BEHRINGER MIC100 TUBE ULTRAGAIN VACUUM TUBE PREAMPLIFIER w-LIMIT

Original price was: €60.00.Current price is: €45.00. incl. GR VAT

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Vacuum Tube Mic Preamp. 12AX7 Vacuum Tube. +48V Phantom Power, 20dB Pad. This premium tube mic/line preamp features an integrated limiter for studio, live and hard disk recording applications. It features a carefully-selected 12AX7 vacuum tube with Behringer’s UTC technology for exceptional warmth and lowest noise. Using the MIC100 is a great way to eliminate […]

 

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Vacuum Tube Mic Preamp. 12AX7 Vacuum Tube. +48V Phantom Power, 20dB Pad.

This premium tube mic/line preamp features an integrated limiter for studio,
live and hard disk recording applications. It features a carefully-selected
12AX7 vacuum tube with Behringer’s UTC technology for exceptional warmth
and lowest noise. Using the MIC100 is a great way to eliminate the “dull”
sound of standard digital recorders & sound cards. Also, it perfectly
complements studio-grade condenser mics. When used as a high-end DI-box,
it ensures outstanding signal integrity. Features also include a phase reverse
switch, +48 V phantom power, a 20 dB pad, and balanced I/O.
The heart of the Tube Untragain is an extremely low-noise microphone preamp
circuitry that uses discrete components and produces a highly trans-parent
sound. In combination with Behringer’s tube technology, the operational amplifiers
4580 and a sophisticated circuit topology, the Tube Untragain yields excellent
noise and distortion properties. The innovative UTC circuitry that has been developed
by our engineering team offers an abundance of sound-shaping possibilities.
Absolute musicality was Behringer’s major goal when we designed the Tube
Untragain. The result is a device that, thanks to our tube circuitry, lends an
incredible punch to percussion instruments. On the other hand, instruments
that are rich in upper harmonics will receive more transparency. The sound
will be warm, detailed and brilliant.

Technical Description

Specifications
XLR input Connector: Balanced/unbalanced
Type: Transformerless, DC-decoupled input
Impedance: Approx. 2 kOhms
Maximum input level: +7 dBu / 20 dB with pad
1/4 in. TRS input Connector: Balanced/unbalanced
Type: Transformerless, DC-decoupled input
Impedance: Approx. 1 MOhms
Maximum input level: +16 dBu / 20 dB with pad
Audio outputs Connectors: XLR and 1/4 in. TRS connector balanced/unbalanced
Type: Transformerless, DC-decoupled output
Impedance:
Approx. 700 Ohms balanced
Approx. 350 Ohms unbalanced
Maximum output level: Approx. +26 dBu @ 100 k§?
System Frequency Response Mic input:

