Blue Hummingbird CONDENSER MIC

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PREMIUM SOUND. HEAD-TURNING PERFORMANCE Hummingbird is a versatile, precision-engineered Class A small-diaphragm microphone that unlocks the tonal nuances of your instruments so you can capture the best recordings possible.With a 180 degree rotating head, Hummingbird fits into tight spaces and can nimbly change positions where others canʼt. Featuring a precisely tuned diaphragm based on the […]

 

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PREMIUM SOUND. HEAD-TURNING PERFORMANCE
Hummingbird is a versatile, precision-engineered Class A small-diaphragm microphone that unlocks the tonal nuances of your instruments so you can capture the best recordings possible.With a 180 degree rotating head, Hummingbird fits into tight spaces and can nimbly change positions where others canʼt.

Featuring a precisely tuned diaphragm based on the acclaimed B1 capsule from Blueʼs flagship Bottle microphone, Hummingbird is ultra-responsive and delivers extended frequency response. Hummingbird is the perfect studio and stage solution for drum overheads, acoustic guitar, piano, percussion, or any other instrument with fast transients and rich overtones.

  • Adjustable small-diaphragm condenser microphone with rotating head

  • 180° rotating head for precise mic placement

  • Cardioid condenser based on the B1 capsule from the heralded Blue Bottle

  • Exceptional sonic accuracy and extended frequency response

  • Ultra-fast transient response and high-SPL handling in the studio and on stage


MIC PLACEMENT IS EVERYTHING
Discover new tonal colors of your instrument by simply rotating Hummingbirdʼs head. The unique 180° pivoting head allows you to place the mic at any angle—without having to adjust the mic stand—and capture the sound most mics would leave behind. Give Hummingbird a turn, and take your recordings from good to great.

  • Sweep the capsule between the 12th fret and sound hole of an acoustic guitar to dial in the  perfect guitar sound, all without having to get up out of your chair.

  • Rotate the capsule between the edge of the snare drum and the center of the drumhead to get the perfect snare sound, all without having to adjust the mic stand.

  •  Pivot the heads of a pair of Hummingbird overheads to dial in the perfect stereo image over a set of drums, percussion, or upright piano

PREMIUM BLUE CAPSULE
Hummingbird boasts a premium capsule based on the Blue B1—part of our acclaimed interchangeable Bottle Caps series. Hummingbirdʼs precisely tuned cardioid capsule is ultraresponsive and provides extended high-frequency response—making it perfect for recording any instrument with quick attacks and rich tonal characteristics.


TAKE YOUR SOUND TO NEW HEIGHTS
The superb dynamic range, balanced character and sparkling high end of the Hummingbird is perfect for reproducing the sharp attacks and tonal characteristics of a wide range of instruments including drums, acoustic guitars, strings and world instruments. And with no ICʼs in the signal path, Hummingbird delivers maximum sonic detail with the lowest possible noise floor. With excellent off-axis rejection, Hummingbird is the perfect choice for close-miking drums or percussion while minimizing sound from surrounding instruments.


DRUMS—FROM A BIRDʼS EYE VIEW
The Hummingbirdʼs agility, sonic precision, and ability to handle high sound pressure levels make it an ideal mic for recording drums. With a 180° pivoting head, Hummingbird makes it easier to get great overhead sounds, and it can fit into tight snare drum or rack tom spaces and get the perfect angle on the drumheads—a difficult task with other condenser microphones.Technical specifications :

  •  Transducer Type: Condenser, Pressure Gradient

  •  Polar Pattern: Cardioid

  •  Frequency Response: 20Hz – 20kHz

  •  Sensitivity: 15mV/Pa @ 1kHz (1 Pa = 94dB SPL)

  •  Output Impedance: 50Ω

  •  Rated Load Impedance: Not less than 1kΩ

  •  Maximum SPL: 130 dB SPL

  •  S/N Ratio: 85.5 dB-A (IEC 651)

  •  Noise Level A-Weighted: 8.5 dB-A (IEC 651)

  •  Dynamic Range: 129.5 dB (2.5kΩ)

  •  Power Requirement: +48V DC Phantom Power (IEC 268-15)

  •  Weight: 212g (7.5oz)

  •  Dimensions: 170mm x 27mm x 27mm (6.7” x 1.1” x 1.1”)

Included Accessories

  •  Rigid carry case with foam lining

  •  Mic clip

  •  Foam wind-screen

Weight 0.40 kg

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Quick Comparison

Blue Hummingbird CONDENSER MIC removeAKG C 430 - Cardioid Condenser Microphone removeSENNHEISER E-614 SUPERCARDIOID CONDENSER MICROPHONE removeSENNHEISER ME-67 Capsule elecret super shotgun removeRODE NT-3 MULTI POWERED 3-4 removeRODE NT-4 Condenser stereo microphone remove
NameBlue Hummingbird CONDENSER MIC removeAKG C 430 - Cardioid Condenser Microphone removeSENNHEISER E-614 SUPERCARDIOID CONDENSER MICROPHONE removeSENNHEISER ME-67 Capsule elecret super shotgun removeRODE NT-3 MULTI POWERED 3-4 removeRODE NT-4 Condenser stereo microphone remove
ImageAKG C 430 condenser microphone
SKUHummingbirdC 430H10SE00091H10SE00022H11RD00004H11RD00013
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Price301.43 incl. GR VAT 156.00 incl. GR VAT 189.00 incl. GR VAT 265.00 incl. GR VAT 250.00 incl. GR VAT 559.00 incl. GR VAT
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Description
Content

