ART EQ351 SINGLE 31 BAND EQ

ART?s 351 Single Channel 31 band 1/3 octave graphic equalizer features: constant Q circuitry
with a 3% center frequency accuracy, 20mm center detent sliders, selectable boost/cut range
of 6dB or 12dB, active balanced and unbalanced input and output connect-ions, adjustable high
pass filter, adjustable low pass filter, variable input level control, clip level indicators, ground lift
switch, internal power supply and selectable line voltage switch. A range control switch is provided
which allows you to set the maximum boost or cut for each band of equalization to either 6dB
or 12dB. The high pass filter rolls off lower frequencies which is useful for decreasing rumble or
low frequency hum from a signal . Its range is adjustable from 10Hz to 250Hz. Frequencies below
this setting are rolled off, while frequencies above are unaffected. The low pass filter rolls off higher
frequencies which is useful for reducing hiss or sibilance from a signal. Its range is adjustable
from 3kHz to 40kHz. The rugged, all-steel constructed chassis occupies 1U rack space and is
intended for installation in standard 19" equipment racks.
Multiple input and output configurations are provided for ease of use and incorporate paralleled
connections. The XLR and 1/4" TRS connectors use active balanced, low noise circuitry. XLR
connections are: Pin 1 = ground, Pin 2 = Hot (+), and Pin 3 = Cold (-). The 1/4" TRS connections
are: Tip = Hot (+), Ring = Cold (-), and Sleeve = ground. Both the XLR and 1/4" connectors may
be used in an unbalanced configuration. The RCA jacks are unbalanced. The 351 is designed to
work with a variety of signal levels. The input level control covers a wide range and can easily
accommodate -10 and +4 signal lev els. A clip LED will light when a signal level of 5dB before
clipping occurs.
The 351 may be used in a variety of applications such as live sound, recording studios, instrument
racks as well as any conventional fixed installation environment. Use the 351 equalizer wherever
precise modification of the frequency contour of a sound is needed. The 351 graphic equalizer is a
powerful tool for solving a number of audio problems and creating interesting sound textures. Patch
the EQ between your mixing console and power amps to allow you to alter the overall mix to better
match your environment. Use the 351 between your monitor mixer and monitor power amps to aid in
the removal of feedback inducing frequencies. Patch into a channel insert to EQ one channel or track
individually. Run your instrument directly into the equalizer to enhance its sound before reaching a
power amplifier or instrument amplifier. Patch the 351 into the effects loop of an instrument amplifier
or between a preamp and power amp to have precise control over the complete sound.

The 351 Single Channel 31 Band Eq has the features and performance you need for any of your audio
applications requiring equalization. For the latest in equalizer technology today, check out the 351 at
your favorite ART dealer.

351 - Single 31 band EQ Features:

Single Channel 31-Band Graphic Equalizer
Constant-Q Filtering
Balanced XLR, Active Balanced 1/4“, and Unbalanced RCA Input and Output Connectors
+/- 6dB or +/-12dB Level Adjustments
20mm Center Detented Frequency Band Sliders
Independent Level and Bypass Controls Per Channel
Designed for Years of continuous, reliable performance
Rugged All Steel Construction
One Year Warranty

* 2 channel 15 2/3 octave band graphic equalizer
* 25Hz - 16kHz frequency control * Constant Q circuitry
(3% frequency accuracy) * Selectable 6dB or 12dB control
* Variable level control * By-pass switch * Overload threshold LED (5dB below clipping) * Ground lift switch * XLR & 1/4" TRS balanced Inputs/Outputs * Power: Selectable 120V/220V voltage
* Dimensions: 1.75" H x 19" W x x 8.5" D / 44.5mm x 483mm x 216mm - 1 space r.m. * Weight: 4.5 lbs. / 2.5kg

XEQ-152 Specifactions:
* Input type: Active balanced / Unbalanced * Output Impedance:

iEQ-15 Dual 15-Band Graphic EQ with Type V? NR and AFS?

