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The XR-Series crossovers are the product of an intensive research effort started in 1972 which combined a reexamination of traditional crossover theory with practical field use. Over the years, a number of refinements and new models have been added to our crossover series, but the original design goals have remained the same: to produce a crossover which is sonically accurate, is flexible enough to suit a wide variety of systems, and affords maximum protection for speakers and drivers.
All Ashly crossovers are based upon the same powerful state-variable filter circuit, which guarantees that two adjacent frequency band outputs always remain in phase. Our crossovers offer a number of useful and unusual features, including continuous tuning, a response control, and a unique output stage which maintains low noise at any level setting. These models also include a 200:1 tuning range, output mute switches, and both TRS and XLR connectors. Like other Ashly products, your crossover features low noise and distortion, active balanced inputs, a peak level indicator, a precision regulated power supply, protection against abnormal input or output conditions, and rugged mechanical construction. Conservative design and an unusually thorough procedure for quality control have earned Ashly a reputation for dependability in the recording, sound reinforcement, and broadcast fields.
Response Control an Ashly Exclusive... This control, found adjacent to the crossover frequency control, adjusts the damping of the filter affecting the response shape of the filters at the crossover point. The dial calibrations refer to the amount of attenuation effected by the filter at the crossover frequency, i.e., a setting of 3dB means that the filter's high-pass and low-pass outputs are each "rolled off 3dB at the crossover point“. This describes Butterworth filter response, or a gentle 3dB peak at the crossover point when the two filter output signals overlap. To obtain a flat signal, or "Linkowitz-Riley" response through the crossover region, set the Response control to "6“. This attenuates each output of the filter by 6dB at the crossover point (two identical signals added together yield a +6dB increase). To obtain a notch at the crossover point, turn down the response control past "6" to best suit your needs.
The purpose of this control is to help offset the inaccuracies inherent in typical loudspeakers, thereby helping you to achieve a flat system response. NOTE: The Response control is not a "slope" control. A 24dB/octave crossover will always have a slope of 24dB/octave. The Response control only affects filter response shape in the immediate vicinity of the crossover frequency; the ultimate crossover slope is a fixed parameter.
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24dB/Octave Slopes |
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Variable Filter Response Allows Tuning-In Linkwitz-Riley or Other Filters |
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Output Mute Switches |
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Balanced Inputs and Outputs |
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20Hz Third Order High Pass Filter |
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XLR and 1/4" TRS Audio Connections |
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Peak Overload Warning LEDs |
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Five Year Warranty | |
- 2 analog inputs and 6 analog outputs for maximum flexibility
- High-end 96 kHz converters for ultimate signal integrity and wide dynamic range (120 dB)
- Precise Dynamic EQs for level-dependent equalization and extremely musical Parametric EQs, selectable for all inputs and outputs
- Several types of EQs (LP/BP/HP) for each input and output
- “Zero“-attack Limiters on all output channels for optimal speaker protection
- Four different mono and stereo output operating modes
- Individual crossover filter types (Butterworth, Bessel and Linkwitz-Riley) with selectable roll-off characteristics from 6 to 48 dB/octave
- Adjustable Delays for all inputs and outputs—allow manual or automatic correction for room temperature, phase and arrival time differences
- 60 user-defined internal presets storable
- Servo-balanced, gold-plated XLR connectors for all inputs and outputs
- Internal switch-mode power supply for maximum flexibility (100 - 240 V~), noise-free audio, superior transient response plus low power consumption for energy saving
- High-quality components and exceptionally rugged construction ensure long life
- Conceived and designed by BEHRINGER Germany
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Based on a two-in, six-out topology, the DC-One is designed primarily for users of small-to-medium sized sound systems in both mobile and installed applications. While the unit is an all-new development based on a powerful SHARC processor, it is 100 percent compatible with all settings from other Electro-Voice signal processors. A large part of DC-Oneʼs development was aimed at ensuring that users can easily handle its serious digital horsepower and high-end audio performance. Free. PC-Editor software is available, or the DC-One can be operated via the front panel.
