ALLEN HEATH ZED 420 , 24 CHANNEL MIXING DESK

1,813.00 incl. GR VAT

Available on backorder

EAN: N/A
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ZED-420 is excellent for bands, houses of worship, theatres or AV applications. It has a truly professional feature set, which will fit any sound reinforcement application and professional PA hire stock. ZED-420 has Configurable USB audio in/out makes it easy to capture stereo recordings, 16 mic or line inputs plus 2 dual stereo inputs, 4-band […]

 

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ZED-420 is excellent for bands, houses of worship, theatres or AV applications. It has a truly professional feature set, which will fit any sound reinforcement application and professional PA hire stock. ZED-420 has Configurable USB audio in/out makes it easy to capture stereo recordings, 16 mic or line inputs plus 2 dual stereo inputs, 4-band EQ with MusiQ, 4 sub-groups, 6 auxiliary sends and a 7×2 matrix.

16 mono channels
2 dual stereo inputs with 4-band EQ
Neutrik mic XLR
Neutrik 1/4 inch jacks
Channel insert
Super wide gain ʽDuoPreʼ mic line input
4-band EQ with 2 swept mids and in/out switch
Illuminated mute
Sound image pan
Illuminated PFL & peak warning indicator
ALPS 100mm faders
6 auxiliary sends (2 pre, 2 post, 2 pre/post)
4 sub groups fed from each channel
All inputs with level control
12 bar meters
L, R and M main mix outputs
2 matrix sections available; can send output to USB
Individual channel 48V phantom power
Direct output on every mono channel
Peak and signal indication on every channel
Configurable USB stereo audio in/out
Master level controls on all outputs
Easy to use layout – all connections and controls on top surface
Cakewalk SONAR X1 LE bundled with mixer
 

USB audio flexibility
Getting audio to and from a computer easily is now a common requirement for live sound and music production. The way this has been implemented on ZED is super-flexible and super-easy! No longer do you need to fiddle around the back of your PC to get to the soundcard inputs, only to find that the levels are all wrong and noisy. Just plug in a USB lead to your ZED, select the USB routing on the mixer and the device on your computer and that’s it! CD quality audio to and from your PC or Mac. Switches and connection through jack socket terminals provide different send/return configurations:-
 
 
Send options:
 
1) Main Mix Left + Right (Post-fade)
2) Main Mix Left + Right (Pre-Fade)
3) Auxes 1-2
4) Auxes 5-6
5) Matrix 1-2.
 
Return options:
 
1) To Playback input
2) To Stereo 3 channel
 

MusiQ
ZED-420 has a tuned 4-band EQ taken from the acclaimed GL2200 mixer, utilising MusiQ – with optimised slope (or Q factor) for equalising individual instruments.
 
 
DuoPre™
Based on the proven pre-amps from the hugely successful PA series, ZED-420 has DuoPre pre-amps, which use a two stage design, with carefully controlled amounts of gain in each stage. When amplifying the signal from the XLR input, the gain range is huge – 69dB of range to be exact – and is very evenly distributed around the gain control, meaning better control of signal level. Most of the gain comes from the first stage, so unwanted noise is kept to a minimum. Line level signals are simply plugged into the second stage of the pre-amp by using the line input jack socket, which has the great advantage of less noise when using the line input and also matching to a higher input impedance.
 
 
SONAR X1 LE – Provided Free!
Weʼve included Cakewalk SONAR X1 LE with ZED-420 so you can immediately start to use it to create your own music – just add a PC and it couldnʼt be easier to get going. Youʼll be able to record from your ZED mixer, create tracks and arrange songs, then play back to ZED via the USB port. You can use SONAR X1 LE and your ZED mixer together in many ways – e.g. straightforward recording of a stereo mix, recording tracks individually to build up a song, or using the USB port and software as an effects loop.
Key Features
• Powered by SONAR X1
• 32 audio tracks
• 64 MIDI tracks
• 8 simultaneous inputs and outputs
• 24-bit/96 kHz audio quality
• 24 simultaneous effects
• 8 simultaneous virtual instruments