Weight 1.50 kg

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BEHRINGER MIC100 TUBE ULTRAGAIN VACUUM TUBE PREAMPLIFIER w-LIMIT removeAUDAC AUCPR12 Two-zone 10-channel stereo Preamplifier removeARX E-PRE ULTRA COMPACT MIC PREAMP FOR HD RECORDING removeBEHRINGER MIC2200 2-Channel Tube Microphone Preamplifier-Line Driver-DI Box removeAVALON AD2022 DUAL MONO PURE CLASSA PREAMPLIFIER removeEWI PDI-100 Para Acoustic DI Box PREAMP TONE CONTROL remove
NameBEHRINGER MIC100 TUBE ULTRAGAIN VACUUM TUBE PREAMPLIFIER w-LIMIT removeAUDAC AUCPR12 Two-zone 10-channel stereo Preamplifier removeARX E-PRE ULTRA COMPACT MIC PREAMP FOR HD RECORDING removeBEHRINGER MIC2200 2-Channel Tube Microphone Preamplifier-Line Driver-DI Box removeAVALON AD2022 DUAL MONO PURE CLASSA PREAMPLIFIER removeEWI PDI-100 Para Acoustic DI Box PREAMP TONE CONTROL remove
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SKUE005632AUCPR12E-PREE005316AD2022PDI-100
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Price Original price was: €60.00.Current price is: €45.00. incl. GR VAT Original price was: €513.36.Current price is: €487.31. incl. GR VAT Original price was: €193.43.Current price is: €162.49. incl. GR VAT Original price was: €187.19.Current price is: €166.00. incl. GR VAT Original price was: €3,528.46.Current price is: €3,528.46. incl. GR VAT Original price was: €191.53.Current price is: €130.19. incl. GR VAT
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Description
ContentVacuum Tube Mic Preamp. 12AX7 Vacuum Tube. +48V Phantom Power, 20dB Pad. This premium tube mic/line preamp features an integrated limiter for studio, live and hard disk recording applications. It features a carefully-selected 12AX7 vacuum tube with Behringer's UTC technology for exceptional warmth and lowest noise. Using the MIC100 is a great way to eliminate the "dull" sound of standard digital recorders & sound cards. Also, it perfectly complements studio-grade condenser mics. When used as a high-end DI-box, it ensures outstanding signal integrity. Features also include a phase reverse switch, +48 V phantom power, a 20 dB pad, and balanced I/O. The heart of the Tube Untragain is an extremely low-noise microphone preamp circuitry that uses discrete components and produces a highly trans-parent sound. In combination with Behringer's tube technology, the operational amplifiers 4580 and a sophisticated circuit topology, the Tube Untragain yields excellent noise and distortion properties. The innovative UTC circuitry that has been developed by our engineering team offers an abundance of sound-shaping possibilities. Absolute musicality was Behringer's major goal when we designed the Tube Untragain. The result is a device that, thanks to our tube circuitry, lends an incredible punch to percussion instruments. On the other hand, instruments that are rich in upper harmonics will receive more transparency. The sound will be warm, detailed and brilliant. Technical Description Specifications XLR input Connector: Balanced/unbalanced Type: Transformerless, DC-decoupled input Impedance: Approx. 2 kOhms Maximum input level: +7 dBu / 20 dB with pad 1/4 in. TRS input Connector: Balanced/unbalanced Type: Transformerless, DC-decoupled input Impedance: Approx. 1 MOhms Maximum input level: +16 dBu / 20 dB with pad Audio outputs Connectors: XLR and 1/4 in. TRS connector balanced/unbalanced Type: Transformerless, DC-decoupled output Impedance: Approx. 700 Ohms balanced Approx. 350 Ohms unbalanced Maximum output level: Approx. +26 dBu @ 100 k§? System Frequency Response Mic input:

The CPR12 is an easy to use, flexible and multifunctional 10 channel pre-amplifier. Six of these input channels are selectable between Mic / Line level and equipped with a 3 band tone control. The first two can be switched to priority and phantom power. The other four channels are direct line inputs.

Every input channel has its own gain and fader volume control with PFL button which makes it possible to pre-listen each input or output channel with the built-in pre-listening speaker, and can be routed to one or both output channels. This makes the CPR12 a full two-zone system.

Other present features are a priority input, a recording output, separate sub-out channels and the 24 V DC emergency power connection. This last feature makes it possible to power the CPR12 with emergency power when the main power is shut down. In this case, the priority input will automatically mute all input signals, and a evacuation message will be announced. The steel 19" housing has a height of 2 HE.


  • 10 audio input sources
  • 6 Mic / Line inputs with 3 band EQ
  • 4 Direct Line Inputs
  • Fader volume control
  • Two output zones
  • Built-in pre-listening speaker
  • Priority input for emergency situations
  • + 15 V DC Phantom power
  • Works on 24 V DC emergency power
Specifications
  • Model Name / Type: CPR12 / 10 channel 2 zone pre-amplifier
  • THD+N:
  • Signal/Noise: > 90 dB
  • Frequency Response: 20 Hz - 20 kHz
  • Phantom Power: + 15 V DC
  • Emergency Power: + 24 V DC
  • Power Supply: 100 - 240 V AC / 50 - 60 Hz
  • Dimensions (W x H x D): 420 x 88 x 320 mm

Features
Superlative sound
Studio quality mic preamp
Total control - Input Gain, EQ contour, Output Gain,
Overload indicator
Multiple output connectors
XLR/jack combo input 
Switchable 48 V DC Phantom Power for condenser Mics
Compact, computer friendly package
Needs no external power supply
 
