| Content | The U-PHORIA UMC22 2x2 USB Audio Interface from Behringer is a 2x2 audio interface that is capable of tracking your audio with sampling rates up to 48 kHz. It features a single Midas-designed combo XLR/TRS microphone preamplifier with selectable 48-volt phantom power. Additionally, the UMC22 has a front-panel 1/4" instrument input. Its I/O is rounded up by 2 rear-panel 1/4" outputs and a front-panel 1/4" headphone output.
The UMC22 has selectable direct monitoring, and is housed in a metal chassis designed to be impact resistant. Behringer provides a free download of Tracktion 4 Audio Production software with registration.
Midas-Design Preamp
Behringer's sister company, Midas, developed the preamps for the UMC202 interface. Thanks to the available +48 V phantom power, you can even use condenser mics to create tracks
Monitoring
All U-PHORIA models provide headphone output with level control and direct monitor select, status, signal and clip LEDs, and are powered via your computer's USB port so they're ready to go wherever you go
Tracktion 4 Software Download
When you register your UMC22, Behringer provide you with a complimentary download code for the full version of Tracktion 4 digital audio workstation software, with 150 instrument/effect plug-ins
Up to 48 kHz resolution
Compatible with recording software including Avid Pro Tools, Ableton Live, Steinberg Cubase, and others
Streams 2 inputs / 2 outputs with low latency to your computer, supporting Mac OS X and Windows XP or higher
USB port for connection and power
Impact-resistant metal chassis
Behringer UMC 22 Specs
Interface
| Channels of I/O |
2 Inputs / 2 Output |
| Max Sample Rate/Resolution |
48 kHz / 24-Bit |
| Display and Indicators |
2 x LED (Signal)
2 x LED (Clip)
1 x LED (+48V)
1 x LED (Power) |
Connectivity
| Host Connection |
1 x USB Type-B (USB 2.0) |
| Analog I/O |
1 x Combo XLR-1/4" Mic/Line Input
1 x 1/4" Hi-Z Input
2 x 1/4" TRS Monitor Output
1 x 1/4" TRS Headphone Output |
| Phantom Power |
+48 V, Selectable On/Off |
| Digital I/O |
None |
| MIDI I/O |
None |
| Memory Card Slot |
None |
Performance
| Frequency Response |
Inputs, Outputs:
10 Hz to 30 kHz +0/-0.5 dB
Interface:
10 Hz to 30 kHz +0/-3 dB |
| Max Input Level |
Mic Inputs:
+2 dBu
Line Inputs:
+22 dBu
Hi-Z Inputs:
+2 dBu |
| Max Output Level |
0 dBu |
| Dynamic Range |
100 dBA |
| Impedance |
Mic Inputs:
3 Kilohms
Hi-Z Inputs:
1 Megohm |
Digital Audio
| Sample Rates |
32, 44.1, 48 kHz |
| Latency |
Zero-Latency Direct Monitoring |
Compatibility
| OS Compatibility |
macOS 10 or Later
Windows XP or Later |
Power
| Power Requirements |
USB Bus-Power |
| Power Consumption |
2.5 W (Maximum) |
Physical
| Anti-Theft Features |
Kensington Security Slot |
| Dimensions |
6.4 x 4.9 x 1.8" / 162.56 x 124.46 x 45.72 mm |
| Weight |
1.1 lb / 0.5 kg |
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UA-20: Audio Capture USB Audio/MIDI Interface
Features
The UA-20 is the standard model to Edirol's rapidly expanding UA series of USB Audio Capture devices. The unit can accept input from Mic, Line and even guitar level signals. The audio is converted at 24-bit quality and is transferred to your computer via industry standard low latency WDM, ASIO, MME drivers for compatibility with all major sequencing platforms, the input signal may be also monitored directly in hardware. Outputs include analogue, digital and headphone. The built-in MIDI in and out utilize Edirol's Fast Processing Technology for super accurate MIDI timing with any sequencing software on Mac or PC platforms and can be used with both OMS or FreeMIDI drivers on the Apple Macintosh. The UA-20 requires no external power supply and is ideal for use by mobile laptop or Powerbook users. The unit ships with drivers for Windows XP, 2000, Me, 98, MacOS X, and Mac OS 9.x, 8.5 and may also be used with the native USB audio drivers that are included with both Mac & PC.
