Large diaphragm condenser microphone for recording, broadcast. and live sound The large diaphragm condenser microphone CX112B has a contemporary design and superior performance characteristics. This mic is an exceptional tool for professional audio production, project studios and live stage performances. Delivering a smooth, uniform frequency response the CX112B offers a rich, full bodied sound delivered […]
Large diaphragm condenser microphone for recording, broadcast. and live sound
The large diaphragm condenser microphone CX112B has a contemporary design and superior performance characteristics. This mic is an exceptional tool for professional audio production, project studios and live stage performances.
Delivering a smooth, uniform frequency response the CX112B offers a rich, full bodied sound delivered by its 27.5 mm capsule. The CX112B is equipped with a bass roll-off filter to help eliminate rumble in the lower frequencies and a 10 dB pad for use in higher SPLs, up to 145 dB.
The CX112B operates on phantom power of 48 V phantom and includes a threaded metal stand adapter and a foam-lined wooden carrying case.
For optimum results, use the CX112B with a high quality mic preamplifier and microphone cable (see CBL20).
Type
Condenser
Polar Pattern
Cardioid
Frequency Response
20 Hz – 20 kHz
Impedance
120 Ohms
Sensitivity
18 mV/Pa @ 1kHz
Weight
1.00 kg
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Large diaphragm condenser microphone for recording, broadcast. and live sound
The large diaphragm condenser microphone CX112B has a contemporary design and superior performance characteristics. This mic is an exceptional tool for professional audio production, project studios and live stage performances.
Delivering a smooth, uniform frequency response the CX112B offers a rich, full bodied sound delivered by its 27.5 mm capsule. The CX112B is equipped with a bass roll-off filter to help eliminate rumble in the lower frequencies and a 10 dB pad for use in higher SPLs, up to 145 dB.
The CX112B operates on phantom power of 48 V phantom and includes a threaded metal stand adapter and a foam-lined wooden carrying case.
For optimum results, use the CX112B with a high quality mic preamplifier and microphone cable (see CBL20).
Type
Condenser
Polar Pattern
Cardioid
Frequency Response
20 Hz - 20 kHz
Impedance
120 Ohms
Sensitivity
18 mV/Pa @ 1kHz
Acoustical operating principle
Pressure gradient transducer
Directional pattern
Omnidirectional, wide angle cardioid, cardioid, hypercardioid, figure-8 plus one intermediate position each
Frequency range
20 Hz ... 20 kHz
Sensitivity at 1 kHz into 1 kohm
34/47/62 mV/Pa*
Rated impedance
50 ohms
Rated load impedance
1000 ohms
Equivalent SPL CCIR 468-3
28/25/23 dB*
Equivalent SPL DIN/IEC 651
16/13/11 dB-A*
S/N ratio CCIR 468-3
66/69/71 dB*
S/N ratio DIN/IEC 651
78/81/83 dB*
Typical SPL (tube characteristic)
K
Maximum output voltage
18 dBu
Dynamic range of the microphone amplifier cardioid DIN/IEC 651 for
101 (121) dB
Powering
Power supply N 149
Matching connectors
Microphone DIN 8F, Power supply XLR 3F
Weight
730 g
Diameter
70 mm
Length
201 mm
* Omnidirectional / cardioid / figure-8
The RODE NT1-A has become an industry standard; delivering the warmth, extended dynamic range, clarity and high SPL capability usually only featured by some of the most expensive microphones.
Now available as the \'Complete Vocal Recording Solution\' this NT1-A package now includes everything you need to get truly professional vocal recordings - the world\'s quietest studio microphone, a studio grade pop shield and shock mount, a premium 20\' cable, dust cover, an instructional DVD with recording tips, and of course R DE\'s industry leading ten year warranty.
Large 1" (25mm) capsule with gold plated diaphragm
Cardioid polar pattern
Self noise of only 5dB (A)
Ultra low noise, transformerless surface mount circuitry
KSM44A Multi-Pattern Dual Diaphragm Microphone
Premium microphone with three polar pattern options (cardioid, omnidirectional, bidirectional).
Features
Prethos® Advanced Preamplifier Technology: Class A, discrete, transformerless preamplifier provides transparency, extremely fast transient response and no crossover distortion. Minimizes harmonic and intermodulation distortions.
Groundbreaking specifications: 4dB of self-noise and max SPL of 131 dB for a total dynamic range of 127 dB – an increase of 7 dB that defines the new standard for cleanly nuanced audio capture
Multiple polar patterns–cardioid, omnidirectional and bidirectional–for maximum flexibility in a wide variety of recording applications
Dual 1 inch, externally biased, ultra-thin, 2.5 μm, 24 Karat gold-layered, low mass diaphragms provide superior frequency response
Premium electronic components and gold-plated internal and external connectors
Subsonic filter eliminates rumble from mechanical vibration below 17 Hz.
Switchable 15 dB pad for handling extremely high sound pressure levels (SPLs)
3-position switchable low-frequency filter helps reduce unwanted stand vibration noise or counteract proximity effect
Integrated three-stage "pop” protection grille reduces plosives and other breath noise
Type
Condenser (externally biased)
Frequency Response
20 to 20,000 Hz
Polar Pattern
Cardioid, Omnidirectional, Bidirectional
lmpedance
50 ohms
Phantom power required?
11–52 V DC phantom power (IEC-61938) 5.8 mA, maximum
AKG C214 – large 1” diaphragm microphone with cardioid polar pattern, frequency response: 20Hz-20kHz, 20dB pad, requires phantom power (12-52V), XLR connector. Includes clip, case and windshield. Dimensions: 160 x 55mm. Weight: 280g, optional microphone holder SA61
The C214 professional large-diaphragm condenser microphone has been designed as a cost-effective alternative to the high-end C414 family. Like the C414, the C214 offers a supreme one-inch capsule on an integrated suspension to reduce mechanical noise. A switchable 20dB attenuation pad allows recording of loud sources of up to 156dB SPL. A switchable bass-cut filter allows close-up recording with almost no proximity effect.
The C214 captures sound by combining one capsule of the legendary C414 dual-capsule system and the patented AKG Back-Plate Technology, resulting in an outstanding performance close to the famous C414 XLII.
Sonic character of the C414 XLII
for beautifully detailed recording of lead vocals and solo instruments
Outstanding dynamic range and ultralow noise
for close-up recording of high-output sources of up to 156dB SPL
Switchable 20dB attenuator and bass-cut filter
for close-up recording and reduction of proximity effect
Integrated suspension
to reduce mechanical noise and vibration from stage
Roadworthy design
all-metal die-cast body with shock- and scratch-resistant finish
Large diaphragm cardioid microphone
Pressure gradient transducer with with one-diaphragm capsule
Transformerless circuitry
Extremely low noise: 7 dB-A
Includes swivel mount
Straightforward handling for homerecording and professional studios
High-quality professional equipment for limited budgets
Acoustical operating principle
Pressure gradient transducer
Directional pattern
Cardioid
Frequency range
20 Hz ... 20 kHz
Sensitivity at 1 kHz into 1 kohm
23 mV/Pa
Rated impedance
50 ohms
Rated load impedance
1 kohms
Equivalent noise level, CCIR1)
17.5 dB
Equivalent noise level, A-weighted1)
7 dB-A
Signal-to-noise ratio, CCIR1) (rel. 94 dB SPL)
76.5 dB
Signal-to-noise ratio, A-weighted1) (rel. 94 dB SPL)
87 dB
Maximum SPL for THD 0.5%2)
138 dB
Maximum output voltage
13 dBu
Dynamic range of the microphone amplifier (A-weighted)
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