ARX is proud to introduce the e-pre - the ultimate microphone pre-amp for
hard disk recording, designed by audio professionals, not computer engineers.
The all-new e-pre is so much a part of your system that it fits right into a spare
5?" slot in your computer case! It's the perfect tool for all your day-to-day
recording requirements. No equipment racks to plug in, no masses of cabling to
connect - the e-pre is ready and waiting when you need it.
The e-pre is a studio quality microphone pre-amp using the same internal components
as high end mixing consoles, built into a compact, computer friendly package.
It has controls for:
Input Gain - fully variable from 10dB through to 60dB to suit all types of microphones,
plus switchable 48 V Phantom Power to enable condenser microphones to deliver
their best.
A Contour control for EQ sweetening, providing fast, easy access to a whole range
of useful EQ curves
Output level control - fully variable to match the e-pre's output to the input of the sound
card. From -10dB consumer cards through to +4dB for professional sound cards, the
e-pre can handle it.
Multiple output connectors match up with any kind of sound card, including mini jacks,
standard jack, RCA (phono) plugs, and even a connector to link to the internal CD ROM
audio input of your sound card (if fitted).
We've even fitted a 12 VDC input connector on the rear to enable the e-pre to run from an
external power supply if required (eg for use with notebook computers or stand-alone use).

Any way you look at it, the e-pre by ARX is the total professional microphone pre-amp for
all your hard disk recording needs

e-pre Benefits
Professional Balanced XLR mic input
True 48v phantom power
Runs into the Line input of ANY sound card - uses the card you've already paid for
High headroom = clean recordings
Smart EQ
Compatible with non-computer audio equipment
Professional performance and specs in a user friendly package
 

T E C H N I C A L  S P E C I F I C A T I O N S
Input Impedance
Mic 2 K Ohms Balanced; XLR type Pin 1 Audio Ground, Pin 2 +, Pin 3-
Line 25 K Ohms Balanced, ?" TRS jack Tip +, Ring , Sleeve Audio Ground
Phantom Power Voltage Switchable +48 V DC on XLR Pins 2 and 3
Max Input Level Mic +15 dB, Line +20 dB
Input Gain 10 dB Minimum, variable to 60 dB Maximum
Output Level -10 dB variable through 0 dB to +4 dB
Overload Indicator Measured at all Gain points throughout the circuitry
Output Noise -90 dB Unweighted, -97 dB 'A' weighted
(Measured with Gain nominal 20 dB, Output level -10 dB)
Frequency Response 20 - 20 KHz ± 0.25 dB
Distortion
100 Hz 0.0085%
1 KHz 0.008%
10 KHz 0.0083%
(Measured with Mic Gain 20 dB, Output 0 dB)
Power Requirements 12 V DC from either computer supply or external supply
(external power supply not included in e-pre package)
Size 148mmW x 42mmH x 150mm D (5?“W x 1?H x 6“D)
Weight Under 1 Kilo (2.2 lbs)
 

Behringer MIC-2200 2-Channel Tube Microphone Preamplifier-Line Driver-DI Box

The MIC2200 is the ideal extension to your console, MIDI setup or hard disk recording system. Its integrated parametric EQ?s give you extra sound-shaping power, while its built-in tube adds warmth and transparency to your signal. In addition, the ULTRAGAIN PRO features direct injection and level conversion functionality.

The AD2022 is Avalon's fourth generation of fully discrete, symmetrical Pure
Class A microphone preamplifiers. The dual mono AD2022 includes the original
sonic capabilities and transparency of the M2, M22 and M5 preamplifiers plus
several additional features, including selectable microphone source loading for
optimized cable/mic matching, improved high-voltage Class A regulated power
supplies, two high Z instrument inputs, variable-passive high pass filter, teflon/
silver wiring and doubled plated circuit boards for superior low level signal transfer.
 
AD2022 FEATURES
Symmetrical Pure Class A design, two channels
Microphone and hi-Z instrument inputs
Gain switched 4dB steps plus +/- 3dB fine output trim 
Selectable microphone input impedance matching 
Low noise -126dB EIN
Ultra high quality, low-ratio, balanced input transformer
Balanced, high-current Class A output to +36dB
Large illuminated analog VU meters and twin peak LED's
Regulated phantom power supply +48v 
Input polarity phase reverse 
High headroom +36dB input before overload
Input -20dB pad for high level signals
Sealed silver relays for all signal routing
External AC 150w toroidal power chassis
Fully discrete Class A regulated audio power supplies
Deep, musical sound-stage, transparent amplification

MICROPHONE INPUT
The AD2022 incorporates the most advanced high-performance microphone
transformer available. Split low-ratio primary windings are carefully combined
within a custom mu-metal core for extended smooth frequency response and
very low distortion.  Sealer silver relays are used for minimal signal invasion. 
The input signal selector, high pass filter, polarity-phase reverse, +48v power
and the 20dB input attenuator all utilize local sealed relay operation. A variable
passive high pass filter provides a minimum phase shift design while eliminating
low frequency rumble, wind noise and mechanical vibration at sub sonic frequencies.

