| Content |
The Xone:DB4 is a truly ground-breaking mixer and by far the most advanced product that we have designed. Every feature has been meticulously researched with a view to offering DJs ultimate creativity.
Based on the iLive pro-touring FX system, we developed FX algorithms with BPM conscious parameters and tight spectral control, customised to perfectly fit the DJ environment. As the loops and FX are automatically synchronised to the tempo of the track, it is very easy to build some amazing grooves and soundscapes without problems of latency, low fidelity and the general hassle often associated with using software and laptops.
The flexible input matrix allows any audio source to be selected on any or all of the channels. Different processing can be applied to the same track on separate channels and you can fade between them, or a phrase sampled in the looper of one channel can be added to the mix later in the track. Our digital design team has done an incredible job to ensure that this is one of the most innovative and exciting DJ mix tools to date.
Quad FX Core
The heart of the Xone:DB4 is the powerful Quad FX Core DSP engine, enabling each channel to have its own FX bank and BPM detection system, which automatically adjusts all time-related FX and loops to the tempo of the music. There are 5 studio quality FX types optimised for DJ use – delays, reverbs, modulators, resonators and damage – plus each FX type has a patch library of different effect variations. Each FX bank has a dedicated expression control and a rotary pot to set the wet/dry level, whilst further tweaking can be performed using the global controllers in the FX master section.
Pro-X-Fader Option
Retro-fit Pro-X-Fade option kit for Xone:DB4. Pro-X-Fade uses 100% conductive plastic tracks and a wider stem for extended fader life. Pro-X-Fade also allows the DJ to adjust both the feel of the fader and the cut-in point to suit their personal style. Speak to your approved Allen & Heath dealer or distributor for purchasing and fitting information.
| Although the origins of the company date from 1965, ECLER presented its first mixer back in the 70s: the A4, a simple 4 channel mixer oriented to Super 8 film sound edition. The company grew in the 70s with the boom of disco and tourism.
The AC-4 was a high fidelity mixer designed to meet the most demanding sound requirements in discos, theatres, cinemas, recording studios, conference rooms... The electronic circuits and the extreme selection of all components and transistors used, made the AC-4 a professional high quality mixer.
The new AC-6 is a tribute to those old school, simple, robust, reliable and great sounding mixers. The AC6 enables a new generation of DJs to enjoy the unique sound of those legendary mixers. |
- Professional 5-channel ultra-low noise DJ mixer with stylish, black design
- State-of-the-art 24-bit digital effects with advanced parameter control
- Intelligent dual auto-BPM counter with time and beat sync display
- Super-smooth ULTRAGLIDE faders with up to 500,000 life cycles
- Awesome adjustable XPQ stereo surround effect
- VCA-controlled crossfader for utmost reliability and smooth audio performance
- Adjustable crossfader curve for all mixing styles
- 3-band kill EQ (-32 dB) and precise level meters with peak hold function per channel
- Additional 3-way kill switches with extremely steep frequency separation
- Monitor function with master/cue balance control and split option
- Auto-talkover function with separate depth control
- High-quality components and exceptionally rugged construction ensure long life
- Conceived and designed by BEHRINGER Germany
Need an analog DJ mixer for your dance club? Donʼt want to settle for some run-of-the-mill DJ desk youʼll outgrow in just a few weeks? The new PRO MIXER DJX750 DJ Mixer merges intuitive operation with built-in digital effects processing for clean, transparent sound that will set your dance floor on fire! Because your voice is your instrument, the DJX750 features a dedicated mic channel with all the tools to make your sound supremely distinctive. Vocal fine-tuning is handled by the onboard 3-band EQ, which provides up to 15 dB of boost or cut at LOW (80 Hz), MID (2.5 k), and HIGH (12 kHz) frequency centers — creating an extremely broad tonal palette.
Not Just a DJX700 Dressed in Black!
DJs the world over love the DJX700 — and we are grateful that so many have made it their "go-to” mixer. So when we began design on the DJX750, we knew we had to do something very special. We started by revving up the FX processor and putting advanced parameter control right at your fingertips.
