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PREMIUM SOUND. HEAD-TURNING PERFORMANCE
Hummingbird is a versatile, precision-engineered Class A small-diaphragm microphone that unlocks the tonal nuances of your instruments so you can capture the best recordings possible.With a 180 degree rotating head, Hummingbird fits into tight spaces and can nimbly change positions where others canʼt.
Featuring a precisely tuned diaphragm based on the acclaimed B1 capsule from Blueʼs flagship Bottle microphone, Hummingbird is ultra-responsive and delivers extended frequency response. Hummingbird is the perfect studio and stage solution for drum overheads, acoustic guitar, piano, percussion, or any other instrument with fast transients and rich overtones.
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Adjustable small-diaphragm condenser microphone with rotating head
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180° rotating head for precise mic placement
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Cardioid condenser based on the B1 capsule from the heralded Blue Bottle
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Exceptional sonic accuracy and extended frequency response
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Ultra-fast transient response and high-SPL handling in the studio and on stage
MIC PLACEMENT IS EVERYTHING
Discover new tonal colors of your instrument by simply rotating Hummingbirdʼs head. The unique 180° pivoting head allows you to place the mic at any angle—without having to adjust the mic stand—and capture the sound most mics would leave behind. Give Hummingbird a turn, and take your recordings from good to great.
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Sweep the capsule between the 12th fret and sound hole of an acoustic guitar to dial in the perfect guitar sound, all without having to get up out of your chair.
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Rotate the capsule between the edge of the snare drum and the center of the drumhead to get the perfect snare sound, all without having to adjust the mic stand.
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Pivot the heads of a pair of Hummingbird overheads to dial in the perfect stereo image over a set of drums, percussion, or upright piano
PREMIUM BLUE CAPSULE
Hummingbird boasts a premium capsule based on the Blue B1—part of our acclaimed interchangeable Bottle Caps series. Hummingbirdʼs precisely tuned cardioid capsule is ultraresponsive and provides extended high-frequency response—making it perfect for recording any instrument with quick attacks and rich tonal characteristics.
TAKE YOUR SOUND TO NEW HEIGHTS
The superb dynamic range, balanced character and sparkling high end of the Hummingbird is perfect for reproducing the sharp attacks and tonal characteristics of a wide range of instruments including drums, acoustic guitars, strings and world instruments. And with no ICʼs in the signal path, Hummingbird delivers maximum sonic detail with the lowest possible noise floor. With excellent off-axis rejection, Hummingbird is the perfect choice for close-miking drums or percussion while minimizing sound from surrounding instruments.
DRUMS—FROM A BIRDʼS EYE VIEW
The Hummingbirdʼs agility, sonic precision, and ability to handle high sound pressure levels make it an ideal mic for recording drums. With a 180° pivoting head, Hummingbird makes it easier to get great overhead sounds, and it can fit into tight snare drum or rack tom spaces and get the perfect angle on the drumheads—a difficult task with other condenser microphones.Technical specifications :
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Transducer Type: Condenser, Pressure Gradient
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Polar Pattern: Cardioid
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Frequency Response: 20Hz - 20kHz
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Sensitivity: 15mV/Pa @ 1kHz (1 Pa = 94dB SPL)
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Output Impedance: 50Ω
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Rated Load Impedance: Not less than 1kΩ
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Maximum SPL: 130 dB SPL
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S/N Ratio: 85.5 dB-A (IEC 651)
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Noise Level A-Weighted: 8.5 dB-A (IEC 651)
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Dynamic Range: 129.5 dB (2.5kΩ)
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Power Requirement: +48V DC Phantom Power (IEC 268-15)
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Weight: 212g (7.5oz)
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Dimensions: 170mm x 27mm x 27mm (6.7” x 1.1” x 1.1”)
Included Accessories
| This new mic is a performance / price breakthrough. It has an acoustically identical version of the legendary CK1 capsule that is permanently mounted. This combination can handle high output transients as well as subtle harmonics. Also included are switchable 75 and 150Hz 12dB per octave rolloff, and switchable -10 & -20 dB input pad. It is a single pattern (cardioid), and has a frequency response of 20 to 20kHz with 135 dB SPL. Requires 12 to 48V phantom power. Kit comes with bag, windscreen and clip.
For more than twenty years, the AKG C 451 with the CK 1 condenser capsule was a standard item on tour riders for sound companies and required by leading engineers for studio projects. When it was discontinued in 1993, there was still a big demand for this microphone. AKG now has an updated version of this classic microphone.
The new C 451B provides the same frequency response as the legendary CK 1 with the same slight high-end rise that was the signature of the original. This characteristic makes the C 451B an ideal tool for capturing signals rich in transients such as acoustic guitars, snare drums, hi-hats and for overhead micing of drum kits. The C 451B?s response eliminates the need for heavy EQ on these instruments.
The new C 451B has also benefited from newer electronic technology with machine soldering and surface-mount components that improve noise performance and make the microphone much more reliable than the original.
Other special features include switchable 10 dB and 20 dB preattenuation pads and switchable low cut filters at 75 Hz or 150 Hz. Standard accessories included are an SA 40 stand adaptor, W 90 windscreen and a rugged zippered bag. Each C 451B also comes with an individual frequency response printout.
