Combining high-resolution audio with increased connectivity options, the AT2020USBi cardioid condenser microphone adds a new level of sound-quality and convenience to the expanding lineup of Audio-Technica USB microphones. Modeled after the critically acclaimed AT2020, this digital output mic features an A/D converter with a 24-bit/96 kHz sampling rate to deliver high-resolution articulation and intelligibility thatʼs […]
Combining high-resolution audio with increased connectivity options, the AT2020USBi cardioid condenser microphone adds a new level of sound-quality and convenience to the expanding lineup of Audio-Technica USB microphones. Modeled after the critically acclaimed AT2020, this digital output mic features an A/D converter with a 24-bit/96 kHz sampling rate to deliver high-resolution articulation and intelligibility thatʼs perfect for home studio recording, field recording, podcasting and voiceover use.
The AT2020USBi works with both USB and Lightning cables (included), so you can use it straight from the box to digitally capture audio on the device of your choice: PC, Mac or lightning equipped iOS device. The integrated gain control adds to the convenience, allowing you to adjust the input level directly on the microphone.
The AT2020USBi cardioid condenser microphone brings state-of-the-art sound for the on-the-go lifestyle to the family of Audio-Technica USB mics.
Condenser microphone with digital output for convenient, high-resolution recording
High-quality A/D converter with 24-bit/96 kHz sampling rate for superb, high-resolution audio
Mic gain control allows you to adjust input level on the mic itself
Smooth, extended frequency response ideally suited for podcasting, home studio recording, field recording and voiceover use
Compatible with Windows 7 and above, Mac OS 10.6 and above, and iOS 7.02 and above (requires Lightning connector).
Tripod desk stand with folding legs for secure and easily portable tabletop use
Included USB and Lightning cables provide ready connectivity to computers and iOS devices
ELEMENT
Fixed-charge back plate, permanently polarized condenser
POLAR PATTERN
Cardioid
FREQUENCY RESPONSE
20 – 20,000 Hz
POWER REQUIREMENTS
USB (5V DC); Lightning (3.3V DC)
BIT DEPTH
24 bit
SAMPLE RATE
Up to 96 kHz
VOLUME CONTROL
Mic gain control
WEIGHT
350 g (12.3 oz)
DIMENSIONS
162.0 mm (6.38“) long, 52.0 mm (2.05“) maximum body diameter
OUTPUT CONNECTOR
Micro-HDMI
ACCESSORIES FURNISHED
Pivoting stand mount for 5/8“-27 threaded stands; 5/8“-27 to 3/8“-16 threaded adapter; soft protective pouch; tripod desk stand; 4.9′ (1.5 m) USB cable; 4.9′ (1.5 m) Lightning cable
Weight
1.00 kg
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Combining high-resolution audio with increased connectivity options, the AT2020USBi cardioid condenser microphone adds a new level of sound-quality and convenience to the expanding lineup of Audio-Technica USB microphones. Modeled after the critically acclaimed AT2020, this digital output mic features an A/D converter with a 24-bit/96 kHz sampling rate to deliver high-resolution articulation and intelligibility thatʼs perfect for home studio recording, field recording, podcasting and voiceover use.
The AT2020USBi works with both USB and Lightning cables (included), so you can use it straight from the box to digitally capture audio on the device of your choice: PC, Mac or lightning equipped iOS device. The integrated gain control adds to the convenience, allowing you to adjust the input level directly on the microphone.
The AT2020USBi cardioid condenser microphone brings state-of-the-art sound for the on-the-go lifestyle to the family of Audio-Technica USB mics.
Condenser microphone with digital output for convenient, high-resolution recording
High-quality A/D converter with 24-bit/96 kHz sampling rate for superb, high-resolution audio
Mic gain control allows you to adjust input level on the mic itself
Smooth, extended frequency response ideally suited for podcasting, home studio recording, field recording and voiceover use
Compatible with Windows 7 and above, Mac OS 10.6 and above, and iOS 7.02 and above (requires Lightning connector).
Tripod desk stand with folding legs for secure and easily portable tabletop use
Included USB and Lightning cables provide ready connectivity to computers and iOS devices
ELEMENT
Fixed-charge back plate, permanently polarized condenser
POLAR PATTERN
Cardioid
FREQUENCY RESPONSE
20 – 20,000 Hz
POWER REQUIREMENTS
USB (5V DC); Lightning (3.3V DC)
BIT DEPTH
24 bit
SAMPLE RATE
Up to 96 kHz
VOLUME CONTROL
Mic gain control
WEIGHT
350 g (12.3 oz)
DIMENSIONS
162.0 mm (6.38“) long, 52.0 mm (2.05“) maximum body diameter
OUTPUT CONNECTOR
Micro-HDMI
ACCESSORIES FURNISHED
Pivoting stand mount for 5/8“-27 threaded stands; 5/8“-27 to 3/8“-16 threaded adapter; soft protective pouch; tripod desk stand; 4.9' (1.5 m) USB cable; 4.9' (1.5 m) Lightning cable
Transformerless Power/Output Module ? The SE 300 B is used with all AKG Blue Line capsules and operates from 9 ? 52 V phantom power. The 3-position switch allows selection of linear response, -10 dB preattenuation and 12-dB-per-octave 75 Hz low-cut filter. A stand adapter is included.
