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APPLICATIONS Particularly suited to the female vocal range, the Opus 81 stays feedback free with even the subtlest vocal tones. One of the ?new-breed? of microphones with an even, smooth response suitable for performers that require a really responsive microphone over the frequency range.
FEATURES: ? Condenser microphone, cardioid polar pattern ? 12 ? 48 V phantom powering ? High SPL capability: max 138dB ? Rugged and stylish design
SPECIFICATIONS: Condenser (back electret) Frequency response 50 - 18,000 Hz Cardioid Max. SPL at 1 kHz 138 dB Open circuit voltage 3.2 mV/Pa |
The super-cardioid e 614 is a permantly polarized condenser microphone
designed for demanding applications which require a wide frequency response,
high SPL, fast transient response and a compact design. With its frequency
response of 40 Hz to 20 kHz, the e 614 is able to capture the full sound of the
instrument, while its super-cardioid pick-up pattern isolates the microphone
from other on-stage signals.
An excellent microphone for percussion instruments, the e 614 is also an ideal
choice for woodwind and string instruments. Its excellent acoustic properties
also make it a valuable tool for home recording.
Features
Rugged design Effective rejection of incidental rear noise Excellent directivity
across the whole frequency range Full, natural sound High maximum sound
pressure level
Wide frequency response
Delivery Includes
Microphone pouch
Microphone clip MZQ 100
Technical Data
Frequency response 40 Hz ... 20 kHz
Transducer principle permanently polarized condenser
Pick-up pattern supercardioid
Sensitivity in free field, no load (1kHz) 3 mV/Pa = - 50dB (0 dB = 1 V/Pa)
Nominal impedance 50 Ohm
Min. terminating impedance 1 kOhm
Maximum sound pressure level (passiv) 139 dB/SPL
Equivalent noise level 24 dB(A)
Equivalent noise level weighted as per CCIR 468-3 35 dB
Dimensions ? 20mm, L = 100mm
Weight w/o cable 93 g
| Specifically designed for cymbal and overhead miking, the frequency response of the C 430 ensures a unique crisp sound. With its extremely compact external dimensions, this microphone will keep a low profile on the drum kit without compromising audio quality. Response is 20-20kHz, with 126dB max SPL, and requires phantom power.
Specifications
Polar Pattern: cardioid
Frequency Response: 20?20.000 Hz
Sensitivity: 7 mV/Pa=-43 dBV to 1 V/Pa
Max. SPL for 1% / 3% THD: 126/130 dB SPL
Equivalent Noise Level: 33 dB to DIN 45 412
Electrical Impedance: 200 ohms
Recommended Load Impedance: >2.000 ohms
Power Requirement: 9 to 52 volts universal phantom power
Current Consumption: approx. 2 mA
Connector : 3-pin XLR
Cable Length: 1.5 m (5 ft.)
Finish: matte black
Size : dia.: 19 mm (0.7 in.), length: 79 mm (3.1 in.)
Net / Shipping Weight: 23/192 g (0.8/6,8 oz.)
Optional Accessorires: B15, B18 |
C 568 B
Compact, short shotgun microphone
Integrated, switchable bass cut filter minimizes mechanical noise
Operates on phantom power
High directivity and wide frequency response in a relatively short shotgun make this
microphone a perfect tool for theater, sound reinforcement, and film/TV applications.
Due to its compact and lightweight design, the C 568 B is ideal for camera mount
applications. Below 500 Hz it functions as a hypercardioid microphone; above 500 Hz
the acoustic interference tube introduces increasing directivity. A switchable 12 dB/
octave 120 Hz bass cut filter effectively suppresses rumble and wind noise. The rugged,
all-metal body contains the built-in preamp. Phantom powering (9?52 V) required; foam
windscreen and stand adapter included.
SPECIFICATIONS:
Polar pattern hypercardioid/directional
Frequency range 20 to 20,000 Hz
Sensitivity 11 mV/Pa (-39 dBV)
Max. SPL 128 dB
Equivalent noise level (CCIR 468-3) 29 dB
Equivalent noise level 18 dB-A
Signal/noise ratio 76 dB
Bass filter 12 dB/octave at 120 Hz
Impedance 600 ohms
Recommended load impedance >2000 ohms
Supply voltage 9 to 52 V phantom power to DIN 45596
Current consumption |
The Shure Model VP88 is a single-point, stereo condenser microphone for use in professional studio recording, field production, electronic news gathering (ENG), and studio broadcasting applications. It combines two condenser cartridges in a single housing to create a stereo audio image of the sound source. It is unique in its ability to capture the realism of a live event and yet withstand rigorous field production environments.
The VP88 uses a mid-side (M-S) configuration. One microphone cartridge (Mid) faces forward to capture on-axis sound using a cardioid pickup pattern. The other microphone cartridge (Side) is bi-directional, capturing sound from either side. The VP88 contains an internal M-S matrix with three settings for different degrees of stereo image seperation. The internal matrix can be bypassed if an external matrix is used or if stereo imaging is done in post-production. Switches on the top of the microphone control output mode, stereo imaging, low-frequency rolloff settings, and battery on/off.
The VP88 can operate on phantom power or an internal 6V battery. The VP88 is supplied with a multi-connector "Y-splitter" cable, foam windscreen, swivel stand adapter, 6-volt battery, and zippered carrying/storage bag. Optional accessories include an isolation mount, a 7.6 m (25 ft) microphone extension cable, a phantom power supply, and a 4.3 m (14 ft) microphone stand.
- Time-coherent, Mid-Side (M-S) design for optimal stereo imaging
- Built-in stereo matrix for direct control of the stereo spread; direct M-S outputs available
- Mono compatibility ideal for broadcast applications
- 40 to 20,000 Hz frequency response
- Low noise and distortion
- Wide dynamic range
- Switch-selectable, low-frequency rolloff (12 dB/octave below 80 Hz) for reduced pickup of ambient noise and stand vibration
- Operates on phantom power or a 6V camera battery
- LED power indicator
- Internal shock mount for reduced stand vibration and handling noise
- Built-in "pop" screen
- Includes windscreen, swivel adapter, and Y-cable
| The NT5 matched pairs are a masterpiece of small-diaphragm cardioid-
condenser microphone design.Intended for recording acoustic instruments,
drum overheads, cymbals and live performances, the compact externally
polarized mic employs a .5? capsule, an active J-FET impedance converter
with bipolar output buffer.
Finished in durable satin nickel, the NT5 is intended for either single or stereo
X/Y mic set-ups. The NT5 matched pairs comesupplied in a custom carry case
with windshields and mounts.
SPECIFICATIONS:
Acoustic principle: Externally polarised single diaphragm
Directional pattern: Cardioid
Frequency range: 20Hz - 20kHz
Output impedance: 100?
Signal noise ratio din iec 651: 78dB
Equvalent noise: Maximum spl: 143 dB @ 1% THD into 1k_
Sensitivity:
-38 dB re 1v/Pa ± 2 dB equivalent to 12mV/Pa where 1 Pa = 94dBSPL
Power supply voltage: P48 Supply (38V?52V), P24 Supply (20V-26V)
Current consumption: 4 mA, 2 mA,
Weight: 100g |
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