A/D Conversion 24-Bit Delta-Sigma A/D Conversion 24-bit/sigma-delta (linear phase) 128 times oversampling Analog Inputs 2 XLR (Electronically Balanced), 2 XLR THRU OUT (Electronically Balanced) Analog Outputs 6 XLR (Electronically Balanced) Control Protocol Front Panel USB Connector D/A Conversion 24-bit/sigma-delta 128 times oversampling D/A Conversion 24-Bit Delta-Sigma Data Format 24-Bit Digital Inputs 1 XLR AES/EBU (2 Ch) Dynamic Range 111 dB (unweighted, band limited 22 Hz - 22 kHz) Electronics Type Processor FIR-Drive No Frequency Response 10 Hz - 22 kHz (±0.5 dB) Input Impedance (Balanced) 10 kΩ Internal Processing 32-Bit Floating Point Mains Voltage 100-240 VAC Maximum Input Voltage 8.7 V / +21 dBu (Without -6 dB Analog Pad Engaged) Maximum Output Voltage 8.7 V / +21 dBu Nominal Input Voltage 1.23 V / +4 dBu Nominal Output Voltage 1.23 V / +4 dBu Output Impedance (Balanced) 50 Ω Power Consumption 25 W Sample Rate 48 kHz THD+N < 0.01% (band limited 22 Hz - 22 kHz) Height 1RU 44.45 mm (1.75“) Width 482.6 mm (19“) Depth 355.6 mm (14“) Weight Net 4.6 kg (10.14 lbs) |
Power supply: |
100-240 V AC, 50/60 Hz
6 V DC 800 mA |
Power connection: |
Mains input via Coaxial power connector (M) mounting version power supply cord with AC adapter (provided) |
Frequency range: |
10 - 30000 Hz |
THD: |
<0,005 % at 1 kHz |
DSP: |
Digital signal processor |
Impedance: |
Input: 10 kOhm
Output: 50 Ohm |
Gain: |
Output: -50 dB to +12 dB |
Filter: |
Linkwitz-Riley; Butterworth; Bessel; 6db/oct; 12db/oct; 18db/oct; 24db/oct |
Delay: |
0 - 5 ms |
Dynamic range: |
Input: 114 dB
Output: 110 dB |
Sample rate: |
67 kHz |
Connections: |
Input: line via 2 x 3-pin XLR
Output: line via 6 x 3-pin XLR |
Crossover frequency: |
20-20000 Hz |
Max. level: |
Input: +22 dBu
Output: +9 dBu |
USB port: |
Typ B |
PC connect: |
DXO Software via USB, firmware can be updated |
Housing design: |
(19") 48.3 cm rack installation 1 U |
Dimensions: |
Width: 48,3 cm
Depth: 12,8 cm
Height: 4,45 cm |
Weight: |
1,77 kg |
Operating system: |
Win XP, Win Vista, Win 7, Win 10, OS X 10,5 or better |
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With 6 inputs and 4 outputs the dbx ZonePro? 640 and 641 provide flexible signal routing,
powerful DSP processing and multiple control interfaces for Commercial Audio applications.
Designed to offer superior system sonic performance and flexibility, the 640/641 deliver the
highest quality tools available. Even the input and outputs connectors were chosen for their
standard usage and reliability. The ZonePro products offer Euroblock connectors for balanced
signals and RCA connectors for interfacing with consumer equipment often used in commercial
applications; there is also a simple analog input buss that allows inputs to be sent from one
unit to the next for unit and job scalability. The 640 and 641 provide every necessary processing
tool, from the input processing like gain control and EQ available on all inputs to highly sophisticated
and specific functions such as selectable paging microphone processing including Gating,
De-Essing, Auto Gain Control, Compression and Feedback Suppression. The heart of the
ZonePro products is the Routing module that provides of course Primary Source Selection
but also Source Ducking for Paging and Priority Override. The outputs also offer a wealth of
processing designed for commercial applications like our patent-pending AutoWarmth? function
that was co-developed with JBL to provide natural low frequency extension at any signal level.
