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Η Tascam, με τη συνεργασία της Antares, παρουσιάζει το TA-1VP. Το TA-1VP, είναι η πιο ολοκληρωμένη λύση, για επεξεργασία / διόρθωση φωνής σε συνθήκες στούντιο ή σε συναυλίες.
Δυνατότητες του TA-1VP
>> (Auto Tune). Τονική διόρθωση φωνής (ή οργάνου), σε πραγματικό χρόνο, δίχως αλλοίωση του ήχου. >> (Microphone Modeller). Προσωμοίωση του ήχου, των πιο γνωστών κορυφαίων μικροφώνων. Δώστε στη φωνή, τον ήχο του μικροφώνου που θα θέλατε να είχατε. >> Προσωμοίωση προενίσχυσης λυχνίας. >> Compressor. >> Gate. >> De-esser. Με ρυθμιζόμενη συχνότητα. >> EQ. Παραμετρικό EQ 2 περιοχών. >> MIDI. Έλεγχος της συσκευής μέσω MIDI. >> Όλες οι παράμετροι, μπορούν να αποθηκευτούν και να ανακληθούν, για γρήγορη ρύθμιση της συσκευής. >> Βιβλιοθήκη με έτοιμες ρυθμίσεις.
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H σειρά Voice Τone της ΤC Helicon, προσφέρει μια εντυπωσιακή γκάμα από ειδικές ρυθμίσεις και εφέ για τη φωνή. Δίνει επαγγελματική βάση στις εμφανίσεις σας, προσφέροντας αυτό ακριβώς που χρειάζεται ακόμα και ο πιο απαιτητικός χρήστης.
Voice Τone Τ1
Εξαιρετική ποιότητα ήχου χωρίς παραμορφώσεις
Υψηλής ποιότητας multi-band EQ
Compressor & de-esser
Δυνατότητα σύνδεσης με άλλα μοντέλα Voice Tone
Xαρακτηριστικά:
Αναλογικές εισόδους:
Connectors, balanced: Mic.: XLR
Mic Input Level @ 0 dBFS: -42dBu to +1dBu
EIN @ Max Mic Gain Rg = 150 Ohm: -126 dBu
Mic input SNR: >104 dB
Αντίσταση εισόδου κιθάρας : 1 MOhm
Επίπεδο εισόδου κιθάρας @ 0 dBFS: -7 dBU to 17 dBu
Είσοδος κιθάρας SNR: >115dB
Αναλογικές εξόδους:
Αντίσταση εξόδου Bal./Unbal.: 200/100 Ohm
Output Full Scale: +1 dBu
Δυναμικό εύρος : >104 dB, 20 Hz to 20 kHz
Απόκριση συχνότητας: +0/-0.3 dB, 20 Hz to 20 kHz
Control
USB for firmware and control
Mic Control using TC-Helicon
Μέγεθος
Ύψος: 5.4 inches (140 mm)
Πλάτος : 3.5 inches (90 mm)
Βάθος: 2.3 inches (60 mm)
Βάρος
Βαρος : 0.92 lb. (0.42 kg)
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VoiceTone E1 offers singers the signature echo and slapback effects that evoke classic songs while putting effects control at their feet. Now, high quality, immersive echo effects for the stage are no longer just for guitarists.
Adds a wide range of echo effects for more depth in your vocals
Footswitch tapping can set echo times to song tempo
High quality signal path and tough enclosure
Can be chained to additional VoiceTone Singles
Mic-Control offers remote on/off via TC-Helicon MP-75 microphone
12 Flavors of Echo & Delay types:
Slap echo 1 & 2
Tap – 1/4, 1/8, Triplet 1/8th, Dotted 1/8th, Triplet 1/4, Dotted 1/4 notes
Echo FX 1 & 2
Filter control (smart EQ band limiting)
Powerfully easy
From Rockabilly-style "tape slap” echo to trance-inducing long echo trails timed to your songʼs tempo, VoiceTone E1 can excite your vocals and your audience more than ever before. And itʼs so easy to use; leave it on one setting throughout your performance or change it up for different songs. When itʼs time to talk to your audience, clear, dry banter is just a footswitch tap away.