Three-year warranty.
Specification
Polar pattern: cardioid
Frequency range: 20?20,000 Hz
Sensitivity: 9 mV/Pa (-41 dBV re 1 V/Pa)
Max. SPL for 0.5 % THD: 135/145/155 dB SPL (-0/-10/-20 dB)
Equivalent noise level: 18 dB-A to DIN 45 412
Signal/noise ratio (A-weighted): 76 dB
Preattenuation pad: switchable, 0, -10,-20 dB Bass cut filter: switchable to flat or 12 dB/octave at 75 Hz or 150 Hz
Electrical impedance: Recommended load impedance: >1.000 Ohms
Power requirement: 9?52 Volt phantom power to DIN 45 596/IEC 268-15
Current consumption: Connector: 3-pin male XLR
Finish: satin nickel plated
Size: dia.: 190 mm (0.7 in.); length: 160 mm (6.3 in.)
Net/shipping weight: 125/760 g (4.4 oz./1.7 lbs.)
Standard accessories: W 90 windscreen, SA 40 stand adapter | AKG C411L Ultralight Condenser Microphone
- Ultra-light vibration pickup
- Condenser transducer in sealed enclosure
- Cable with lockable miniature XLR connector
Weighing only 18 grams (0.6 oz.), this ultra-light condenser pickup is ideal for acoustic guitar, mandolin, violin, and most other stringed instruments. The C 411 will give a clear and uncolored sound without changing the balance of the instrument. Attaching the C 411 on or near the bridge or anywhere else on the instrument is easy with the included non-marring, reusable, solventfree adhesive compound.
C 411 L: With mini XLR connector for use with B 29 L battery operated power supply, MPA V L external phantom power adapter, or AKG WMS bodypack transmitters.
| Frequency range |
10 to 18,000 Hz |
| Max. SPL |
100 dB (for 1% THD) |
| Impedance |
200 ohms unbalanced |
| Recommended load impedance |
>=1000 ohms |
| Supply voltage |
9 to 52 V phantom power to DIN 45596 or battery powering from B 29 L or AKG bodypack transmitter |
| Current consumption |
approx. 2.2 mA |
| Connector |
C 411 L: 3-pin mini XLR |
| Cable |
C 411 L: 1.5 m (5 ft.) |
| Finish |
matte black |
| Dimensions |
27 x 14 x 9.5 mm / 1.1 x 0.5 x 0.3 in. |
| Net weight |
C 411 L: 18 g / 0.7 oz. |
| Shipping weight |
C 411 L: 150 g / 5.5 oz. |
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Transformerless Power/Output Module ? The SE 300 B is used with all AKG Blue Line capsules and operates from 9 ? 52 V phantom power. The 3-position switch allows selection of linear response, -10 dB preattenuation and 12-dB-per-octave 75 Hz low-cut filter. A stand adapter is included.
Specifications
Polar pattern: hypercardioid/directional
Frequency range: 20?20,000 Hz
Sensitivity: 25 mV/Pa (-32 dBV)
Max. SPL for 1 % THD: 124/134 dB
Equivalent noise level: 17 dB-A
Signal/noise ratio (A weighted): 77 dB
Preattenuation pad: -10 dB, switchable Bass cut filter: 12 dB/octave at 75 Hz
Electrical impedance: 200 Ohms
Recommended load impedance: >1,000 Ohms
Power requirement: 9 to 52 V phantom power to DIN 45 596
Current consumption: |
Cardioid Condenser with 10dB Attenuator and 3 Position Low-Cut Filter
One of the world's great studio microphones, the SM81 provides precise, detailed sound reproduction, is excellent for studio recording, and is rugged enough for live sound reinforcement.
- A standard for acoustic instruments, including guitar and cymbals
- Selectable, low-frequency response -- either flat, 6dB/octave roll-off, or 18 dB/octave roll-off
- Built-in, switchable 10 dB attenuator for use in high SPL situations
- Phantom power only
- Windscreen included
- Low noise and high output clipping
- Cardioid condenser
- Frequency response: 20 to 20,000 Hz
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The e 865 is a fully professional super-cardioid vocal microphone utilising the
very best in condenser microphone technology to achieve new standards of
quality and sound. The microphone capsule insorporates special blast/pop
protiction plate to shield the diaphragm from excessive sound pressure levels.
Features
Rugged metal body
Extended dynamic response with pronounced presence and vocal 'punch'
Excellent feedback rejection
Very good rejection of handling noise
Very high sound pressure handling capability
Delivery Includes
1 e 865
1 microphone clip
1 pouch
Technical Data
Pick-up pattern super cardioid
Sensitivity in free field, no load (1kHz) 3 mV/Pa
Max. Sound pressure level (aktiv) 150 dB
Nominal impedance 200 Ohm
Min. terminating impedance 1000 Ohm
Dimensions d 47 x 193 mm
Weight w/o cable 311 g
Frequency response (microphone) 40.....20000 Hz
Phantom powering 12 - 48 V
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