With an EQ heritage that has produced countless industry standard
patents and dates back more than 30 years, the dbx iEQ-31 easily
lives up to the dbx legacy of uncompromised sonic integrity. In
addition to unsurpassed equalization specs, the iEQ-15 also offers
the built-in necessities which include AFS? feedback Suppression,
Type V? noise reduction and PeakStopPlus? limiting. Besides
including two 15-band channels of 2/3-octave equalization, the iEQ-15
also offers +12 dB input gain range; switchable +6 or +15 dB boost/cut
range, 40mm faders, XLR, 1/4'' and Euroblock inputs and outputs,
nonconductive nylon sliders; and an intuitive user interface with comprehensive
output and gain reduction metering. As always, the inevitable result of our
meticulous attention to detail and top-quality componentry is exceptional
sound, performance, and reliability.

The iEQ series represents a major step forward in the performance of EQs.
The iEQ series is now able to offer state-of-the-art digital EQ performance
and specs with an analog look and feel. From its amazing 10Hz to 22kHz
frequency response, to its 113dB dynamic range and Advanced Feedback
Suppression (AFS?), dbx proprietary Type V? noise reduction
and PeakStopPlus? limiting, the iEQ-15 offers out of this world specifications
with a downto- earth price point. Sure to find a home in the studio, on tour and
with installed sound venues, the iEQ-15 is destined to take its rightful place in
the lineage of great dbx? signal processors that are the professional?s choice
in signal processing. With such pristine design and quality, the iEQ-15 offers
the maximum sonic flexibility in a straight forward interface and rock-solid construction.

  
? Advanced Feedback Suppression (AFS?)

? Type V? Noise Reduction

? PeakStopPlus? Limiting

? 2/3-octave Constant Q frequency bands

? Switchable boost/cut ranges of ±6 or ±15dB

? 18 dB per octave 40Hz low-cut filter

? ±12dB input gain range

? XLR, TRS and Euroblock Inputs and Outputs

? Internal Toroidal Transformer

? Frequency Response of 10Hz to 22kHz

? Dynamic range of greater than 113dB

? User Power Up Features

? Relay Bypass for Power Failure System Protection

The Rane ME 15S microGraphic Equalizer is a two-channel, 2/3-octave design with 20 mm sliders in a single rack space unit. It features a Range switch for high slider resolution in the ±6 dB mode, equivalent resolution to 45 mm sliders found on the DEQ 60L. The ±12 dB mode provides a wide range of control over system audio.

The active filter sections feature Raneʼs innovative constant-Q (constant bandwidth) design. Constant-Q means the bandwidth of each individual filter is guaranteed to be narrow enough to prevent unwarranted interaction between filters, yet wide enough to produce exactly the type of correction curve demanded by even the most unusual acoustic surroundings. This differs dramatically from conventional designs of the past, encumbered with the unfortunate characteristic of changing bandwidth when changing boost/cut amounts.

Front panel controls and indicators include an overall rotary Level control for each channel as well as Overload indicators. Passive pushbutton Bypass switches feature LED indicators, avoiding ambiguity by being on when the unit is Bypassed. (A passive Bypass switch requires no power to operate. This allows completion of the audio path should power fail in the ME 15S.)

Inputs and Outputs are electronically balanced designs, capable of unbalanced operation when required. They accept and drive all possible signal levels into normal load impedances. Balanced applications choose between the XLR or 1/4" Tip-Ring-Sleeve connectors. Unbalanced sources also may tie to the ME 15S through mono 1/4" connectors (no ring connection).