- Audio and MIDI in a compact unit.
- Fully equipped with I/O jacks.
- Great tool for creating music.
- Edirol's FPT Technology.
Record1 pair of stereoPlayback1 pair of stereoSignal ProcessingPC interface24 bitSampling RateDigital output44.1 kHzNominal Input Level-45 – -10 dBuInput ImpedanceLINE22 k ohmsGUITAR470 k ohmsMIC22 k ohmsNominal Output Level-10 dBuOutput Impedance1 k ohmsResidual Noise LevelMaster Out-105 dBu or less
(input terminated with 1 k ohm, Master Volume = max.,
Input Monitor = off, IHF-A, typ.)InterfaceUSB
Digital output (Optical Type , conforms to S/P DIF)ConnectorsInput Jack (1/4 inch phone type) x 2
Digital Out Connector (Optical type)
Headphones Jack (Stereo miniature phone type)
Master Out Jack (RCA phono type)
MIDI ConnectorsOthersPower SupplySupplied from the computerCurrent Draw170 mAAccessoriesOwnerʼs Manual
USB cable
CD-ROMSize and WeightWidth149 mm5-7/8 inchesDepth111 mm4-3/8 inchesHeight43 mm1-11/16 inchesWeight0.2 kg0 lbs. 8 oz.
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The all new 896mk3 FireWire audio interface delivers high-end performance, superb sound, innovative new features and enhanced standard features that remain unique.
The 896mk3 provides eight channels of pristine 24-bit 192 kHz analog recording and playback, combined with sixteen channels of optical digital I/O, stereo AES/EBU, S/PDIF and separate analog main outs. Expand your system by connecting the 8pre mic input expander or other MOTU audio interfaces.
The 896mk3 is equally well-suited for studio and stage, with or without a computer. As an interface or standalone mixer, the 896mk3 provides 28 separate inputs and 32 separate outputs, including dedicated main outs on XLRs and two front panel headphone outs.
Connect all of your studio gear, including microphones, guitars, synths, keyboards, drum machines and even effects processors. Record, monitor, route and process all of these live inputs using the professional on-board CueMix FX digital mixer – with no latency and no processor strain on your computer. Apply hardware DSP-driven effects processing to inputs, outputs, and busses independent of your host computer. Add Classic Reverb™ with lengths up to 60 seconds. Further sculpt your sound with 7-band parametric EQ featuring filter types carefully modeled after British analog console EQs. Choose between two forms of compression: a conventional compressor and the Leveler™, an accurate model of the legendary LA-2A™ optical compressor that provides vintage, musical automatic gain control.
MOTU FireWire audio interfaces are fully compatible with FireWire 800-equipped Macs. All you need is a standard FireWire 400-to-800 cable. Just plug in and go. The FireWire bus operates at 400 Mb/sec, providing the same high speed, low latency and rock solid reliability that MOTU FireWire interfaces are known for.
When recording from the mic/guitar inputs, the 896mk3ʼs signal overload protection gives you an extra 12 dB of headroom above zero with no clipping or harsh artifacts.
After programming the on-board mixing in the studio, unplug the 896mk3 from the computer and take it on the road for operation as a stand-alone mixer with effects. All mixing and effects parameters are adjustable using the front panel backlit LCD.
The 896mk3 provides cross-platform compatibility with Mac and Windows and all of your favorite audio software and host-based effects via WDM/ASIO/Core Audio drivers. Or you can use the included AudioDesk workstation software for Mac, with 24-bit recording/editing and 32-bit mixing/processing/mastering.
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nio 2 | 4 is a 2 In / 4 Out mobile USB interface for the modern music maker. Nio 2 | 4 features Novationʼs unique ʽDirect FXʼ technology, placing a powerful multi-effects engine within nio 2 | 4ʼs custom drivers. These effects rest close to the core of your computer, working independently of other software and providing powerful ultra-low latency effects for hassle-free, real time jamming and recording. This same unique environment ensures rock-solid, lightning-fast performance, making it the ideal interface solution for home recording, live performing and DJʼing alike; one size fits all. With two headphones outputs, itʼs also an ideal solution for the classroom environment.