Weight 14.00 kg

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Quick Comparison

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NameALLEN HEATH ZED 420 , 24 CHANNEL MIXING DESK removeSOUNDCRAFT LX7 16CH MKII MIXING DESK removeSOUNDCRAFT EFX-12 Mixing Desk 12CH mono & 2CH stereo removeSOUNDCRAFT EFX-8 Mixing Desk 8CH mono & 2CH stereo removeMACKIE MCU Extended PRO 8 channel expansion removeSOUNDCRAFT RZ-2702 150M OPTICAL FIBRE CABLE remove
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Description
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ZED-420 is excellent for bands, houses of worship, theatres or AV applications. It has a truly professional feature set, which will fit any sound reinforcement application and professional PA hire stock. ZED-420 has Configurable USB audio in/out makes it easy to capture stereo recordings, 16 mic or line inputs plus 2 dual stereo inputs, 4-band EQ with MusiQ, 4 sub-groups, 6 auxiliary sends and a 7x2 matrix.

16 mono channels
2 dual stereo inputs with 4-band EQ
Neutrik mic XLR
Neutrik 1/4 inch jacks
Channel insert
Super wide gain ʽDuoPreʼ mic line input
4-band EQ with 2 swept mids and in/out switch
Illuminated mute
Sound image pan
Illuminated PFL & peak warning indicator
ALPS 100mm faders
6 auxiliary sends (2 pre, 2 post, 2 pre/post)
4 sub groups fed from each channel
All inputs with level control
12 bar meters
L, R and M main mix outputs
2 matrix sections available; can send output to USB
Individual channel 48V phantom power
Direct output on every mono channel
Peak and signal indication on every channel
Configurable USB stereo audio in/out
Master level controls on all outputs
Easy to use layout – all connections and controls on top surface
Cakewalk SONAR X1 LE bundled with mixer
 

USB audio flexibility
Getting audio to and from a computer easily is now a common requirement for live sound and music production. The way this has been implemented on ZED is super-flexible and super-easy! No longer do you need to fiddle around the back of your PC to get to the soundcard inputs, only to find that the levels are all wrong and noisy. Just plug in a USB lead to your ZED, select the USB routing on the mixer and the device on your computer and that's it! CD quality audio to and from your PC or Mac. Switches and connection through jack socket terminals provide different send/return configurations:-
 
 
Send options:
 
1) Main Mix Left + Right (Post-fade)
2) Main Mix Left + Right (Pre-Fade)
3) Auxes 1-2
4) Auxes 5-6
5) Matrix 1-2.
 
Return options:
 
1) To Playback input
2) To Stereo 3 channel
 

MusiQ
ZED-420 has a tuned 4-band EQ taken from the acclaimed GL2200 mixer, utilising MusiQ – with optimised slope (or Q factor) for equalising individual instruments.
 
 
DuoPre™
Based on the proven pre-amps from the hugely successful PA series, ZED-420 has DuoPre pre-amps, which use a two stage design, with carefully controlled amounts of gain in each stage. When amplifying the signal from the XLR input, the gain range is huge - 69dB of range to be exact - and is very evenly distributed around the gain control, meaning better control of signal level. Most of the gain comes from the first stage, so unwanted noise is kept to a minimum. Line level signals are simply plugged into the second stage of the pre-amp by using the line input jack socket, which has the great advantage of less noise when using the line input and also matching to a higher input impedance.
 