• Constant-Q Bandwidth Design
• Overall Level Controls and Passive Bypass Switches
• 20 mm Filter Slide Controls with ±6 dB or ±12 dB Slider Range
• Infrasonic, Ultrasonic, & RFI Filters
• Balanced XLR and 1/4" TRS Inputs and Outputs
• Universal internal switching power supply (100-240 VAC)

1215 Dual 15-Band Graphic Equalizer

The dbx 12 Series were designed to meet the needs of the most
demanding sound reinforcement environments, while offering the
simplicity of straightforward controls. The 1215 provides standard
features like dual channels, 15 2/3 octave bands, ISO frequency
centers, +/-12 dB input gain range, and switchable 40Hz/18 dB per
octave low-cut filters, but also includes other thoughtful features.
These include 45 mm faders; selectable +/-6dB or +/-15dB boost/cut
range for precise gain adjustments; XLR, barrier strip, and 1/4'' TRS
connectors for installation ease; balanced inputs and outputs for quiet
operation; and chassis/signal ground lift capabilities for quick hum isolation.
The visionary design of the dbx 12 Series makes your job easier.

The dbx 12 Series Equalizers were precision engineered to provide years
of maintenance-free operation in any application. The magnetically isolated
transformer, electronically balanced/unbalanced inputs and servo balanced/
unbalanced outputs, RF-filtered inputs and outputs, and power-off hard-wire
relay bypass with 2 second power up delay were steps our engineers took
to ensure compatibility for all installations. Only the best components were
utilized, yielding a 10Hz to 50kHz frequency response, greater than 90dB SNR
(ref +4dBu), less than 0.005% THD +Noise (1kHz at +4dBu), and interchannel
crosstalk of less than -80dB from 20Hz to 20kHz. All this attention to detail
is contained in a 2U steel/aluminum chassis.

•   Switchable boost/cut ranges of ±6 or ±15 dB
•   Electronically balanced/unbalanced inputs
•   Servo balanced/unbalanced inputs
•   RF filtered inputs and outputs
•  XLR, Barrier Strip, and 1/4" TRS connectors
•  -12dB/+12dB input gain range
•  18dB/octave 40Hz Bessel low-cut filter
•  Chassis/signal ground lift capability
•  Internal power supply transformer
•  Power-off hardwire relay bypass with 2-second power-up delay

DBX 2215 Dual 15-Band Graphic Equalizer with Noise Reduction

 It's amazing. One little button. So much effect. dbx? Type III? Noise Reduction is an entirely new concept... virtually instantaneous encode/decode within the circuitry of the box. We started out to build the finest EQs possible, boxes with the heritage and performance to rival our famous 30 Series EQs. And to no one's surprise they came out awfully darn good. (Ask to see the Audio Precision plots compared to the competition.) But then, Roger (our chief engineer, a nice guy, as far as engineers go) got the crazy idea of putting this new noise reduction stuff in the box. We listened to it and were amazed. The EQs sounded great without it but with it the performance was nothing short of incredible. Check it out yourself and see.

But hey, Roger wasn't about to stop there. PeakPlus? Limiter. Who knows more about limiting than the folks at dbx; nobody... that's who. So when the guys were developing this new series of EQs they wanted something that would be unique to these EQs. That's when Roger got another one of his bright ideas and said "I bet they'll work a lot better if there's a cool limiter built in." Next thing you know, all the guys are in the studio amazed at the new limiter Roger had designed specially for the 20 Series. Once again, hearing is believing... With a threshold range of 0dbu to plus 20dbu, the patent-pending PeakPlus limiter is designed to tame your program material from the subtlest nuances to the rowdiest hits. Also, the four stage LED ladder gives you a great visual indication as to what the limiter is doing.

20 Series EQs. You used to have to settle for second best in a reasonably priced EQ but not any more. With the new 20 Series from dbx Professional Products you get a great EQ circuit, a graceful yet powerful limiter and the revolutionary new design of the Type III Noise Reduction. Check out the dbx 20 Series graphic EQs at your pro audio outfitter. You'll see, with the 20 Series EQs you get MORE!!!

SPECIFICATIONS: