AKG C411L Ultralight Condenser Microphone Ultra-light vibration pickup Condenser transducer in sealed enclosure Cable with lockable miniature XLR connector Weighing only 18 grams (0.6 oz.), this ultra-light condenser pickup is ideal for acoustic guitar, mandolin, violin, and most other stringed instruments. The C 411 will give a clear and uncolored sound without changing the balance of […]
Weighing only 18 grams (0.6 oz.), this ultra-light condenser pickup is ideal for acoustic guitar, mandolin, violin, and most other stringed instruments. The C 411 will give a clear and uncolored sound without changing the balance of the instrument. Attaching the C 411 on or near the bridge or anywhere else on the instrument is easy with the included non-marring, reusable, solventfree adhesive compound.
C 411 L: With mini XLR connector for use with B 29 L battery operated power supply, MPA V L external phantom power adapter, or AKG WMS bodypack transmitters.
Frequency range
10 to 18,000 Hz
Max. SPL
100 dB (for 1% THD)
Impedance
200 ohms unbalanced
Recommended load impedance
>=1000 ohms
Supply voltage
9 to 52 V phantom power to DIN 45596 or battery powering from B 29 L or AKG bodypack transmitter
Current consumption
approx. 2.2 mA
Connector
C 411 L: 3-pin mini XLR
Cable
C 411 L: 1.5 m (5 ft.)
Finish
matte black
Dimensions
27 x 14 x 9.5 mm / 1.1 x 0.5 x 0.3 in.
Net weight
C 411 L: 18 g / 0.7 oz.
Shipping weight
C 411 L: 150 g / 5.5 oz.
Weight
0.15 kg
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Weighing only 18 grams (0.6 oz.), this ultra-light condenser pickup is ideal for acoustic guitar, mandolin, violin, and most other stringed instruments. The C 411 will give a clear and uncolored sound without changing the balance of the instrument. Attaching the C 411 on or near the bridge or anywhere else on the instrument is easy with the included non-marring, reusable, solventfree adhesive compound.
C 411 L: With mini XLR connector for use with B 29 L battery operated power supply, MPA V L external phantom power adapter, or AKG WMS bodypack transmitters.
Frequency range
10 to 18,000 Hz
Max. SPL
100 dB (for 1% THD)
Impedance
200 ohms unbalanced
Recommended load impedance
>=1000 ohms
Supply voltage
9 to 52 V phantom power to DIN 45596 or battery powering from B 29 L or AKG bodypack transmitter
Current consumption
approx. 2.2 mA
Connector
C 411 L: 3-pin mini XLR
Cable
C 411 L: 1.5 m (5 ft.)
Finish
matte black
Dimensions
27 x 14 x 9.5 mm / 1.1 x 0.5 x 0.3 in.
Net weight
C 411 L: 18 g / 0.7 oz.
Shipping weight
C 411 L: 150 g / 5.5 oz.
The ME 62 is an omni-directional microphone head suitable for K6 and K6P
powering modules. It can be used for reporting, discussions and interviews.
The ME 62 is particularly suitable for good reproduction of 'room' ambience
and 'spaced omni' stereo recording. Matt black, anodised, scratch-resistant finish.
Features
Omni-directional pick-up pattern
Minimal inherent self-noise
Excellent rejection of rumble, wind and handling noise
Wide frequency response
High maximum sound pressure level
Integral pop filter
Delivery Includes
1 ME 62
Technical Data
Pick-up pattern omni
Sensitivity in free field, no load (1kHz) 31 mV/Pa +- 2,5 dB
Nominal impedance 200 Ohm (K6)
Min. terminating impedance 1000 Ohm (K6)
Equivalent noise level 15 dB
Equivalent noise level weighted as per CCIR 468-3 27 dB
Dimensions d 22,5 x 94 mm
Weight 30 g
The Shure Model VP88 is a single-point, stereo condenser microphone for use in professional studio recording, field production, electronic news gathering (ENG), and studio broadcasting applications. It combines two condenser cartridges in a single housing to create a stereo audio image of the sound source. It is unique in its ability to capture the realism of a live event and yet withstand rigorous field production environments.
The VP88 uses a mid-side (M-S) configuration. One microphone cartridge (Mid) faces forward to capture on-axis sound using a cardioid pickup pattern. The other microphone cartridge (Side) is bi-directional, capturing sound from either side. The VP88 contains an internal M-S matrix with three settings for different degrees of stereo image seperation. The internal matrix can be bypassed if an external matrix is used or if stereo imaging is done in post-production. Switches on the top of the microphone control output mode, stereo imaging, low-frequency rolloff settings, and battery on/off.
The VP88 can operate on phantom power or an internal 6V battery. The VP88 is supplied with a multi-connector "Y-splitter" cable, foam windscreen, swivel stand adapter, 6-volt battery, and zippered carrying/storage bag. Optional accessories include an isolation mount, a 7.6 m (25 ft) microphone extension cable, a phantom power supply, and a 4.3 m (14 ft) microphone stand.
Time-coherent, Mid-Side (M-S) design for optimal stereo imaging
Built-in stereo matrix for direct control of the stereo spread; direct M-S outputs available
Mono compatibility ideal for broadcast applications
40 to 20,000 Hz frequency response
Low noise and distortion
Wide dynamic range
Switch-selectable, low-frequency rolloff (12 dB/octave below 80 Hz) for reduced pickup of ambient noise and stand vibration
Operates on phantom power or a 6V camera battery
LED power indicator
Internal shock mount for reduced stand vibration and handling noise
Built-in "pop" screen
Includes windscreen, swivel adapter, and Y-cable
The ME 67 is a long gun microphone head designed for use with the K6 and K6P powering modules. A highly directional microphone, it can be used where the microphone must be placed at a distance from the sound source. Matt black, anodised, scratch-resistant finish.
Pick-up pattern : lobar
Sensitivity in free field, no load (1kHz) : 50 mV/Pa +- 2,5 dB
Nominal impedance : 200 Ohm (K6)
Min. terminating impedance : 1000 Ohm (K6)
Equivalent noise level : 10 dB
Dimensions : d 22,5 x 343 mm
Weight : 100 g
The super-cardioid MKH 50 offers a higher attenuation of diffusefield and lateral sound than the cardioid microphone. It is principally designed for use as a soloist’s or spot microphone for applications requiring a high degree of side-borne sound muting and feedback rejection. The directional characteristics are frequency-independent.
Features
High rejection of lateral sounds
Exceptionally low inherent self-noise
Transformerless and fully floating balanced output
Switchable roll-off filter to compensate for proximity effects at a distance of approx. 0.5 m
Switchable pre-attenuation
Black, anodised light metal body
Cardioid Condenser with 10dB Attenuator and 3 Position Low-Cut Filter
One of the world's great studio microphones, the SM81 provides precise, detailed sound reproduction, is excellent for studio recording, and is rugged enough for live sound reinforcement.
A standard for acoustic instruments, including guitar and cymbals
Selectable, low-frequency response -- either flat, 6dB/octave roll-off, or 18 dB/octave roll-off
Built-in, switchable 10 dB attenuator for use in high SPL situations
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