UNIVERSAL AUDIO Apollo Twin USB Audio interface

Key Features

• World-class 24-bit/192 kHz audio conversion
• Realtime UAD Processing - track through vintage Compressors, EQs, Tape Machines, and Guitar Amp plug-ins with near-zero latency
• USB 3 connectivity for Windows-based systems
• Unison™ technology for stunning models of classic mic preamps and stompboxes
• Includes UAD-2 DUO DSP Processing onboard

• 2 premium mic/line preamps; 2 line outs; front-panel Hi-Z instrument input and headphone output
• Digitally controlled analog monitor outputs for full resolution at all listening levels
• Uncompromising analog design, superior components, and premium build quality throughout
• Includes "Realtime Analog Classics" UAD plug-in bundle

• Desktop 2x6 USB 3 audio interface with world-class 24-bit/192 kHz audio conversion
• Realtime UAD Processing for tracking through vintage Compressors, EQs, Tape Machines, Mic Preamps, and Guitar Amp plug-ins with near-zero (sub-2ms) latency
• USB 3.0 connection for easy connectivity on Windows-based recording systems
• Unison™ technology offers stunning models of classic tube and transformer-based mic preamps
• Two premium mic/line preamps; two line 3-4 outputs; front-panel Hi-Z instrument input and headphones output
• Two digitally-controlled analog monitor outputs for full resolution at all listening levels
• Up to eight channels of additional digital input via Optical connection
• Uncompromising analog design, superior components, and premium build quality
• Runs UAD Powered Plug-Ins via VST, RTAS, & AAX 64 in all major DAWs

• Hardware & Software Manuals

• Sample rates up to 192 kHz* at 24-bit word length
• Up to 10 x 6 simultaneous input/output channels
  
  • Two channels of analog-to-digital conversion via:
    
    • Two balanced mic/line inputs
    • One Hi-Z instrument input
  • Six channels of digital-to-analog conversion via:
    
    • Digitally-controlled stereo monitor outputs
    • Stereo headphone outputs
    • Line outputs 3-4
  • Up to eight channels of digital inputs via:
    
    • Eight channels ADAT optical with S/MUX for high sample rates, or
    • Two channels S/PDIF optical with sample rate conversion
• 64-bit device drivers

• Two high-resolution, ultra-transparent, digitally-controlled analog mic preamps
• Front panel and software control of all preamp parameters
• Low cut filter, 48V phantom power, 20 dB pad, polarity inversion, and stereo linking

• Digitally-controlled analog monitor outputs maintains highest fidelity
• Independently-addressable stereo headphone outputs
• Independently-addressable line outputs 3-4 can be used for additional cue mix
• Front panel control of monitor levels and muting

• Two (DUO) SHARC DSP processors
• Realtime UAD Processing on all analog and digital inputs
• Same features and functionality as other UAD-2 devices when used with DAW
• Includes UAD Powered Plug-Ins "Realtime Analog Classics” bundle
• Complete UAD Powered Plug-Ins library is available online

• Enables tracking and/or monitoring with Realtime UAD Processing
• Remote control of Apollo Twin features and functionality
• Virtual I/O for routing DAW tracks through Console
• Two independent stereo Auxiliary buses

• Saves Apollo Twin configurations inside DAW sessions for easy recall
• Facilitates control of Apollo Twin USB's monitoring features from within the DAW
• VST, RTAS, AAX 64, plug-in formats

• Configures global UAD settings and monitors system usage

• Attractive and durable desktop form factor
• Locking power supply prevents accidental disconnection
• Easily updateable firmware
• One year warranty includes parts and labor

USB Systems

UAD Powered Plug-Ins version 8.7.2

• Windows 7, 8.1, or 10 (64-Bit Editions)
• Available built-in* USB 3 SuperSpeed port
• Intel Core i3, Core i5, Core i7, or Xeon processor*
• 6 gigabytes available storage
• USB 3.0 SuperSpeed cable (included)
• Internet connection to download software and authorize UAD plug-ins
• Compatible VST, RTAS, or AAX 64 plug-in host DAW software

*Notes:

• Quad Core i7 or better recommended
• 2-in-1 systems (notebook/tablet) are not recommended
• USB 3 adapters (such as PCIe-to-USB 3 expansion cards)
  are not tested for Apollo Twin USB or UAD-2 Satellite USB connections

For additional compatibility information, visit help.uaudio.com

All audio specifications are typical performance unless otherwise noted, tested under the following conditions: 48 kHz internal sample rate, 24-bit sample depth, 20 kHz measurement bandwidth, with balanced inputs and outputs.

