The DPR-404 is a 4 channel compressor with high frequency de-essing. Each channel includes: Threshold control Below threshold metering Ratio control A gain reduction meter A clip LED Gain control Linking High frequency de-esser. Attack and release time constants are automatically and continually regulated by dynamic and harmonic content of program material.The unit features electronically […]
The DPR-404 is a 4 channel compressor with high frequency de-essing.
Each channel includes: Threshold control Below threshold metering Ratio control A gain reduction meter A clip LED Gain control Linking High frequency de-esser.
Attack and release time constants are automatically and continually regulated by dynamic and harmonic content of program material. The unit features electronically balanced inputs and outputs.
Weight
5.00 kg
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Error proof operation to smooth uneven levels, add sustain to guitars, fatten drums or tighten up mixes
New gate timing algorithms ensure the smoothest release characteristics
Program-adaptive expander/gates
Great sounding dynamics control for any type of program material
Separate precision LED displays for gain reduction, compression threshold and gate threshold allow quick, accurate setup
Stereo or dual-mono operation
Balanced inputs and outputs on 1/4" TRS and XLR connectors
Side Chain insert
Classic dbx® "Auto" mode
Content
The DPR-404 is a 4 channel compressor with high frequency de-essing.
Each channel includes: Threshold control Below threshold metering Ratio control A gain reduction meter A clip LED Gain control Linking High frequency de-esser.
Attack and release time constants are automatically and continually regulated by dynamic and harmonic content of program material. The unit features electronically balanced inputs and outputs.
Compressos Expander Gate Kimiter DBX 166XS Stereo
Overview Bring a more professional sound to your mix
Adding a dbx® 166xs Compressor/Limiter/Gate to your live sound rig or studio gives you more dynamic control to help create a more polished, professional sound. Having compression in your audio chain gives you the ability to smooth out uneven levels, add sustain to guitars and fatten up your drums. It also makes it easy to bring vocals to the front of your mix - adding greater clarity and making them stand out from the surrounding instruments. To protect your expensive amps and speakers the PeakStop® limiter provides an absolute ceiling for peak excursions or large transients that could damage your equipment.
dbx knows compressors...after all we invented them! The 166xs is the latest in a long line of the world's most successful compressors from the inventors of the technology. Its patented Overeasy® compression technology provides smooth and musical performance while the AutoDynamic™ attack and release controls, found only on dbx compressors, puts great sound within easy reach. The 166xs can operate in stereo or dual-mono modes, has true RMS power summing and features quality XLR and 1/4" TRS inputs and outputs. It cuts no corners on visual feedback with gain reduction metering and easy-to-read backlit switches.
Specifications
Input Connectors
1/4" TRS, female XLR (pin 2 hot)
Input Impedance
>50kΩ balanced, >25kΩ unbalanced
Max Input
>+24dBu, Balanced or Unbalanced
Input Type
Electronically balanced/unbalanced, RF filtered
Sidechain
1/4" TRS Phone, Normalled: Ring = Output (send); tip = Input (return)
Sidechain Impedance
Tip = >10kΩ (Input), Ring = 2kΩ (Output)
Sidechain Max Input Level
>+20dBu (tip/input); >+20dBu (ring/output)
Output Connectors
1/4" TRS, female XLR (pin 2 hot)
Output Impedance
120Ω balanced, >60Ω unbalanced
Max Output
+21dBu balanced/unbalanced into 2kΩ or greater; >+18 dBm balanced/unbalanced (into 600Ω)
Frequency Response
20Hz - 20kHz; +0, -0.5dB, Typical 3dB points are 0.35Hz and 110kHz, unity gain
Noise
In today's recording and sound reinforcement environments, the need for multiple channels of high quality, easy to use compression is growing rapidly. The new dbx® 1046 is designed to provide the audio professional with just that: 4 channels of great sounding dbx compression for a variety of applications. Incorporating the industry standard dbx designs and the latest available manufacturing techniques, the dbx 1046 provides pristine sonic quality with that classic dbx sound.
