TCS? Overview The TCS is a two-channel high performance compression system which features two types of compression per channel utilizing ART?s Dual Topology technology. On one hand you can choose from optical compression, like that in our Pro VLA, for that smooth transparent compression. On the other hand you might want to use a VCA […]
The TCS is a two-channel high performance compression system which features two types of compression per channel utilizing ART?s Dual Topology technology. On one hand you can choose from optical compression, like that in our Pro VLA, for that smooth transparent compression. On the other hand you might want to use a VCA based compression scheme for hard limiting. Both of these compression methods are underneath the hood of this single space rack unit. Taking it even one step further the TCS offers the breakthrough feature of stacking the VCA and the opto isolator for when you want that over the top compression, or a hard VCA limiter on your optical compressed channels. Going beyond the idea of just a two-channel compressor, ART decided to spice up the TCS with our famous V3? technology. The TCS also offers the ability for the user to twist the V3 knob to a variety of settings that take some of the hassle out of compression, yet still allowing each setting to be tweaked to the material?s needs. The TCS has a long list of impressive features, including a Toroidal Transformer, XLR & 1/4? Inputs, front panel instrument input, Optical and VCA compression capabilities, side chain inserts, channel linking for when you are working on a stereo track, attack, release, threshold, and ratio knobs, de-essing, an expander/gate per channel, V3 control per channel, twin VU meters for measuring compression, twin LED input/output meter for ultra-precise level metering, and the ability to place a tube in the signal path to add some warmth to your signal.
TCS? Features:
OPTICAL COMPRESSION VCA COMPRESSION EXPANDER, GATE, DE?ESSER & LIMITER INCLUDED V3? (VARIABLE VALVE VOICING) SETTINGS SIDE CHAIN INSERTS XLR & 1/4? INPUTS STEREO LINK ANALOG VU COMPRESSION METERS PRECISE LED LEVEL METERS WITH PEAK HOLD FRONT & REAR INSTRUMENT INPUTS TOROIDAL TRANSFORMER ALL STEEL CHASSIS
Weight
2.50 kg
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The TCS is a two-channel high performance compression system which features two types of compression per channel utilizing ART?s Dual Topology technology. On one hand you can choose from optical compression, like that in our Pro VLA, for that smooth transparent compression. On the other hand you might want to use a VCA based compression scheme for hard limiting. Both of these compression methods are underneath the hood of this single space rack unit. Taking it even one step further the TCS offers the breakthrough feature of stacking the VCA and the opto isolator for when you want that over the top compression, or a hard VCA limiter on your optical compressed channels. Going beyond the idea of just a two-channel compressor, ART decided to spice up the TCS with our famous V3? technology. The TCS also offers the ability for the user to twist the V3 knob to a variety of settings that take some of the hassle out of compression, yet still allowing each setting to be tweaked to the material?s needs. The TCS has a long list of impressive features, including a Toroidal Transformer, XLR & 1/4? Inputs, front panel instrument input, Optical and VCA compression capabilities, side chain inserts, channel linking for when you are working on a stereo track, attack, release, threshold, and ratio knobs, de-essing, an expander/gate per channel, V3 control per channel, twin VU meters for measuring compression, twin LED input/output meter for ultra-precise level metering, and the ability to place a tube in the signal path to add some warmth to your signal.
TCS? Features:
OPTICAL COMPRESSION VCA COMPRESSION EXPANDER, GATE, DE?ESSER & LIMITER INCLUDED V3? (VARIABLE VALVE VOICING) SETTINGS SIDE CHAIN INSERTS XLR & 1/4? INPUTS STEREO LINK ANALOG VU COMPRESSION METERS PRECISE LED LEVEL METERS WITH PEAK HOLD FRONT & REAR INSTRUMENT INPUTS TOROIDAL TRANSFORMER ALL STEEL CHASSIS
Features Four Independent Compressor Channels Channels 1 and 2, 3 and 4 are stereo linkable 7 LED Gain Reduction metering Balanced XLR Inputs and Outputs Sidechain Insert points Intuitive, user friendly layout Flawless performance
The sheer amount of effects and signal processors necessary for today's standards of audio production puts a great strain on the available space in equipment racks, both in the studio and on the road.So, ARX would like to introduce the ARX Quadcomp. An all-new upgrade of the classic award-winning ARX Quadcomp?, the very first four channel 1 RU compressor.You?ll notice that we haven?t strayed very far from our original design concept. The Quadcomp is still four variable ratio Compressor/ Limiters neatly housed in a compact all steel 1 RU package. However, all new low noise/low distortion circuitry, better metering plus XLR inputs and outputs put the Quadcomp in a class of its own. More Control, Less Space On the front panel, each channel has the 'industry standard' individual controls for Threshold, Compression Ratio and Output, plus a new 7 LED Gain Reduction display for accurate visual indication of the amount of gain reduction being applied to the program, and an IN/OUT hardwire bypass switch.In addition to this, each channel has a blank numbered panel to write on for easy confirmation of compressor assigns. Precision Circuitry Internally, each compressor uses Class A VCAs and true 2 pole averaging RMS/DC converters for low distortion and accuracy, plus program dependent attack and release time, which automatically determines optimum compressor response. Balanced Inputs and Outputs The rear panel has true differential Balanced XLR Inputs and Outputs for each compressor. Each compressor has a TRS jack Sidechain access insert point, for frequency sensitive compression, De-essing, etc. in conjunction with an external equalizer (such as the ARX EQ260). Compressor pairs 1 and 2, 3 and 4 also have rear panel mounted Stereo Link switches for accurate stereo tracking. When switched IN, the first channel becomes the master and controls all the functions of the second except Output gain. Universal AC Power AC power range is switchable 100 to 120V, or 220 to 240V, and is connected to the unit via a standard IEC connector, with built-in fuse and voltage switch. Whatever the application ? Channel insert, Bus insert, Master Outputs, Monitor outputs, Crossover outputs, the Quadcomp II?s unique High Density design, precision Low Noise circuitry and clean uncluttered layout make it a truly useful audio tool for all applications.