• I/O Complement
  • Microphone Inputs Two
  • Analog Line Inputs Two
  • Hi-Z Instrument Inputs One
  • Analog Line Outputs Two (independent mix buses)
  • Analog Monitor Outputs Two (one stereo pair, independent L/R mix buses)
  • Headphone Outputs One stereo pair (independent L/R mix buses)
  • Digital Input Port (TOSLINK optical) One (ADAT or S/PDIF, selectable)
  • USB 3 Port One
• A/D – D/A Conversion
  • Supported Sample Rates (kHz) 44.1, 48, 88.2, 96, 176.4, 192
  • Bit Depth Per Sample 24
  • Simultaneous A/D conversion Two channels
  • Simultaneous D/A conversion Six channels
  • Analog Round-Trip Latency 1.1 milliseconds @ 96 kHz sample rate
  • Analog Round-Trip Latency with up to four serial UAD Powered Plug-Ins via Console application 1.1 milliseconds @ 96 kHz sample rate

• Line Inputs 1 & 2
  • Jack Type (combo mic/line balanced inputs) Female ¼” TRS Balanced
  • Dynamic Range (A–weighting) 117.5 dB
  • Signal-to-Noise Ratio (A–weighting) 117.5 dB
  • Total Harmonic Distortion + Noise –108 dBFS
  • Common-Mode Rejection Ratio (CMRR) Greater than 60 dB (10ʼ cable)
  • Frequency Response 20 Hz – 20 kHz, ±0.1 dB
  • Input Impedance 10K Ohms
  • Gain Range +10 dB to +65 dB
  • Maximum Input Level (@ Minimum Gain)18 dBV
  • Maximum Input Level (@ Maximum Gain) –37 dBV
  • Stereo Level Balance ±0.05 dB
• Microphone Inputs 1 & 2
  • Jack Type (combo mic/line balanced inputs) Female XLR Balanced (pin 2 positive)
  • Phantom Power (switchable per input) +48V
  • Dynamic Range (A–weighting) 118 dB
  • Signal-to-Noise Ratio (A–weighting) 118 dB
  • Total Harmonic Distortion + Noise –110 dBFS
  • Equivalent Input Noise –127 dB
  • Frequency Response 20 Hz – 20 kHz, ±0.1 dB
  • Common-Mode Rejection Ratio (CMRR) Greater than 70 dB (10ʼ cable)
  • Default Input Impedance 5.4K Ohms (variable via Unison preamp model)
  • Gain Range +10 dB to +65 dB
  • Pad Attenuation (switchable per input) 20 dB (variable via Unison preamp model)
  • Maximum Input Level (@ Minimum Gain, with Pad) 23.8 dBV
  • Maximum Input Level (@ Maximum Gain, with Pad) –31.2 dBV
• Hi-Z Input
  • Jack Type Female ¼” TS Unbalanced
  • Dynamic Range (A–weighting) 117 dB
  • Signal-to-Noise Ratio (A–weighting) 117 dB
  • Total Harmonic Distortion + Noise –101 dBFS
  • Frequency Response 20 Hz – 20 kHz, ±0.1 dB
  • Input Impedance 1M Ohms
  • Maximum Input Level (@ Minimum Gain) 10 dBV
  • Maximum Input Level (@ Maximum Gain) –45 dBV
• Line Outputs 3 & 4
  • Jack Type ¼” Female TRS Balanced
  • Dynamic Range (A–weighting) 118 dB
  • Signal-to-Noise Ratio (A–weighting) 118 dB
  • Total Harmonic Distortion + Noise –107 dBFS
  • Frequency Response 20 Hz – 20 kHz, ±0.1 dB
  • Stereo Level Balance ±0.05 dB
  • Channel Separation Greater than 120 dB
  • Output Impedance 600 Ohms
  • Maximum Output Level 18 dBV
• Monitor Outputs 1 & 2
  • Jack Type ¼” Female TRS Balanced
  • Frequency Response 20 Hz – 20 kHz, ±0.1 dB
  • Dynamic Range (A–weighting) 115 dB
  • Signal-to-Noise Ratio (A–weighting) 115 dB
  • Total Harmonic Distortion + Noise –105 dBFS
  • Channel Separation Greater than 118 dB
  • Stereo Level Balance ±0.05 dB
  • Output Impedance 600 Ohms
  • Output Gain Range –96 dB to 0 dB
  • Maximum Output Level 18 dBV
  • Operating Reference Level +14 dBu, +20 dBu (selectable)
• Stereo Headphones Output
  • Jack Type ¼” Female TRS Stereo (unbalanced)
  • Frequency Response 20 Hz – 20 kHz, ±0.1 dB
  • Dynamic Range (A–weighting) 113 dB
  • Signal-to-Noise Ratio (A–weighting) 113 dB
  • Channel Separation Greater than 110 dB
  • Total Harmonic Distortion + Noise –101 dBFS
  • Stereo Level Balance ±0.11 dB
  • Output Impedance 10 Ohms
  • Output Gain Range –INF to 0 dB
  • Maximum Output Power 80 milliwatts into 600 Ohms

