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The AT4060a is a large-diaphragm cardioid condenser tube microphone, designed for use in the most demanding studio applications.
Each hand-selected tube is individually aged and tested, then employed in a uniquely configured circuit for enhanced tube performance.
Specially tuned elements improve dynamic range and the allow the AT4060a to handle high SPLs without sacrificing high-frequency characteristics.
Floating-construction mounting of the elements provides isolation from noise and vibration.
The AT4060a operates in conjunction with the included tube microphone powering unit, featuring low-impedance output and a ground-lift switch.
- Vintage tube sound with the versatile performance necessary for the most demanding studio applications
- Hand-selected tubes are individually tested and aged to maintain peak performance
- Regulated and heavily filtered heater current prevents noise contamination of audio signal chain
- Wide dynamic range, low self-noise and high max SPL capability
- Large coupling transformer provides superior low-frequency linearity
- Dual-diaphragm capsule design maintains precise polar pattern definition across the full frequency range of the microphone
- The 2-micron-thick, vapor-deposited gold diaphragms undergo a five-step aging process so that the optimum characteristics achieved remain constant over years of use
- Precision-machined, nickel-plated brass, acoustic element baffle provides enhanced element stability and optimal sensitivity
- Element: Externally polarized (DC bias) condenser
- Polar Pattern: Cardioid
- Frequency Response: 20-20,000 Hz
- Open Circuit Sensitivity: –34 dB (19.9 mV) re 1V at 1 Pa
- Impedance: 200 ohms
- Max. Input Sound Level: 150 dB SPL, 1 kHz at 1% T.H.D.; 149 dB SPL, 1 kHz at 0.5% T.H.D.
- Noise: 19 dB SPL
- Dynamic Range (typical): 131 dB, 1 kHz at Max SPL
- Signal-to-Noise Ratio: 75 dB, 1 kHz at 1 Pa
- Power Requirements: AT8560a tube microphone powering unit (100-240V AC)
- Weight: Microphone: 645 g - Tube microphone powering unit: 1.3kg
- Dimensions: Microphone: 215.0 mm long - 53.4 mm maximum body Ø Tube microphone powering unit: 212.0 mm W x 131.5 mm D x 46.0 mm H
- Output Connector: 3-pin XLRM-type (on tube microphone powering unit)
- Cables: 7.6 m cable with 6-pin XLR-type connectors for use between microphone and tube microphone powering unit; AC power cable
- Accessories furnished: AT8560a tube microphone powering unit; AT8447 shock mount for 5/8”-27 threaded stands; rack-mount adapters for tube microphone powering unit; protective mic carrying case
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Rode's new NTK has the quality and warmth demanded from a tube mic.
With the large 1 in. capsule gold-plated membrane and twin triode tubes
(hand graded and selected), Rode is again setting the standard for value.
This is a tube mic designed exclusively for recording professionals who
want what only the best can offer.
Features:
Dynamic range of 47dB
Ultra low noise of only 12dB
Internal capsule shock mounting
Cardioid polar pattern
20Hz - 20kHz frequency response
Includes a power supply, 30 ft. cable, and stand adapter
Technical Description:
Capsule: Externally polarised 1 in. pressure-gradient condenser
Active Electronics: Unity-gain closed-loop impedance converter;
vacuum-tube input with bipolar buffering
Pickup Pattern: Cardioid
Frequency Response: 20Hz - 20kHz (+/-6dB)
Output Impedance: 200 ohms (100 ohms per leg)
Sensitivity: -38dB re 1V/Pa (12mV @ 94dB SPL) +/-1dB
Equivalent Noise: 12dB SPL (A-weighted per IEC268-15) +/-2dB
Maximum Output: > +29dBu (@ 1kHz, 5% THD into 1k (load)
Dynamic Range: > 147dB (A-weighted, per IEC268-15)
Maximum SPL: > 158dB SPL (@ 1kHz, 5% THD into 1k (load)
Signal/Noise Ratio: > 82dB (A-weighted, per IEC268-15)
External power supply: 100-120V/200-240V AC (user selectable)
50Hz/60Hz, 25VA maximum
Packed Weight: 4.53 kg (Mic only 760 gm)
Accessories included:
Power Supply
30 ft (10 m) Multicore Cable
M2 Standmount plus 3/8-5/8 in. Thread Adapter
Optional Extras: SM2 Shockmount
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NT2000 - ?Explore, Control, Create?? Seamlessly Variable Dual 1? Condenser Microphone.
The world's first large diaphragm condenser studio microphone with seamlessly variable Polar
Patterns, Filter and Pad located conveniently on the microphone body. The NT2000?s state of
the art surface-mount electronics combined with the new Australian designed and manufactured
HF1 Capsule, provide extremely low self-noise (7 dBA) and a maximum SPL of 147 dB (157 dB
with pad fully engaged) ensuring exceptional results and the ultimate in recording creativity.
The NT2000 is supplied with the SM2 Shock Mount, together in a durable custom carry case.