SYMMETRICAL PURE CLASS A DESIGN
Two 100% discrete, high-voltage, symmetrical Pure Class A signal amplifiers
are utilized per channel. The first operates in a cascaded-cascode FET
configuration while the second stage amplifier is fully bipolar. The twin amplifiers
share the total available gain requirement. This shared architecture increases
the high level headroom capability, improves transient response and doubles the
internal bandwidth of the ultra-high performance pure Class A signal amplifiers.
OUTPUT and METERING
High-current DC coupled, Class A discrete amplifiers are utilized for the output
drive interface with +36dB capability into all known loads.  Two large, high-quality
analog VU meters indicate accurate signal readings while bi-color LED's offers
peak indication at 0dB and +20dB.

AD2022 PREAMPLIFIER SPECIFICATIONS
 
Circuit Topology:  Twin cascode FET and bipolar low level signal amplifiers,
high-voltage, 100% discrete, symmetrical Pure Class A 
Input Type and Load:  Transformer balanced low-ratio, 50, 150, 600 and 1k5
ohm input load selection  
Maximum Mic Level:  +36dB balanced XLR pin 2 hot (with -20dB passive
attenuator) 
Maximum Instrument Level  +18dB at 100k ohms instrument input level,
standard mono 1/4 inch jack 
Input Attenuator:  -20dB resistive pre transformer primary, sealed silver relay 
Phantom Power:  +48v regulated 50mA capability, sealed silver relay 
High Pass Filter:  Passive, variable from 30Hz to 185Hz @ 6dB per octave,
sealed silver relay. 
Polarity Reverse:  Sealed silver relay on microphone input 
Gain Range Input:  +20dB to +64dB in 4dB steps 
Gain  Output Range:  +/- 3dB variable conductive plastic potentiometer 
Maximum Output Level:  +36dB balanced 600 ohms, DC coupled, discrete
symmetrical Pure Class A 
Output Type:  XLR connector, pin 2 hot 
Noise EIN Unweighted:  -126dB 150 ohm 
Noise 20kHz Unweighted:  -102dB 
Distortion THD, IMD:  0.05% nominal 
Frequency Response -3dB:  1Hz to 120kHz transformer limit 
System Bandwidth:  DC to 1MHz 
Output Meter:  High quality, illuminated analog VU meter 0dB = +4dB. 
Peak Meter:  Bi-color LED's 0dB and +20dB peak detection circuit. 
AC power supply B2T:  External toroidal 100V to 240V, 50-60Hz selectable,
150 watts maximum. 
Cables:  90V ac, 4 pin male power input connector, B2T required, internal
DC regulation  
Dimensions:  19 x 12 x 3.5 in (482 x 305 x 89mm) 
Weight:  15lbs (6.8kg) 
Dimensions - Shipping Carton:  24 x 21.5 x 7.5 in (610 x 546 x 190mm)  
Weight - Packed:  25lbs (11.4kg) 

EWI PDI-100 PARA ACOUSTIC DI Box   This is a medium grade professional application Para Acoustic Active DI, which will work well on instruments with passive pickups or active pickups.  The construction is reasonably rugged and the components are well suited for the application yielding results that are typically acceptable for all but the most discerning artists.    The on-board tone and volume controls give the operator a lot of choices in shaping their sound prior to sending the signal to the mix console.  This allows an artist to use this device in-place of or in addition to a traditional stage amp for their instrument.  This is an excellent choice for IEM bands, or bands that like to keep their stage volume low.   This item is typically used to split the instrument signal going to a stage amp so a feed can be sent also to the mix board, or be used as a stand-alone instrument pre-amp.  It is equipped with a ¼” jack for input, a 1/4" jack for output to a stage amp, one XLR jack for the send to the board and a TRS jack for inserting an FX device.Since this is an active D.I. box, it needs to be powered which can be done either with Phantom Power from the mix board, or with the supplied internal 9v battery.  The battery is fairly easy to change by removing one screw in the bottom of the case.

Weight1.50 kg6.80 kg1.00 kg4.20 kg11.40 kg0.50 kg
DimensionsN/AN/AN/AN/AN/AN/A
Additional information
Weight 1.50 kg
Weight 6.80 kg
Weight 1.00 kg
Weight 4.20 kg
Weight 11.40 kg
Weight 0.50 kg

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