The f90 is a cost effective, miniature clip-on condenser microphone for drum and percussion applications. The f90 is intended for rehearsal bands, small clubs, schools and Houses of Worship. The f90 has a uniformly controlled cardioid polar pattern and provides a rich, full sound at distances of 3”-4” off the drum head. The f90 is […]
The f90 is a cost effective, miniature clip-on condenser microphone for drum and percussion applications. The f90 is intended for rehearsal bands, small clubs, schools and Houses of Worship.
The f90 has a uniformly controlled cardioid polar pattern and provides a rich, full sound at distances of 3”-4” off the drum head. The f90 is lightweight, compact and simple to use. The flexible gooseneck, paired with the 90-degree angle of the microphone head, allows the f90 to be positioned directly over the sound source.
The f90 operates on phantom voltage of 9-52 V and is supplied with a phantom power adapter, 6ʼ integrated mic cable and foam windscreen.
Type
Condenser
Polar Pattern
Cardioid
Frequency Response
50Hz – 18kHz
Impedance
250 Ohms
Sensitivity
8.8 mV/Pa @1k
Weight
1.00 kg
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Legendary, universal all purpose microphone classic
Perfectly suitable for stage and studio
Unbelievably rich sound
Made in germany
Content
The f90 is a cost effective, miniature clip-on condenser microphone for drum and percussion applications. The f90 is intended for rehearsal bands, small clubs, schools and Houses of Worship.
The f90 has a uniformly controlled cardioid polar pattern and provides a rich, full sound at distances of 3”-4” off the drum head. The f90 is lightweight, compact and simple to use. The flexible gooseneck, paired with the 90-degree angle of the microphone head, allows the f90 to be positioned directly over the sound source.
The f90 operates on phantom voltage of 9-52 V and is supplied with a phantom power adapter, 6ʼ integrated mic cable and foam windscreen.
Type
Condenser
Polar Pattern
Cardioid
Frequency Response
50Hz - 18kHz
Impedance
250 Ohms
Sensitivity
8.8 mV/Pa @1k
Technical Data
Transducer Type: Dynamic
Polar Pattern: Hypercardioid
Microphone Frequency Response: 30 - 20.000 Hz
Connection Type: XLR 3-pin
Made in Germany
Like all members of the M series, the M 88 TG is handcrafted in Germany. The materials and the precise craftsmanship that go into the microphone ultimately create a world-class product, a level of quality that turns an ordinary microphone purchase into a long-term investment.
Perfect for heavy bass Sources
The M 88 TG excels on the kick drum, saxophone and percussions, the result of a balanced sound profile and deep bass tones. It is a must-have for every microphone collection. And why shouldn’t it be when you consider its features? It is both insensitive to high sound pressure levels and feedback resistant thanks to its nearly perfect hypercardioid!
Flexible tool iN The studio
The M 88 TG excels in the studio with the help of its multifaceted flexibility. No matter whether the job involves vocals, horns, guitar amplifiers or drums – the microphone is the perfect choice for the widest range of sources. It is all the result of its exceptionally broad frequency response and rich sound.
The Shure KSM137 is an end-address condenser microphone with a cardioid polar pattern. Designed for studio use, yet rugged enough for live applications, the KSM137 can withstand extremely high sound pressure levels (SPL). Its low self-noise and extended frequency response make it ideal for recording musical instruments.
Features
A highly consistent cardioid polar pattern
Ultra-thin, 2.5 micron, 24 karat gold-layered, low mass Mylar? diaphragm for superior transient response
Class A, discrete, transformerless preamplifier for transparency, extremely fast transient response, no crossover distortion, and minimal harmonic and intermodulation distortion
Premium electronic components, including gold-plated internal and external connectors
Subsonic filter eliminates low frequency rumble (less than 17 Hz) caused by mechanical vibration
Switchable 15 dB pad for handling extremely high sound pressure levels (SPLs)
Three-position switchable pad (0 dB, 15 dB, and 25 dB) for handling extremely high sound pressure levels (SPLs)
Superior common mode rejection and suppression of radio frequency interference
APPLICATIONS
Some typical applications for the KSM137 are listed below. Microphone use, however, is a matter of personal taste. The KSM137 may be used for a variety of applications other than those listed.
Acoustic instruments -- such as piano, guitar, drums, percussion, strings
Wind instruments -- brass and woodwind
Low frequency instruments -- such as double bass, electric bass, kick drum
Overhead miking -- drums or percussion
Ensembles -- choral or orchestral
Room ambiance pick-up -- guitar amplifier or drums
Both the acoustic environment and microphone placement strongly affect the sound obtained from miking a source. You may need to experiment with microphone placement and room treatments to achieve the best overall sound for each application.
Suggested Applications
Acoustic Guitar
Acoustic Bass
Cymbals
Brass/Woodwinds
Orchestra
Ensemble Vocals
Piano
Strings
Room Ambience
Live Recording
The Shure SM57 unidirectional dynamic microphone is exceptional for musical instrument pickup or for vocals. With its bright, clean sound and carefully contoured presence rise, the SM57 is ideal for live sound reinforcement and recording. It has an extremely effective cardioid pickup pattern which isolates the main sound source while minimizing background noise. In the studio, it is excellent for recording drums, guitar, and woodwinds. For musical instruments or vocals, the SM57 is a consistent choice of professional performers. It is also the standard microphone used on the podium of the U.S. President for over 30 years. Its outstanding performance, legendary reliability, and diversity of application make this "workhorse" the choice of performers, producers, and sound engineers the world over.
Contoured frequency response for clean, instrumental reproduction and rich vocal pickup
Professional-quality reproduction for drum, percussion, and instrument amplifier miking
Uniform cardioid pickup pattern isolates the main sound source while reducing background noise
Pneumatic shock-mount system cuts down handling noise
Extremely durable under the heaviest use
Frequency response: 40 to 15,000 Hz
Frequency Range
40 Hz to 15 kHz
Impedance
150 Ohms
Load Impedance
310 Ohms
Sensitivity
56 dBV/Pa (Open Circuit Voltage, 1 kHz)
Color
Gray
Mounting
5/8"-27 Female, Mic Clip (Included)
Construction Material
Steel, Steel Wire Grille
Dimensions
ø: 1.26 x L: 6.18" / ø: 32 x L: 157 mm
Weight
10.02 oz / 284 g
A high performance mini-condenser for sound reinforcement and recording. Great for instruments or drums. The ultra-uniform pickup pattern provides high gain before feedback and excellent rejection of unwanted noise.
Other features include:
Mew A98D flexible drum mount
SPL handling to 160dB
frequency response of 20 to 20,000Hz and included preamplifier
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