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APPLICATIONS
Particularly suited to the female vocal range, the Opus 81 stays feedback free with even
the subtlest vocal tones. One of the ?new-breed? of microphones with an even, smooth
response suitable for performers that require a really responsive microphone over the
frequency range.
FEATURES:
? Condenser microphone, cardioid polar pattern
? 12 ? 48 V phantom powering
? High SPL capability: max 138dB
? Rugged and stylish design
SPECIFICATIONS:
Condenser (back electret)
Frequency response 50 - 18,000 Hz
Cardioid
Max. SPL at 1 kHz 138 dB
Open circuit voltage 3.2 mV/Pa | AKG C411L Ultralight Condenser Microphone
- Ultra-light vibration pickup
- Condenser transducer in sealed enclosure
- Cable with lockable miniature XLR connector
Weighing only 18 grams (0.6 oz.), this ultra-light condenser pickup is ideal for acoustic guitar, mandolin, violin, and most other stringed instruments. The C 411 will give a clear and uncolored sound without changing the balance of the instrument. Attaching the C 411 on or near the bridge or anywhere else on the instrument is easy with the included non-marring, reusable, solventfree adhesive compound.
C 411 L: With mini XLR connector for use with B 29 L battery operated power supply, MPA V L external phantom power adapter, or AKG WMS bodypack transmitters.
| Frequency range |
10 to 18,000 Hz |
| Max. SPL |
100 dB (for 1% THD) |
| Impedance |
200 ohms unbalanced |
| Recommended load impedance |
>=1000 ohms |
| Supply voltage |
9 to 52 V phantom power to DIN 45596 or battery powering from B 29 L or AKG bodypack transmitter |
| Current consumption |
approx. 2.2 mA |
| Connector |
C 411 L: 3-pin mini XLR |
| Cable |
C 411 L: 1.5 m (5 ft.) |
| Finish |
matte black |
| Dimensions |
27 x 14 x 9.5 mm / 1.1 x 0.5 x 0.3 in. |
| Net weight |
C 411 L: 18 g / 0.7 oz. |
| Shipping weight |
C 411 L: 150 g / 5.5 oz. |
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C 568 B
Compact, short shotgun microphone
Integrated, switchable bass cut filter minimizes mechanical noise
Operates on phantom power
High directivity and wide frequency response in a relatively short shotgun make this
microphone a perfect tool for theater, sound reinforcement, and film/TV applications.
Due to its compact and lightweight design, the C 568 B is ideal for camera mount
applications. Below 500 Hz it functions as a hypercardioid microphone; above 500 Hz
the acoustic interference tube introduces increasing directivity. A switchable 12 dB/
octave 120 Hz bass cut filter effectively suppresses rumble and wind noise. The rugged,
all-metal body contains the built-in preamp. Phantom powering (9?52 V) required; foam
windscreen and stand adapter included.
SPECIFICATIONS:
Polar pattern hypercardioid/directional
Frequency range 20 to 20,000 Hz
Sensitivity 11 mV/Pa (-39 dBV)
Max. SPL 128 dB
Equivalent noise level (CCIR 468-3) 29 dB
Equivalent noise level 18 dB-A
Signal/noise ratio 76 dB
Bass filter 12 dB/octave at 120 Hz
Impedance 600 ohms
Recommended load impedance >2000 ohms
Supply voltage 9 to 52 V phantom power to DIN 45596
Current consumption |
The super-cardioid e 614 is a permantly polarized condenser microphone
designed for demanding applications which require a wide frequency response,
high SPL, fast transient response and a compact design. With its frequency
response of 40 Hz to 20 kHz, the e 614 is able to capture the full sound of the
instrument, while its super-cardioid pick-up pattern isolates the microphone
from other on-stage signals.
An excellent microphone for percussion instruments, the e 614 is also an ideal
choice for woodwind and string instruments. Its excellent acoustic properties
also make it a valuable tool for home recording.
Features
Rugged design Effective rejection of incidental rear noise Excellent directivity
across the whole frequency range Full, natural sound High maximum sound
pressure level
Wide frequency response
Delivery Includes
Microphone pouch
Microphone clip MZQ 100
Technical Data
Frequency response 40 Hz ... 20 kHz
Transducer principle permanently polarized condenser
Pick-up pattern supercardioid
Sensitivity in free field, no load (1kHz) 3 mV/Pa = - 50dB (0 dB = 1 V/Pa)
Nominal impedance 50 Ohm
Min. terminating impedance 1 kOhm
Maximum sound pressure level (passiv) 139 dB/SPL
Equivalent noise level 24 dB(A)
Equivalent noise level weighted as per CCIR 468-3 35 dB
Dimensions ? 20mm, L = 100mm
Weight w/o cable 93 g
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The e 865 is a fully professional super-cardioid vocal microphone utilising the
very best in condenser microphone technology to achieve new standards of
quality and sound. The microphone capsule insorporates special blast/pop
protiction plate to shield the diaphragm from excessive sound pressure levels.
Features
Rugged metal body
Extended dynamic response with pronounced presence and vocal 'punch'
Excellent feedback rejection
Very good rejection of handling noise
Very high sound pressure handling capability
Delivery Includes
1 e 865
1 microphone clip
1 pouch
Technical Data
Pick-up pattern super cardioid
Sensitivity in free field, no load (1kHz) 3 mV/Pa
Max. Sound pressure level (aktiv) 150 dB
Nominal impedance 200 Ohm
Min. terminating impedance 1000 Ohm
Dimensions d 47 x 193 mm
Weight w/o cable 311 g
Frequency response (microphone) 40.....20000 Hz
Phantom powering 12 - 48 V
| Technical specifications
| Polar pattern |
cardioid |
| Frequency range |
50 to 20,000 Hz |
| Sensitivity |
20 mV/Pa (?34 dBV) |
| Max. SPL |
125 dB (k=1 %) |
| Equivalent noise level |
21 dB-A |
| Signal/noise ratio (A-weighted) |
73 dB |
| Impedance |
600 ohms |
| Recommended load impedance |
>2000 ohms |
| Supply voltage |
9 to 52 V phantom power, requires DPA adapter (supplied with most Installation Modules) |
| Current consumption |
|
| Connector |
Discreet Acoustics Modular standard |
| Finish |
matte dark gray |
| Dimensions |
13.5 x 20 mm dia. (0.5 dia. x 0.8 in.) |
| Net weight |
5 g (0.17 oz.) |
| Shipping weight |
88 g (3.1 oz.) |
| Accessories (included) |
W 30 |
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