• S/PDIF
  • Connector Type Optical TOSLINK JIS F05 (shared with ADAT)
  • Format IEC958
  • Supported Sample Rates (kHz) 44.1, 48, 88.2, 96
  • S/PDIF Input Channels Two (Stereo L/R)
• ADAT
  • Connector Type Optical TOSLINK JIS F05 (shared with S/PDIF)
  • Format ADAT Digital Lightpipe with S/MUX
  • Supported Sample Rates (kHz) 44.1, 48, 88.2, 96, 172.4, 192
  • ADAT Input Channels @ 44.1 kHz, 48 kHz 1 – 8
  • ADAT Input Channels @ 88.2 kHz, 96 kHz 1 – 4 (S/MUX)
  • ADAT Input Channels @ 176.4 kHz, 192 kHz 1 – 2 (S/MUX)
• Clock Synchronization Sources
  • Internal, S/PDIF, ADAT (digital clock sync source conditional per selected digital input type)

• Power Supply External AC to DC
• AC Connector Type Changeable blades (UL, VDE, UK, SSA, CCC)
• AC Requirements 100V – 240V AC, 50 – 60 Hz
• DC Connector Type Male plug, 2.1 mm x 5.5 mm, center positive
• DC Requirements 12 VDC, ±5%
• Maximum Power Consumption 12 Watts

• Operating Temperature Range 32º to 95º Fahrenheit (0º to 35º Celsius)
• Storage Temperature Range –40º to 176º Fahrenheit (–40 to 80º Celsius)
• Operating Humidity Range 20% to 80%

• Dimensions
  • Width 6.31”
  • Height 2.60”
  • Depth, Chassis Only 5.86”
  • Depth, Including Knob & Jack Protrusions 6.20”
  • Shipping Box (Length x Width x Height) 8” x 8” x 5.5” (20.32cm x 20.32cm x 13.97cm)
• Weight
  • Shipping Weight (with box & accessories) 3.85 pounds
  • Weight (bare unit) 2.35 pounds
• Package Contents
  • Apollo Twin USB DUO Unit
  • External Power Supply with (4) changeable AC connectors supporting USA, Europe, UK, Australia, China
  • URL Card
  • SuperSpeed USB 3.0 cable

The 828mk3 is MOTU's most advanced FireWire audio interface. Once again it raises the bar with innovative new features, enhanced standard features that remain unique, superb sound and reliable performance.

The 828mk3 provides ten channels of pristine 192 kHz analog recording and playback, combined with sixteen channels of ADAT digital I/O and stereo S/PDIF. Expand your system by connecting additional MOTU FireWire audio interfaces or the 8pre mic input expander.

The 828mk3 is equally well-suited for studio and stage, with or without a computer. As an interface or standalone mixer, the 828mk3 provides 28 separate inputs and 30 separate outputs, including dedicated main outs on XLRs and two front panel headphone outs.

Connect all of your studio gear, including microphones, guitars, synths, keyboards, drum machines and even effects processors. Record, monitor, route and process all of these live inputs using the professional on-board CueMix FX digital mixer – with no latency and no processor strain on your computer. Apply hardware DSP-driven compression, EQ and reverb to every input and output, independent of your host computer. When recording from the mic/guitar inputs, the 828mk3ʼs signal overload protection gives you an extra 12 dB of headroom above zero with no digital clipping or harsh artifacts.

MOTU FireWire audio interfaces are fully compatible with FireWire 800-equipped Macs. All you need is a standard FireWire 400-to-800 cable. Just plug in and go. The FireWire bus operates at 400 Mb/sec, providing the same high speed, low latency and rock solid reliability that MOTU FireWire interfaces are known for.

After programming the on-board mixing in the studio, unplug the 828mk3 from the computer and take it on the road for operation as a stand-alone mixer with effects. All mixing and effects parameters are adjustable using the front panel backlit LCD.