SPECIFICATIONS:
Acoustic principle:
Externally polarised 25 mm (1?) dual diaphragm condenser
Directional pattern: Multipattern
Frequency range: 20Hz - 20KHz
Output impedance: 200 ohms
Signal noise ratio din iec 651: 87 dB (1kHz rel 1Pa)
Equvalent noise: 7 dBA SPL (per IEC651, IEC268-15)
Maximum spl:
147 dB (@ 1% THD into 1K ohm) 157dB (@ 1% THD into 1K ohm) with pad set to maximum
Sensitivity:
-36 db re 1 Volt/Pasca (16 mv @94db SPL) +/- 2 dB
Dynamic range din iec 651: 140 dB (per IEC651, IEC268-15)
Power supply voltage: Phantom P48
Weight without battery: 831 gm
Weight with battery: 2.6 kg
| Behringer C-2 2 Matched Studio Condenser Microphones
2 Matched Studio Condenser Microphones
- 2 matched condenser microphones for stereo studio recording and live applications
- Ideal as main and support microphones for studio and live applications
- Cardioid pickup pattern for effective feedback elimination
- Low-mass diaphragm for ultra-wide frequency response and ultimate sound reproduction
- Switchable low-frequency roll-off and input attenuation
- Ultra low-noise transformerless FET input eliminates low-frequency distortion
Excellent Source Isolation
Our C-2 mics also feature a low-frequency rolloff switch to eliminate infrasonics (mic handling noise, sound created by creaky stages), as well as a switchable -10 dB input pad to accommodate hot signals, such as a really loud vocalist or overzealous cellist.
The cardioid pickup pattern provides unparalleled sound source separation and feedback rejection. C-2 mics contain ultra low-noise transformerless FET input circuitry that can handle extreme dynamics with a maximum sound pressure level of 136 dB. So even if the featured performer at your next recording session or live show happens to be a revved-up jet engine, this workhorse mic will not distort!
Sound That Astounds
Every stitch of these mics is designed to deliver beautiful sound. Beginning with the gold-plated 3-pin XLR connector, you get the highest signal integrity.
Once connected to your system, youʼll notice these twin pro-caliber microphones have a 4 dB boost in the 1 kHz - 8 kHz range. For those of you new to condenser mics, this basically means youʼll get a slightly brighter sound that will give the perfect shape to cymbals and overhead miking. Acoustic pianos and choirs also benefit greatly from this type of frequency response.
Excellent Source Isolation
The cardioid pickup pattern provides unparalleled sound source separation and feedback rejection. C-2 mics contain ultra low-noise transformerless FET input circuitry that can handle extreme dynamics with a maximum sound pressure level of 136 dB. So even if the featured performer at your next recording session or live show happens to be a revved-up jet engine, this workhorse mic will not distort!
Our C-2 mics also feature a low-frequency rolloff switch to eliminate infrasonics (mic handling noise, sound created by creaky stages), as well as a switchable -10 dB input pad to accommodate hot signals, such as a really loud vocalist or overzealous cellist.
You Are Covered
We always strive to provide the best possible Customer Experience. Our products are made in our own MUSIC Group factory using state-of-the-art automation, enhanced production workflows and quality assurance labs with the most sophisticated test equipment available in the world.
As a result, we have one of the lowest product failure rates in the industry, and we confidently back it up with a generous 3-Year Warranty program. | Behringer C-1 Studio Condenser Microphone
Behringer C-1 Studio Condenser Microphone
The C-1 Studio Condenser Microphone from Behringer offers a cardioid pickup pattern for maximum sound source separation and feedback rejection. This low noise microphone is suitable for a wide range of recording scenarios, including project, professional, and home studio applications. There is a pressure gradient transducer and a shock-mounted large diaphragm capsule for open, transparent sound with high-quality transient response. It is constructed of a die-cast metal body for durability and features an LED light to indicate when the microphone is receiving phantom power. The C-1 includes a swivel mount and custom case.
- Professional large-diaphragm condenser microphone for unsurpassed audio quality
- Ideal as main and support microphone for studio and live applications
- Exceptionally flat frequency response and ultra-high sound resolution
- Cardioid pickup pattern for outstanding sound source separation and feedback rejection
- Ultra low-noise transformerless FET input circuitry
- LED indicates phantom power operation
- Gold-plated 3-pin XLR output connector for perfect signal transmission
- Ultra-rugged construction with die-cast body
- Swivel stand mount and carrying case included
| Operating Principle |
Pressure Gradient |
| Capsule |
Condenser |
| Diaphragm |
0.63" / 16.0 mm |
| Polar Pattern |
Cardioid |
Performance
| Frequency Range |
40 Hz to 20 kHz |
| Maximum SPL |
136 dB SPL |
| Impedance |
100 Ohms |
| Load Impedance |
1000 Ohms |
| Sensitivity |
-33 dB |
| THD |
1% |
Connectivity
| Output Connectors (Analog) |
1 x XLR 3-Pin |
Power
| Operating Voltage |
36 to 52 V |
| Operating Current Consumption |
2.5 µA |
Physical
0.93 lb / 0.42 kg
| Dimensions |
ø: 2.13 x L: 7.09" / ø: 54 x L: 180 mm |
| Weight |
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| A/B, X/Y, and M/S stereo recording
Ambience recording
Grand piano, woodwind and brass instruments
Percussions
Drums
Classical music recording
Studio applications
- Back-to-back large-diaphragm multi-pattern transducer
- True condenser technology
- High sensitivity and 155 dB maximum SPL capability
- Switchable 20 dB preattenuation pad
- Switchable bass cut filter
- Legendary, pristine AKG sound quality
- Complete with spider-type shock mount and aluminium carrying case
| Type |
Dual-capsule,1-inch large-diaphragm, true condenser pressure-gradient microphone |
| Polar pattern |
Cardioid, omnidirectional, figure-eight |
| Frequency range |
20 to 20,000 Hz |
| Sensitivity |
28 mV/Pa (-31 dBV) |
| Max. SPL |
135/155 dB SPL (0/-20 dB) for 0.5% THD |
| Equivalent noise level |
16 dB-A (IEC 60268-4) |
| Signal/noise ratio (A-weighted) |
78 dB |
| Preattenuation pad |
0 dB, -20 dB |
| Bass filter |
12 dB/octave, 300 Hz |
| Impedance |
=1000 ohms |
| Current consumption |
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