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Unbelievable piano microphones! The SCX25-APS is a complete piano-miking kit from Audix. You won't believe how natural and balanced the piano sounds. Just place the two SCX25-A microphones on the included mounting brackets, so they sit right on the piano's rail. There's no need to labor over placing the microphone perfectly - that brilliant sound is right there. With the SCX25-APS kit, you even get two premium 20' cables and a flight case to store everything, so you're ready to tour. In fact, top touring acts - including Diana Krall - rely on this very Audix SCX25-APS system.
Audix SCX25-APS Complete Piano Microphone Kit at a Glance:- Included microphones give you phenomenal piano sound
- Comes with a mounting system, two cables, and a flight case
- Used daily on tour by top piano acts
Included microphones give you phenomenal piano sound
With the SCX25-APS kit, you can get "that" piano sound - that balanced, even, dimensional sound you've heard on countless recordings. And you can get it onstage too. At the heart of the SCX25-APS kit are two of Audix's SCX25-A lollipop condenser microphones - recognized for their unbelievable capability to reproduce a piano's every nuance, every detail, and every hint of character. The SCX25-APS kit also comes with extra accessories, so you're ready to capture the piano both onstage and in the studio. These microphones, though, are destined to be your "go-to" picks for countless other sources. You must try them on vocals, choirs, drum overheads, and orchestras - and also on nearly any acoustic instrument, from the piano to the acoustic guitar, saxophone, flute, and violin. These are simply all-around amazing microphones.
Comes with a mounting system, two cables, and a flight case
The SCX25-APS kit comes with all the accessories you need to record a piano, or bring its amazing sound to the biggest of arena crowds. In addition to the two SCX25-A microphones, you get two of Audix's D-flex mounts. This special system lets you mount the microphones right on the rail - you won't need to bother tweaking or fine-tuning the placement. An amazing piano sound is there, the first time. In the kit, you also get two premium 20' cables. Finally, the SCX25-APS kit includes a first-class aluminum flight case, giving your microphones and accessories total tour-grade protection.
Used daily on tour by top piano acts
It's no secret: the Audix SCX25-A microphones sound unbelievable on pianos. That's why so many top sound engineers have hand-picked this very kit, the SCX25-APS, to use every day on big-name tours. Grammy Award-winning artist Diana Krall, for example, trusts her piano sound to the Audix SCX25-APS.
Audix SCX25-APS Complete Piano Microphone Kit Includes:- Two SCX25-A lollipop condenser microphones
- D-flex mounting brackets
- Two premium 20' cables
- Aluminum flight case
Audix SCX25-A Lollipop Condenser Microphone Specifications:- Large-diaphragm Lollipop Condenser Microphone
- Frequency Response: 20Hz - 20kHz
- Polar Pattern: Cardioid
- Output Impedance: 200 Ohms balanced
- Sensitivity: 29mV (ref 1k @ 1 Pascal)
- Equivalent Noise Level 14dB (A weighted)
- Signal-to-noise Ratio: 80dB (ref 1k @ 1 Pascal)
- Power Requirements: 48 - 52v phantom
- Maximum SPL: 138dB
- Dynamic Range: 124dB
- Cable/Connector: 3 pin gold plated male XLR
- Housing: Machined Brass
- Weight 7.8 oz (without cable)
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Weighing only 18 grams (0.6 oz.), this ultra-light condenser pickup is ideal for acoustic guitar, mandolin, violin, and most other stringed instruments. The C 411 will give a clear and uncolored sound without changing the balance of the instrument. Attaching the C 411 on or near the bridge or anywhere else on the instrument is easy with the included non-marring, reusable, solventfree adhesive compound.
C 411 PP: For hardwire applications, with standard XLR connector for phantom powering. |
The e 865 is a fully professional super-cardioid vocal microphone utilising the
very best in condenser microphone technology to achieve new standards of
quality and sound. The microphone capsule insorporates special blast/pop
protiction plate to shield the diaphragm from excessive sound pressure levels.
Features
Rugged metal body
Extended dynamic response with pronounced presence and vocal 'punch'
Excellent feedback rejection
Very good rejection of handling noise
Very high sound pressure handling capability
Delivery Includes
1 e 865
1 microphone clip
1 pouch
Technical Data
Pick-up pattern super cardioid
Sensitivity in free field, no load (1kHz) 3 mV/Pa
Max. Sound pressure level (aktiv) 150 dB
Nominal impedance 200 Ohm
Min. terminating impedance 1000 Ohm
Dimensions d 47 x 193 mm
Weight w/o cable 311 g
Frequency response (microphone) 40.....20000 Hz
Phantom powering 12 - 48 V
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The Stereo wonder. The new NT4, a visually striking microphone that solves
the age-old problem of stereo recording by eliminating the need to purchase
matched pairs and the associated complex set-up bars and adaptors to get
professional results. With a fixed 90 Deg. X/Y configuration and perfectly
matched stereo condenser capsules, the NT4 lets you record any source with
immaculate stereo detail.
The NT4 has a 128 dB dynamic range, 143 dBA SPL and low self-noise. Offering
selectable battery or phantom power operation with power indicator light, the NT4
is ideally suited to both studio and location recording.
The NT4 comes supplied in a custom carry case with a windshield, XLR to mini-jack
and dual XLR cables for portable DAT or professional balanced input connection.
SPECIFICATIONS:
Acoustic principle:
Stereo Microphone. 90° XY placement. Each side comprises an
externally polarised single diaphragm condenser transducer
Directional pattern: Cardioid per capsule
Frequency range: 20Hz - 20kHz
Output impedance: 200? per side
Signal noise ratio din iec 651: 78dB
Equvalent noise:128 dB
Power supply voltage:
P48 (38V?52V), P24 (20V-26V), P12 (10.8V-13.2V), 9V battery
Current consumption: 4 mA, 2 mA, 2.8 mA, 2.4mA
Weight without battery: 480g
Weight with battery: 2.3kg
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The ME 62 is an omni-directional microphone head suitable for K6 and K6P
powering modules. It can be used for reporting, discussions and interviews.
The ME 62 is particularly suitable for good reproduction of 'room' ambience
and 'spaced omni' stereo recording. Matt black, anodised, scratch-resistant finish.
Features
Omni-directional pick-up pattern
Minimal inherent self-noise
Excellent rejection of rumble, wind and handling noise
Wide frequency response
High maximum sound pressure level
Integral pop filter
Delivery Includes
1 ME 62
Technical Data
Pick-up pattern omni
Sensitivity in free field, no load (1kHz) 31 mV/Pa +- 2,5 dB
Nominal impedance 200 Ohm (K6)
Min. terminating impedance 1000 Ohm (K6)
Equivalent noise level 15 dB
Equivalent noise level weighted as per CCIR 468-3 27 dB
Dimensions d 22,5 x 94 mm
Weight 30 g
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Back-electret Microphone Capsule suitable for K6 and K6P Powering Modules. The ME 64 is a cardioid microphone capsule designed for use with the K6 and K6P powering modules. It has a very wide range of applications including reporting, interviews, dubbing, live sound reinforcement and recording applications. Matte black, anodized, scratch-resistant finish.
Features
Excellent directivity across whole frequency range
Very good feedback rejection
Effective rejection of incidental rear noise
High speech clarity
High maximum sound pressure level
Wide frequency range
Integrated pop filter
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