PREMIUM SOUND. HEAD-TURNING PERFORMANCE
Hummingbird is a versatile, precision-engineered Class A small-diaphragm microphone that unlocks the tonal nuances of your instruments so you can capture the best recordings possible.With a 180 degree rotating head, Hummingbird fits into tight spaces and can nimbly change positions where others canʼt.

Featuring a precisely tuned diaphragm based on the acclaimed B1 capsule from Blueʼs flagship Bottle microphone, Hummingbird is ultra-responsive and delivers extended frequency response. Hummingbird is the perfect studio and stage solution for drum overheads, acoustic guitar, piano, percussion, or any other instrument with fast transients and rich overtones.

  • Adjustable small-diaphragm condenser microphone with rotating head

  • 180° rotating head for precise mic placement

  • Cardioid condenser based on the B1 capsule from the heralded Blue Bottle

  • Exceptional sonic accuracy and extended frequency response

  • Ultra-fast transient response and high-SPL handling in the studio and on stage


MIC PLACEMENT IS EVERYTHING
Discover new tonal colors of your instrument by simply rotating Hummingbirdʼs head. The unique 180° pivoting head allows you to place the mic at any angle—without having to adjust the mic stand—and capture the sound most mics would leave behind. Give Hummingbird a turn, and take your recordings from good to great.

  • Sweep the capsule between the 12th fret and sound hole of an acoustic guitar to dial in the  perfect guitar sound, all without having to get up out of your chair.

  • Rotate the capsule between the edge of the snare drum and the center of the drumhead to get the perfect snare sound, all without having to adjust the mic stand.

  •  Pivot the heads of a pair of Hummingbird overheads to dial in the perfect stereo image over a set of drums, percussion, or upright piano

PREMIUM BLUE CAPSULE
Hummingbird boasts a premium capsule based on the Blue B1—part of our acclaimed interchangeable Bottle Caps series. Hummingbirdʼs precisely tuned cardioid capsule is ultraresponsive and provides extended high-frequency response—making it perfect for recording any instrument with quick attacks and rich tonal characteristics.


TAKE YOUR SOUND TO NEW HEIGHTS
The superb dynamic range, balanced character and sparkling high end of the Hummingbird is perfect for reproducing the sharp attacks and tonal characteristics of a wide range of instruments including drums, acoustic guitars, strings and world instruments. And with no ICʼs in the signal path, Hummingbird delivers maximum sonic detail with the lowest possible noise floor. With excellent off-axis rejection, Hummingbird is the perfect choice for close-miking drums or percussion while minimizing sound from surrounding instruments.


DRUMS—FROM A BIRDʼS EYE VIEW
The Hummingbirdʼs agility, sonic precision, and ability to handle high sound pressure levels make it an ideal mic for recording drums. With a 180° pivoting head, Hummingbird makes it easier to get great overhead sounds, and it can fit into tight snare drum or rack tom spaces and get the perfect angle on the drumheads—a difficult task with other condenser microphones.Technical specifications :

  •  Transducer Type: Condenser, Pressure Gradient

  •  Polar Pattern: Cardioid

  •  Frequency Response: 20Hz - 20kHz

  •  Sensitivity: 15mV/Pa @ 1kHz (1 Pa = 94dB SPL)

  •  Output Impedance: 50Ω

  •  Rated Load Impedance: Not less than 1kΩ

  •  Maximum SPL: 130 dB SPL

  •  S/N Ratio: 85.5 dB-A (IEC 651)

  •  Noise Level A-Weighted: 8.5 dB-A (IEC 651)

  •  Dynamic Range: 129.5 dB (2.5kΩ)

  •  Power Requirement: +48V DC Phantom Power (IEC 268-15)

  •  Weight: 212g (7.5oz)

  •  Dimensions: 170mm x 27mm x 27mm (6.7” x 1.1” x 1.1”)

Included Accessories

  •  Rigid carry case with foam lining

  •  Mic clip

  •  Foam wind-screen

Specifically designed for cymbal and overhead miking, the frequency response of the C 430 ensures a unique crisp sound. With its extremely compact external dimensions, this microphone will keep a low profile on the drum kit without compromising audio quality. Response is 20-20kHz, with 126dB max SPL, and requires phantom power. Specifications Polar Pattern: cardioid Frequency Response: 20?20.000 Hz Sensitivity: 7 mV/Pa=-43 dBV to 1 V/Pa Max. SPL for 1% / 3% THD: 126/130 dB SPL Equivalent Noise Level: 33 dB to DIN 45 412 Electrical Impedance: 200 ohms Recommended Load Impedance: >2.000 ohms Power Requirement: 9 to 52 volts universal phantom power Current Consumption: approx. 2 mA Connector : 3-pin XLR Cable Length: 1.5 m (5 ft.) Finish: matte black Size : dia.: 19 mm (0.7 in.), length: 79 mm (3.1 in.) Net / Shipping Weight: 23/192 g (0.8/6,8 oz.) Optional Accessorires: B15, B18