No longer are you confined to rigid presets that limit your creativity. With the DJX750, you can change FX parameters on-the-fly, pushing your performance to the next level. In no time youʼll be creating powerful sets with your own custom-tailored effects sounds, all of which can be controlled in real-time. Some parameters at your disposal include Bit Crusher depth, manual filter sweeps, Panning (LFO Rate), delay/echo time and much more. You can even set delay and echo timing relative to the internal BPM counter for extremely musical results. It is kinda like a DJX700 — but one on steroids!
Really good digital effects add the finishing touch to a solid performance, and ours are really good! With 33 outstanding effects to choose from, including an assortment of Phase Shifters, Flangers, Reverbs, Delays and more, your audience wonʼt know what hit them. There are even Auto Filter and Voice Changer effects that will take your show to a whole new level.
Channels Galore Because your voice is your instrument, the DJX750 features a dedicated mic channel with all the tools to make your sound supremely distinctive. Vocal fi ne-tuning is handled by the onboard 3-band EQ, which provides up to 15 dB of boost or cut at LOW (80 Hz), MID (2.5 k), and HIGH (12 kHz) frequency centers — creating an extremely broad tonal palette. The DJX750ʼs stereo channelsʼ EQ utilize the same frequency centers with a boost of up to 12 dB and a cut of as much as -32dB. These channels are equipped to handle every conceivable input source — from line level, phono, CD and tape decks to mp3 and minidisk players, weʼve got you covered.
Auto DuckingDJX750ʼs talkover function automatically detects your voice and brings down the volume of the music track (referred to as "ducking”), so your voice is always out front — you can even set this level to your own personal preference. Auto BPM Counter Syncʼing up tracks is an art unto itself — thatʼs why we gave the DJX750 dual Auto BPM Counters. This cool feature helps take the guess work out of making a smooth transition from one track to the next. Each BPM counterʼs digital display shows which channel it is tracking and the tempo of the music in beats per minute. Optionally, you can push the Beat Assist button in time with the song to manually enter the tempo. You get a read out of the tempo diff erence between the tracks, as well as a visual confirmation when they are in sync. These tools will help you seamlessly align two tracks — without having to rely solely on your ears.
Crossfader & Channel FadersAll of our super-smooth faders are of the high-grade 45-mm ULTRAGLIDE variety. Faders are, after all, the heart and soul of every mixer, and with their 500,000 cycle life expectancy (thatʼs 275 fades per night, per fader for five years without a break!), they outperform standard faders more than twenty-to-one. And since the crossfader uses VCA (Voltage Controlled Amplifi er) technology, there is virtually no audio noise. For those of you who prefer customized crossfading, the DJX750 also includes our CF Curve control, which lets you set the crossfaderʼs control characteristic just the way you like it. It is, after all, your show!
XPQ 3DMaking music larger than life is what itʼs all about and the DJX750 comes through on this in a big way. XPQ 3D Surround widens the stereo field, giving it immense depth and a stereo image that is full of life, with amazingly transparent sound. You determine the intensity of this stunning effect with a simple twist of the Surround control — from barely noticeable to supremely spectacular.
Sound QualityNone of the above-mentioned features would amount to much if the DJX750 didnʼt sound truly remarkable. Thatʼs why we equip each one with our tried-and-true ULN (Ultra Low-Noise) preamps: what comes in comes out, with nothing added. So you get maximum headroom, extremely low noise and ultra-transparent sound. Compare it to the competition for sound quality, features and value and youʼll see why more and more DJs "own the night” with their BEHRINGER DJX750.
Monitor Multi-tasking You canʼt put on much of a show if you canʼt hear what youʼre mixing! Thatʼs why we didnʼt cut any corners on DJX750ʼs monitor section. When the monitor Mode switch is in the "Split” position, you hear the PFL (Pre-Fader Level) output on the left side of your phones, and the Master signal on your right. If you prefer working in "Stereo” mode, you can turn the MIX control fully counterclockwise to hear the channel PFL signal in both sides of your headphones, fully clockwise for the Master output, or you can "mix” both signals by adjusting the control to anywhere in-between. You can listen to one or multiple sources, and LEDs light up to indicate what youʼre listening to.
| Numark M6 USB 4-Channel USB DJ Mixer
- 4-Channel Club-Style Mixer
- Class Compliant USB Audio Interface
- LED Metering
- 3-Band EQ per Channel
- Microphone Channel with Dedicated EQ
- Replaceable Crossfader w/ Slope Control
- Mac and Windows Compatible
The black M6 USB from Numark is a four-channel DJ mixer well suited for clubs, professionals, and home enthusiasts. The integrated USB audio interface is class compliant and connects to either Mac or PC without the need for drivers. Play music from any optional DJ software and record the mix into any audio recording application.