Specifications
Audio Interfacing
Inputs:- 1 XLR (with phantom power)
- 1 TS Jack
- 2 RCA Phono
- Two inputs simultaneously only - either stereo RCA phono or the XLR and Jack
Outputs:- 4 RCA Phono
- 2 stereo 1/4" Headphones Jacks
Digital Audio:- 44.1/48kHz sample rate
- 24-bit resolution
Other interfacing
System requirements- Operating system: Mac OSX 10.3.9 or greater (Leopard also supported) or Windows XP with Service Pack 2 or greater (Vista 32/64 also supported)
- Minimum Computer spec: Mac - G3/600MHz or G4/667MHz, both with 256MB RAM or PC - Pentium 3/500MHz/256MB RAM (machines running Vista will require a higher spec)
Interfacing: USB 1.1 compatible USB connector (also compatible with USB 2.0), 28/24 awg USB cable recommended
Weights and Dimensions- 633g
- 45.4mm (H) x 144mm (W) x 149mm (D)
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Features:
USB 2.0 Desktop Recording Studio
44.1kHz to 96kHz sample rates, 24-bit resolution
Pantheon II VST/AU reverb plug-in with 6 legendary Lexicon reverbs
dbx® 60V high-voltage, ultra-low noise microphone preamps
Superior sonic performance
2 analog combi-jacks for mic/line inputs
2 analog 1/4" TRS balanced outputs
Zero latency monitoring
Low latency ASIO drivers
Streamlined monitor form factor puts all recording controls at your fingertips
Separate level meters and gain control per channel
1 side panel 1/4" instrument input
1 side panel headphone output with dedicated volume adjustment
MIDI in and out
Technical Specifications
Microphone Inputs: Female XLR Pin 2 Hot
Input Impedance: 3kΩ balanced
Phantom Power: +48 Volts
Maximum gain: +58 dB
E.I.N. (at max gain): -125 dBu @ 58dB gain typical (150Ω source) -129 dBu @ 58dB gain typical A-weighted (150Ω source)
Maximum Input Level: +21 dBu at minimum gain
Frequency Response: +0/-1 dB, 20Hz - 20kHz
THD+N: +18 dBu maximum
Impedance: 32Ω Balanced, 16Ω Unbalanced
Headphone Output: 1/4" stereo jack 350mW per channel at 50Ω
MIDI Interface: 5 pin DIN connectors for MIDI in and MIDI out (5 volt signal)
Sample Rate: 44.1, 48, 88.2, or 96 kHz (determined by computer application)
Dynamic Range: A/D (24 Bit) 108 dB typical, A-weighted, 20Hz - 20kHz
(44.1 kHz sample rate)
D/A (24 Bit) 110 dB typical, A-weighted, 20Hz - 20kHz
A/D/A (24 Bit) 102 dB typical, A-weighted, 20Hz - 20kHz
Power Requirements: 12W 9VAC
Power adaptors available for:
US and Canada: 120 VAC, 60 Hz Adapter: PS0913B - 120
Japan: 100 VAC, 50/60 Hz Adapter: PS0913B - 100
Europe: 230 VAC, 50 Hz Adapter: PS0913B - 230
UK: 240 VAC, 50 Hz Adapter: PS0913B - 240
Australia: 240 VAC, 50 Hz Adapter: PS0913B - 240-AU
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![]() | ![]() | ![]() | 8 channels of premium 24-bit 192K AD/DA conversion | | | ![]() | ![]() | 4 digitally controlled 75db microphone preamps | | | ![]() | ![]() | 2 fully balanced inserts on mic pre channels | | | ![]() | ![]() | 4 Hi-Z instrument inputs capable of handling high level instruments | | | ![]() | ![]() | 2 individual, controllable and assignable high level headphone outputs | | | ![]() | ![]() | 2, 6 or 8 channel monitor outputs | | | | ![]() | 8 channels of ADAT I/O | | | | ![]() | FireWire 400 I/O, compatible with OS X Core Audio (no driver required) | | | | ![]() | 2 channels of SPDIF I/O | | | | ![]() | “Soft Limit” for maximum digital input level without overs | | | | ![]() | “UV22HR” for superior dither of 24 bit resolution down to 16-bit | | | | ![]() | Advanced, dual-stage "Intelliclock” | | | | ![]() | Complete integration and control with Appleʼs Logic Pro Software | | | | ![]() | Compatibility with any CoreAudio software applications | | | | ![]() | Apogeeʼs Maestro Software for advanced control and routing outside of Logic Pro |
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