BLUE 8 BALL HANDMADE CARDIOID CONDENSER MICROPHONE

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Original price was: €234.13.Current price is: €222.43. incl. GR VAT

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The 8-Ball microphone is another member of Blue?s family of spherical mics. But while it resembles its cousins the Ball, Kickball and Snowball, the 8-Ball has been designed to be one cool condenser ? it?ll give new meaning to playing ?in the pocket!? The 8-Ball is a cardioid condenser microphone designed with the needs of […]

 

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The 8-Ball microphone is another member of Blue?s family of spherical mics.
But while it resembles its cousins the Ball, Kickball and Snowball, the 8-Ball
has been designed to be one cool condenser ? it?ll give new meaning to
playing ?in the pocket!?
The 8-Ball is a cardioid condenser microphone designed with the needs of the
professional recordist in mind, but priced within reach of the beginning home
user or hobbyist. Featuring Blue?s highly regarded Class A discrete low noise
amplifier circuit, The 8-Ball?s smooth frequency response is sure to please even
the most discerning professional ear. Perfect for applications as varied as drum
overheads to acoustic and electric guitars or vocals, The 8-Ball will quickly become
one of your ?go to? microphones.
A standard thread swivel mount at the base of the microphone allows the user to
pivot The 8-Ball back and forth, making mic placement a snap. And because The
8-Ball requires phantom power, a front-mounted LED confirms that the mic is ready
to use.
Hustle over to your local Blue dealer and experience The 8-Ball for yourself. Its versatility,
performance and price is your cue for adding this outstanding mic to your audio repertoire.
But do it before those annoying aliens beat you to it! 
 
SPECS:
Acoustical Operating Principal: Pressure Gradient
Polar Pattern: Cardioid
Frequency Response: 35Hz ? 20kHz
Sensitivity: (1kHz into 1k?) 10mV/Pa
Rated Impedance: 50?
Rated Load Impedance: Not less than 1k?
Maximum SPL: (THD 0.5%) 150 dB SPL
Noise Level: 22dB ?A? Weighted
Maximum Output Level: +14 dBu (2k? load, 0.15% THD)
Power Requirement: +48V DC phantom-power ±4V
Power Consumption: 1.5 mA
 

Weight 0.50 kg

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Quick Comparison

BLUE 8 BALL HANDMADE CARDIOID CONDENSER MICROPHONE removeSENNHEISER E-906 SUPER-CARDIOID DYNAMIC MICROPHONE removeBEYERDYNAMIC M 88 TG Dynamic Microphone (Hypercardioid) removeSENNHEISER E-602 II Dynamic Microphone for Strings, Kick Drum removeShure DMK57-52 - Drum Mic Kit removeSHURE Beta-56a - Snare-Tom Microphone 50Hz to 16kHz remove
NameBLUE 8 BALL HANDMADE CARDIOID CONDENSER MICROPHONE removeSENNHEISER E-906 SUPER-CARDIOID DYNAMIC MICROPHONE removeBEYERDYNAMIC M 88 TG Dynamic Microphone (Hypercardioid) removeSENNHEISER E-602 II Dynamic Microphone for Strings, Kick Drum removeShure DMK57-52 - Drum Mic Kit removeSHURE Beta-56a - Snare-Tom Microphone 50Hz to 16kHz remove
Imagebeyerdynamaic m 88 tg dynamic hyperdioid microphone
SKU8 BALLH10SE00105M-88 TGH10SE00118DMK57-52BETA 56A
Rating
Price Original price was: €234.13.Current price is: €222.43. incl. GR VAT Original price was: €210.00.Current price is: €189.00. incl. GR VAT Original price was: €460.00.Current price is: €439.00. incl. GR VAT Original price was: €176.00.Current price is: €148.00. incl. GR VAT Original price was: €697.00.Current price is: €627.00. incl. GR VAT Original price was: €205.00.Current price is: €196.80. incl. GR VAT
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Description
  • Legendary, universal all purpose microphone classic
  • Perfectly suitable for stage and studio
  • Unbelievably rich sound
  • Made in germany
Content

The 8-Ball microphone is another member of Blue?s family of spherical mics.
But while it resembles its cousins the Ball, Kickball and Snowball, the 8-Ball
has been designed to be one cool condenser ? it?ll give new meaning to
playing ?in the pocket!?
The 8-Ball is a cardioid condenser microphone designed with the needs of the
professional recordist in mind, but priced within reach of the beginning home
user or hobbyist. Featuring Blue?s highly regarded Class A discrete low noise
amplifier circuit, The 8-Ball?s smooth frequency response is sure to please even
the most discerning professional ear. Perfect for applications as varied as drum
overheads to acoustic and electric guitars or vocals, The 8-Ball will quickly become
one of your ?go to? microphones.
A standard thread swivel mount at the base of the microphone allows the user to
pivot The 8-Ball back and forth, making mic placement a snap. And because The
8-Ball requires phantom power, a front-mounted LED confirms that the mic is ready
to use.
Hustle over to your local Blue dealer and experience The 8-Ball for yourself. Its versatility,
performance and price is your cue for adding this outstanding mic to your audio repertoire.
But do it before those annoying aliens beat you to it! 
 