The M6 features a 3-band EQ per channel, dedicated microphone input with EQ, and a replaceable crossfader with slope control. The master output offers balanced XLR and unbalanced RCA jacks, while booth and recording outputs are available via RCA connections. The M6 USB ships with a USB cable and a standard IEC power cord.
- Four input channels, each with gain, 3-band EQ, and LED metering
- USB computer connection for playing and recording with Mac or PC
- Play music from music-player software
- Record your mix to your computer
- Multiple phono, line, and mic inputs
- Dedicated XLR mic channel and additional mic input on channel 4
- Replaceable crossfader with slope control
- Assign any channel to either side of the crossfader
- Class Compliant: This product is immediately compatible with every current and future version of Mac OS X and iOS and with Windows (98SE and up) operating systems
| Inputs |
Line: 4 x stereo RCA
Phono: 2 x stereo RCA
Mic 1: XLR
Mic 2: 1/4" / 6.4 mm |
| Outputs |
Main: Stereo XLR / stereo RCA
Booth: Stereo RCA
Record: Stereo RCA
Headphone: 1/4" / 6.4 mm |
| USB Connection |
Type B |
| Line Input |
10 kOhms input impedance
77 mV RMS sensitivity for 1.22 V output |
| Mic Input |
600 ohms input impedance unbalanced
1.1 mV RMS sensitivity for 1.22 V output
60 mV RMS max input |
| Phono Input |
47 kOhms input impedance
1.3 mV RMS sensitivity at 1 kHz for 1.22 V output |
| Line Output |
6.7 V RMS maximum |
| Headphone Output |
0.5 W into 47 ohms |
| Distortion |
< 0.01% |
| Signal to Noise Ratio |
Signal to Noise Ratio (maximum output, JIS-A weighted):
Line: >96 dB
Mic: >94 dB
Phono: >79 dB |
| Frequency Response |
Line: 20 Hz to 20 kHz (± 0.5 dB)
Mic: 20 Hz to 15 kHz (± 0.5 dB)
Phono: ±1 dB (except for controlled attenuation of -3dB at 20 Hz to reduce rumble and feedback) |
| Ducking |
Microphone Talkover: -15 dB |
| Channel EQ |
Bass: +12/-32 dB at 60 Hz
Middle: +12/-32 dB at 1.2 kHz
Treble: +10/-28 dB at 15 kHz |
| Microphone EQ |
Bass: ±12 dB at 100 Hz
Middle: ±10 dB at 1.2 kHz
Treble: ±12 dB at 15 kHz |
| Power Consumption |
Typical: 9.1 W
With Full Headphone Output: 11.6 W |
| Dimensions (WxDxH) |
12.63 x 14.25 x 4.00" / 32.07 x 36.20 x 10.16 cm |
| Weight |
9.6 lb / 4.4 kg |
|
- Type Analog
- Channels 4 + 1
- EQ 3-band / Total Kill (CH 1-4 + CH A)
- USB Soundcard 20 Channel (10 in / 10 out)
USB2 / Class Compliant
24bit / 96kHz
1 x MIDI IN
1 x MIDI Out - Line Inputs 4 x RCA (CH 1-4)
1 x 1/4″ TRS (CH A) Mono/Stereo - Phono Inputs 4 x RCA (CH 1-4)
LN/PH Switch for DVS - USB Inputs 5 x USB (CH 1-4 + CH A)
- Mic Input 1 x XLR
- Master Output 1 x XLR (Balanced)
- Master 2 Output 1 x RCA (Un-balanced)
- Booth Output 1 x 1/4″ TRS
- Record Output 1 x RCA (Un-balanced)
- Master Insert 1 x 1/4″ TRS
- MIDI Sync/Out 1 x 5-Pin DIN
DIN Offset Control - Send/Return I/O
1 x 1/4″ TRS Send
1 x 1/4″ TRS Return
1 x LN/Hi-Z Switch
- Internal Xone:FX Yes
