DBX DRIVE RACK STUDIO MONITOR MANAGEMENT SYSTEM

DRIVE RACK Studio Monitor Management System

The dbx Professional Products DriveRack Studio provides all of
the tools necessary to optimize Studio Monitor management in
a single rack mount chassis design regardless of the environment.
The DriveRack Studio offers dual XLR inputs and six XLR outputs,
dual channel graphic EQ, classic dbx Compression, multiple
crossovers, parametric EQ and a built-in real time audio analyzer.
In addition, this audio toolbox provides the end user with 24 custom
presets that have been specifically written and designed to work in
tandem with the most popular studio reference monitors available.
The DriveRack Studio now allows you to fine-tune even the most
sonically challenged rooms.
The DriveRack Studio continues the legacy of DriveRack series,
which has been created by the company that has been redefining
the standard of signal processing for more than 30 years. The DriveRack
Studio was designed with the purpose and vision of providing state-of-
the-art signal processing in the studio environment, while utilizing a
simple and intuitive user interface. This goal has been achieved by
offering two independent channels of processing power with a linkable
28-Band Graphic equalizer, industry-standard dbx? stereo compressor
module, feedback eliminator and the 120A Subharmonic Synthesizer on
the input, with a six channel output system that includes parametric EQs,
and Peak Plus? limiters (which are used to provide protection against speaker
blowouts) and alignment delay. These features combined with the Wizard
setup system, represent a methodical design that is guaranteed to deliver
optimal, all-inclusive processing in a completely scalable system.
    

? 24 Custom Factory Programs Optimized for Studio Monitor Management
? Dual 28-band Graphic EQ
? Classic dbx? Compressor
? 120A Sub-harmonic Synthesizer
? 2x3, 2x4, 2x5, 2x6 Crossover Configurations
? Stereo Multi-band Parametric EQ
? Stereo Output Limiters
? Alignment Delay
? Pink Noise Generator
? Auto-EQ with 28-Band RTA
? 2-Channel XLR Input and 6 Channel XLR Output
? Front panel RTA-M XLR input with phantom power
? 24-Bit ADC/24-Bit DAC. >110dB Dynamic Range
? TYPE IV? Conversion System
? Full Graphic LCD Display

The ARX EC-2 is a flexible yet affordable 24 dB per octave Phase Correct active crossovers.
It has 2 modes of operation; as either Stereo 2 way or a Mono 3 way units, with a switch on
the back panel selecting either mode.

Features
Ultra low noise circuitry
Totally phase aligned at crossover point
Switchable Dual Channel 2 way or Single Channel 3 way
Unique 'semi-fixed' crossover point
24dB per octave (Fourth Order) Linkwitz-Riley filters
Separate Summed Mono Output
Balanced Inputs and Outputs
Built in High Pass filters
Intuitive, 'user friendly' layout
Flawless performance in any audio environment

Tamper-Proof Crossover Points
The crossover points are determined internally by the value of 4 resistors per channel; changing
the resistor value changes the crossover point. This 'semi fixed' method avoids the pitfalls of
externally adjusted crossover points, making the crossover points tamper-proof once they are set.
Idle fingers can't fiddle with the crossover points and create havoc with the system!
As a handy guide, a list of common crossover points and their corresponding resistor values are
printed inside the unit's lid, and also set out in the Owner's Manual.
On the front panel are level controls for Low and High in dual channel 2 way mode, and Low, Mid
and High in single channel 3 way mode, with corresponding Outputs on the rear panel.

Balanced Inputs and Outputs
EC-2 has Balanced Inputs and Outputs, on XLR connectors.
The EC-2 also has an additional summed Mono Low output, for applications that need a Mono Low
feed (e.g. Left and Right full-range plus a single Sub Bass speaker).
High Pass Filter
There is also a preset 30 Hz HighPass filter to remove unwanted subsonics which can damage speakers
and waste amplifier power.
In addition, each output has up to +6 dB of gain available, to compensate for amplifiers and speakers of
differing sensitivities.
Universal AC Power
AC power range is a universal 100 to 120V or 220 to 240VAC, and is connected to the unit via a standard
IEC connector, with built-in fuse and voltage change switch.
Uncompromising Audio Quality
Innovative circuit design is pointless unless it delivers stunning sound quality, and here the EC-2 excels.
It has been designed for uncompromising audio quality, and to achieve this, Linkwitz Riley 24dB (Fourth
Order) state variable filters are used throughout, ensuring a smooth Phase Correct transition through the
crossover region.
From Stage Monitors to Studio Monitors, from Front of House to the Front room of your House, the ARX
EC-2 is a crossover that is suited to any application that requires flawless, transparent sound.
You'll never compromise on Quality when you choose ARX

T E C H N I C A L S P E C I F I C A T I O N S

Input Impedance Balanced 20 Kohms, Unbalanced 10 Kohms
Input Headroom + 21 dB
CMRR >45 dB, 20 Hz-20 KHz
Output Impedance Balanced 300 ohms, Unbalanced 150 ohms
Output Level (Max) + 21dB
Frequency Response 30Hz-20KHz +or- 0.5dB
Note: 30 Hz is a function of the High Pass filter
Signal to Noise ratio (Controls at Unity) -90 dB Unweighted, -93 dB 'A' weighted
Distortion 004% THD,0dB,1KHz
Dynamic Range 111 dB
Power Requirements 100/120 V AC, 220/240 V AC
Weight 5 lbs/2.2 Kg
Dimensions 19“W x 13/4“H x 6“D, 482 x 44 x 155mm
Input Connector type XLR
Output Connector type XLR
Crossover point frequencies are changed internally by varying the value of 4 resistors
per channel.

