The 8-Ball microphone is another member of Blue?s family of spherical mics. But while it resembles its cousins the Ball, Kickball and Snowball, the 8-Ball has been designed to be one cool condenser ? it?ll give new meaning to playing ?in the pocket!? The 8-Ball is a cardioid condenser microphone designed with the needs of […]
The 8-Ball microphone is another member of Blue?s family of spherical mics. But while it resembles its cousins the Ball, Kickball and Snowball, the 8-Ball has been designed to be one cool condenser ? it?ll give new meaning to playing ?in the pocket!? The 8-Ball is a cardioid condenser microphone designed with the needs of the professional recordist in mind, but priced within reach of the beginning home user or hobbyist. Featuring Blue?s highly regarded Class A discrete low noise amplifier circuit, The 8-Ball?s smooth frequency response is sure to please even the most discerning professional ear. Perfect for applications as varied as drum overheads to acoustic and electric guitars or vocals, The 8-Ball will quickly become one of your ?go to? microphones. A standard thread swivel mount at the base of the microphone allows the user to pivot The 8-Ball back and forth, making mic placement a snap. And because The 8-Ball requires phantom power, a front-mounted LED confirms that the mic is ready to use. Hustle over to your local Blue dealer and experience The 8-Ball for yourself. Its versatility, performance and price is your cue for adding this outstanding mic to your audio repertoire. But do it before those annoying aliens beat you to it!
SPECS: Acoustical Operating Principal: Pressure Gradient Polar Pattern: Cardioid Frequency Response: 35Hz ? 20kHz Sensitivity: (1kHz into 1k?) 10mV/Pa Rated Impedance: 50? Rated Load Impedance: Not less than 1k? Maximum SPL: (THD 0.5%) 150 dB SPL Noise Level: 22dB ?A? Weighted Maximum Output Level: +14 dBu (2k? load, 0.15% THD) Power Requirement: +48V DC phantom-power ±4V Power Consumption: 1.5 mA
Weight
0.50 kg
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The 8-Ball microphone is another member of Blue?s family of spherical mics. But while it resembles its cousins the Ball, Kickball and Snowball, the 8-Ball has been designed to be one cool condenser ? it?ll give new meaning to playing ?in the pocket!? The 8-Ball is a cardioid condenser microphone designed with the needs of the professional recordist in mind, but priced within reach of the beginning home user or hobbyist. Featuring Blue?s highly regarded Class A discrete low noise amplifier circuit, The 8-Ball?s smooth frequency response is sure to please even the most discerning professional ear. Perfect for applications as varied as drum overheads to acoustic and electric guitars or vocals, The 8-Ball will quickly become one of your ?go to? microphones. A standard thread swivel mount at the base of the microphone allows the user to pivot The 8-Ball back and forth, making mic placement a snap. And because The 8-Ball requires phantom power, a front-mounted LED confirms that the mic is ready to use. Hustle over to your local Blue dealer and experience The 8-Ball for yourself. Its versatility, performance and price is your cue for adding this outstanding mic to your audio repertoire. But do it before those annoying aliens beat you to it!
SPECS: Acoustical Operating Principal: Pressure Gradient Polar Pattern: Cardioid Frequency Response: 35Hz ? 20kHz Sensitivity: (1kHz into 1k?) 10mV/Pa Rated Impedance: 50? Rated Load Impedance: Not less than 1k? Maximum SPL: (THD 0.5%) 150 dB SPL Noise Level: 22dB ?A? Weighted Maximum Output Level: +14 dBu (2k? load, 0.15% THD) Power Requirement: +48V DC phantom-power ±4V Power Consumption: 1.5 mA
Legendary among harmonica players for its classic blues harp sound, the 520D's tradition is carried on by the 520DX "Green Bullet" and has a contoured size and shape that fits perfectly between harmonica and hands.
New volume control knob allows musicians to adjust the volume to fit each musical situation
New rugged, dynamic cartridge with improved response
High-impedance, omnidirectional
Supplied with 1/4 inch connector
Frequency response: 100 to 5,000 Hz
The DMK57-52 Drum Mic Kit is a conveniently packaged selection of microphones and mounts, designed to offer a complete core package of microphones for recording and performing drummers at a great price. The Drum Mic Kit includes three SM57 microphones, one Beta 52 microphone, three A56D drum-mounting systems, and a lightweight and durable carrying case.
The industry standard for snare drum, and a reliable and high-performing choice for toms, Shure's cardioid dynamic SM57 microphone features a contoured frequency response that cuts through the mix with exceptional impact, while reproducing sound accurately.
Perfect for the kick drum, the supercardioid Beta 52? derives its low-end punch and sonic presence from a carefully tailored frequency response. Equipped with its own pneumatic shock mount, the Beta 52 is additionally designed with an integral locking stand mount for quick-and-easy set up.
A key element of the kit, Shure's A56D universal drum mounting system can be used to position microphones virtually anywhere -- on drum rims, microphone stands, even cymbal stands. Designed with captive parts to prevent the loss of individual pieces, the A56D is small, secure, and can be used with any standard microphone, making it a great tool for both stage and studio environments.
The Shure KSM137 is an end-address condenser microphone with a cardioid polar pattern. Designed for studio use, yet rugged enough for live applications, the KSM137 can withstand extremely high sound pressure levels (SPL). Its low self-noise and extended frequency response make it ideal for recording musical instruments.
Features
A highly consistent cardioid polar pattern
Ultra-thin, 2.5 micron, 24 karat gold-layered, low mass Mylar? diaphragm for superior transient response
Class A, discrete, transformerless preamplifier for transparency, extremely fast transient response, no crossover distortion, and minimal harmonic and intermodulation distortion
Premium electronic components, including gold-plated internal and external connectors
Subsonic filter eliminates low frequency rumble (less than 17 Hz) caused by mechanical vibration
Switchable 15 dB pad for handling extremely high sound pressure levels (SPLs)
Three-position switchable pad (0 dB, 15 dB, and 25 dB) for handling extremely high sound pressure levels (SPLs)
Superior common mode rejection and suppression of radio frequency interference
APPLICATIONS
Some typical applications for the KSM137 are listed below. Microphone use, however, is a matter of personal taste. The KSM137 may be used for a variety of applications other than those listed.
Acoustic instruments -- such as piano, guitar, drums, percussion, strings
Wind instruments -- brass and woodwind
Low frequency instruments -- such as double bass, electric bass, kick drum
Overhead miking -- drums or percussion
Ensembles -- choral or orchestral
Room ambiance pick-up -- guitar amplifier or drums
Both the acoustic environment and microphone placement strongly affect the sound obtained from miking a source. You may need to experiment with microphone placement and room treatments to achieve the best overall sound for each application.
Suggested Applications
Acoustic Guitar
Acoustic Bass
Cymbals
Brass/Woodwinds
Orchestra
Ensemble Vocals
Piano
Strings
Room Ambience
Live Recording
Audio Frequency Response 50 Hz - 16,000 Hz
Case Material Die cast zinc
Connector Type 3-pin XLR
Element Dynamic
Finish Textured Satin Black
Impedance, Low-Z balanced 600 Ω
Mic Type Instrumental
Open Circuit Voltage 2.2 mV/Pascal
Polar Pattern Supercardioid
Power Requirement Passive
Wired/Wireless Wired
Weight Net 8.32 oz (236 g)
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