| Content | The U-PHORIA UMC22 2x2 USB Audio Interface from Behringer is a 2x2 audio interface that is capable of tracking your audio with sampling rates up to 48 kHz. It features a single Midas-designed combo XLR/TRS microphone preamplifier with selectable 48-volt phantom power. Additionally, the UMC22 has a front-panel 1/4" instrument input. Its I/O is rounded up by 2 rear-panel 1/4" outputs and a front-panel 1/4" headphone output.
The UMC22 has selectable direct monitoring, and is housed in a metal chassis designed to be impact resistant. Behringer provides a free download of Tracktion 4 Audio Production software with registration.
Midas-Design Preamp
Behringer's sister company, Midas, developed the preamps for the UMC202 interface. Thanks to the available +48 V phantom power, you can even use condenser mics to create tracks
Monitoring
All U-PHORIA models provide headphone output with level control and direct monitor select, status, signal and clip LEDs, and are powered via your computer's USB port so they're ready to go wherever you go
Tracktion 4 Software Download
When you register your UMC22, Behringer provide you with a complimentary download code for the full version of Tracktion 4 digital audio workstation software, with 150 instrument/effect plug-ins
Up to 48 kHz resolution
Compatible with recording software including Avid Pro Tools, Ableton Live, Steinberg Cubase, and others
Streams 2 inputs / 2 outputs with low latency to your computer, supporting Mac OS X and Windows XP or higher
USB port for connection and power
Impact-resistant metal chassis
Behringer UMC 22 Specs
Interface
| Channels of I/O |
2 Inputs / 2 Output |
| Max Sample Rate/Resolution |
48 kHz / 24-Bit |
| Display and Indicators |
2 x LED (Signal)
2 x LED (Clip)
1 x LED (+48V)
1 x LED (Power) |
Connectivity
| Host Connection |
1 x USB Type-B (USB 2.0) |
| Analog I/O |
1 x Combo XLR-1/4" Mic/Line Input
1 x 1/4" Hi-Z Input
2 x 1/4" TRS Monitor Output
1 x 1/4" TRS Headphone Output |
| Phantom Power |
+48 V, Selectable On/Off |
| Digital I/O |
None |
| MIDI I/O |
None |
| Memory Card Slot |
None |
Performance
| Frequency Response |
Inputs, Outputs:
10 Hz to 30 kHz +0/-0.5 dB
Interface:
10 Hz to 30 kHz +0/-3 dB |
| Max Input Level |
Mic Inputs:
+2 dBu
Line Inputs:
+22 dBu
Hi-Z Inputs:
+2 dBu |
| Max Output Level |
0 dBu |
| Dynamic Range |
100 dBA |
| Impedance |
Mic Inputs:
3 Kilohms
Hi-Z Inputs:
1 Megohm |
Digital Audio
| Sample Rates |
32, 44.1, 48 kHz |
| Latency |
Zero-Latency Direct Monitoring |
Compatibility
| OS Compatibility |
macOS 10 or Later
Windows XP or Later |
Power
| Power Requirements |
USB Bus-Power |
| Power Consumption |
2.5 W (Maximum) |
Physical
| Anti-Theft Features |
Kensington Security Slot |
| Dimensions |
6.4 x 4.9 x 1.8" / 162.56 x 124.46 x 45.72 mm |
| Weight |
1.1 lb / 0.5 kg |
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The Yamaha GO44 is a mobile audio solution that features high quality line
inputs/outputs and worldclass MIDI and audio recording software enabling
professional quality recording to a computer in a very compact package that
can be carried and used virtually anyway.
The Yamaha GO44 boasts up to 24-bit/192kHz resolution on the analog inputs/
outputs - the best in its class - and 24-bit/96kHz on the digital I/O. This pro-level
quality makes the Yamaha GO44 perfect for any type of recording, and allows
you to capture the full details and nuances of the original source - from the
breathiness of a vocal to the delicate finger slides of an acoustic guitar performance.
The Yamaha GO44 features 4-in/4-out multi-channel audio, with two analog phone
jack terminals for both input and output, and special S/P DIF coaxial terminals for
two-channel digital in/out. This device is simple and easy to use, yet provides high-quality
recording capability - perfect not only for those who want to create music, but also
for those who want an audio playback system for their computer that delivers
outstanding sound quality.
The digital outputs on the Yamaha GO44 are compatible with the AC-3 and DTS
surround sound formats. Simply connect a surround compatible amplifier/speaker
setup, and enjoy the powerful sonic experience of surround sound.
Yamaha GO44 Features:
FireWire audio interface
Durable aluminum die cast body
Simple, small and light weight
2 x Balanced Line inputs / outputs
Headphones output on Front Panel
1 MIDI In /1 MIDI Out
S/P DIF In/Out up to 24 bit/96 kHz
24 Bit/192 kHz compatible
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The UA-1G is a compact 1 x 1 USB Audio Interface that offers excellent-quality sound via multiple connection options and a simple, user-friendly design.