Each output also offers EQ, Bandpass and Crossover filters, Limiting and Delay for system
optimization. With the ZonePro? every tool is at your disposal to maximize the response of
your system.
Beyond processing, the ZonePro? products offer multiple forms of control to further extend the
versatility of your system. From easy-to-use wall panel Zone Controllers for standard end-user
functions like source select and volume control to advanced system control including a built-in
Real Time Clock that can provide programmable system changes throughout the day or week.
For system setup and monitoring the ZonePro Designer software provides an intuitive interface
and a speedy setup Wizard for configuring and editing all system parameters.
The ZonePro? 640 and 641 will take your Commercial Audio system to the next level with advanced
processing, versatility and control.
? Advanced Feedback Suppression (AFS?)
? Autowarmth?
? Auto Gain Control
? Compression
? Limiting
? Noise Gating
? Notch Filtering
? Bandpass and Crossover Filters
? Parametric EQ
? Security Lockout
? Wall Panel Control
? RS-232 Control
? Windows? 2000 and XP GUI
? IEC, UL and CSA Approvals
| The DriveRack® PA2 provides all the processing you need between your mixer and amplifiers to optimize and protect your loudspeakers. With the latest advancements in dbx's proprietary AutoEQTM and AFSTM algorithms, a new input delay module for delaying the FOH system to the backline, Ethernet control via an Android®, iOS®, Mac®, or Windows® device, and updated Wizards, the DriveRack PA2 continues the DriveRack legacy of great-sounding, powerful, and affordable loudspeaker management processors, for a whole new generation.
Available Input Processing
- dbx Compression
- AFSTM (Advanced Feedback Suppression)
- Graphic EQ
- 8-Band Parametric EQ (adjusted when using the AutoEQ)
- Subharmonic Synthesis
Available Output Processing
- Crossover (supports full range, 2-way, and 3-way systems)
- 8-Band Parametric EQs (used for speaker tunings)
- dbx Limiting
- Driver Alignment Delays
Input |
(2) line inputs. (1) RTA Mic input |
Input Connectors |
(2) Female XLR line inputs. (1) Female XLR RTA Mic input |
Input Type |
Electronically balanced/RF filtered |
Input Impedance |
>50 kohm |
A/D Converter |
dbx Type IVTM Conversion System |
CMRR |
> 45dB |
Mic Preamp Phantom Power |
+15VDC (RTA) |
Mic Preamp Equivalent Input Noise (EIN) |
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Output |
(6) Line Outputs |
Output Connectors |
Male XLR |
Output Type |
Electronically balanced, RF filtered |
Output Impedance |
120 Ω |
Max Output |
+20dBu |
A/D Dynamic Range |
112 dB A-weighted, 110 dB unweighted |
Type IV Dynamic Range |
123 dB with transient material, A-weighted, 22kHz BW; 121 dB with transient material, unweighted, 22kHz BW; 115 dB typical with program material, A-weighted, 22kHz BW |
Input Delay Length |
100ms |
Alignment Delay |
10ms per channel (60ms total) |
Sample Rate |
48kHz |
Dynamic Range |
>110 dB A-weighted, >107dB unweighted |
THD+Noise |
0.003% typical at +4dBu, 1kHz, 0dB input gain |
Frequency Response |
20Hz - 20kHz, +/- 0.5dB |
Interchannel Crosstalk |
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Operating Voltage |
100-120VAC 50/60 Hz - EU: 220-240 VAC 50/60 Hz |
Power Consumption |
22 W |
Unit Weight |
5.25 lbs. (2.4 kg) |
Shipping Weight |
6.75 lbs. (3.1 kg) |
Dimensions |
1.75" (H) x 5.75" (D) x 19" (W), 4.4cm (H) x 14.6cm (D) x 48.26cm (W) |
D/A Dynamic Range |
112 dB A-weighted, 110dB unweighted |
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