Front Panel Controls
Low and High Output controls for 2 way mode
Low, Mid and High Output controls for 3 way mode
Marker panels for labelling crossover assigns
2 way/ 3 way status LEDs
Rear Panel
Balanced XLR Inputs and Outputs
Additional summed mono Low output
2 way / 3 way mode switch

The Soundweb London BLU-160 offers configurable I/O, configurable signal processing and a high bandwidth, fault tolerant digital audio bus.

The BLU-160 has open architecture which is fully configurable through HiQnet™ London Architect. A rich palette of processing and logic objects and a "drag and drop” method of configuration provide a simple and familiar design environment.

This processor features a low latency, fault tolerant digital audio bus of 256 channels which uses standard Category 5e cabling giving a distance of 100m between compatible devices. Fiber media converters can be used to increase the distance between devices to over 40km.

Four card slots which accommodate analog inputs, analog outputs, digital inputs and digital outputs in banks of four facilitate many different device I/O configurations.

Analog Input Cards provide software configurable gain in 6dB steps up to +48dB per channel and software selectable Phantom Power per channel. Digital Input Cards and Digital Output Cards process AES/EBU and/or S/PDIF audio and offer a variety of clocking and syncing options. (Further information about the I/O cards can be found on dedicated datasheets)

Phantom Power, Sync, Signal Present and Clip information per channel is easily accessible, without the requirement for a PC, from clear front panel LED indication. Device-specific information such as Device Name, Device Type, Firmware Version Number, Time, IP Address and Subnet Mask is available from the front panel display. A bi-directional locate function allows devices to be identified both from and within HiQnet London Architect.

12 Control Inputs and 6 Logic Outputs allow the BLU-160 to be integrated with GPIO compatible devices. The Soundweb London Interface Kit, comprehensive documentation which details how Soundweb London systems can be integrated with third party control systems, is included within the installation of HiQnet London Architect.

The BLU-160 and the other members of the Soundweb London family provide the building blocks of the perfectly tailored system solution.

• Four Input / Output Card Slots
• Configurable Inputs / Outputs
• Analog Inputs (with Phantom Power per Channel)
• Analog Outputs
• Digital Inputs (AES/EBU and S/PDIF)
• Digital Outputs (AES/EBU and S/PDIF)
• Configurable Signal Processing
• Rich Palette of Processing and Logic Objects
• 256 Channel, Low Latency, Fault Tolerant Digital Audio Bus
• Clear Front Panel LED Indication
• Informative Front Panel Display
• Bi-Directional Locate Functionality
• 12 Control Inputs and 6 Logic Outputs for GPIO Integration
• Soundweb London Interface Kit for Third Party Control System Integration (Documentation)
• HiQnet Device
• Configuration, Control and Monitoring from HiQnet London Architect

Providing 48-bit filter algorithms, 24-bit AD/DA conversion and a dynamic range of 115 dB, the DSP 244 sets new standards for digital loudspeaker controllers and processors. The DSP 244 is an universal Digital Sound System Processor that provides 2 inputs and 4 outputs; plus internal summing of the inputs 1 and 2. Via matrix it is possible to assign the outputs to any input or to the sum of the inputs. It is further possible to establish the following configurations: Stereo or Dual 2-Way systems, 3-Way + Direct and 4-Way systems, each with Mono Subchannel, but also full range systems. High and low-pass filters are provided for the frequency crossover functions in all operation modes. The selection includes Linkwitz-Riley, Butterworth and Bessel type filters with switchable slopes between 6, 12, 18 and 24 dB/oct. A huge number of additional filters offers extremely flexible correction of the frequency response. Each input incorporates a 5-band equalizer, allowing to assign high and low-pass, high and low-shelving or parametric peak-dip filters to its individual filter sections. Next to the frequency crossover filters, four additional filters are employed in each output channel, which also can be set to work as high or low-pass, high or low-shelving filters, parametric peak-dip filters, or all-pass filters. Additional filtering is provided through 2. order high-passes for the realization of B-6 alignment, or special LPN-filters (Low-Pass Notch filters) for correcting the frequency and phase responses of optimally vented woofer cabinets. Each channel additionally provides a delay, a polarity switch, a programmable level control and a digital compressor / limiter while the master delays are located in the input channels. Datasheets / ManualsBrochure (309KB)

Mains voltage 90 - 250 V AC / 50 - 60 Hz Power consumption 20 watts Safety class I Inputs 2 x XLR IN, electronically balanced, transformer optional available 2 x XLR OUT (Direct Out) Input voltage (nominal) 1.55 V / + 6 dBu Max. input voltage 24.5 V / + 30 dBu Input impedance 20 kohms Common mode rejection > 40 dB AD-conversion 24-bit, Sigma-Delta, 128 times oversampling, linear phase Outputs 4 x XLR OUT, electronically balanced Output voltage (nominal) 1.55 V / + 6 dBu Max. output voltage 8.7 V / + 21 dBu Output impedance