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Combining high-resolution audio with increased connectivity options, the AT2020USBi cardioid condenser microphone adds a new level of sound-quality and convenience to the expanding lineup of Audio-Technica USB microphones. Modeled after the critically acclaimed AT2020, this digital output mic features an A/D converter with a 24-bit/96 kHz sampling rate to deliver high-resolution articulation and intelligibility thatʼs perfect for home studio recording, field recording, podcasting and voiceover use.
The AT2020USBi works with both USB and Lightning cables (included), so you can use it straight from the box to digitally capture audio on the device of your choice: PC, Mac or lightning equipped iOS device. The integrated gain control adds to the convenience, allowing you to adjust the input level directly on the microphone.
The AT2020USBi cardioid condenser microphone brings state-of-the-art sound for the on-the-go lifestyle to the family of Audio-Technica USB mics.
- Condenser microphone with digital output for convenient, high-resolution recording
- High-quality A/D converter with 24-bit/96 kHz sampling rate for superb, high-resolution audio
- Mic gain control allows you to adjust input level on the mic itself
- Smooth, extended frequency response ideally suited for podcasting, home studio recording, field recording and voiceover use
- Compatible with Windows 7 and above, Mac OS 10.6 and above, and iOS 7.02 and above (requires Lightning connector).
- Tripod desk stand with folding legs for secure and easily portable tabletop use
- Included USB and Lightning cables provide ready connectivity to computers and iOS devices
| ELEMENT | Fixed-charge back plate, permanently polarized condenser | | POLAR PATTERN | Cardioid | | FREQUENCY RESPONSE | 20 – 20,000 Hz | | POWER REQUIREMENTS | USB (5V DC); Lightning (3.3V DC) | | BIT DEPTH | 24 bit | | SAMPLE RATE | Up to 96 kHz | | VOLUME CONTROL | Mic gain control | | WEIGHT | 350 g (12.3 oz) | | DIMENSIONS | 162.0 mm (6.38“) long, 52.0 mm (2.05“) maximum body diameter | | OUTPUT CONNECTOR | Micro-HDMI | | ACCESSORIES FURNISHED | Pivoting stand mount for 5/8“-27 threaded stands; 5/8“-27 to 3/8“-16 threaded adapter; soft protective pouch; tripod desk stand; 4.9' (1.5 m) USB cable; 4.9' (1.5 m) Lightning cable |
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The sE X1 USB combines the hugely popular sE X1 large-diaphragm condenser microphone with high-quality USB technology to provide a professional studio microphone for use anywhere!
The sE X1 USB offers the same great performance as the original sE X1, but with the added convenience of plugging straight into a USB port on a PC or Mac, negating the need for an audio interface or external power supply. The sE X1 USB features a cardioid polar pattern with a bass cut and a -10dB pad, and it ships with a mic clip as standard.
The sE X1 USB is fitted with a USB 2.0 connection and is fully USB 3.0 compatible. As with the rest of the sE X1 range, the sE X1 USB has been treated with a Matte Black finish, meaning the microphone can easily blend into the background on stage or during video recordings. The X1 USB is compatible with the sE Isolation Pack.
- Directional pattern: Cardioid
- Frequency range: 20Hz - 20kHz
- Sensitivity: -27dBV (mV/Pa)
- Equivalent noise level: 19.8 dB
| The NT-USB Mini is a compact, studio-quality USB microphone designed for recording direct to a computer or tablet.
It is simple to set-up and use, and a smooth frequency response and directional pickup pattern make the NT-USB Mini perfect for recording vocals and instruments, livestreaming and gaming, podcasting, voice calls and more.
The included desk stand features a magnetic base that can be detached for easy mounting on mic stands or studio arms, and with its in-built pop filter and zero-latency headphone monitoring, the NT-USB Mini delivers crisp, clear audio in all recording applications.
Acoustic Principle: Pressure gradient Active Electronics: Electret condenser, A/D and USB interface Polar Pattern: Cardioid
Frequency Range: 20 Hz – 20 kHz
Input SPL @ 1%THD: 121dB (A-weighted, as per IEC651) Sample Rate: 48 kHz
Bus Powered: Yes
Bit Depth: 24-bit Analog Output: 3.5mm headphone
Computer Connectivity: USB - simultaneous I/O Mono input, stereo output
Output Connection: USB-C OS Requirements: macOS 10.12 / Windows 10
Weight (grams): 585
Dimensions (millimetres): Height: 141.9 Width: 54.5 Diameter (base): 89.3
• Studio-quality microphone with U SB-C connectivity
• 3.5mm headphone output with zero-latency monitoring
• Easy set-up, plug in and play
• Detachable magnetic desk stand
• In-built pop ? lte
| Polar Chart: |
Cardioid |
| USB compatibility: |
Yes |
| The C 414 B/XLS has been carefully designed to maintain the legendary sonic character of the C 414 family while integrating new features and performance enhancements made possible by new technology. The C 414B/XLS is designed to deliver accurate pickup of all acoustic instruments and voices.
The microphone's 5 pickup patterns are easily selectable via an electronic switch with LED indication and offer the selection of omnidirectional, cardioid, wide cardioid, hypercardioid and figure-eight patterns.