- Hybrid FX Mode Yes (Internal External)
- FX Send 1 x Pre/Post Selectable (CH 1-4 + CH A)
- Filter
1 x VCF Filter
HPF / BPF / LPF
Adjustable Frequency & Resonance
Assignable CH 1-4 + CH A + External Return - X-Link 1 x RJ45
- Headphones
1 x 1/4″
1 x 3.5mm
Split Cue Monitoring - Channel Faders 60mm VCA / Replaceable
- Chanel Meters 12 Segment LED
- Channel Fader Curve 3 Types
- X-Fader 45mm VCA / Replaceable / Innofader Compatible
- X-Fader Curve Settings 3 Types
- MIDI Clock Send + Receive
Start / Stop / Pause / Tempo Bend (-/+) - MIDI Assignable Yes (MIDI CC / MIDI Notes)
- BPM Detection Auto / Manual / Tap Tempo
- Earth Ground Terminals x 2
- Headroom 20dB
- AC Mains
100 to 240V
AC 50/60Hz
Consumption 35W max - Mains Adaptor 3 pin IEC socket with cable clamp
- Fuse Rating 250V AC T1AL 20mm
- Height 4.3″
- Width 12.6″
- Depth 14.8″
- Weight 11.5 lbs.
|
- 5 input channels with gain control, 3-band equalizer, cue button and super-smooth channel fader
- 1 DJ microphone channel with talkover selector and 2-band equalizer
- Pre-fader listening to all stereo input channels and the master output via adjustable stereo headphones output
- Replaceable crossfader for crossfading between input channels with assignment switches
- 10-digit stereo LED level meter, master level control, and balance level control
- Adjustable zone output, and record output, independent of the master
- Inputs: 6x line (stereo RCA), 2x phono/line (stereo RCA), switchable; 2x microphone (6.3 mm jack), 1x microphone (XLR/6.3 mm jack) and headphones (6.3 mm jack)
- Outputs: master (3-pin XLR, stereo RCA), zone and record (both stereo RCA)
- Operation via supplied power unit
- Rack installation, 4 U
| Power supply: |
230 V AC, 50 Hz ~, |
|
via supplied power unit |
| Power consumption: |
30 W |
| Inputs: |
| DJ MIC (front): |
combined XLR (3-pin)/ 6.3 mm jack (1/4“) (bal.) |
| MIC 1,2 (rear): |
6.3 mm jack (1/4“) (bal.) |
| Impedance: |
1 kohms |
| Minimum input voltage: |
1.5 mV RMS |
| LINE 1-5: |
stereo RCA |
| Impedance: |
27 kohms |
| Minimum input voltage: |
150 mV RMS |
| PHONO 1,2: |
stereo RCA |
| Impedance: |
47 kohms |
| Minimum input voltage: |
3 mV RMS |
| Outputs: |
| MASTER: |
stereo RCA, stereo XLR (3-pin) |
| ZONE: |
stereo RCA |
| Impedance: |
400 ohms |
| Output voltage: |
1 V RMS/ 0 dB |
| REC: |
stereo RCA |
| Impedance: |
5 kohms |
| Output voltage: |
225 mV RMS |
| Headphones: |
6.3 mm stereo jack (min. 16 ohms) |
| Tone control (DJ MIC): |
| 1x High: |
-12 dB to +12 dB/ 1 kHz, ±1 dB |
| 1x Low: |
-12 dB to +12 dB/ 1 kHz, ±1 dB |
| Tone control (channels 1-5): |
| 5x High: |
-12 dB to +12 dB/ 1 kHz, ±1 dB |
| 5x Mid: |
-12 dB to +12 dB/ 1 kHz, ±1 dB |
| 5x Low: |
-12 dB to +12 dB/ 1 kHz, ±1 dB |
| S/N ratio: |
>80 dB |
| Frequency range: |
20-20,000 Hz |
| Distortion: |
0.02% |
| Dimensions (WxHxD): |
483 x 179 x 94 mm (19“, 4 U) |
| Weight: |
4 kg |
|
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