Specifications
Polar pattern: hypercardioid/directional
Frequency range: 20?20,000 Hz
Sensitivity: 25 mV/Pa (-32 dBV)
Max. SPL for 1 % THD: 124/134 dB
Equivalent noise level: 17 dB-A
Signal/noise ratio (A weighted): 77 dB
Preattenuation pad: -10 dB, switchable Bass cut filter: 12 dB/octave at 75 Hz
Electrical impedance: 200 Ohms
Recommended load impedance: >1,000 Ohms
Power requirement: 9 to 52 V phantom power to DIN 45 596
Current consumption:
EFFORTLESS AUDIO RECORDING IN PROFESSIONAL QUALITY
The Zoom ZUM-2 USB microphone is the perfect choice for podcasters, YouTubers, streamers, musicians and voice actors. Experience the warm, smooth sound of a professional broadcast microphone in the form of an affordable and simple plug-and-play solution.
The super-cardioid pickup pattern picks up your voice clearly, minimising room tone and other noise for a clean recording every time.
The ZUM-2 can be used for recording or streaming straight out of the box without installing a driver or any other software. Simply connect the supplied USB cable to your Mac or PC and you're ready to go.
The ZUM-2 integrates a headphone output that allows you to listen to your voice and the computer's audio signal simultaneously. The volume control allows you to adjust the headphone level as needed at any time.
With a word width of 24 bits and a sampling rate of up to 96 kHz, the ZUM-2 ensures absolutely pristine sound.Features
Warm, smooth broadcast-quality sound
Integrated headphone output for direct monitoring
Separate volume control for headphones
High-resolution 24-bit/96 kHz recording
Tripod, windscreen and cable supplied
Plug-and-play operation without drivers
Compatible with Mac and PC computers
Technical specifications
Type
Electro-condenser
Polar pattern
Supercardioid
Frequency response
20 to 20,000 Hz
Sensitivity
-35 dBV/Pa (12.6 mV)
Max. Sound pressure level
135 dB SPL
Sampling frequency
44.1/48/88.2/96 kHz
Sampling depth:
24-bit
Power requirements:
USB 5 V
Dimensions:
Ø 54 x 150 mm
Weight:
422g
Outputs:
USB (Type-C) / headphones (3.5 mm mini jack), 100 mW + 110 mW (at 32 Ω load).
Scope of delivery
USB microphone ZUM-2
Tripod table stand TPS-4
Swivel microphone holder
Foam windscreen
USB Type-C to Type-A cable with 2 metre length
Options
Yes
No
Yes
No
No
Yes
No
Yes
No
No
Microphone specifications
Supercardioid
Condenser
XLR
What's in the Box
ZUM-2 USB Microphone.
TPS-4 Desktop Tripod Stand.
Pivoting mic stand mount.
Foam windscreen.
2-meter (6.56 ft.) USB Type-C to Type-A cable.
The C 414 B/XLS has been carefully designed to maintain the legendary sonic character of the C 414 family while integrating new features and performance enhancements made possible by new technology. The C 414B/XLS is designed to deliver accurate pickup of all acoustic instruments and voices.
The microphone's 5 pickup patterns are easily selectable via an electronic switch with LED indication and offer the selection of omnidirectional, cardioid, wide cardioid, hypercardioid and figure-eight patterns.
The pickup pattern selector switch utilizes a dual-color LED indicator that provides visual indication of the pattern selected and also changes from green to red to indicate if the microphone's output electronics are being overloaded. The pattern selector can also be used to "lock" the microphone's switch settings by pressing and holding it for 3 seconds.
On the rear of the microphone, an electronic switch allows the selection of -6 dB, -12 dB and -18 dB pre-attenuation levels which are accomplished by changing the polarization voltage to the capsule. The C 414 B/XLS has switchable bass cut filters of 12 dB-per-octave at 40 Hz and 80 Hz, and a 6-dB-per-octave filter at 160 Hz for control of proximity effect. On-axis sensitivity for all patterns is 23 mV/Pa and its self-noise is an extremely low 6 dB-A.
The C 414 B/XLS has a transformerless output and all-metal chassis, making it immune to electrical interference and RF from digital equipment, video monitors and wireless systems. It comes complete in an all-metal road case with the AKG H-85 shock mount, a PF80 external two-stage pop filter, a W414X external windscreen and an individually-measured chart showing the response curve of the microphone. It is also available in factory-matched stereo pairs packaged with a H50 stereo bar instead of the external pop filter.