The pickup pattern selector switch utilizes a dual-color LED indicator that provides visual indication of the pattern selected and also changes from green to red to indicate if the microphone's output electronics are being overloaded. The pattern selector can also be used to "lock" the microphone's switch settings by pressing and holding it for 3 seconds.
On the rear of the microphone, an electronic switch allows the selection of -6 dB, -12 dB and -18 dB pre-attenuation levels which are accomplished by changing the polarization voltage to the capsule. The C 414 B/XLS has switchable bass cut filters of 12 dB-per-octave at 40 Hz and 80 Hz, and a 6-dB-per-octave filter at 160 Hz for control of proximity effect. On-axis sensitivity for all patterns is 23 mV/Pa and its self-noise is an extremely low 6 dB-A.
The C 414 B/XLS has a transformerless output and all-metal chassis, making it immune to electrical interference and RF from digital equipment, video monitors and wireless systems. It comes complete in an all-metal road case with the AKG H-85 shock mount, a PF80 external two-stage pop filter, a W414X external windscreen and an individually-measured chart showing the response curve of the microphone. It is also available in factory-matched stereo pairs packaged with a H50 stereo bar instead of the external pop filter.
The C 414B/XLS is built in Vienna, Austria and comes with a three-year limited parts and labor warranty.
Features
High sensitivity and extremely low self noise
Five switchable polar patterns for placement and application flexibility
Two-color LEDs provide quick visual indication of selected polar pattern and output overload
Elastic capsule suspension greatly minimizes structurally-transmitted noise from chassis vibration
H 85 professional shock mount/stand adapter, PF 80 external pop filter and W 414 X external windscreen
High sound pressure level capability and wide dynamic range
Completely immune to electrostatic and electro-magnetic interference from digital gear, computer monitors, etc. thanks to solid metal housing and transformerless output stage
Three switchable bass cut filters and three pre-attenuation pads with LEDs for quick visual indication
All switchable components operate in low impedance circuits for ultra-high relability even in extremely humid conditions
Optional R 414 remote control unit (available by the end of 2004) offers full control of all switchable parameters via standard microphone cable and 3-pin XLR-type connectors
Specifications
Type: 1" large diaphragm pressure gradient microphone
Polar Patterns: Omnidirectional, wide cardioid, cardioid, hypercardioid, figure eight
Frequency Range: 20 to 20,000 Hz
Sensitivity: 23 mV/Pa (-33 dBV) +/-0.5 dB
Max. SPL: 140/146/152/158 dB SPL (at 0/-6/-12/-18 dB)
Preattenuation Pad: -6, -12,-18 dB, switchable
Bass Cut Filter Scope: 12 dB/octave at 40 Hz and 80 Hz; 6 dB/octave at 160 Hz
Power Requirements: 48 V phantom power to DIN/IEC
Connector: 3-pin XLR
Dimensions: 2" x 1.5" x 6.3“
Net Weight: 10.6 oz
Shipping Weight: 5 lbs (2.27 kg) |
Transformerless Power/Output Module ? The SE 300 B is used with all AKG Blue Line capsules and operates from 9 ? 52 V phantom power. The 3-position switch allows selection of linear response, -10 dB preattenuation and 12-dB-per-octave 75 Hz low-cut filter. A stand adapter is included.
Specifications
Polar pattern: hypercardioid/directional
Frequency range: 20?20,000 Hz
Sensitivity: 25 mV/Pa (-32 dBV)
Max. SPL for 1 % THD: 124/134 dB
Equivalent noise level: 17 dB-A
Signal/noise ratio (A weighted): 77 dB
Preattenuation pad: -10 dB, switchable Bass cut filter: 12 dB/octave at 75 Hz
Electrical impedance: 200 Ohms
Recommended load impedance: >1,000 Ohms
Power requirement: 9 to 52 V phantom power to DIN 45 596
Current consumption: | The Pod Pack 1 is a professional upgrade to any announce studio. The kit consists of a high-quality USB condenser microphone paired with a fully-adjustable suspension boom arm, keeping the desk clear and the microphone always in position for podcasting, on-air or voice-over applications. Assembly is a snap and the articulating boom clamps securely to nearly any desk or table surface.
- Included USB cardioid condenser microphone
- All-steel construction
- Dual suspension springs for stable angle
- Fully adjustable - microphone can even be suspended upside-down
- Clamps to nearly any desk or table
- USB cable included
- Microphone
- Element: Back electret condenser
- Element Diameter: 13mm
- Polar pattern: Cardioid
- Frequency response: 20 - 17,000 Hz
- Sensitivity: -34dB +/-2dB (0dB = 1V/Pa @ 1kHz)
- Output impedance: 100Ω +/-30% (at 1kHz)
- Load impedance: >1kΩ
- Self noise: 16dBA
- Max SPL: 132dB (@ 1kHz
- Signal to Noise ratio: 78dB
Broadcast Boom Arm
- Adjustable height and angle
- Telescoping range: 15.75" - 27.5" (40cm - 70cm)
- Weight: 13.5oz (382g)
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