The 1046 provides 4 channels of smooth classic dbx OverEasy® or Hard Knee compression that are perfectly suited for use on individual tracks of your multitrack recorder, and in virtually all applications the separate channels can be individually interfaced and used for entirely independent purposes. Additionally the newly developed PeakStopPlus™ is ideal for protecting your system from the oppressive peaks that can take out valuable drivers in your sound reinforcement rig or studio monitors.
All four channels have the following controls:
Threshold - allows you to set the level at which the compressor starts affecting the gain
OverEasy - allows you to select between soft compression for overall gain control or Hard Knee compression based on the characteristics of the original dbx 160.
Ratio - allows you to set the slope of gain reduction affecting the signal over the threshold level.
Input/Output Meter - allows you to set the meter to check the input and output levels for maximum signal-to-noise ratio and best level matching.
Output Gain - allows you to add make-up gain or to adjust the output level for that channel to match the next device's input gain.
Bypass - hard wire bypass allows you to hear how the compressor is affecting your signal.
PeakStopPlus - allows you to set the maximum signal level you want to pass through this channel. While it's virtually impossible to eliminate distortion, the PeakStopPlus circuit does it gracefully and effectively with minimal distortion.
Stereo Link - allows you to link channels 1&2 and 3&4 for two channels of true stereo compression.
All four channels feature balanced gold plated XLR and 1/4" inputs and outputs, and switchable +4dBu or -10dBV operating level to interface each individual channel with any other device.
So whether you need to control the level, placement in the mix, or overall characteristics of 4 independent signals or control the gain leveling on a couple of stereo pairs, the dbx 1046 is for you.
Four independent channels of operation, stereo linkable in two pairs
PeakStopPlus™ limiting control for setting maximum allowable level regardless of compressor settings
Independent Threshold and ratio controls
Switchable OverEasy® or Hard Knee compression
Classic dbx® compression
Differentially balanced gold-plated XLR and 1/4" inputs and outputs
True RMS level detection
Precision metering of input level, output level, and gain reduction
Dual True stereo or quad mono operation
Switchable +4dBu or -10dBV operation per channel
Input Connectors
XLR and 1/4" TRS (Pin 2 and tip hot)
Input Type
Electronically balanced/unbalanced, RF filtered
Input Impedance
Balanced > 40 kOhm, unbalanced >20 kOhm
Max Input
> +22 dBu balanced or unbalanced
CMRR
Typically >50 dB at 1 kHz
Output Connectors
XLR and 1/4" TRS (Pin 2 and tip hot)
Output Type
Servo-balanced/unbalanced, RF filtered
Output Impedance
Balanced 30 Ohm, unbalanced 15 Ohm
Max Output
> +22 dBm balanced, > +20 dBm unbalanced
Bandwidth
20 Hz to 20 kHz, +0/-0.5 dB
Frequency Response
0.35 Hz to 90kHz, +0/-3 dB
Noise
Dynamic Range
> 118 dB, unweighted
THD+Noise
>0.008% typical at +4 dBu (1 kHz unity gain), 0.08% typical at +20 dBu (1 kHz unity gain),
IMD
Interchannel Crosstalk
Stereo Coupling
True RMS Power Summing
Compressor Threshold Range
-40 dBu to +20 dBu
Compressor Ratio
1:1 to infinity:1
Compressor Threshold Characteristic
Selectable OverEasy® or hard knee
Compressor Attack/Release Characteristic
AutoDynamic™
Compressor Attack Time
Program-dependent
Compressor Release Time
Program-dependent
Compressor Output Gain
-20 to +20 dB
Limiter Threshold Range
0 dBu to +24 dBu (off)
Limiter Ratio
infinity:1
Limiter Type
PeakStopPlus® two-stage limiter
Limiter Stage 1
PeakStop® brickwall limiter
Limiter Stage 1 Attack Time
Zero
Limiter Stage 1 Release Time
Zero
Limiter Stage 2
Predictive intelligent program limiter
Limiter Stage 2 Attack Time
Program-dependent
Limiter Stage 2 Release Time
Program-dependent
OverEasy® Switch
Activates the OverEasy compression function