 
SONAR X1 LE – Provided Free!
Weʼve included Cakewalk SONAR X1 LE with ZED-420 so you can immediately start to use it to create your own music – just add a PC and it couldnʼt be easier to get going. Youʼll be able to record from your ZED mixer, create tracks and arrange songs, then play back to ZED via the USB port. You can use SONAR X1 LE and your ZED mixer together in many ways – e.g. straightforward recording of a stereo mix, recording tracks individually to build up a song, or using the USB port and software as an effects loop.
Key Features
• Powered by SONAR X1
• 32 audio tracks
• 64 MIDI tracks
• 8 simultaneous inputs and outputs
• 24-bit/96 kHz audio quality
• 24 simultaneous effects
• 8 simultaneous virtual instruments

The LX7 combines the essential Soundcraft live mixer qualities
with basic recording-oriented features, in a compact frame that's
light enough for one person to carry yet easy to configure and use.
This makes it especially suitable for multi-purpose use in venues
such as small halls and community centres, while its direct channel
outputs make the LX7 an ideal choice for bands who need a live desk
that can double up in the studio.

Housed in a choice of 16, 24 or 32 channel frame, LX7 provides 24,
32 or 40 inputs - with no less than 7 separate bus outputs including
mix, 4 groups and a dedicated mono bus for centre speaker clusters,
side or rear fills. The output count rises to 29 with the inclusion of direct
outs on the first 16 mono inputs and six auxiliary busses.

LX7's balanced mic inputs all use patented Ultramic preamps,
providing 60dB of gain range and 22dBu of headroom. Each input
also includes 4 band EQ with two swept mid frequency controls.
In addition, EQ In/Out switch and steep 18dB/Octave High Pass Filter,
allow effective audio control in difficult venues whilst the six auxiliary sends
are pre-post switchable in pairs from each channel, providing a maximum of
4 pre-fader and six post-fader. This makes LX7 equally applicable
for foldback - heavy performance or in situations where more effects are required.

LX7's groups section houses two further stereo inputs - with EQ, auxiliaries
for keyboards or stereo recording devices - as well as two FX returns. All four
groups are routable to mix and include 12 segment bargraph metering for
accurate monitoring and inserts. Six auxiliary masters on rotary controls also
included AFL soloing.

In the master section there is talkback provision to all pre-fade auxiliaries and
the mix. Global phantom power and a two track return for pre-show music are
also present. A "two-track" to mix switch allows the engineer to play CD's over
the main PA whilst back-stage set-up is going on, with one press of a button.
The mix is also routable to the separate mono bus if mono PAs are required.

LX7 is built in a rugged wedge-shaped steel chassis with an internal power supply,
professional all-metal jackfield and connectors on the rear of the console. All inputs and outputs are balanced.

Applications:

    * Gigging Bands
    * Small installations
    * Small venues
    * Theatres
    * Houses of Worship
    * Live and studio recording

 
    *  100mm faders
    * +48V phantom power
    * 16, 24 or 32 channel frame sizes
    * Up to 40 inputs (including stereo inputs and returns)
    * 18dB/octave high-pass filter
    * 6 aux sends, 4 of them pre/post switchable
    * Group and mix inserts
    * 12-segment LED metering
    * Integral PSU