SPECS:
Acoustical Operating Principal: Pressure Gradient
Polar Pattern: Cardioid
Frequency Response: 35Hz ? 20kHz
Sensitivity: (1kHz into 1k?) 10mV/Pa
Rated Impedance: 50?
Rated Load Impedance: Not less than 1k?
Maximum SPL: (THD 0.5%) 150 dB SPL
Noise Level: 22dB ?A? Weighted
Maximum Output Level: +14 dBu (2k? load, 0.15% THD)
Power Requirement: +48V DC phantom-power ±4V
Power Consumption: 1.5 mA
 

The supercardioid e 906 instrument microphone was especially designed for
guitar amplifiers, but it is also an excellent choice for percussion and brass
instruments.

Features
Lively, full sound
Very fast attack
Flat shape of microphone body perfect for guitar amps 
Three adjustable sound characteristics (bright, normal, smooth)
Hum compensating coil
Rugged metal body
Delivery Includes
e 906 microphone
MZQ 100 clamp
Pouch
User manual

Technical Data
Pick-up pattern  supercardioid 
Frequency response  40...18000 Hz 
Sensitivity in free field, no load (1kHz)  2,2 mV/Pa 
Nominal impedance  350 Ohm 
Min. terminating impedance  1000 Ohm 
Dimensions  55 x 34 x 134 mm 
Weight  140 g 

Technical Data

Transducer Type: Dynamic
Polar Pattern: Hypercardioid
Microphone Frequency Response: 30 - 20.000 Hz
Connection Type: XLR 3-pin

Made in Germany

Like all members of the M series, the M 88 TG is handcrafted in Germany. The materials and the precise craftsmanship that go into the microphone ultimately create a world-class product, a level of quality that turns an ordinary microphone purchase into a long-term investment.

 
Perfect for heavy bass Sources
The M 88 TG excels on the kick drum, saxophone and percussions, the result of a balanced sound profile and deep bass tones. It is a must-have for every microphone collection. And why shouldn’t it be when you consider its features? It is both insensitive to high sound pressure levels and feedback resistant thanks to its nearly perfect hypercardioid!  
Flexible tool iN The studio

The M 88 TG excels in the studio with the help of its multifaceted flexibility. No matter whether the job involves vocals, horns, guitar amplifiers or drums – the microphone is the perfect choice for the widest range of sources. It is all the result of its exceptionally broad frequency response and rich sound.

The E-602 is a cardioid microphone especially suitable for use with bass drums, bass guitar cabs, tubas and other low frequency instruments.


Frequency Response : 20.....16000 Hz
Sensitivity in free field, no load (1kHz) : 1,0 mV/Pa
Min. terminating impedance : 1000 Ohm
Dimensions : d 60 x 153 mm
Weight : w/o cable 550 g

The DMK57-52 Drum Mic Kit is a conveniently packaged selection of microphones and mounts, designed to offer a complete core package of microphones for recording and performing drummers at a great price. The Drum Mic Kit includes three SM57 microphones, one Beta 52 microphone, three A56D drum-mounting systems, and a lightweight and durable carrying case.

  • The industry standard for snare drum, and a reliable and high-performing choice for toms, Shure's cardioid dynamic SM57 microphone features a contoured frequency response that cuts through the mix with exceptional impact, while reproducing sound accurately.

  • Perfect for the kick drum, the supercardioid Beta 52? derives its low-end punch and sonic presence from a carefully tailored frequency response. Equipped with its own pneumatic shock mount, the Beta 52 is additionally designed with an integral locking stand mount for quick-and-easy set up.

  • A key element of the kit, Shure's A56D universal drum mounting system can be used to position microphones virtually anywhere -- on drum rims, microphone stands, even cymbal stands. Designed with captive parts to prevent the loss of individual pieces, the A56D is small, secure, and can be used with any standard microphone, making it a great tool for both stage and studio environments.
  •  

    NEW Wider mounting base capable of accommodating a larger range of microphone stands. Even works with the LP Claw.

    Specifically engineered for drum and instrument applications, the Beta 56A's compact, pivoting design makes it the ideal choice for these applications.

    Its extremely uniform supercardioid pickup pattern provides high gain before feedback and excellent rejection of unwanted noise. A built-in dynamic locking stand adapter with an integral XLR connector simplifies installation. The stand adapter keeps the microphone securely in place, even if it is struck by a drumstick. Typical Beta 56A applications include close miking of tom-toms and other percussion instruments, as well as guitar amplifiers, brass instruments, and woodwinds.

    • Built-in stand adapter with dynamic locking system and XLR connector simplifies setup and provides greater flexibility
    • Uniform supercardioid pattern for high gain-before-feedback and superior rejection of off-axis sound
    • Compact design reduces stage clutters
    • Hardened steel mesh grille resists wear and abuse
    • Neodymium magnet for high signal-to-noise ratio output
    • Advanced pneumatic shock mount system that minimizes transmission of mechanical noise and vibration
    • Frequency response: 50 to 16,000 Hz
    Weight0.50 kg0.32 kg0.600 kg0.55 kg2.00 kg0.80 kg
    DimensionsN/AN/AN/AN/AN/AN/A
    Additional information
    Weight 0.50 kg
    Weight 0.32 kg
    Weight 0.600 kg
    Weight 0.55 kg
    Weight 2.00 kg
    Weight 0.80 kg