Compact Flash Card the HD-R1 records 44.1 to 96kHz, 16/24 bit PCM or MP3 files. The ability to control the HD-R1 remotely is provided via RS-232, Parallel, and RJ45 100Mbit Ethernet. File transfer can be accomplished via Ethernet and/or USB (type "A" connector).
To further enhance the HD-R1's feature set, Mic preamps (w/20dB pad) and Phantom Power (rear-panel selectable) have been included. The HD-R1 offers a variety of contractor-friendly I/O options; such as, Unbalanced (RCA), Balanced (XLR and Euroblock), and S/PDIF Digital (Coaxial and Optical).
And of course... the traditional source device features are Power-on-Play, Front Panel Rotary Input Level Controls, Headphone Jack with level control, and a variety of Playback Modes.
* 1U Rack-mount Solid-State Recorder
* Compact Flash Card
* USB host interface for USB Flash Cards
* Audio data formats: PCM (16/24 bit), MP3
* Sampling rates supported: 44.1, 48, 88.2, 96kHz
* Mic/Line XLR (with 20dB pad) balanced I/O
* Phantom Power (rear panel switch and front LED indicator)
* Euroblock terminal (Input and Output)
* Unbalanced RCA (Input and Output)
* Front panel rotary input level controls
* RS-232 interface for control
* RJ45 100Mbit/s Ethernet interface for file transfer and control
* 25-pin parallel remote control interface
* 16 Direct Play via D=SUb25 pin parallel interface
* Power on play (front panel selectable)
* S/PDIF Digital In/Out (Coaxial and Optical)
* Headphone Jack w/level control
* Input through and Auto Fade function
* Input monitoring / mixing of live stereo input along with playback
* Program Play, Folder Play, Shuffle Play, Interval Play modes, etc...
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