The super-cardioid e 614 is a permantly polarized condenser microphone
designed for demanding applications which require a wide frequency response,
high SPL, fast transient response and a compact design.  With its frequency
response of 40 Hz to 20 kHz, the e 614 is able to capture the full sound of the
instrument, while its super-cardioid pick-up pattern isolates the microphone
from other on-stage signals. 
An excellent microphone for percussion instruments, the e 614 is also an ideal
choice for woodwind and string instruments.  Its excellent acoustic properties
also make it a valuable tool for home recording.

Features
Rugged design Effective rejection of incidental rear noise Excellent directivity
across the whole frequency range Full, natural sound High maximum sound
pressure level
Wide frequency response
Delivery Includes
Microphone pouch
Microphone clip MZQ 100

Technical Data
Frequency response  40 Hz ... 20 kHz 
Transducer principle  permanently polarized condenser 
Pick-up pattern  supercardioid 
Sensitivity in free field, no load (1kHz)  3 mV/Pa = - 50dB (0 dB = 1 V/Pa) 
Nominal impedance  50 Ohm 
Min. terminating impedance  1 kOhm 
Maximum sound pressure level (passiv)  139 dB/SPL 
Equivalent noise level  24 dB(A) 
Equivalent noise level weighted as per CCIR 468-3  35 dB 
Dimensions  ? 20mm, L = 100mm 
Weight w/o cable  93 g 

The ME 67 is a long gun microphone head designed for use with the K6 and K6P powering modules. A highly directional microphone, it can be used where the microphone must be placed at a distance from the sound source. Matt black, anodised, scratch-resistant finish.

Pick-up pattern : lobar
Sensitivity in free field, no load (1kHz) : 50 mV/Pa +- 2,5 dB
Nominal impedance : 200 Ohm (K6)
Min. terminating impedance : 1000 Ohm (K6)
Equivalent noise level : 10 dB
Dimensions : d 22,5 x 343 mm
Weight : 100 g

NT3 - Versatile & Dependable Stylish and modern, the NT3 is a studio and location workhorse. With both 48V phantom and internal 9V battery operation, this R?DE is at home anywhere. Intended for studio, stage and location work, this versatile handheld or stand mounted microphone incorporates a true externally polarized condenser (hyper- cardioid polar response) transducer with an internal capsule shock mounting system, and an ultra-low noise electronic circuit that has a high immunity to R.F. interference. Incorporating a rugged welded and heat-treated mesh head and all metal body. The NT3 is supplied in a zip pouch with a windshield, stand mount and thread adaptor. SPECIFICATIONS: Acoustic principle: Externally polarised 19mm (3/4“) condenser Directional pattern:  Hypercardioid Frequency range:  20Hz-20 kHz Output impedance:  200? Signal noise ratio din iec 651:  > 77dB (per IEC268-15) Equvalent noise:  123dB (per IEC268-15) Power supply voltage: P48, P24, P12 phantom 9V battery Weight without battery:  371g Weight with battery:  680g

The Stereo wonder. The new NT4, a visually striking microphone that solves
the age-old problem of stereo recording by eliminating the need to purchase
matched pairs and the associated complex set-up bars and adaptors to get
professional results. With a fixed 90 Deg. X/Y configuration and perfectly
matched stereo condenser capsules, the NT4 lets you record any source with
immaculate stereo detail.
The NT4 has a 128 dB dynamic range, 143 dBA SPL and low self-noise. Offering
selectable battery or phantom power operation with power indicator light, the NT4
is ideally suited to both studio and location recording.
The NT4 comes supplied in a custom carry case with a windshield, XLR to mini-jack
and dual XLR cables for portable DAT or professional balanced input connection.

SPECIFICATIONS:
Acoustic principle:
Stereo Microphone. 90° XY placement. Each side comprises an
externally polarised single diaphragm condenser transducer
Directional pattern:  Cardioid per capsule
Frequency range:  20Hz - 20kHz
Output impedance: 200? per side
Signal noise ratio din iec 651: 78dB
Equvalent noise:128 dB
Power supply voltage:
P48 (38V?52V), P24 (20V-26V), P12 (10.8V-13.2V), 9V battery
Current consumption:  4 mA, 2 mA, 2.8 mA, 2.4mA
Weight without battery:  480g
Weight with battery:  2.3kg
 

Weight0.40 kg0.19 kg0.10 kg0.10 kg2.00 kg3.00 kg
DimensionsN/AN/AN/AN/AN/AN/A
Additional information
Weight 0.40 kg
Weight 0.19 kg
Weight 0.10 kg
Weight 0.10 kg
Weight 2.00 kg
Weight 3.00 kg

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