- Stereo input and output at 24-bit/96kHz audio quality
- High-end A/D and D/A converters for accurate recording and playback
- Large Input Level knob for easy control while recording
- 1/4" jack with Hi-Z option for recording electric guitar or bass
- Electret condenser mic input
- RCA phono type and optical-digital audio I/O
- Headphone output
- USB powered – no AC adapter required
- SONAR LE for music recording, editing, and publishing on PC
- Low-latency ASIO 2.0 (PC); WDM (Windows Vista, Windows XP) and Core Audio (Mac OS X) support
| Number of Audio Record/Playback Channels | Record: 1 pair of stereo
Play: 1 pair of stereo
REC SOURCE switch = ANALOG: Full duplex (except for 96 kHz setting)
REC SOURCE switch = DIGITAL: Recording only |
|---|
| Signal Processing | PC interface: 24 bits
AD/DA Conversion: 24 bits (linear)
* ADVANCE DRIVER switch = OFF: 16 bits |
|---|
| Sampling Frequency | Digital output: 32/44.1/48/96 kHz
Digital input: 32/44.1/48/96 kHz
AD/DA Conversion: 32/44.1/48/96 kHz
* ADVANCE DRIVER switch = OFF: 32/44.1/48 kHz
|
|---|
| Nominal Input Level | Line input jacks: -10 to +4 dBu
Guiter input jakcs: -30 to -16dBu
Mic input jack: -40 to -26 dBu
|
|---|
| Nominal Output Level | Line output jacks: -10 dBu |
|---|
| Interface | USB Digital input (Optical mini type)
* The same jack serves as both the Mic Input jack and digital input connector.
Digital output (Optical mini type)
* The same jack serves as both the headphones jack and digital output connector.
* conforms to IEC60958 consumer format. |
|---|
| Controllers | ADVANCED DRIVER Switch
Guiter/Mic Switch
INPUT VOLUME knob
PHONES VOLUME Dial
SAMPLE RATE Switch
96kHz MODE Switch
INPUT MONITOR Switch
REC SOURCE Switch |
|---|
| Connectors | USB Connector (B type)
Line Input jacks (L, R) (RCA phono type)
Line Output jacks (L, R) (RCA phono type)
Guiter/Mic Input jack: （1/4 inch phone type)
Mic Input jack (Plug-in powered miniature phone type)
Digital Intput connector (Optical mini type)
* The same jack serves as both the headphones jack and digital output connector.
Headphones jack (Stereo miniature phone type)
Digital Output connector (Optical mini type)
* The same jack serves as both the Mic Input jack and digital input connector. |
|---|
| Power Supply | Supplied from the computer |
|---|
| Current Draw | 200 mA |
|---|
| Accessories | Ownerʼs Manual, UA-1G CD-ROM, SONAR LE CD-ROM |
|---|
| Size and Weight |
|---|
| Width | |
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| Depth | |
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| Height | |
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| Weight | |
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Computer Based Recording Packages
Computer-Based Recording Packages For All Players Of Musical Instruments
The AUDIOGRAM Series has been carefully designed to make setting up your computer-based recording environment an absolute breeze. Coming as a complete kit, the AUDIOGRAM6 and AUDIOGRAM3 each bundle together a hardware interface that adds audio inputs and outputs to your computer, software for recording and producing music, and a USB cable for connecting the audio interface. As such, either package will instantly turn your computer into a powerful yet intuitive tool for recording and editing audio from virtually any microphone or audio input device. What's more, setup is as easy as installing the bundled music-production application, CUBASE AI, on your computer and connecting the audio interface using the USB cable provided! You're then ready to connect instruments, microphones, CD players, MP3 players, and even old record or tape players for recording straight into CUBASE AI.
Size/Weight
| Dimensions | Width | 170mm (6-3/4“) | | Height | 59mm (2-3/8“) | | Depth | 192mm (7-5/8“) | | Weight | Weight | 770g (1.7 lbs.) |
General Specifications
| Sampling Frequency Rate | USB AUDIO 1.1, 16bit/44.1kHz |
Effects
| Types | Dynamic | 1-knob Compressor (COMP) x 2 |
Storage and Connectivity
| Connectivity | Headphones | Stereo Phone connector x 1 | | Microphone | Mic/Hi-Z input x 2 | | LINE IN | Phone connector x 4 (L/MONO x 2, R x 2) | | LINE OUT | Phone connector x 2 (L, R) | | USB TO HOST | USB (TO HOST) |
Power Supply
System Requirements
| Windows | PC | Windows-based computer with built-in USB interface Windows-based computer with built-in USB interface | | CPU | 1 GHz or better Intel Core / Pentium / Celeron processor 750 MHz or better Intel Core / Pentium / Celeron processor | | Support OS | Windows Vista / Windows XP Professional / XP Home Edition | | Memory | More than 1 GB More than 128 MB | | Macintosh | PC | Macintosh computer with built-in USB interface | | CPU | Intel CPU / Macintosh G3 processor 300 MHz or better | | Support OS | Mac OS X 10.3.3 or higher | | Memory | More than 128 MB |
Accessories | Included Accessories | Cable | USB Cable | | Others | CUBASE AI DVD, Owners Manual |
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System Requirements
Mac PC
* Mac OS X 10.5.8 (Leopard) or 10.6.1-10.6.4 (Snow Leopard)
* 1 GB RAM (2 GB recommended)
* 6 GB free disk space
* Intel® processor (no PowerPC® support)
* One FireWire port
* Windows® XP 32-bit SP3, Windows Vista® 32-bit SP2, Windows 7 32-bit, or Windows 7 64-bit
* 1 GB RAM (2 GB recommended)
* 5 GB free disk space
* One FireWire port
Compatibility
ASIO, Core Audio, WDM, MME, and multi-client drivers
Mbox Pro Hardware
Pro Tools Mbox Pro
Mbox® Pro is the ultimate high-definition recording interface, packing a wide range of analog and digital I/O connections into a desktop audio workstation.