As simple as plugging in your mic
Gaining access to the studio quality sounds and intelligent processing of VoiceTone singles is as simple as plugging in your mic and turning the effect on. Of course, you can always change the style or the amount of effect, but you shouldnʼt need to unfold the manual unless youʼre making a fire.
Strong family genes
Each VoiceTone single shares the same genes: a clean, quiet mic preamp that rivals high-end touring mixers, a die-cast metal case, rubberized no-slip base, studio quality analog to digital conversion, and the same quality processing youʼd expect from our flagship vocal processors like VoiceLive 2.
- See more at: http://www.nakas.gr/ecomnakas/nakas2006/default.asp?static=421&product=133028#sthash.cRLFG5bn.dpuf
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DBX-1074
4 ch noise gate με δυνατότητα λειτουργίας σε ρυθμιζόμενο εύρος
συχνοτήτων XLR in/out, insert points.
- Four independent channels of gating
- Independent key filtering
- Independent Threshold and Release controls
- Differentially balanced gold-plated XLR and 1/4" inputs and outputs
- True RMS level detection
- Stereo Coupling mode
- Switchable +4dBu or -10dBv operation per channel
Input Connectors | XLR (Pin 2 and tip hot) | Input Type | Electronically balanced/unbalanced, RF filtered | Input Impedance | Balanced > 50 kOhm, unbalanced >25 kOhm | Max Input | > +22 dBu balanced or unbalanced | CMRR | 40dB: Typically >55 dB at 1 kHz | Key Input | Electronically balanced/unbalanced, RF fitered Balanced 50kOhm, unbalanced > 25 kOhm | Output Connectors | XLR (Pin 2 hot) | Output Type | Servo-balanced/unbalanced, RF filtered | Output Impedance | Balanced 60 Ohm, unbalanced 30 Ohm | Max Output | > +22 dBm balanced, > +20 dBm unbalanced | Bandwidth | 20 Hz to 20 kHz, +0/-0.5 dB | Frequency Response | 0.35 Hz to 200 kHz, +0/-3 dB | Noise | | Dynamic Range | > 115 dB, unweighted | THD+Noise | 0.008% typical at +4 dBu (1 kHz unity gain), 0.08% typical at +20 dBu (1 kHz unity gain), | Interchannel Crosstalk | | Stereo Coupling | True RMS Power Summing | Operating Voltage | 100-120 VAC 50-60 Hz or 200-240 VAC 50/60 Hz | Power Consumption | 30 Watts | Fuse | 100-120 VAC:250 mA Slow Blow, 200-240 VAC:125 mA Type T | Power Connector | IEC receptacle | Unit Weight | 6.9 lbs. | Shipping Weight | 9.3 lbs. |
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The S com 4 is a compact and versatile single-rack space device that provides
four channels of high quality dynamics processing with an Expander/Gate and
Compressor/Limiter on each channel.
The four channels operate independently or in stereo pairs. Its multi-segment LED
metering displays input/output level as well as gain reduction. The Expander/Gate
section features a continuously variable Threshold control as well as a switch for
fast or slow release times.
The Compressor/Limiter section includes variable Threshold, Ratio and Output levels.
S com 4's Enhancer switch restores high frequencies that are sometimes diminished
by heavy compression. This wide-ranging combination of features makes the S com
4 an efficient and versatile audio tool for a wide variety of applications. Its clean and
quiet audio characteristics make it ideal where high sonic integrity is imperative.
