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Main Features
Interchangeable input capsules that can be swapped out as easily as the lens of a camera Six-track simultaneous recording Four mic/line inputs with XLR/TRS combo connectors Gain controls (real knobs!) and -20dB pads for each input Phantom power for all main inputs: +12/+24/+48V Large full-color LCD display, angled so it's easy to read in all environments Records directly to SD, SDHC and SDXC cards up to 128GB Up to 24-bit/96kHz audio in BWF-compliant WAV or a variety of MP3 formats Auto-record, Pre-record and Backup-record functions mean that you'll never miss that perfect take Multitrack to stereo internal mixdown Independent monitor and playback mixes Virtual VU meters Voice memo and up to 99 marks per recording Overdubbing, up to 99 takes Built-in effects, including low-cut filtering, compression and limiting Onboard MS decoding Normalize, Divide and Trim editing Chromatic tuner and metronome Loop Playback with user-defined start and stop points Variable playback speed, from 50% to 150% Variable pitch per track without affecting playback speed USB port for data exchange to and from computer Multichannel and stereo USB audio interface for PC/Mac/iPad Camera strap mounts Mounts directly to DSLR or camcorder with optional HS-01 Hot Shoe Mount adapter Accepts standard AA alkaline or NiMH rechargeable batteries Over 20 hours of operation with 4 AA alkaline batteries
| Recording media | 16MB-2GB SD cards
4GB-32GB SDHC cards
64GB-128GB SDXC cards | | Inputs | Inputs L/R | XY mic (XYH-6)
Mic Type: Unidirectional
Sensitivity: -41 dB, 1 kHz at 1 Pa
Input Gain: -∞ to 46.5 dB
Maximum Sound Pressure Input: 136 dB SPL
[MIC/LINE IN]
Connector: 1/8" stereo mini jack
Input Gain: -∞ to 46.5 dB
Input Impedance: 2 kΩ
Plug-in Power: 2.5V supported | MS mic (MSH-6)
Mic Types: Unidirectional and bi-directional
Sensitivity: -37 dB, 1 kHz at 1 Pa (unidirectional),
-39 dB, 1 kHz at 1 Pa (bi-directional)
Input Gain: -∞ to 42.5 dB
Maximum Sound Pressure Input: 120 dB SPL (unidirectional),
122 dB SPL (bi-directional) | Shotgun mic (SGH-6 [Option])
Mic Type: Unidirectional (mic unit x 3)
Polar Pattern: Super-cardioid
Sensitivity: -39 dB, 1 kHz at 1 Pa (each mic unit)
Input Gain: -∞ to 50 dB
Maximum Sound Pressure Input: 122 dB SPL (unidirectional) | Inputs
1 to 4 | Connectors: XLR/TRS combo jacks
(XLR: 2 hot / TRS: TIP hot)
Input Gain (PAD OFF): -∞ to 55.5 dB
Input Gain (PAD ON): -∞ to 35.5 dB
Input Impedance 6.8kΩ
Maximum Input Level: +22 dBu (PAD ON)
Phantom Power: +12V / +24V / +48V
Equivalent Input Noise (EIN): -120 dBu or less | | Outputs | Line Out | Connector: 1/8" stereo mini jack
Rated Output Level: -10 dBu
(when output load impedance is 10 kΩ or more) | | Phone Out | Connector: 1/8" stereo mini jack
Output Level: 20 mW + 20 mW (into 32Ω load) | | Built-in Speaker | 400 mW/8 Ω mono speaker | | Recording Formats | [WAV setting]
Sampling Frequency: 44.1/48/96kHz
Bit Rate: 16/24-bit (Mono/Stereo, BWF-compliant)
Maximum Simultaneous Recording Tracks: 8 tracks (6 tracks + L/R backup)
Backup recording: 12dB lower than set L/R input gain
[MP3 setting]
Sampling Frequency: 44.1kHz Bit Rate: 48-320 kbps
Maximum Simultaneous Recording Tracks: 2 tracks
| Recording Time
(with 2GB card) | 03:08:00 (44.1kHz/16-bit WAV)
34:43:00 (128kbps MP3)
| | Display | 2.0-inch full-color LCD (320 x 240 pixels) | | USB | [Mass Storage Class operation]
Class: USB2.0 High Speed
[Audio Interface operation: Multi-track mode]
Class: USB2.0 High Speed
Inputs / Outputs: 6 / 2
Sampling Frequency: 44.1/48/96kHz
Bit Rate: 16/24bit
Note: Use with Windows requires a driver, but Macintosh does not.
[Audio Interface operation: Stereo mode]
Class: USB2.0 Full Speed
Inputs / Outputs: 2 / 2
Sampling Frequency: 44.1/48kHz
Bit Rate: 16 bit
Note: iPad operation supported in stereo mode only. | Battery Life
(with alkaline battery) | XY mic, 44.1kHz/16-bit (stereo x 1): 21 hours
XY mic and Inputs 1, 2, 3 and 4 used, 96kHz/24-bit (stereo x 3): 9 hours 45 minutes
Note: The above times are estimates. Approximate continuous recording times when using battery power were calculated using our own testing method. They may differ greatly depending on operating conditions. | | Power | AA size (LR6) battery x 4
AC adapter: AD-17 (DC5V/1A/USB-type) (optional)
USB bus power | | Dimensions | H6: 77.8mm（W）x 152.8mm（D）x 47.8mm（H）
XYH-6: 78.9mm（W）x 60.2mm（D）x 45.2mm（H）
MSH-6: 58.0mm（W）x 67.6mm（D）x 42.1mm（H） | | Weight | H6： 280g (without batteries)
XYH-6： 130g
MSH-6： 85g | | Included Accessories | Operation manual, XYH-6 X/Y mic capsule, MSH-6 MS mic capsule, SD card (2GB), AA size (LR6) battery x 4, Cubase LE Software, WSH-6S Foam Windscreen, USB Cable, Case | | Optional Accessories | SGH-6 Shotgun mic capsule
EXH-6 Dual XLR/TRS Combo capsule
HS-1 Hot Shoe Mount
APH-6 Accessory Pack (includes RCH-6 wired Remote Controller, AD-17 USB-type AC adapter, WSH-6H Hairy Windscreen) |
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The TASCAM SS-200 Solid State Recorder - designed for the Broadcast and Contractor markets - record in WAV & MP3 to Compact Flash, SD/SHC, and USB memory. The SS-R200 features parallel and RS-232C serial control balanced & unbalanced I/O, and coaxial digital I/O. It supports the RC-20 direct play remote for up to 20 tracks of flash start.
- Solid state recoding to any available Media (CF, SD/SDHC, USB Memory)
- One-rack-space compact design
- Up to 20 tracks of flash start with RC-20 and RC-SS20 remote control devices
- PS/2 or USB keyboard connection for file name edit, transport control, edit and flash start
- RS-232C and Parallel Control I/O
- Multiple playback modes for situations requiring continuous, single, programmed and random playback
- Playback speed control without pitch change
- XLR balanced I/O, RCA unbalanced I/O, coaxial S/PDIF, or AES/EBU digital I/O
- Dimensions (W x H x D): 19 x 1.8 x 11.9 (in) 482.6 x 44.5 x 301 (mm)
- Weight: 7.50 (lbs) 3.4(kg)
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- 16 Recording Tracks to Hard Drive: 16-bit resolution at 44.1 kHz - no compression
- Extended Recording Time: More than 7.5 hours of 16-track recording at CD quality
- FAT32 Disc Format and WAV Recording: Plus USB port for easy transfer of recordings to PC
- Input EQ Library: 33 sound shaping presets available for all inputs
- Direct CD-RW Connection via USB: Master direct to USB CD-RW (no PC required)
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Professional digital recording 24channel system, 24 bit/96 kHz, with hard disk drive and 24 analog in/out and 3 adat in/out
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| Recorder Section: | | | Number of Tracks: | | | 2 tracks, 2-track recording/playback simultaneously
| | | Recording Formats: | | | 1-bit audio formats - DSDIFF, DSF, WSD: 2.8224 MHz @ 1-bit, 5.6448 MHz @ 1-bit
PCM audio formats - WAV, BWF: 44.1 kHz @ 16/24-bit, 48 kHz @ 16/24-bit, 88.2 kHz @ 24-bit, 96 kHz @ 24-bit, 176.4 kHz @ 24-bit, 192 kHz @ 24-bit
MP3 format - playback only
44.1kHz or 48kHz/32kbps-320kbps
| | | Internal Hard Disk Drive: | | | 40 GB
| | | Recording Time: | | | Max Approx. 60 Hours (44.1 kHz @ 16-bit, 2-track)
| | | Number of Projects: | | | Recognizes a maximum of 200 for each format, max 1,000 projects
| | | Mark Points: | | | 100 points per a song (no mark name)
| | | USB Functions: | | | USB 2.0 supported, ability to use as FAT32 external USB drive
| | | Song Editing: | | | Rename, Delete, Protect
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General: | | | Display: | | | 160 x 104 dots LCD with backlight
| | | Dimensions: | | | 192(W) x 170(D) x 56(H) mm/7.56“(W) x 6.69“(D) x 2.20“(H)
| | | Weight: | | | 1.0 kg/2.20 lbs. (without batteries)
| | | Power Supply: | | | Eight AA batteries (sold separately), Oxyride batteries, charged nickel metal-hydride batteries, or AC Adapter model � (adapter) 500405015300 & (3 prong cable) 600007300/KA310
12V 500mA Center Pin (+);
| | | Current Consumption: | | | 7 W
| | | Accessories: | | | AC Adapter; Carrying Bag; CD-ROM (“AudioGate" Audio File Conversion Software)
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Principal Specifications: | | | Frequency Response: | | | 10Hz ~ 20kHz ±1dB @ Fs44.1kHz, 10Hz ~ 40kHz ±1dB @ Fs88.2kHz/96kHz/176.4kHz/192kHz, 10Hz ~ 100kHz (1 bit)
| | | S/N: | | | 96 dB (typical) @ IHF-A INPUT-OUTPUT
| | | THD+N: | | | 0.008% (typical) 20 kHz-LP
| | | A/D Conversion: | | | 2.8224 MHz/5.6448 MHz (1-bit), 24-bit (PCM)
| | | D/A Conversion: | | | 2.8224 MHz/5.6448 MHz (1-bit), 24-bit (PCM)
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INPUT L-R: | | | Connectors: | | | XLR-3-31 type / 1/4" TRS phone jack (balanced)
Phantom power: 48V/10mA per channel, on/off switch
| | | Input Impedance: | | | 4.5 k Ohm (XLR-3-31), 68 k Ohm (TRS phone, Line)
| | | Nominal Level: | | | - 60 dBu - - 28 dBu, XLR (balanced), - 26 dBu - + 4 dBu, 1/4" TRS phone (balanced), - 26 dBV - - 6 dBV, 1/4" TRS phone (Unbalanced)
| | | Maximum: | | | 16 dBu, XLR (balanced), + 16 dBu, 1/4" TRS phone (balanced), + 6 dBV, 1/4" TRS phone (Unbalanced)
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OUTPUT L-R (Unbalanced/Balanced): | | | Connectors: | | | RCA (Unbalanced)/XLR-3-32 type (balanced)
| | | Nominal Level: | | | 6 dBV/+ 4 dBu
| | | Maximum Level: | | | + 6 dBV/+ 16 dBu
| | | Load Impedance: | | | 47 k Ohm or greater/600 k Ohm or greater
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PHONES: | | | Connector: | | | 1/4" stereo phone jack
| | | Load Impedance: | | | 16 k Ohm or greater
| | | Maximum Level: | | | 50 mW + 50 mW @ 32 k Ohm
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USB: | | | Connector: | | | Type B
| | | Format: | | | USB 2.0 High-Speed device, USB mass storage class
| | | Supported OS: | | | Windows Me, 2000 or later, Mac OS 9.0.4 or later*1
*1With Intel based Macs, you must turn on the unit after making USB connection.
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Included Items: | | | AC adaptor (also operates as charger), carry bag, CD-ROM (�AudioGate� audio file conversion application)
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AudioGate System Requirement: | | | Supported OS: | | | Windows XP Home Edition/Professional Edition (Service Pack 1 or later), Mac OS X 10.3.9 or later
| | | CPU: | | | [Windows] Intel Pentium III/1 GHz or faster [Macintosh] Apple G4/800 MHz or faster (Intel-based Mac supported)
| | | Memory: | | | 256 MB or larger (512 MB or larger recommended)
| | | *“DSD" is a registered trademark
*Logos, product names and company names are their tradmarks or registered trademarks |
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Tuner + Metronome + Recorder - All in One Unit!
The TMR-50 - Your Ideal Practice Partner
Highlights:
- Tuner, metronome, and recorder can be used simultaneously or independently.
- Internal mic and speaker make it easy to record and play back your performance
- Loop Play function lets you repeat a desired region of a recorded track
- High-quality linear PCM recording/playback
- Record up to 100 tracks (approximately total 20 minutes)
- USB port lets you transfer recorded data and song files between the TMR-50 and your computer
- Newly designed highly responsive LCD needle-type meter
- Wide detection range from C1 to C8
- The Sound Out function produces a reference tone in a three-octave range from the built-in speaker
- The Sound Back function generates the reference tone that's closest to the input sound, while the meter indicates the pitch discrepancy between the reference and the input sound - a great function for ear training!
- Calibration supports a range of concert pitches
- Marks indicate pure major and minor third intervals
- Wide tempo range of 30--252 beats per minute
- 15 rhythm variations let you practice with a broad range of musical styles
- Easy tempo settings with two types of tempo step patterns plus a tap tempo function
- Large LCD with backlight brightness that's adjustable over two levels for enhanced visibility
- Your choice of body color: black or pearl white
- Convenient key layout, and newly designed stand and battery cover
- Memory Backup and Auto Power Off
Korg's popular TM series of tuner/metronome units is loved by players who practice to perfect their musical skills. Now joining the lineup is the TMR-50, which adds recorder functionality to the already impressive list of features. An extremely valuable way to improve your playing ability is to identify the problem areas that need work, and then practice to improve those areas. With its built-in mic and speaker, the TMR-50 makes it easy to practice this way. It provides high-quality linear PCM recording and a USB port for convenient usage with your computer. The TMR-50 features equally robust capabilities for its tuner and metronome functionality that will help you improve your sense of pitch and rhythm. Two choices of color are available: black and pearl white. Whether you're in a brass band or an orchestra, the TMR-50 is the ideal partner for anyone who wants to improve their playing.
Specifications
Recording format:
PCM audio format, WAV format (extension: .wav) 44.1 kHz@16-bit
Available recording time:
Maximum approx. 20 minutes (Internal Memory size is 120 MB)
Total number of tracks:
Up to 100 tracks
Tuning:
12 note equal temperament
Detection range:
C1 (32.70 Hz) ~ C8 (4186 Hz), Using Sine Wave.
Reference tone:
C3 (130.81 Hz) ~ C6 (1046.50Hz), 3 Octave.
Tuning Mode:
Meter Mode (AUTO), Sound Out Mode (MANUAL), Sound Back Mode (AUTO)
Calibration range:
A4 = 410 ~ 480 Hz (1 Hz steps)
Detection accuracy:
+/- 1 cent
Sound precision:
+/-1 cent
Tempo range:
Quarter Note = 30 to 252 BPM
Tempo setting:
3 Types: Pendulum Step
Full Step
Tap Tempo
Beat range:
Total 10 beats: "0 to 9" as "Quarter-note" Rhythm
Rhythm pattern:
Duplets, triplets, triplets without the center beat, quadruplets, and quadruplets without the center beats
Tempo accuracy:
±0.3%
Terminals:
Input (f6.3mm, Mono-Standard Jack type)
Headphones (f3.5mm, Stereo-mini Jack type)
USB (mini-Type B)
Internal Speaker:
Dynamic Speaker (f28 mm)
Power (Battery):
AAA battery (3.0 V) x 2
Manganese batteries or alkaline batteries, Ni-MH: Nickel metal hydride
Battery Life:
Recorder ... Approximately 16/13/11 hours
(Backlight: off/soft/auto, using alkaline batteries. Maximum of 20 minutes per
recording.)
Tuner ... Approximately 24/22/20 hours
(Backlight: off/soft/auto, A4 continuous input, using alkaline batteries)
Metronome ... Approximately 18/16/14 hours
(Backlight: off/soft/auto, tempo 120, 4 beats, maximum volume, using alkaline batteries)
Dimensions (W x D x H):
111 x 82 x 18 mm / 4/37 x 3.23 x 0.71 inches
Weight:
119 g / 4.19 oz (Including battery)
Included items:
AAA battery (3.0 V) x 2 for verifying proper operation
USB Cable
Options:
Contact Mic = CM-100L
Computer Requirements
Windows:
A computer that satisfies the operating requirements of Microsoft Windows XP/Windows Vista/Windows 7 and is equipped with a USB port
Macintosh:
Mac OS X 10.5 or later
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