I/O Meter Switch
Switches between monitoring input and output levels on the Input/Output Level meter
Bypass Switch
Activates the direct input-to-output hard-wire bypass
Operating Level Switch
(rear panel) Switches the nominal operating level between -10 dBV and +4 dBu simultaneously for both input and output levels
ST Link Switch
Links channels in stereo pairs. Channels One and Three become the master channels
Gain Reduction Meter
8 segment LED bar graph at 1, 3, 6, 10, 15, 20, 25, and 30 dB
I/O Meter
8-segment LED bar graph at -24, -18, -12, -6, 0, +6, +12, and +18 dBu
PeakStop™ Indicator
1 LED to indicate PeakStop™ limiting
Function Switches
LED indicator for each front-panel switch
Output Transformer Options
Jensen® JT-123-dbx or JT- 11-dbx, BCI RE- 123-dbx or RE-11-dbx
Operating Voltage
Switchable:100-120 VAC 50-60 Hz or 200-240 VAC 50/60 Hz
Power Consumption
20 Watts
Fuse
100-120 VAC:250 mA Slow Blow, 200-240 VAC:125 mA Type T
Power Connector
IEC receptacle
Dimensions
1.75“Hx19“Wx9“D (4.4cmx48.3cmx20.1cm)
Unit Weight
5.2 lbs. (2.4 kg)
Shipping Weight
7.6 lbs. (3.5 kg)
Product Features:
Ultra-high resolution 24-bit/96 kHz mastering processor featuring 32/40-bit floating-point DSP technology Audiophile 24-bit/96 kHz A/D- and D/A converters offering 113 dB dynamic range 4 concurrently selectable EQ modules (31-band graphic EQ, 10-band parametric EQ, Feedback Destroyer plus 3 Dynamic EQs per stereo channel) Ultra-high resolution 61-band real-time FFT analyzer with additional auto EQ function for room and loudspeaker equalization Unique VPQ (Virtual Paragraphic EQ) option allows parametric control of graphic EQs State-of-the-art compressor/expander with peak limiter per stereo channel, additional stereo imager and stereo delay for delay line applications Multi-functional level meters (peak/RMS, VU and SPL meter with dBA/dBC weighting via RTA/Mic input) 64 user memories for complete setups and/or individual module configurations Separate mic/line input with phantom power for RTA and Auto-EQ applications Balanced inputs and servo-balanced outputs with gold-plated XLR connectors, stereo aux output, AES/EBU and S/PDIF inputs and outputs (XLR and optical) Professional Wordclock input and MIDI connections for full remote control, preset dumps and system updates Open architecture allowing future software updates via MIDI "Planet Earth" switching power supply for maximum flexibility (100 - 240 V~), noise-free audio, superior transient response plus low power consumption for energy saving High-quality components and exceptionally rugged construction ensure long life Conceived and designed by BEHRINGER Germany
The alphaton Feedback-Controller FC-100 is a revolutionary product for every microphone application including wireless types. It can provide effective feedback control to any sound reinforcement situation. It can also eliminated string feedback in guitars and bass instruments which are equipped with piezo or condenser pickups. The FC-100 provides 6 to 10 dB of feedback protection by analysing the incoming signal, detecting the presence of feedback and then notching out the feedback frequency. The FC-100 relieves the sound engineer automatically. It works dynamically and eliminates a feedback signal before it can grow into a peak. Internally a discriminator circuit detects the presence of regenerative feedback and triggers the automatic equaliser to insert a notch where the feedback peak is coming up. This normally prevents other peaks from developing but if they do, the process is repeated at high speed, thus keeping feedback under control.
Technical Data In- and Outputs transformer balanced max. Inputlevel + 3 dB Gain (RS=200 Ohm, RL=2kOhm) 0 dB Frequency Response 20 Hz ... 20 kHz, +/- 1,5 dB Feeback Cancellation 6 ... 10 dB Power Requirement 30 ... 48 V Phantom Current drain ca. 8 mA External Power Supply 9 ... 20 V DC, 3,5 mm jack, tip + Housing Aluminium Diecast Weight 285 grams Dimensions 112 x 60 x 32 mm
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