T E C H N I C A L S P E C I F I C A T I O N S Input Impedance Balanced 20 Kohms, Unbalanced 10 Kohms Input Headroom + 20dB CMRR >50dB, 20 Hz?20 KHz Output Impedance Balanced 300 ohms Unbalanced 150 ohms Output Level (Max) + 20 dB Frequency Response 20Hz-20KHz ±0.5dB Signal to Noise ratio -93 dB Unweighted, -98 dB ?A? weighted Distortion .015% THD @ 0dB,1KHz Dynamic Range 108 dB Attack and Release Times Program dependent Metering 7 LED display: ?1, 2, 3, 6, 12, 18, ?24 dB Sidechain Insert Impedance 10 Kohm Power Requirements 100/120 V AC or 220/240 V AC Weight 5 lbs/2.2 Kg Dimensions 19“W x 1?“H x 6“D, 482 x 44 x 155mm Input Connector type Balanced XLR Output Connector type Balanced XLR Sidechain Insert Connector TRS Jack
Front Panel Controls Hardwire bypass IN/OUT switch Threshold, Ratio and Output Gain controls 7 LED Gain Reduction display Marker panel for labelling compressor assigns Stereo link status LEDs Rear Panel Connectors Input and Output balanced XLR connectors TipRingSleeve Sidechain insert connectors Channels 1 and 2, 3 and 4 Stereo link switches IEC AC mains connector with inbuilt fuse and voltage change
L-1102 Leveler/Limiter
* Program dependent attack and release for transparent operation.
* Noise gate to cut off system background noise when there is no
signal.
* In limiter mode sense signal is from the amplifier output.
* Limits 4 ohm, 8 ohm, 25 V, 70 V and 100 V amplifier outputs.
* 20 dB gain in signal leveler mode.
* Security cover and rack-mount ears included.
* Five year warranty.
GENERAL DATA
Power Supply 220 / 110V 25 VA
Dimension 434x351x44mm (1 rack unit)
Weight » 4 Kg
MEETING INTERFACE IN / OUT
Connector DB 9 female
Nominal in / out audio level 0 dBm
Input impedance 600 W / 10 KW (selectable)
Output impedance 100 W
* nominal line level: - 6 dBm
** it can vary depending on characteristics of telephone line
All measurements are intended at 1 kHz.
AUDIO PROGRAM IN / OUT
Connectors XLR, electr. balanced
Input impedance 600 W / 10K W (selectable)
Output level * - ¥ ¸ + 16 dBm
Output impedance 100 W
Noise on Receive output
2-Wire separation £ 25 dB**
4-Wire separation £ 70 dB
2-WIRE SECTION
Connector RJ11
Nominal input level - 6 dBm
Nominal output level - 6 dBm
Compensation mode Electronic, transf. decoupled
Impedance 600 W
4-WIRE SECTION
Connector Terminal block
Impedance 600 W
Nominal TX level 0 dBm
Nominal RX level 0 dBm
Product Features:
Ultra-high resolution 24-bit/96 kHz mastering processor featuring 32/40-bit floating-point DSP technology Audiophile 24-bit/96 kHz A/D- and D/A converters offering 113 dB dynamic range 4 concurrently selectable EQ modules (31-band graphic EQ, 10-band parametric EQ, Feedback Destroyer plus 3 Dynamic EQs per stereo channel) Ultra-high resolution 61-band real-time FFT analyzer with additional auto EQ function for room and loudspeaker equalization Unique VPQ (Virtual Paragraphic EQ) option allows parametric control of graphic EQs State-of-the-art compressor/expander with peak limiter per stereo channel, additional stereo imager and stereo delay for delay line applications Multi-functional level meters (peak/RMS, VU and SPL meter with dBA/dBC weighting via RTA/Mic input) 64 user memories for complete setups and/or individual module configurations Separate mic/line input with phantom power for RTA and Auto-EQ applications Balanced inputs and servo-balanced outputs with gold-plated XLR connectors, stereo aux output, AES/EBU and S/PDIF inputs and outputs (XLR and optical) Professional Wordclock input and MIDI connections for full remote control, preset dumps and system updates Open architecture allowing future software updates via MIDI "Planet Earth" switching power supply for maximum flexibility (100 - 240 V~), noise-free audio, superior transient response plus low power consumption for energy saving High-quality components and exceptionally rugged construction ensure long life Conceived and designed by BEHRINGER Germany
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