FEATURES:
4 Channel Compressor/Limiter, Expander/Gate with Enhancer
Linkable in two Stereo pairs
Expander/Gate with variable Trigger control and switchable Fast/Slow Release
5 Segment LED meters for Input/Output levels and Gain Reduction on each channel
Advanced circuit design utilizing Low Noise Operational
Amplifiers and High Quality VCA's
Servo Balanced Inputs and Outputs on XLR and 1/4" connectors
SKD (Smart Knee Detector) circuit automatically switches from soft to hard knee
based on the level of Input signal applied
Individual Threshold and Ratio controls on each channel
Three-year extended warranty
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Ισοσταθμιστής 2 x 15 περιοχών, με ρύθμιση threshold και noise reduction ανά κανάλι, 2/3RDS octave, 2U.
DBX 2215 Dual 15-Band Graphic Equalizer with Noise Reduction
It's amazing. One little button. So much effect. dbx? Type III? Noise Reduction is an entirely new concept... virtually instantaneous encode/decode within the circuitry of the box. We started out to build the finest EQs possible, boxes with the heritage and performance to rival our famous 30 Series EQs. And to no one's surprise they came out awfully darn good. (Ask to see the Audio Precision plots compared to the competition.) But then, Roger (our chief engineer, a nice guy, as far as engineers go) got the crazy idea of putting this new noise reduction stuff in the box. We listened to it and were amazed. The EQs sounded great without it but with it the performance was nothing short of incredible. Check it out yourself and see.
But hey, Roger wasn't about to stop there. PeakPlus? Limiter. Who knows more about limiting than the folks at dbx; nobody... that's who. So when the guys were developing this new series of EQs they wanted something that would be unique to these EQs. That's when Roger got another one of his bright ideas and said "I bet they'll work a lot better if there's a cool limiter built in." Next thing you know, all the guys are in the studio amazed at the new limiter Roger had designed specially for the 20 Series. Once again, hearing is believing... With a threshold range of 0dbu to plus 20dbu, the patent-pending PeakPlus limiter is designed to tame your program material from the subtlest nuances to the rowdiest hits. Also, the four stage LED ladder gives you a great visual indication as to what the limiter is doing.
20 Series EQs. You used to have to settle for second best in a reasonably priced EQ but not any more. With the new 20 Series from dbx Professional Products you get a great EQ circuit, a graceful yet powerful limiter and the revolutionary new design of the Type III Noise Reduction. Check out the dbx 20 Series graphic EQs at your pro audio outfitter. You'll see, with the 20 Series EQs you get MORE!!!
SPECIFICATIONS:
INPUT
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Connectors:
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1/4" TRS, female XLR (pin 2 hot), and barrier terminal strip
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Type:
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Electronically balanced/unbalanced, RF filtered
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Impedance:
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Balanced 40k ohm, unbalanced 20k ohm
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Max Input Level:
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>+21dBu balanced or unbalanced
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CMRR:
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>40dB, typically >55dB at 1kHz
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OUTPUTS
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Connectors:
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1/4" TRS, male XLR (pin 2 hot), and barrier terminal strip
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Type:
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Impedance-balanaced/unbalanced, RF filtered
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Impedance:
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Balanced 200 ohm, unbalanced 100 ohm
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Max Output Level:
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>+21dBu balanced/unbalanced into 2k or greater
>+18dBm balanced/unbalanced (into 600)
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SYSTEM PERFORMANCE
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Bandwidth:
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20Hz to 20kHz, +/-0.5dB
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Frequency Response:
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50kHz, +0.5/-3dB
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Noise Reduction In:
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(+/-6 and +/-15dB range):
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Signal-to-Noise:
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>102dB, unweighted, ref: +4dBu, 22kHz measurement bandwidth
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Dynamic Range:
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>120dB, unweighted
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Noise Reduction Out:
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(+/-6dB range):
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Signal-to-Noise:
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>94dB, unweighted, ref: +4dBu, 22kHz measurment bandwidth
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Dynamic Range:
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>112dB, unweighted
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Noise Reduction Out:
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(+/-15dB range):
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Signal-to-Noise:
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>90dB, unweighted, ref: +4dBu, 22kHz measurement bandwidth
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Dynamic Range:
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>108dB, unweighted
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THD + Noise:
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