Key Features:
  • 12+2 channel frame sizes
  • Built-in 24 bit Lexicon digital effects processor
  • 32 FX settings
  • Tap Tempo and FX setting store function
  • 1 FX send on each channel
  • 1 configurable auxiliary bus
  • XLR-type and Ό� metal jack connector sockets
  • RCA phono stereo playback inputs and record outputs
  • 3-band EQ with a swept mid on mono inputs
  • 3-band EQ on stereo inputs
  • TRS insert sockets and inserts on all mono inputs
  • Ten-segment LED output metering
  • Intuitive and comprehensive solo system
  • Headphone output
  • Easily rack mountable
Soundcraft EFX (EFX8, EFX12) The Soundcraft EFX™ Series combines all the features of the popular Soundcraft EPM™ mixer with a built-in 24-bit, digital Lexicon® effects processor, expanding the Soundcraft low-cost, multipurpose compact range. The Soundcraft EFX mixer uses the same AudioDNA® processor featured in many of the Digitech® and Lexicon outboard equipment including the highly respected Lexicon MX400 processor. With over 35 years experience, the Lexicon name is synonymous with the best reverb and processing in the business, ensuring the finest quality effects not usually found in a console at this price level. The Effects section fits neatly into the mixers compact framework which is available in 8 or 12 mono input variants, both with 2 stereo channels and an effects send on each channel. There are 32 effects to choose from with a tap tempo function, 3 effects parameter controls and a user effects setting store facility. An effects channel level clip LED and Mute function gives the user even more flexibility. The emphasis with the Soundcraft EFX is very firmly on quality build and audio performance, with an easy to understand control surface in line with the Soundcraft professional range. The Soundcraft EFX uses the highly-transparent GB30 Mic amp (designed by Graham Blyth for the companyʼs 30th anniversary, and also used on the larger LX7ii and GB Series professional consoles).The Soundcraft EFX also offers all the features of the Soundcraft EPM most notably a configurable aux send, XLR and ¼" metal jack connector sockets, RCA phono stereo playback inputs and record outputs, 3-band EQ with a swept mid on the mono inputs, 3-band EQ on the 2 stereo inputs, TRS insert sockets, inserts on all mono inputs, ten-segment LED output metering and a headphone Key Features:
  • 8+2 channel frame sizes
  • Built-in 24 bit Lexicon digital effects processor
  • 32 FX settings
  • Tap Tempo and FX setting store function
  • 1 FX send on each channel
  • 1 configurable auxiliary bus
  • XLR-type and ¼” metal jack connector sockets
  • RCA phono stereo playback inputs and record outputs
  • 3-band EQ with a swept mid on mono inputs
  • 3-band EQ on stereo inputs
  • TRS insert sockets and inserts on all mono inputs
  • Ten-segment LED output metering
  • Intuitive and comprehensive solo system
  • Headphone output
  • Easily rack mountable
The Soundcraft EFX will find itself in many applications including live music, recording, houses of worship and multi-speaker installations.

Expand Your MCU with More Faders !

The Mackie Control Extender Pro is a control surface extender that expands your Mackie Control Universal Pro unit with the addition of eight motorized, touch-sensitive Penny + Giles faders, plus V-Pot rotary encoders and push-buttons on every channel strip. The Mackie Control Extender Pro module attaches seamlessly to the Control Universal Pro unit, integrating with all the main control surface's functions and commands without the need for any external hardware. You can expand your MCU's ability to control your DAW even further with the addition of the Mackie Control Extender Pro.

The Mackie Control Extender Pro features the same 100mm touch-sensitive optical Penny + Giles motorized faders as the MCU Pro control surface. These smooth faders give you the tactile, responsive feel of an analog console while accurately commanding your state-of-the-art DAW software.

Each of the Mackie Control Extender Pro's eight channels features a multi-function V-Pot for fast and accurate control of panning, effects levels, and more. Also included on each channel strip are mute, solo, pan, send level, and record arm functions, as well as a full meter display.

The Mackie Control Extender Pro is literally the "right hand man" of the Mackie Control Universal Pro control surface. Once connected, it's seamlessly integrated into the system, so all parameters, automation, and other control commands are communicated in concert with the rest of the system - no external hardware required!


Features:

  • Eight-Fader Control Surface Extension for MCU Pro
  • Proprietary Mackie communication protocol for seamless software integration by DAW makers
  • 100mm touch-sensitive optical Penny + Giles motorized faders
  • Multi-function V-Pots for fast control of panning, effects levels and more
  • Channel mute, solo, pan, send level and record arm functions
  • Full meter display with track names and parameters
  • Weight14.00 kg18.20 kg3.50 kg3.00 kg20.00 kg1.00 kg
    DimensionsN/AN/AN/AN/AN/AN/A
    Additional information
    Weight 14.00 kg
    Weight 18.20 kg
    Weight 3.50 kg
    Weight 3.00 kg
    Weight 20.00 kg
    Weight 1.00 kg