* Compatible with most major audio software (Pro Tools LE®, Logic, Live, Cubase, and more)
* FireWire connection
* Professional-grade circuitry and converters deliver exceptional audio performance
* Up to 24-bit, 192 kHz sample rates*
* Soft-clip limiter lets you track hot signals without clipping—providing a classic overdriven tape saturation sound
* Built-in guitar tuner
* Onboard DSP offers flexible cue mixing and reverb effects
* Assignable Pro Tools multi-function button on interface gives you fast access to software functions
* Connect up to three pairs of monitors or do 5.1 surround mixing**
* Hardware configuration:
o 8 x 8 simultaneous channels of I/O
o 4 mic inputs with 48 V phantom power and high pass filter (2 XLR/DI combo, 2 XLR)
o 4 1/4" TRS line inputs
o 2 unbalanced Alt line inputs (2 RCA, 1 mini 1/8”)
o 6 1/4" TRS balanced line outputs
o 2 discrete 1/4” stereo headphone outputs with separate volume controls
o Stereo S/PDIF digital I/O
o 1 MIDI input, 1 MIDI output
o Word clock I/O
o Monitor control section with Mono, Mute, Dim, Alt Source, and Speaker A/B/C switching controls
o Dedicated monitor volume knob
* Up to 96 kHz sample rates supported with Pro Tools LE software.
** Mixing 5.1 surround sound in Pro Tools LE requires Complete Production Toolkit
Pro Tools LE Software
Pro Tools 8 Software
The Pro Tools software platform is used in professional studios around the world, and includes all the tools you need to easily compose, record, edit, mix, and master your projects with pro results—every time.
Key Features
* Award-winning Pro Tools recording, editing, and mixing
* 48 simultaneous stereo audio tracks (expandable with Toolkit options)
* Includes over 70 professional effects and virtual instruments
* Professional MIDI sequencing with dedicated MIDI Editor window
* Integrated Score Editor based on award-winning Sibelius notation software
* Full Elastic Time and Elastic Pitch to easily adjust timing and pitch on your tracks
* Unique Beat Detective LE automatic groove analysis and correction tool
* ReWire support for streaming your favorite applications right into Pro Tools
* Huge selection of compatible third-party plug-ins and software options
* Works on Windows and Mac computers
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The 828mk3 is MOTU's most advanced FireWire audio interface. Once again it raises the bar with innovative new features, enhanced standard features that remain unique, superb sound and reliable performance.
The 828mk3 provides ten channels of pristine 192 kHz analog recording and playback, combined with sixteen channels of ADAT digital I/O and stereo S/PDIF. Expand your system by connecting additional MOTU FireWire audio interfaces or the 8pre mic input expander.
The 828mk3 is equally well-suited for studio and stage, with or without a computer. As an interface or standalone mixer, the 828mk3 provides 28 separate inputs and 30 separate outputs, including dedicated main outs on XLRs and two front panel headphone outs.
Connect all of your studio gear, including microphones, guitars, synths, keyboards, drum machines and even effects processors. Record, monitor, route and process all of these live inputs using the professional on-board CueMix FX digital mixer – with no latency and no processor strain on your computer. Apply hardware DSP-driven compression, EQ and reverb to every input and output, independent of your host computer. When recording from the mic/guitar inputs, the 828mk3ʼs signal overload protection gives you an extra 12 dB of headroom above zero with no digital clipping or harsh artifacts.
MOTU FireWire audio interfaces are fully compatible with FireWire 800-equipped Macs. All you need is a standard FireWire 400-to-800 cable. Just plug in and go. The FireWire bus operates at 400 Mb/sec, providing the same high speed, low latency and rock solid reliability that MOTU FireWire interfaces are known for.
After programming the on-board mixing in the studio, unplug the 828mk3 from the computer and take it on the road for operation as a stand-alone mixer with effects. All mixing and effects parameters are adjustable using the front panel backlit LCD.
The 828mk3 provides cross-platform compatibility with Mac and Windows and all of your favorite audio software and host-based effects via WDM/ASIO/Core Audio drivers. Or you can use the included AudioDesk workstation software for Mac, with 24-bit recording/editing and 32-bit mixing/processing/mastering.
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