The 828mk3 provides cross-platform compatibility with Mac and Windows and all of your favorite audio software and host-based effects via WDM/ASIO/Core Audio drivers. Or you can use the included AudioDesk workstation software for Mac, with 24-bit recording/editing and 32-bit mixing/processing/mastering.

System Requirements
Mac           PC

    * Mac OS X 10.5.8 (Leopard) or 10.6.1-10.6.4 (Snow Leopard)
    * 1 GB RAM (2 GB recommended)
    * 6 GB free disk space
    * Intel® processor (no PowerPC® support)
    * One FireWire port

         

    * Windows® XP 32-bit SP3, Windows Vista® 32-bit SP2, Windows 7 32-bit, or Windows 7 64-bit
    * 1 GB RAM (2 GB recommended)
    * 5 GB free disk space
    * One FireWire port

Compatibility

ASIO, Core Audio, WDM, MME, and multi-client drivers

Mbox Pro Hardware
Pro Tools Mbox Pro

Mbox® Pro is the ultimate high-definition recording interface, packing a wide range of analog and digital I/O connections into a desktop audio workstation.

    * Compatible with most major audio software (Pro Tools LE®, Logic, Live, Cubase, and more)
    * FireWire connection
    * Professional-grade circuitry and converters deliver exceptional audio performance
    * Up to 24-bit, 192 kHz sample rates*
    * Soft-clip limiter lets you track hot signals without clipping—providing a classic overdriven tape saturation sound
    * Built-in guitar tuner
    * Onboard DSP offers flexible cue mixing and reverb effects
    * Assignable Pro Tools multi-function button on interface gives you fast access to software functions
    * Connect up to three pairs of monitors or do 5.1 surround mixing**
    * Hardware configuration:
          o 8 x 8 simultaneous channels of I/O
          o 4 mic inputs with 48 V phantom power and high pass filter (2 XLR/DI combo, 2 XLR)
          o 4 1/4" TRS line inputs
          o 2 unbalanced Alt line inputs (2 RCA, 1 mini 1/8”)
          o 6 1/4" TRS balanced line outputs
          o 2 discrete 1/4” stereo headphone outputs with separate volume controls
          o Stereo S/PDIF digital I/O
          o 1 MIDI input, 1 MIDI output
          o Word clock I/O
          o Monitor control section with Mono, Mute, Dim, Alt Source, and Speaker A/B/C switching controls
          o Dedicated monitor volume knob

* Up to 96 kHz sample rates supported with Pro Tools LE software.

** Mixing 5.1 surround sound in Pro Tools LE requires Complete Production Toolkit
Pro Tools LE Software
Pro Tools 8 Software

The Pro Tools software platform is used in professional studios around the world, and includes all the tools you need to easily compose, record, edit, mix, and master your projects with pro results—every time.

Key Features

    * Award-winning Pro Tools recording, editing, and mixing
    * 48 simultaneous stereo audio tracks (expandable with Toolkit options)
    * Includes over 70 professional effects and virtual instruments
    * Professional MIDI sequencing with dedicated MIDI Editor window
    * Integrated Score Editor based on award-winning Sibelius notation software
    * Full Elastic Time and Elastic Pitch to easily adjust timing and pitch on your tracks
    * Unique Beat Detective LE automatic groove analysis and correction tool
    * ReWire support for streaming your favorite applications right into Pro Tools
    * Huge selection of compatible third-party plug-ins and software options
    * Works on Windows and Mac computers

The FA-66 is a 6-channel portable FireWire audio interface designed with the mobile recording and performance professional in mind. The FA-66 offers incredible audio fidelity, stability, and a practical set of input and output options. It also offers two XLR/TRS combo inputs with phantom power, plus two RCA inputs, four balanced +4dBu outputs, optical S/PDIF I/O, a built-in analog limiter, zero-latency direct monitoring, solid metal construction, and FireWire bus power, all in a durable compact case.

    * 6-in/6-out 24-bit/96kHz simultaneous performance
    * 4-in/4-out 24-bit/192kHz simultaneous performance
    * 2 XLR/TRS combo jacks w/premium phantom-powered mic preamps
    * +4 dB balanced input and output
    * S/PDIF optical input & output ports with Sync LED indicator
    * MIDI in/out ports
    * Built-in analog limiter and indicator
    * FireWire bus powered
    * AC adaptor included
    * Mac OS X CoreAudio and Windows XP WDM and ASIO 2.0 support
    * Zero-latency Direct Monitoring
    * 6-pin and 4-pin IEEE1394 ports
    * Compact, solid-metal construction