The C 414B/XLS is built in Vienna, Austria and comes with a three-year limited parts and labor warranty.
Features
High sensitivity and extremely low self noise
Five switchable polar patterns for placement and application flexibility
Two-color LEDs provide quick visual indication of selected polar pattern and output overload
Elastic capsule suspension greatly minimizes structurally-transmitted noise from chassis vibration
H 85 professional shock mount/stand adapter, PF 80 external pop filter and W 414 X external windscreen
High sound pressure level capability and wide dynamic range
Completely immune to electrostatic and electro-magnetic interference from digital gear, computer monitors, etc. thanks to solid metal housing and transformerless output stage
Three switchable bass cut filters and three pre-attenuation pads with LEDs for quick visual indication
All switchable components operate in low impedance circuits for ultra-high relability even in extremely humid conditions
Optional R 414 remote control unit (available by the end of 2004) offers full control of all switchable parameters via standard microphone cable and 3-pin XLR-type connectors
Specifications
Type: 1" large diaphragm pressure gradient microphone
Polar Patterns: Omnidirectional, wide cardioid, cardioid, hypercardioid, figure eight
Frequency Range: 20 to 20,000 Hz
Sensitivity: 23 mV/Pa (-33 dBV) +/-0.5 dB
Max. SPL: 140/146/152/158 dB SPL (at 0/-6/-12/-18 dB)
Preattenuation Pad: -6, -12,-18 dB, switchable
Bass Cut Filter Scope: 12 dB/octave at 40 Hz and 80 Hz; 6 dB/octave at 160 Hz
Power Requirements: 48 V phantom power to DIN/IEC
Connector: 3-pin XLR
Dimensions: 2" x 1.5" x 6.3“
Net Weight: 10.6 oz
Shipping Weight: 5 lbs (2.27 kg)
The Pod Pack 1 is a professional upgrade to any announce studio. The kit consists of a high-quality USB condenser microphone paired with a fully-adjustable suspension boom arm, keeping the desk clear and the microphone always in position for podcasting, on-air or voice-over applications. Assembly is a snap and the articulating boom clamps securely to nearly any desk or table surface.
Included USB cardioid condenser microphone
All-steel construction
Dual suspension springs for stable angle
Fully adjustable - microphone can even be suspended upside-down
Clamps to nearly any desk or table
USB cable included
Microphone
Element: Back electret condenser
Element Diameter: 13mm
Polar pattern: Cardioid
Frequency response: 20 - 17,000 Hz
Sensitivity: -34dB +/-2dB (0dB = 1V/Pa @ 1kHz)
Output impedance: 100Ω +/-30% (at 1kHz)
Load impedance: >1kΩ
Self noise: 16dBA
Max SPL: 132dB (@ 1kHz
Signal to Noise ratio: 78dB
Broadcast Boom Arm
Adjustable height and angle
Telescoping range: 15.75" - 27.5" (40cm - 70cm)
Weight: 13.5oz (382g)
In the tradition of the SM58?, the Beta 58A dynamic microphone has become a top choice among vocalists and touring sound professionals.
The Shure Beta 58A is a high-output supercardioid dynamic vocal microphone designed for professional sound reinforcement and project studio recording. It maintains a true supercardioid pattern throughout its frequency range. This insures high gain-before-feedback, maximum isolation from other sound sources, and minimum off-axis tone coloration. The Beta 58A has a shaped frequency response that is ideal for close-up vocals. The superb performance of this microphone is not affected by rough handling because of its rugged construction, proven shock mount system, and hardened steel mesh grille. Typical applications for the Beta 58A include lead vocals, backup vocals and speech.
Smooth, extended frequency response for outstanding sound for professional live vocal use
Consistent supercardioid pattern provides the best gain-before-feedback among dynamic microphones
Pneumatic shock mount reduces handling noise
Frequency response: 50 to 16,000 Hz
Frequency response tailored for vocals, with brightened midrange and bass rolloff to control proximity effect
Uniform supercardioid pattern for high gain before feedback and superior rejection of off–axis sound
Neodymium magnet for high signal–to–noise output
Hardened steel mesh grille that resists wear and abuse
Advanced pneumatic shock mount system that minimizes transmission of mechanical noise and vibration
Minimally effected by varying load impedance
Legendary Shure quality and reliability
Transducer
(Moving Coil, with Neodymium Magnet) Dynamic
Polar Pattern
Supercardioid
Frequency Response
50 Hz - 16 kHz
Maximum Input Sound Level
not specified by manufacturer
Power Requirements
None Dynamic, Requires No Phantom or Battery Power
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